Preservation Hall

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! ! ! ! ! ! ! ! ! PRESERVATION HALL ! ! ! ! ! Classified James Booker CD: Classified ! That's It! Preservation Hall Jazz Band CD: That's It! ! Chimes Blues Sweet Emma Barrett and Her Preservation Hall Jazz Band CD: Preservation Hall Jazz Band ! Tootie Ma is a Big Fine Thing Preservation Hall Jazz Band, featuring Tom Waits CD: Preservation ! Keep On Preservation Hall Jazz Band, featuring John Oates Live at Preservation Hall (unreleased) ! Halfway Right, Halfway Wrong Preservation Hall Jazz Band, featuring Ronell Johnson Live at Preservation Hall (unreleased) ! A Good Man is Hard to Find Sweet Emma Barrett and Her Preservation Hall Jazz Band CD: Sweet Emma Barrett and Her Preservation Hall Jazz Band ! Pork Chop The George Lewis Band of New Orleans CD: George Lewis -- Jazz at Preservation Hall ! ! Basin Street Blues Harold "Duke" Dejan and the Preservation Hall Hot 4 CD: Preservation Hall Hot 4 with Duke Dejan ! ! Ciribiribin Billie and DeDe Pierce, 1967 with Louis Nelson, Cie Frazier and Chester Zardis CD: The Lord Richard New Orleans Sessions, Vol. 4 ! ! Down in Honky Tonk Town Billie and DeDe Pierce, 1967 with Louis Nelson, Cie Frazier and Chester Zardis CD: The Lord Richard New Orleans Sessions, Vol. 4 ! ! Everything's Lovely Harold "Duke" Dejan and the Olympia Brass Band CD: The Best of the Early Years, Preservation Hall ! ! Down By the Riverside Harold "Duke" Dejan and the Olympia Brass Band CD: The Best of the Early Years, Preservation Hall ! If I Had My Life to Live Over Harold "Duke" Dejan and the Preservatiopn Hall Hot 4 CD: The Preservation Hall Hot 4 with Harold "Duke" Dejan ! That's It! Preservation Hall Jazz Band CD: That's It! ! ! ! ! Yellow Moon Charlie Gabriel and Ben Jaffe Live for Music Inside Out ! I Think I Love You Preservation Hall Jazz Band, featuring Charlie Gabriel and Jim James cd: that's it! ! Siboney Charlie Gabriel and Ben Jaffe Live for Music Inside Out ! Emmalena's Lullaby Preservation Hall Jazz band CD: That's It! ! Classified James Booker CD: Classified ! Rattlin' Bones Preservation Hall Jazz Band, featuring Freddie Lonzo Live at Preservation Hall (unreleased) .

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Whicl-I Band-Probably Sam; Cf
A VERY "KID" HOWARD SUMMARY Reel I--refcyped December 22, 1958 Interviewer: William Russell Also present: Howard's mother, Howard's daughter, parakeets Howard was born April 22, 1908, on Bourbon Street, now renamed Pauger Street. His motTier, Mary Eliza Howard, named him Avery, after his father w'ho di^d in 1944* She sang in church choir/ but not professionally. She says Kid used to beat drum on a box with sticks, when he was about twelve years old. When he was sixteen/ he was a drummer. They lived at 922 St. Philip Street When Kid was young. He has lived around tliere all of his life . Kid's father didn't play a regular instrument, but he used to play on^ a comb, "make-like a. trombone," and he used to dance. Howard's parents went to dances and Tiis mother remembers hearing Sam Morgan's band when she was young, and Manuel Perez and [John] Robichaux . The earliest band Kid remembers is Sam Morgan's. After Sam died, he joined the Morgan band/ witli Isaiah Morgan. He played second trumpet. Then he had his own band » The first instrument he.started on was drums . Before his first marriage, when he got his first drums/ he didn't know how to put them up. He had boughtfhem at Werlein's. He and his first wife had a time trying to put them together * Story about }iis first attempt at the drums (see S . B» Charters): Sam Morgan had the original Sam Morgan Band; Isaiah Morgan had l:J^^i', the Young Morgan Band.
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Shipman Donation List
SUMMARY OF DONATION OF JAZZ RESOURCES RECEIVED FROM JEROME S. SHIPMAN November 1992 through January 1993 Music Library University of Illinois at Urbana-Champaign PERIODICALS G-J-~~"iClimax: A Creative Review in the Jazz Spirit (Sessions'l-2, 1955-Summer 1956) 1 ~ Esquire's Jazz Book (1944, 1945, 1946) =Pamphlet edition o:tJ~0"<....___ . ' Esquue' s Jazz Book (1945, 1946) = hard cover edition in reduced format '-:.~, 1 ·~Eureka: The Bi-monthly Magazine of New Orleans Jazz (Vol. 1, nos. 1-5; OJ'WV;Zf 1'i Jan. /Feb .-Sept. /Oct. 1960) ...:-~ C.-17-q..,.Jazz (New York: Jazz Magazine; Vol. 1, nos. 1-3; June 1942-August 1942~Y (Jazz (New York: Jazz Magazine; Vol. 1, no. 8; May 1943) = Same as above!~ O 1 Jazz. (N~~k;ar~Magazine; Vol. 1, no. 1; December 15, 1944) "VoL 11 r'\.O,l.,JJJ"' ~J , tq'f.s ' .A. • ~ . ,l .. tAi. _Jazz (New York: Ja~:z; Pres!U; Vol. 1, f 1 no. 1, Oct. 1962-Vol. 4, no. 10, Nov. 'I( V'¥'1{ .-- "":>';i'(;/.Sl05o'A'z-- 1965) ~ ..JG-J?~'f~ _J~zz Forum (No. 3, January 1947) \ 1 .Jazz Magazine (Vol. 1~ no. lA Summer 1976-Vol. 2, no. 1, Fall 1977) tl\O...i 1\\\.\ U\v.~~ -..17'8'1.5/0:S ::f Ml\ 1 1 J74l.:!The Jazz Record (No. 1, Feb. 15, 1943=covers only; No. 2, March 1, 1943, ~~ G-~ ., includes two versions of pp. 7-8; Nos. 3-4; No. 5, April 15, 1943, lacks covers; No. 6, May 1, 1943; No.
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I I I I I I I R I I ! -·
I /)·2 F/le: !lew Orleans a~ ' Jazz_ NlfP I A BIOGRAPHICAL LISTING OF SELECTED MAJOR JAZZ/BLUES ARTISTS I IN NEW ORLEANS, PAST AND PRESENT 1: Curtis Dale Jerde I Principal Investigator I ·' Submit ted by Earth Search, Inc • P.O. Box 850319 I: New Orleans, LA 70185-0319 • April 16, 1990 I! In Partial Fulfillment of PX 75 30-9-0275 1: Submit ted to Jean Lafitte National Historical Park and Preserve I' 423 Canal Streett Room 210 New Orleans, LA 70130-2341 I, I I I r B&WScans I IZ -/0 .zoo0 I .,-· I I A BIOGRAPHICAL LISTING OF SELECTED MAJOR JAZZ/BLUES ARTISTS I IN NEW ORLEANS, PAST AND PRESENT I Curtis Dale Jerde Principal Investigator I I I Submitted by Earth Search, Inc . P.O. Box 850319 I New Orleans, LA 70185-0319 • April 16, 1990 In Partial Fulfillment of I PX7530-9-0275 I Submitted to Jean Lafitte National Historical Park and Preserve I 423 Canal Street, Room 210 New Orleans, LA 70130-2341 I I I rI I BIOGRAPHICAL LISTING OF SELECTED MAJOR JAZZ/BLUES ARTISTS IN NEW ORLEANS, PAST AND PRESENT Curtis Dale Jerde Principal Investigator Submitted by Earth Search, Inc. P. 0. Box 850319 New Orleans, LA 70185-0319 April 16, 1990 In Partial Fulfillment of PX7530-9-0275 Submit ted to Jean Lafitte National Historical Park and Preserve 423 Canal Street, Room 210 New Orleans, LA 70130-2341 I ACKNOWLEDGEMENTS Much of the material contained in this volume is derived directly I from original sources, particularly those held by the William ' Ransom Hogan Jazz Archive of the Howard-Tilton Memorial Library, Tulane University.
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F/Le: .I /J E.W 0 Rle4ns Jaz..E.- N#P
/)-/ F/le: .I /J e.w 0 rle4ns Jaz..e.- N#P ARCHIVAL RECORD AND RESOURCES RELATED TO JAZZ IN THE NEW ORLEANS AREA Curtis Dale Jerde Principal Investigator Submitted by Earth Search, Inc. P.O. Box 850319 New Orleans, LA 70185-0319 April 16, 1990 In P2rti al Fulfillment of PX7530-9-0275 Submitted to Jean Lafitte National Historical Park and Preserve 423 Canal Street, Room 210 New Orleans, LA 70130-2341 I 'I I ARCHIVAL RECORD AND RESOURCES I RELATED TO JAZZ IN THE NEW ORLEANS AREA I Curtis Dale Jerde I Principal Investigator I Submitted by Earth Search, Inc. I, P.O. Box 850319 New Orleans, LA 70185-0319 I April 16, 1990 I' In Partial F'ulfillment of &, PX7530-9-0275 Submit ted to Jean Lafitte National Historical Park and Preserve I 423 Canal Street, Room 210 I New Orleans, LA 70130-2341 I I rI I .-------~---- --- -- -- I PRINCIPAL INVESTIGATOR'S FOREWARD I The United States enters the last decade of the twentieth ' century having seen approximately one hundred years of the development of jazz since the idiom first took root in the I nation's vernacular musical tradition. During that period, the music has inspired a range of attitudes, from rebellious affirmation to pernicious abnegation. In the course of this vacillating response, the nation has simultaneously experienced a I revolution in social and cultural mores, involving in many cases a total inversion of the values by which it lives. Jazz, along with kindred musical developments to which it has a precursive relationship, supplied the musical theme for this incredible I saga.
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Oct. Newsletter.Indd
NEWSLETTER NEWSLETTER APRIL 2014 GEORGE H. BUCK JR. George Buck at the Microphone In my favorite photograph of George Buck he is sitting in front of a microphone emblazoned with the letters WWOD. Perfectly dressed in jacket and tie, he smiles broadly, his hair shiny with brilliantine. George looks so young in this photo that you might think it was some sort of gag, taken during a high school fi eld trip. But it wasn’t a gag. While George is best known for his devotion to and promotion of Jazz, he had an equal ardor for the medium which fi rst introduced him to it: radio. WWOD was the Mutual Broadcasting affi liate in Lynchburg, Virginia, where George attended college. He delighted in telling the story of his parents driving him the 400-or-so miles from their home in Elizabeth, New Jersey to Lynchburg. The trio arrived in town that day just before Rudi Blesh’s weekly broadcast “This is Jazz” was scheduled to begin. “This Is Jazz” was a Mutual pro- gram fi rst aired in January of 1947 and, as George would remember, “broadcast coast to coast for thirty-fi ve grand and glorious weeks.” The Blesh show featured a house band comprised of the jazz stars of the day (including, of course, Wild Bill Davison) who, often abetted by guests like Sidney Bechet and Louis Armstrong, would essay in the hot jazz manner for half-an-hour. The Buck family car was not equipped with a radio, so a teen-aged George convinced his folks to drop him off at a radio repair shop in Lynchburg’s black section so that he could listen in.
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Modern/Post-War
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