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Vatican Palace Bibliography Mostly in English Joseph Connors 2017 10 26 Vatican Palace Bibliography mostly in English Joseph Connors 2017 10 26 Vatican Palace James Ackerman, The Cortile del Belvedere (Studi e Documenti per la Storia del Palazzo Apostolico Vaticano, 3), Città del Vaticano, 1954 Innocenzo Venchi, Renate Colella, Arnold Nesselrath, Carlo Giantomassi and Donatella Zari, Fra Angelico and the Chapel of Nicholas V, Vatican City, 1999 John Shearman, The Vatican Stanze: Functions and Decorations (British Academy Italian Lecture), London, 1971 John Shearman, “The Apartments of Julius II and Leo X,” in Guido Cornini, et al., Raphael in the Apartments of Julius II and Leo X, Milan, 1993, pp. 1-36 Functions and Decorations, Art and Ritual at the Vatican Palace in the Middle Ages and the Renaissance, ed. Tristan Weddigen, Sible de Blaauw, Bram Kempers, Città del Vaticano and Turnhout, 2003 Diane Cole Ahl, Fra Angelico, London, 2008, ch. 6: “Famous Beyond All Other Italian Painters: Angelico in Rome and Orvieto,” pp. 159-94 Christine Smith and Joseph O’Connor, Building the Kingdom: Giannozzo Manetti on the Material and Spiritual Edifice, Turnhout, 2006 Rona Goffen, Renaissance Rivals: Michelangelo, Leonardo, Raphael, Titian, New Haven and London, 2002 Tristan Weddigen, Sible de Blaauw and Bram Kempers, eds., Functions and Decorations: Art and Ritual at the Vatican Palace in the Middle Ages and the Renaissance (Capellae Apostolicae Sixtinaeque Collectanea Acta Monumenta, 9; Collectanea V), Città del Vaticano and Turnhout, 2003 Carlo Pietrangeli, The Vatican Museums: Five Centuries of History, Rome, 1993 (Italian edition 1983) Tom Henry, Cesare da Sesto and Baldino Baldini in the Vatican Apartments of Julius II,” Burlington Magazine, 142, 2000, pp. 29-35 M. Giulia Aurigemma, “Torre Pia in Vaticano. Architettura, decorazione, committenza, trasformazioni di tre cappelle vasariane,” in Römisches Jahrbuch der Bibliotheca Hertziana, 39, 2009/10, pp. 65-163 Sistine Chapel General Ernst Steinmann, Die sixtinische Kapelle, 2 vols., Munich, 1901-1905. Vol. I (1901): Bau und Schmuck der Kapelle unter Sixtus IV. Vol. II (1905): Michelangelo Richard Sherr, “The Singers of the papal Chapel and Liturgical Ceremonies in the Early Sixteenth Century: Some Documentary Evidence,” in Rome in the Renaissance: The City and the Myth, ed. Paul Ramsey, Binghamton, 1982, pp. 249-64 Sistine Chapel Sixtus IV Frescoes L.D. Ettlinger, The Sistine Chapel Before Michelangelo: Religious Imagery and Papal Primacy, Oxford, 1965 Peter Howard, “Painters and the Visual Art of Preaching: The Exemplum of the Fifteenth Century Frescoes in the Sistine Chapel,” in I Tatti Studies in the Italian Renaissance, 13, 2010, pp. 33-77 Sistine Chapel Michelangelo Ceiling Sven Sandström, “The Sistine Chapel Ceiling,” in Levels of Reality: Studies in Structure and Construction in Italian Mural Painting During the Renaissance, Stockholm, 1963, pp. 173-91 John O’Malley, “The Theology Behind the Sistine Ceiling,” in The Sistine Chapel: Michelangelo Rediscovered, London, 1986, 92-148, 268. Leo Steinberg, “Eve’s Idle Hand,” in Art Journal 35 (1975-6): 130-35. Leo Steinberg, “Who’s Who in Michelangelo’s ‘Creation of Adam’: A Chronology of the Picture’s Reluctant Self-Revelation,” in Art Bulletin 74 (1992): 552-66 Marcia Hall and Leo Steinberg, “Who’s Who in Michelangelo’s Creation of Adam,” Art Bulletin, 75, 1993, pp. 340-344 Carol Lewine, The Sistine Chapel Walls and the Roman Liturgy, University Park PA, 1993 John Shearman, “The Functions of Michelangelo’s Color,” in The Sistine Ceiling: A Glorious Restoration, New York, 1994, 80-109 Edgar Wind, The Religious Symbolism of Michelangelo. The Sistine Ceiling, ed. Elizabeth Sears, Oxford, 2000 John O’Malley, “The Religious and Theological Culture of Michelangelo’s Rome, 1508-1512,” in Edgar Wind, The Religious Symbolism of Michelangelo. The Sistine Ceiling, ed. Elizabeth Sears, Oxford, 2000, pp. xli-lii Edgar Wind, The Religious Symbolism of Michelangelo: The Sistine Ceiling, Oxford, 2000. Chapter V, "The Ark of Noah," 48-57; Chapter X “Michelangelo’s Prophets and Sibyls” 124- 48 Ross King, Michelangelo and the Pope’s Ceiling, New York, 2003 Franco/Maria Ricci, Arnold Nesselrath et al., Vaticano La Cappella Sistina. Il Quattrocento, Milan, 2003 Heinrich Pfeiffer, S.J., The Sistine Chapel: A New Vision, trans. Steven Lindberg, New York and London, 2007 La Capilla Sixtina, Florence, 2011 Norman Land, “A concise History of the Tale of Michelangelo and Biagio da Cesena,” in Source, 32.4, Summer 2013, pp. 15-19 Paul Barolsky, “The Genius of Michelangelo’s Creation of Adam and the Blindness of Art History,” in Source: Notes in the History of Art, 33.1, Fall 2013, pp. 21-24 Bruce Sutherland, “Cameo Appearances on the Sistine Ceiling,” in Source: Notes in the History of Art, 33.2, Winter 2013, pp. 12-18 Sistine Chapel: Leo X and the Raphael Tapestries John Shearman, Raphael’s Cartoons in the Collection of Her Majesty the Queen and the Tapestries for the Sistine Chapel, London, 1972 Thomas Campbell, “The Acts of the Apostles Tapestries and Raphael’s Cartoons,” in Tapestry in the Renaissance: Art and Magnificence (exhib. cat.), New York, 2013, pp. 187- 203 Lisa Pon, “Raphael’s Acts of the Apostles Tapestries for Leo X: Sight, Sound, and Space in the Sistine Chapel,” in Art Bulletin, 97, 2015, pp. 388-40 Portraits of Julius II and Leo X Loren Partridge and Randolph Starn, A Renaissance Likeness: Art and Culture in Raphael’s Julius II, Berkeley and Los Angeles, 1980 Nelson Minnich, “Raphael’s Portrait Leo X with Cardinals Giulio de’ Medici and Luigi de’ Rossi: A Religious Interpretation,” in Renaissance Quarterly, 56.4, 2003, pp. 1005-1052 Sistine Chapel Last Judgment Marcia Hall, “Michelangelo’s Last Judgment: Resurrection of the Body and Predestination,” in Art Bulletin 58 (1976): 85-92 Leo Steinberg, “Who’s Who in Michelangelo’s Creation of Adam: A Chronology of the Picture’s Reluctant Self-Revelation,” Art Bulletin, 74, 1992, pp. 552-66 Marcia Hall, Michelangelo’s Last Judgment, Cambridge, 2005 Leo Steinberg, “Michelangelo’s Last Judgment as Merciful Heresy,” in Art in America 63 (1975): 49-65. Leo Steinberg, “A Corner of the Last Judgment,” in Daedalus 109 (1980): 207-73. Bernardine Barnes, “The Last Judgment and the Critics,” in Michelangelo’s Last Judgment: The Renaissance Response, Berkeley, 1998, 71-101 Stanza della Segnatura Heinrich Wölfflin, “IV: Raphael: The Camera della Segnatura,” in Classic Art: An Introduction to the Italian Renaissance (London, 1994), pp. 87-100 Ernst Gombrich, “Raphael’s Stanza della Segnatura and the Nature of its Symbolism,” in Symbolic Images (London: Phaidon, 1972), pp. 95-101. David Rosand, “ ‘Divinità di cosa dipinta’: Pictorial Structure and the Legibility of the Altarpiece,” in Peter Humfrey and Martin Kemp, eds., The Altarpiece in the Renaissance, Cambridge, 1990, pp. 143-64 Jonathan Unglaub, “Bernardo Accolti, Raphael’s Parnassus and a New Portrait by Andrea Del Sarto,” Burlington Magazine, 149, 2007, pp. 14-22 Arnold Nesselrath, “Lorenzo Lotto in the Stanza della Segnatura,” in Burlington Magazine, 142, 2000, pp. 4-12 Ingrid Rowland, Ingrid, “The Intellectual Background of the School of Athens: Tracking Divine Wisdom in the Rome of Julius II,” in Marcia Hall, ed., Raphael’s School of Athens (Cambridge: Cambridge University Press, 1997), 131-70. Glen Most, “Reading Raphael: The School of Athens and its Pre-Text,” Critical Inquiry, 23, 1996, pp. 145-82 Daniel/Orth Bell, “New Identifications in Raphael’s School of Athens,” in Art Bulletin, 77, 1995, pp. 638-46 David Rosand, “Raphael’s School of Athens and the Artist of the Modern Manner,” in Stella Flechter and Christina Shaw, eds., The World of Savonarola: Italian Elites and the Perception of Crisis (Aldershot: Ashgate, 2000), 212-32. Christian Kleinbub, “The Philosophical Eye: Iconographies of the Visual in the School of Athens,” in Vision and the Visionary in Raphael, University Park PA, 2011, pp. 46-69. Stanza di Eliodoro John Shearman, “The Expulsion of Heliodorus,” in Christoph Frommel and Matthias Winner, eds., Raffaello a Roma: Il convegno di 1983 (Rome: Elefante, 1986), 75-87 Michael Schwartz, “Raphael’s Authorship in the Expulsion of Heliodorus,” Art Bulletin, 79, 1997, pp, 466-92 Arnold Nesselrath, “Lotto as Raphael’s Collaborator in the Stanza di Eliodoro,” in Burlington Magazine, 146, 2004, pp. 732-741 (1997): 466-92. Stanza dell’Incendio Kurt Badt, “Raphael’s ‘Incendio del Borgo,’” in Journal of the Warburg and Courtauld Institutes 22 (1969): 35-59 Patricia Reilly, “Raphael’s Fire in the Borgo and the Italian Pictorial Vernacular,” Art Bulletin XCII (2010): 308-25. Sala di Costantino Philipp Fehl, “Raphael as a Historian: Poetry and Historical Accuracy in the Sala di Costantino,” in Artibus et Historiae, 14, 1993, pp. 9-76 Jan de Jong, The Power and the Glorification: Papal Pretensions and the Art of Propaganda in the Fifteenth and Sixteenth Centuries, University Park PA, 2013, pp. 70-90 Raphael “Bible” Loggia Nicole Dacos, The Loggia of Raphael: A Vatican Art Treasure, New York and London, 2008 Sala Regia Jan de Jong, The Power and the Glorification: Papal Pretensions and the Art of Propaganda in the Fifteenth and Sixteenth Centuries, University Park PA, 2013, pp. 118-61 Vatican Statue Collections, Maps, and Museums Matthias Winner, Bernard Andreae and Carlo Pietrangeli, eds., Il Cortile delle Statue. Der Statuenhof des Belvedere im Vatikan (1992), Mainz, 1998 Nicola Courtright, The Tower of the Winds in the Vatican Palace: Gregory XIII and the Art of Reform, Cambridge, 1997 Robert Meadows-Rogers, “The Vatican Logge and their Culminating Decorations under Pius V and Gregory XIII: Decorative Innovation and Urban Planning before Sixtus V,” Ph.D. diss., University of North Carolina at Chapel Hill, 1996 Deborah Brown, “The Apollo Belvedere and the Garden of Giuliano della Rovere at SS. Apostoli,” in Journal of the Warburg and Courtauld Institutes, 49, 1986, pp. 235-238 Francis Haskell and Nicholas Penny, Taste and the Antique, New Haven and London, 1981, pp.
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