sign in sign up
<<
Home , Antonio Paolucci, Apollo Belvedere, Cortile del Belvedere, Ennio Quirino Visconti, Mainz, Museum

Vatican Bibliography mostly in English Joseph Connors 2017 10 26

Vatican Palace James Ackerman, The Cortile del (Studi e Documenti per la Storia del Palazzo Apostolico Vaticano, 3), Città del Vaticano, 1954

Innocenzo Venchi, Renate Colella, Arnold Nesselrath, Carlo Giantomassi and Donatella Zari, and the Chapel of Nicholas V, Vatican , 1999

John Shearman, The Vatican Stanze: Functions and Decorations (British Academy Italian ), , 1971

John Shearman, “The Apartments of Julius II and Leo X,” in Guido Cornini, et al., in the Apartments of Julius II and Leo X, , 1993, pp. 1-36

Functions and Decorations, and Ritual at the Vatican Palace in the and the , ed. Tristan Weddigen, Sible de Blaauw, Bram Kempers, Città del Vaticano and Turnhout, 2003

Diane Cole Ahl, Fra Angelico, London, 2008, ch. 6: “Famous Beyond All Other Italian Painters: Angelico in and Orvieto,” pp. 159-94

Christine Smith and Joseph O’Connor, Building the Kingdom: Giannozzo Manetti on the Material and Spiritual Edifice, Turnhout, 2006

Rona Goffen, Renaissance Rivals: , Leonardo, Raphael, Titian, New Haven and London, 2002

Tristan Weddigen, Sible de Blaauw and Bram Kempers, eds., Functions and Decorations: Art and Ritual at the Vatican Palace in the Middle Ages and the Renaissance (Capellae Apostolicae Sixtinaeque Collectanea Acta Monumenta, 9; Collectanea V), Città del Vaticano and Turnhout, 2003

Carlo Pietrangeli, The Vatican : Five Centuries of , Rome, 1993 (Italian edition 1983)

Tom Henry, Cesare da Sesto and Baldino Baldini in the Vatican Apartments of Julius II,” Burlington Magazine, 142, 2000, pp. 29-35

M. Giulia Aurigemma, “Torre Pia in Vaticano. Architettura, decorazione, committenza, trasformazioni di tre cappelle vasariane,” in Römisches Jahrbuch der Bibliotheca Hertziana, 39, 2009/10, pp. 65-163

Sistine Chapel General Ernst Steinmann, Die sixtinische Kapelle, 2 vols., , 1901-1905. Vol. I (1901): Bau und Schmuck der Kapelle unter Sixtus IV. Vol. II (1905): Michelangelo

Richard Sherr, “The Singers of the papal Chapel and Liturgical Ceremonies in the Early Sixteenth Century: Some Documentary Evidence,” in Rome in the Renaissance: The City and the Myth, ed. Paul Ramsey, Binghamton, 1982, pp. 249-64

Sistine Chapel Sixtus IV Frescoes L.D. Ettlinger, The Sistine Chapel Before Michelangelo: Religious Imagery and Papal Primacy, , 1965

Peter Howard, “Painters and the Visual Art of Preaching: The Exemplum of the Fifteenth Century Frescoes in the Sistine Chapel,” in I Tatti Studies in the , 13, 2010, pp. 33-77

Sistine Chapel Michelangelo Sven Sandström, “The ,” in Levels of Reality: Studies in Structure and Construction in Italian During the Renaissance, , 1963, pp. 173-91

John O’Malley, “The Theology Behind the Sistine Ceiling,” in The Sistine Chapel: Michelangelo Rediscovered, London, 1986, 92-148, 268.

Leo Steinberg, “’s Idle Hand,” in Art Journal 35 (1975-6): 130-35.

Leo Steinberg, “Who’s Who in Michelangelo’s ‘Creation of ’: A Chronology of the Picture’s Reluctant Self-Revelation,” in Art Bulletin 74 (1992): 552-66

Marcia Hall and Leo Steinberg, “Who’s Who in Michelangelo’s Creation of Adam,” Art Bulletin, 75, 1993, pp. 340-344

Carol Lewine, The Sistine Chapel Walls and the Roman Liturgy, Park PA, 1993

John Shearman, “The Functions of Michelangelo’s Color,” in The Sistine Ceiling: A Glorious Restoration, New York, 1994, 80-109

Edgar Wind, The Religious Symbolism of Michelangelo. The Sistine Ceiling, ed. Elizabeth Sears, Oxford, 2000

John O’Malley, “The Religious and Theological of Michelangelo’s Rome, 1508-1512,” in Edgar Wind, The Religious Symbolism of Michelangelo. The Sistine Ceiling, ed. Elizabeth Sears, Oxford, 2000, pp. xli-lii

Edgar Wind, The Religious Symbolism of Michelangelo: The Sistine Ceiling, Oxford, 2000. Chapter V, "The Ark of ," 48-57; Chapter X “Michelangelo’s and ” 124- 48

Ross King, Michelangelo and the ’s Ceiling, New York, 2003

Franco/Maria Ricci, Arnold Nesselrath et al., Vaticano La Cappella Sistina. Il , Milan, 2003

Heinrich Pfeiffer, S.J., The Sistine Chapel: A New Vision, trans. Steven Lindberg, New York and London, 2007

La Capilla Sixtina, , 2011

Norman Land, “A concise History of the Tale of Michelangelo and Biagio da Cesena,” in Source, 32.4, Summer 2013, pp. 15-19

Paul Barolsky, “The Genius of Michelangelo’s Creation of Adam and the Blindness of ,” in Source: Notes in the History of Art, 33.1, Fall 2013, pp. 21-24

Bruce Sutherland, “Cameo Appearances on the Sistine Ceiling,” in Source: Notes in the History of Art, 33.2, Winter 2013, pp. 12-18

Sistine Chapel: Leo X and the Raphael John Shearman, Raphael’s Cartoons in the of Her Majesty the Queen and the Tapestries for the Sistine Chapel, London, 1972

Thomas Campbell, “The Acts of the Apostles Tapestries and Raphael’s Cartoons,” in in the Renaissance: Art and Magnificence (exhib. cat.), New York, 2013, pp. 187- 203

Lisa Pon, “Raphael’s Acts of the Apostles Tapestries for Leo X: Sight, Sound, and Space in the Sistine Chapel,” in Art Bulletin, 97, 2015, pp. 388-40

Portraits of Julius II and Leo X Loren Partridge and Randolph Starn, A Renaissance Likeness: Art and Culture in Raphael’s Julius II, Berkeley and , 1980

Nelson Minnich, “Raphael’s Portrait Leo X with Cardinals Giulio de’ Medici and Luigi de’ Rossi: A Religious Interpretation,” in Renaissance Quarterly, 56.4, 2003, pp. 1005-1052

Sistine Chapel Last Judgment Marcia Hall, “Michelangelo’s Last Judgment: of the Body and Predestination,” in Art Bulletin 58 (1976): 85-92

Leo Steinberg, “Who’s Who in Michelangelo’s Creation of Adam: A Chronology of the Picture’s Reluctant Self-Revelation,” Art Bulletin, 74, 1992, pp. 552-66

Marcia Hall, Michelangelo’s Last Judgment, Cambridge, 2005

Leo Steinberg, “Michelangelo’s Last Judgment as Merciful Heresy,” in Art in America 63 (1975): 49-65.

Leo Steinberg, “A Corner of the Last Judgment,” in Daedalus 109 (1980): 207-73.

Bernardine Barnes, “The Last Judgment and the Critics,” in Michelangelo’s Last Judgment: The Renaissance Response, Berkeley, 1998, 71-101

Stanza della Segnatura Heinrich Wölfflin, “IV: Raphael: The Camera della Segnatura,” in Classic Art: An Introduction to the Italian Renaissance (London, 1994), pp. 87-100

Ernst Gombrich, “Raphael’s Stanza della Segnatura and the Nature of its Symbolism,” in Symbolic Images (London: Phaidon, 1972), pp. 95-101.

David Rosand, “ ‘Divinità di cosa dipinta’: Pictorial Structure and the Legibility of the ,” in Peter Humfrey and Martin Kemp, eds., The Altarpiece in the Renaissance, Cambridge, 1990, pp. 143-64

Jonathan Unglaub, “Bernardo Accolti, Raphael’s Parnassus and a New Portrait by Andrea Del Sarto,” Burlington Magazine, 149, 2007, pp. 14-22

Arnold Nesselrath, “Lorenzo Lotto in the Stanza della Segnatura,” in Burlington Magazine, 142, 2000, pp. 4-12

Ingrid Rowland, Ingrid, “The Intellectual Background of the School of : Tracking Divine Wisdom in the Rome of Julius II,” in Marcia Hall, ed., Raphael’s School of Athens (Cambridge: Cambridge University Press, 1997), 131-70.

Glen Most, “Reading Raphael: and its Pre-Text,” Critical Inquiry, 23, 1996, pp. 145-82

Daniel/Orth Bell, “New Identifications in Raphael’s School of Athens,” in Art Bulletin, 77, 1995, pp. 638-46

David Rosand, “Raphael’s School of Athens and the Artist of the Modern Manner,” in Stella Flechter and Christina Shaw, eds., The World of Savonarola: Italian Elites and the Perception of Crisis (Aldershot: Ashgate, 2000), 212-32.

Christian Kleinbub, “The Philosophical Eye: of the Visual in the School of Athens,” in Vision and the Visionary in Raphael, University Park PA, 2011, pp. 46-69.

Stanza di Eliodoro John Shearman, “The Expulsion of Heliodorus,” in Christoph Frommel and Matthias Winner, eds., Raffaello a Roma: Il convegno di 1983 (Rome: Elefante, 1986), 75-87

Michael Schwartz, “Raphael’s Authorship in the Expulsion of Heliodorus,” Art Bulletin, 79, 1997, pp, 466-92

Arnold Nesselrath, “Lotto as Raphael’s Collaborator in the Stanza di Eliodoro,” in Burlington Magazine, 146, 2004, pp. 732-741 (1997): 466-92.

Stanza dell’Incendio Kurt Badt, “Raphael’s ‘Incendio del Borgo,’” in Journal of the Warburg and Courtauld Institutes 22 (1969): 35-59

Patricia Reilly, “Raphael’s Fire in the Borgo and the Italian Pictorial Vernacular,” Art Bulletin XCII (2010): 308-25.

Sala di Costantino Philipp Fehl, “Raphael as a Historian: Poetry and Historical Accuracy in the Sala di Costantino,” in Artibus et Historiae, 14, 1993, pp. 9-76

Jan de Jong, The Power and the Glorification: Papal Pretensions and the Art of in the Fifteenth and Sixteenth Centuries, University Park PA, 2013, pp. 70-90

Raphael “” Loggia Nicole Dacos, The Loggia of Raphael: A Vatican Art Treasure, New York and London, 2008

Sala Regia Jan de Jong, The Power and the Glorification: Papal Pretensions and the Art of Propaganda in the Fifteenth and Sixteenth Centuries, University Park PA, 2013, pp. 118-61

Vatican Statue Collections, Maps, and Museums Matthias Winner, Bernard Andreae and Carlo Pietrangeli, eds., Il Cortile delle Statue. Der Statuenhof des Belvedere im Vatikan (1992), , 1998

Nicola Courtright, The Tower of the Winds in the Vatican Palace: Gregory XIII and the Art of Reform, Cambridge, 1997

Robert Meadows-Rogers, “The Vatican Logge and their Culminating Decorations under Pius V and Gregory XIII: Decorative Innovation and Urban Planning before Sixtus V,” Ph.D. diss., University of North Carolina at Chapel Hill, 1996

Deborah Brown, “The Belvedere and the Garden of Giuliano at SS. Apostoli,” in Journal of the Warburg and Courtauld Institutes, 49, 1986, pp. 235-238

Francis Haskell and Nicholas Penny, Taste and the Antique, New Haven and London, 1981, pp. 7-15 and under individual statues

Hans/Henrik Brummer, “On the Program of the Cortile delle Statue in the Vatican Belvedere,” in Matthias Winner, Bernard Andreae and Carlo Pietrangeli, eds., Il Cortile delle Statue. Der Statuenhof des Belvedere im Vatikan (1992), Mainz, 1998, pp. 67-75

Irving Lavin, “Ex uno lapide: The Renaissance sculptor’s Tour de Force,” in Matthias Winner, Bernard Andreae and Carlo Pietrangeli, eds., Il Cortile delle Statue. Der Statuenhof des Belvedere im Vatikan (1992), Mainz, 1998, pp. 191-210

Kathleen Wren Christian, Empire Without End: Collections in Renaissance Rome, c. 1350-1527, New Haven and London, 2010, pp. 157-67 (“Parnassus Found: Curial Collectors and the Papal Belvedere”)

Wolfgang Liebenwein, “Clemens VII. und der ‘Laokoon,’ ” in Opere e giorni. Studi su mille anni di arte europea dedicati a Max Seidel, ed. Klaus Bergdolt and Giorgio Bonsanti, , 2001, pp. 465-78

Richard Brilliant, My Laocoön: Alternative Claims in the Intrerpretation of Artworks, Berkeley and Los Angeles, 2000

Victoria Newhouse, Art and the Power of Placement, New York, 2005, “The Laocoön,” pp. 62-91

Belvedere Statues and other Vatican Art in under Ian Jenkins, “ ‘ without Altars’: The Belvedere in ,” in Matthias Winner, Bernard Andreae and Carlo Pietrangeli, eds., Il Cortile delle Statue. Der Statuenhof des Belvedere im Vatikan (1992), Mainz, 1998, pp. 459-69

Haskell and Penny, Taste and the Antique, “The Last Dispersals,” pp. 108-116

Dorothy/Mackay Quynn, “The Art Confiscations of the Napoleonic ,” in The American Historical Review, 50, 1945, pp. 437-460

Martin Rosenberg, “Raphael’s Transfiguration and Napoleon’s Cultural Politics,” Eighteenth Century Studies, 19, 1986, pp. 180-205\

Cathleen Honeiger, The Afterlife of Raphael’s , New York and Cambridge, 2011

Cathleen Hoeniger, The Afterlife of Raphael’s Paintings, Cambridge, 2011, ch. 2: “The Reception of Raphael, with a Focus on the Vatican Stanze,” pp. 36-71; ch. 3: The History of Damage and Restoration to Raphael’s Stanze and the Restoration of the Loggia of Psyche in 1693-1695,” pp. 72-107

Cathleen Hoeniger, “The Art Requisitions by the French under Napoleon and the Detachment of Frescoes in Rome, with an Emphasis on Raphael” in La restauration des oeuvres d’art en entre 1789 et 1815: pratiques, transferts, enjeux. Actes du colloque international tenu à l’Université de Genève en octobre 2010, ed. Noémie Étienne, in CeROArt - Conservation, exposition, restauration d’objets d’ (on-line journal), 8, 2012, pp. 1-41

Thierry Lentz, “Napoleon, les Arts, la Politque,” in Napoleon et le , Paris, 2004

Formation of the Ennio/Quirino Visconti, Il museo Pio-Clementino descritto da Giambattista Visconti Prefetto delle Antichità di Roma, ed. Ludovico Mirri, 6 vols., Rome, 1782-92; vol. VII, ed. Gaspare Capparone, 1807

La nuova Pinacoteca Vaticana, , 1932

George McKee, “The Musée Français and the Musée Royal: A History of the Publication of an Album of Fine Engravings, with a Catalogue of Plates and Discussion of Similar Ventures,” Ph.D. diss., University of , 1981

Carlo Pietrangeli, The Vatican Museums: Five Centuries of History, trans. Peter Spring, Rome, 1993

Paolo Liverani, et al., Vaticano La Sala degli Animali nel Museo Pio-Clementino, Milan, 2003

Guido Cornini and Claudia Lega, eds., Precious Antiquities: The Profane in the Time of Pius VI, Vatican City, 2013

I Musei Vaticani nell’80o anniversario della firma dei patti lateranensi 1929-2009, ed. Antonio Paolucci and Cristina Pantanella, Florence and Milan, 2009

Arnold Nesselrath, “La Pinacoteca Vaticana,” in I Musei Vaticani nell’80° anniversario della firma dei patti lateranensi 1929-2009, ed. Antonio Paolucci and Cristina Pantanella, Florence and Milan, 2009, pp. 49-56

Jeffrey Collins, “The Gods’ Abode: Pius VI and the of the Vatican Museum,” in Clare Hornsby, ed., The Impact of : The Grand Tour and Beyond, London, 2000, pp. 171- 92

Jeffrey Collins, Papacy and Politics in Eighteenth-century Rome: Pius VI and the Arts, Cambridge, 2004, “Ch. 4: The Gods’ Abode,” pp. 132-92

Casino of Pius IV and Pirro Ligorio in the Vatican M. Fagiolo, “La Casina di Pio IV in Vaticano: Pirro Ligorio e l’architettura come geroglifico,” in Storia dell’Arte, 15/16, 1972, pp. 237-281

Graham Smith,The Casino of Pius IV, Princeton, 1977

D. Borghese, ed., La Casina di Pio IV in Vaticano, a cura di D. Borghese, Turin, 2010

Robert Gaston, ed., Pirro Ligorio, Artist and Antiquarian, Cinisello Balsamo, 1988

C. Bragaglia Venuti, “L’antichità moralizzata di Pirro Ligorio nella Loggia di Pio IV,” in Rivista di Storia della Chiesa in Italia, 53, 1999, pp. 39-82

C. Bragaglia Venuti, “Per l’interpretazione dei cicli decorativi di Pio IV,” in Programme et invention dans l’art de la Renaissance, ed. M. Hochmann, Paris, 2008, pp. 109-12

General Humanism James Hankins, “The and Humanism,” in Rome Reborn: The and Renaisssance Culture (ex. cat.), ed. Anthony Grafton, Washington, D.C., 1993, pp. 47-85

Casts, Influence Worldwide, Copies Jan Zahle, “Laocoön in – Uses and Workshops 1587 onwards,” in Plaster Casts: Making, and Displaying from to the Present, ed. Rune Frederiksen and Eckart Marchand, and New York, 2010, pp. 143-61

Vatican Library: Multi-volume history Antonio Manfredi, ed., Le origini delle Biblioteca Vaticana tra Umanesimo e Rinascimento (1447-1543), Città del Vaticano, 2010

Massimo Ceresa, ed., La Biblioteca Vaticana tra riforma cattolica, crescita delle collezioni e nuovo edificio (1535-1590), Città del Vaticano, 2012

Claudia Montuschi, ed., La Vaticana nel Seicento (1590-1700): Una biblioteca di biblioteche, Città del Vaticano, 2014

Nicoletta Mattioli Háry, The Vatican Library and the Carnegie Endowment for International Peace : The History, Impact, and Influence of Their Collaboration, 1927-1947 (Studi e testi, 455), Città del Vaticano, 2009

Older Vatican Library Bibliography Domenico Fontana, Della trasportatione dell’obelisco vaticano, Rome, 1590, ed. A. Carugo, Milan, 1978, I, pp. 82-98.

Angelo Rocca, Bibliotheca Apostolica Vaticana, Rome, 1591.

Angelo Rocca, Chronhistoria De Apostolico Sacrario..., Rome, 1605.

[Angelo Rocca], Bibliotheca Angelica Litteratorum Litterarumq. Amatorum commoditati dicata Romae in Aedibus Augustinianis, Rome, 1608.

Giovanni Mercati, Per la storia della Biblioteca Apostolica, bibliotecario Cesare Baronio, Perugia, 1910. (Estratto da: Per Cesare Baronio. Scritti vari nel terzo centenario della sua morte, Rome [1911], pp. 85-178.)

Jeanne Bignami Odier, with the collaboration of José Ruysschaert, La bibliothèque vaticane de Sixte IV à Pie XI (Studi e testi, 272), Città del Vaticano, 1973.

A. Dupront, “Art et Contre-Réforme: Les fresques de la Bibliothèque de Sixte-Quint,” Mélanges d’archéologie et d’histoire de l’Ecole Française de Rome, XLVIII, 1931, pp. 282-307

Jacob Hess, “Some Notes on Paintings in the Vatican Library,” Kunstgeschichtliche Studien zu Renaissance und Barock, Rome, 1967, pp. 163-79.

Jacob Hess, “La biblioteca Vaticana: storia della costruzione,” Kunstgeschichtliche Studien zu Renaissance und Barock, Rome, 1967, pp. 143-52.

Pierre Petitmengin, “Recherches sur l’organisation de la Bibliothèque Vaticane: l’époque des Ranaldi (1547-1645),” Mélanges, LXXV.2, 1963, pp. 561-628.

Toby Yuen, “The ‘Bibliotheca Graeca’: Castagno, Alberti, and Ancient Sources,” Burlington Magazine, CXII, 1970, 812, pp. 725-736.

Angela Böck, Das Dekorationsprogramm des Lesesaals der Vatikanischen Bibliothek, Ph.D. thesis: Schriften aus dem Institut für Kunstgeschichte der Universität München, Munich, 1988.

Leonard Boyle, O.P. “Sixtus IV and the Vatican Library,” Rome: Tradition, Innovation and Renewal (conference Rome 1984), Victoria, B.C., 1991, pp. 65-73.

Nicholas Clark, Melozzo da Forlì: Pictor Papalis, London, 1990

Marcia Hall, “Sixtus V: A Program for the Decorum of Images,” Arte Cristiana, LXXXVI, 1998, pp. 41-48