Spring 2006 V5
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HEALTH BENEFITS of APPLES a Report by Juliette Kellow RD Commissioned by Pink Lady® UK
THE HEALTH BENEFITS OF APPLES A report by Juliette Kellow RD commissioned by Pink Lady® UK PART 1 SETTING THE SCENE INTRODUCTION The state of the nation’s health and what we should – and shouldn’t – be eating to stay healthy and live longer is rarely out of the news. It’s unsurprising considering so many of the diseases that are commonly seen in the Western world are linked to a poor diet. What we eat is known to influence our risk of developing many major health problems, including obesity, heart disease, type 2 diabetes, high blood pressure, stroke, many cancers and dementia. In fact, scientists have estimated that 11 million deaths around the world are related to a poor diet – that’s more than a fifth (22 percent) of all adult deaths1. So just what should we be eating to stay healthy? The message from health organisations around the world, including the World Health Organization, is consistent and really very simple: we should all be aiming to eat a more plant-based diet. That’s not to say we need to become vegetarian or vegan. Most health organisations agree there’s no need to give up meat, fish, eggs or dairy completely. However, plants should take centre stage on our plates and provide most of our nutrition2. This, of course, isn’t just better for our health. Numerous studies suggest it’s also better for the planet. This was summed up in a report published in The Lancet in early 20193. Compiled by 37 scientists from 16 countries around the world, the recommended diet – hailed as the ‘planet diet’– is projected to prevent around 11 million premature deaths each year by promoting a healthier, mainly plant-based, diet. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Issue 9 •Sports Lingo P
TheStudent photos by DeCloud Studios Miegian Volume 57 Issue 9 •Sports Lingo p. 15• Senior Edition •Departing Teachers p. 2• Seniors missing from mural (due to unavailability): May 2014 •One Acts p. 4•Senior pullout• Daniel Becker, Ryan Estrada, McKinley Johnson, Lucy Kraus Miegian N E W S Small but Mighty Five Stags Are Leaving the Herd News Car Raffle Tickets The total sold by the students was $21,085 for 60% of the $35,000 goal. The seniors brought in 35% of their goal, juniors 50% of their goal, sophomores 61% of their goal and freshmen 80% of theirs. The top sellers were Rachel Lavery with $300 and Tyler Pennell with Mike Bohaty- 26 years Paula Munro- 20 years Amy Lukert- 7 years Emily McGinnis- 3 years Fred Turner- 2 years $275. The winner of the car was the What did you teach or what was your role? Also, with what type of fondest memories come from the more relaxed student interactions in rehearsals, activities were you involved? lessons, at basketball games, or on a bus for a field trip.” Kincaid family, who donated it back to • Mike Bohaty- “My first two years I was associate principal and was in charge of • Fred Turner- “Beating St. Thomas Aquinas like a drum for the championship of the the school before it was purchased by the St. Thomas Aquinas Tournament, The relationships developed between my players discipline, attendance and athletics. The third year a ‘Director for Attendance’ was Belfield family. hired. I was in charge of half the discipline and attendance and had activities. -
Junko Sakurada - Wikipedia, the Free Encyclopedia
Junko Sakurada - Wikipedia, the free encyclopedia https://en.wikipedia.org/w/index.php?title=Junko_Sakurada&printable=yes Junko Sakurada From Wikipedia, the free encyclopedia Junko Sakurada (桜田 淳子 Sakurada Junko , born 1958) is a Japanese singer and actress. She was part of a Junko Sakurada music trio in 1973, which included Momoe Yamaguchi 桜田 淳子 and Masako Mori. Sakurada then became successful in a solo music career, with 18 top ten singles in the 1970s. Her acting career ran from 1973 to 1993. She received multiple awards for her acting roles, including the Hochi Film Award, Award of the Japanese Academy, Kinema Junpo Award, and Mainichi Film Concours. Following her marriage, in a Blessing ceremony of the Unification Church in 1992, she retired from performing. Contents Junko Sakurada, from the cover of her 1991 book 1 Biography Gift God Gave Me 2 Works Born April 14, 1958 2.1 Music Akita, Japan [1] 2.2 Film 2.3 Television Occupation Singer and actress 3 Awards and nominations Religion Unification Church 4 See also Children 3 5 References 6 External links Awards 5 wins, 2 nominations Biography Sakurada was born in 1958. [2] She is a singer and actress.[3] In 1973, she was part of "a hit female trio", which also included musicians Momoe Yamaguchi and Masako Mori.[4] The music trio became popular as part of the television program Producing the Stars ( Star Tanjō! ); they were known as "The Trio of Third-Year Junior High School Students" ("Hana no Chu 3 Trio"). [5] According to Japan Pop!: Inside the World of Japanese Popular Culture , after this experience in a music group, she went off on her own to develop a solo music career, and became a megastar.[4] Cruising the Anime City: An Otaku Guide to Neo Tokyo described Sakurada as a 1970s music idol, like Pink Lady and Linda Yamamoto.[6] Throughout the 1970s she released a string of hit singles; nine top 5 singles, and in total eighteen top 10 singles of which Hajimete No Dekigoto (First Affair) sold best, grossing over 527,000 copies according to Oricon and peaking at number one. -
An Interview with Amor Towles
THE 1511 South 1500 East Salt Lake City, UT 84105 InkslingerSpring Issue 2 019 801-484-9100 The Arc of History: A Gentleman in Moscow, Amor Towles An Interview with Amor Towles— A young Russian count is saved from He’ll be in SLC April 2! a Bolshevik bullet because of a pre- by Betsy Burton revolution pro-revolution poem. Given his aristocratic upbringing he can’t go I called Amor Towles to talk to him free. So what is a Communist Commit- about A Gentleman in Moscow, but be- tee of the Commissariat to do? Put this fore we started with questions he won- unsuspicious suspect under house arrest dered who I was and whether we hadn’t in the grand hotel in which he’s staying, of met before at some book dinner or course. A hotel that, like Count Alexan- other. Knowing how often he speaks in der Ilyich Rostov himself, is allowed to exist for secret reasons public, I was surprised he remembered. of state. Our Count is nothing if not creative, and it isn’t long We had met, I said. Had sat next to one before his courtly manners and charm create a constella- another at a breakfast—an American tion of comrades that will inhabit your heart: Nina, a child Booksellers event at which he was the who teaches him the fine art of spying; her daughter Sophia, keynote speaker a couple of years ago. I decades later; his old friend, the poet Mishka; the glamorous thought so, he said. After chatting for a actress, Anna Urbanova; the hotel staff… As witty, cosmopoli- few minutes, I asked my first question tan, and unflappable as the Scarlet Pimpernel on the outside, Amor Towles, who will be in SLC as kind and as thoughtful as Tolstoy’s Pierre Bezukhov on the which was, admittedly, longwinded. -
Billboard 1978-05-27
031ÿJÚcö7lliloi335U7d SPOTLIG B DALY 50 GRE.SG>=NT T HARTFJKJ CT UolOo 08120 NEWSPAPER i $1.95 A Billboard Publication The International Music -Record -Tape Newsweekly May 27, 1978 (U.S.) Japanese Production Tax Credit 13 N.Y. DEALERS HIT On Returns Fania In Court i In Strong Comeback 3y HARUHIKO FUKUHARA Stretched? TOKYO -March figures for By MILDRED HALL To Fight Piracy record and tape production in Japan WASHINGTON -The House NBC Opting underscore an accelerating pace of Ways and Means Committee has re- By AGUSTIN GURZA industry recovery after last year's ported out a bill to permit a record LOS ANGELES -In one of the die appointing results. manufacturer to exclude from tax- `AUDIO VIDISK' most militant actions taken by a Disks scored a 16% increase in able gross income the amount at- For TRAC 7 record label against the sale of pi- quantity and a 20% increase in value tributable to record returns made NOW EMERGES By DOUG HALL rated product at the retail level, over last year's March figures. And within 41/2 months after the close of By STEPHEN TRAIMAN Fania Records filed suit Wednesday NEW YORK -What has been tales exceeded those figures with a his taxable year. NEW YORK -Long anticipated, (17) in New York State Supreme held to be the radio industry's main 5S% quantity increase and a 39% Under present law, sellers of cer- is the the "audio videodisk" at point Court against 13 New York area re- hope against total dominance of rat- value increase, reports the Japan tain merchandise -recordings, pa- of test marketing. -
“PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan. -
The---Enterprise
the----- ~, The Boston Strangler Enterprise Captain Shreve High School, Shreveport, Louisiana See p:~ge 4 Volume X Number 2 November 16, 1979 Students upset over grades by Vicky Nettles year, the·system will be in full Basic Phase Many juniors and seniors are swing, affecting all grades. A-3 points up in the air about the weighted The points given for grades B-2 points grade system because they feel received in the different phases C-1 point they were led to believe they are as follows: D-.5 points would be receiving weighted F-0 points grades in their phase classes this Enriched Phase These classes that will be year. However, the system only A-5 points weighted by the 1981-82 school affects this year's sophomores B-4 points year are the following: Phased and freshmen . C-3 points Courses-English I, English II, D-2 points English Ill, English IV, The system, designed to give F-0 points American History, Civics, more credit to the enriched phase Mathematics I, Mathematics II, because of the difference in General Phase General Science, and Biology. material presented, began with A-4 points Non-Phased Courses-Algebra I, last years freshmen. Every in B-3 points Algebra II , Advanced Mathe coming class of freshmen will be C-2 points matics, Biology, Physical receiving weighted grades from D-1 point Science, Chemistry, Physics, and Tommy Powell was recently promoted to assistant principal now on. By the 1981-82 school F-0 points Foreign language II, Ill, and IV. in charge of instruction and curriculum. -
Loudness the Law of Devil's Land Mp3, Flac, Wma
Loudness The Law Of Devil's Land mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Law Of Devil's Land Country: Japan Released: 1983 Style: Heavy Metal MP3 version RAR size: 1584 mb FLAC version RAR size: 1859 mb WMA version RAR size: 1299 mb Rating: 4.9 Votes: 992 Other Formats: VOC FLAC TTA APE MMF AUD RA Tracklist Hide Credits Theme Of Loudness Part II A1 1:56 Chorus – EveLyrics By – 二井原 実*Music By – 高崎 晃* In The Mirror A2 3:38 Lyrics By – 二井原 実*Music By – 高崎 晃* Show Me The Way A3 5:59 Lyrics By – 二井原 実*Music By – 高崎 晃* I Wish You Were Here A4 3:44 Lyrics By – 二井原 実*Music By – 高崎 晃* Mr. Yes Man A5 6:55 Lyrics By – 二井原 実*Music By – 高崎 晃* The Law Of Devil's Land B1 4:50 Lyrics By – 二井原 実*Music By – 高崎 晃* Black Wall B2 5:00 Lyrics By – 二井原 実*Music By – 山下 昌良* Sleepless Night B3 4:43 Lyrics By – 二井原 実*Music By – 高崎 晃* Speed B4 5:28 Lyrics By – 二井原 実*Music By – 高崎 晃* Companies, etc. Manufactured By – Nippon Columbia Co., Ltd. Marketed By – Nippon Columbia Co., Ltd. Made By – Nippon Columbia Co., Ltd. Phonographic Copyright (p) – Nippon Columbia Co., Ltd. Recorded At – Studio Birdman Recorded At – Nippon Columbia Studio Credits Arranged By, Producer [Sound] – Loudness Art Direction, Design, Illustration – Keisuke Tsukimitsu & MoonShine Project Bass – Masayoshi Yamashita Directed By – Kenichi Kishi Drums – Munetaka Higuchi Engineer [Recording] – Danny MacCleandon* Guitar – Akira Takasaki Illustration [Duplication] – Kaoru Hirono Layout [Imaging Coordination] – Keisuke Tsukimitsu Management [Personal] – Akihiro Takeda Producer [Grand] – Daikoh Nagato, Mikio Shimizu Technician [Mender] – Akira Ohmachi Vocals – Minoru Niihara Notes This is the subsequent regular/common release with new obi without the red text on left side of the obi. -
Cash Box NY Telex: 666123 Tists (Page 7)
UA-LA958-I Featuring ^ “Days Gone Down On United Artists Records in .C 1979 LIBERTY UNITED RECORDS. INC . LOS ANGELES CALIFORNIA 90028 UNITED ARTISTS RECORDS IS A TRADING NAM.F VOLUME XLI — NUMBER 3 — JUNE 2, 1979 FHE INTERNATIONAL MUSIC RECORD WEEKLY C4SH GEORGE ALBERT President and Publisher ? 5 MEL ALBERT “An Apple A Day Vice President and General Manager EDITORML CHUCK MEYER value. billboard. Director of Marketing Records are your best entertainment DAVE FULTON With near unanimous agreement that the Considering that consumers are looking for the In Chief Editor aforementioned maxim is true, it is time to let others most for their money, the time is right to let them J.B. CARMICLE realize this secret. know the investment value of music. With minimal General Manager. East Coast And the great hook to this is that it can be done care, a consumer can spend $4-6and haveawork of JIM SHARP Director, Nashville without a costly advertising campaign which also re- art for a lifetime. East Coast Editorial quires executives from various labels to agree to a This simple program needs to be coordinated KEN TERRY East Coast Editor CHARLES PAIKERT budget and a creative approach. Quite simply, a through the RIAA or another industry organization LEO SACKS AARON FUCHS series of phone calls and verbal agreements are all that will take the initiative to promote the concept to West Coast Editorial that is needed. the manufacturers. In a matter of days, the plan ALAN SUTTON. West Coast Editor JOEY BERLIN — RAY TERRACE Whenever a manufacturer advertises his albums, could be instituted. -
The Animated Movie Guide
THE ANIMATED MOVIE GUIDE Jerry Beck Contributing Writers Martin Goodman Andrew Leal W. R. Miller Fred Patten An A Cappella Book Library of Congress Cataloging-in-Publication Data Beck, Jerry. The animated movie guide / Jerry Beck.— 1st ed. p. cm. “An A Cappella book.” Includes index. ISBN 1-55652-591-5 1. Animated films—Catalogs. I. Title. NC1765.B367 2005 016.79143’75—dc22 2005008629 Front cover design: Leslie Cabarga Interior design: Rattray Design All images courtesy of Cartoon Research Inc. Front cover images (clockwise from top left): Photograph from the motion picture Shrek ™ & © 2001 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Photograph from the motion picture Ghost in the Shell 2 ™ & © 2004 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Mutant Aliens © Bill Plympton; Gulliver’s Travels. Back cover images (left to right): Johnny the Giant Killer, Gulliver’s Travels, The Snow Queen © 2005 by Jerry Beck All rights reserved First edition Published by A Cappella Books An Imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 1-55652-591-5 Printed in the United States of America 5 4 3 2 1 For Marea Contents Acknowledgments vii Introduction ix About the Author and Contributors’ Biographies xiii Chronological List of Animated Features xv Alphabetical Entries 1 Appendix 1: Limited Release Animated Features 325 Appendix 2: Top 60 Animated Features Never Theatrically Released in the United States 327 Appendix 3: Top 20 Live-Action Films Featuring Great Animation 333 Index 335 Acknowledgments his book would not be as complete, as accurate, or as fun without the help of my ded- icated friends and enthusiastic colleagues. -
Digital-Music-Report-2015
CONTENTS 4 25 Introduction Moving to a global release day in 2015 Plácido Domingo, chairman, IFPI Frances Moore, chief executive, IFPI 27 Country case studies 6 Brazil: a top performing market Market overview China: moving towards paid services An evolving portfolio business Germany: streams grow, CDs resilient Regional picture 32 10 Music and the wider economy Most popular artists and global bestsellers of 2014 The broader effect of investment in artists IFPI Global Recording Artist of the Year 2014 Music helps drive social media Top selling global albums & singles of 2014 Music and economic growth How streaming is changing the charts Tomorrow’s world 14 34 Key recording industry trends in 2014 Labels working with artists: four case studies Subscription drives the music portfolio David Guetta: using data intelligently New global services, more reach Lucas Lucco: artist and digital native Smartphones and partnerships drive growth Sam Smith: innovative promotion Getting subscription to the mass market Wakin Chau: interactive digital promotion Streaming revenue models Streaming services compete on curation 38 Payment options diversify Tackling digital piracy Downloads decline Consumer attitudes towards piracy Video streaming surges Website blocking Search engines 20 Advertising and payment providers New IFPI data shows artist payments Piracy and apps as share of revenues are up IFPI’s content protection work 22 41 Fixing the ‘value gap’ in digital music Digital music services worldwide Cover Taylor Swift photo by Sarah Barlow + Stephen Schofield Robin Schulz photo by Geturshot.com Wakin Chau photo courtesy of Rock Group One Direction photo by RJ Shaughnessy Lucas Lucco photo by Guto Costa Ed Sheeran photo by Ben Watts Katy Perry photo by Cass Bird This report includes new findings from a consumer study carried out by IPSOS in January 2015 across 13 of the world’s leading music markets (Australia, Brazil, Canada, France, Germany, Great Britain, Italy, Japan, Mexico, South Korea, Spain, Sweden, United States), www.ifpi.org commissioned by IFPI.