Who Bought the Most Expensive Album Ever Made?
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Ghostface Killah Assassination
Assassination Day Ghostface Killah It's assassination day, I stalk I move through the third world, my third eye's the guiding light Invite the fight, we all die tonight The life I live's a twenty-five to life bid Parole reneged, I stroll the globe fugitive CREAM is short, Cee Cipher Power stalk, plus the fiend talk Three Gs the cost in Supreme Court White lies and blackmail land me back in jail We're all for sale, a stolen goal but it fail Stranded on the front line I shine to the dumb and blind It comes time I take back what was once mine Crunch time in the first quarter From the worst slaughter Devil's poisoning the birth water The earth daughter rest her head on my chest Through the struggle we cuddle under half-moon crest While the press plant fear and exploit the gun blasting Central broadcasting is shackling, nerves are unfastened Trapped in deep water, gasping I clash with the titans for my half on the action I stop producers careers, the weak spot was the ears Scorpion darts hits the mark Pierce the heart with silver spears You're bewildered My unsaturated, low filtered Devils still feel this so you're living build tilted MC's upon their axis, their body hazard tactic Lactic acid, desert drop cactus, practice You can never match this invincible Wu-Tang indispensable One nation under God Indivisible With liberty and justice The mic is in my clutches Thugs who bring ruckus leave in crutches Unforgivable snakes face the double-edged swords starts to swivel Decapitates the head, makes the projects more livable Interchangeable, caution: -
Mega Ran Virtual Artist Residency Music of the United States: Hip Hop Audience Guide
Mega Ran Virtual Artist Residency Music of the United States: Hip Hop Audience Guide HISTORY AND KEY TERMS Hip hop originated in the Bronx borough of New York City, and many people attribute hip hop’s birthday to the date August 11, 1973. Just before school started, Clive Campbell (a.k.a. DJ Kool Herc) threw a back-to- school jam in the rec room of an apartment building. For many, DJ Kool Herc and this party represent the beginnings of the iconic American genre called hip hop. Hip Hop: Hip is the idea of being culturally aware Break and breakbeat: A break is a short segment of and knowing what’s going on in the community. If music that primarily features drums and bass. Breaks someone is hip, we can say they are “in the know” and can be sampled and looped, using turntables, to make “know what time it is.” Hop represents the dancing them into a much longer breakbeat—and to keep the and movement aspect of the genre. When the music party going. plays, B-boys and B-girls get up and dance! Hip hop brings the two words together and represents more Sampling and flip: Sampling is taking part of a song than just a music genre. Hip hop is a culture centered and using it to create a whole new song. When a around self-expression and art that emerged from the sampled song sounds very different from the original, African American community in the Bronx. it’s called a flip, because the DJ or producer flipped the sound. -
January 2008 Pages 8-12
HIGH TIDE SPORTS January 24, 2008 9 Basketball Beatdown Pistons school the Celtics in December’s game. By Sean Hamilton have made the 180 degree down to a 10th of a second western confrence teams. Staff Writer turn they have, becoming Detroit’s Billups hit two key the best team in the NBA. free throws that handed On December 19 the Boston With the off season trades, Boston their fi rst home loss Celtics received their fi rst home the required talents of Ray of the season, 87-85. Billups, defeat of the season at the Allen and Kevin Garnett, the who scored 12 of the teams 28 hands of the Detroit Pistons. Celtics exploded to NBA points in the 4th quarter, had With a record of 20-3, not stardom. Paul Pierce, Kevin an outstanding game. many would have bet against Garnett, and Ray Allen have Former Minnesota the momentum of this Celtic earned the name the Boston 3 Timberwolves star, Kevin squad, as this is the best start Party playing off of the name Garnett led the Celtics with of a Celtic season since the of the colonial revolt. 26 points, and Ray Allen, who legendary 63-64 team that went In the fi rst quarter the returned after missing the on to win the championship Celtics were on track last two games because of a game. The last time the Celtics to winning yet another previous ankle problem. had this dominance dates back game by out scoring the pistons Although their winning to the 80s with Larry Bird, by two baskets, mostly with the streak at home is over, when the Celtics won three help of Ray Allen’s 9 points. -
Once Upon a Time in NFT: Blockchain, Copyright and the Right of First Sale Doctrine
Once Upon a Time in NFT: Blockchain, Copyright and the Right of First Sale Doctrine Katya Fisher, Esq. March 2019 In 2014 the legendary hip hop group Wu-Tang Clan announced that it had recorded Once Upon a Time in Shaolin, a double album produced in secret over the course of six years. The album was limited to a single physical copy, stored in a secured vault, and auctioned through auction house Paddle8 for a winning bid of $2,000,000 in 2015. The purchase included contractual terms stating that the album could not be commercially exploited by the subsequent owner until the year 2103. The concept behind the creation was explained by Wu-Tang Clan as follows: “History demonstrates that great musicians such as Bach, Beethoven and Mozart were held in profoundly high esteem. They were considered sublime artists and masters of exploring emotion. Their work forged windows into the most elusive elements of the human experience. And yet in our time, music is no longer perceived in the same way. “Perhaps it is our cultural attitudes to modern music that have cast it as something to be consumed. The complacency of no holds barred access and the saturation wrought by technology’s erosion of challenges. Mass replication has fundamentally changed the way we view a piece of recorded music, while digital universality and vanishing physicality have broken our emotional bond with a piece of music as an artwork and a deeply personal treasure. “By adopting an approach to music that traces its lineage back through The Enlightenment, the Baroque and the Renaissance, we hope to reawaken age old perceptions of music as truly monumental art. -
The United Eras of Hip-Hop (1984-2008)
qwertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfgh jklzxcvbnmqwertyuiopasdfghjklzxcvb nmqwertyuiopasdfghjklzxcvbnmqwer The United Eras of Hip-Hop tyuiopasdfghjklzxcvbnmqwertyuiopas Examining the perception of hip-hop over the last quarter century dfghjklzxcvbnmqwertyuiopasdfghjklzx 5/1/2009 cvbnmqwertyuiopasdfghjklzxcvbnmqLawrence Murray wertyuiopasdfghjklzxc vbnmqwertyuio pasdfghjklzxcvbnmqwertyuiopasdfghj klzxcvbnmqwertyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmrty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmqw The United Eras of Hip-Hop ACKNOWLEDGMENTS There are so many people I need to acknowledge. Dr. Kelton Edmonds was my advisor for this project and I appreciate him helping me to study hip- hop. Dr. Susan Jasko was my advisor at California University of Pennsylvania since 2005 and encouraged me to stay in the Honors Program. Dr. Drew McGukin had the initiative to bring me to the Honors Program in the first place. I wanted to acknowledge everybody in the Honors Department (Dr. Ed Chute, Dr. Erin Mountz, Mrs. Kim Orslene, and Dr. Don Lawson). Doing a Red Hot Chili Peppers project in 2008 for Mr. Max Gonano was also very important. I would be remiss if I left out the encouragement of my family and my friends, who kept assuring me things would work out when I was never certain. Hip-Hop: 2009 Page 1 The United Eras of Hip-Hop TABLE OF CONTENTS ACKNOWLEDGMENTS -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
RZA on the Soul of Music [EXCLUSIVE SOULHEAD INTERVIEW] @RZA @Erickablount January 8, 2015
• FEATURES • INTERVIEWS • PRINCE • AUDIO • VIDEO • EVENTS • ABOUT • SHOP • FEATURES o • INTERVIEWS • PRINCE o • AUDIO o • VIDEO o • EVENTS o o • ABOUT o o o • SHOP 0 Everybody is Talking About the Good Ole Days: RZA on the Soul of Music [EXCLUSIVE SOULHEAD INTERVIEW] @RZA @ErickaBlount January 8, 2015 . Everybody is Talking About the Good Ole Days: RZA on the Soul of Music by Ericka Blount Danois If hip-hop tours, white appropriation, anniversary celebrations, books and hip-hop documentaries aren’t an indication that hip-hop has reached the status of Beatles-style nostalgia and reverence, then releasing a Wu-Tang Clan 20th anniversary reunion album, A BetterTomorrow, is solid proof that the genre has officially arrived. RZA, always the heart of the operation, worked tirelessly to round up the troops and dissolve beefs for the reunion album that dropped Dec. 2, 2014. “I wanted to make a record that pays homage to soul music and hip-hop,” he said about the making of this album. “I went to the past to make something for the future.” RZA came out of his own pockets to fund the album to the tune of half a million dollars. Some of the best in the industry are featured on the album—Rick Rubin, Adrian Younge, David Porter, Kenny Gamble and Rob Cavallo, all had their hands in the pot. Wu-Tang has always done things big and with vision. RZA led the 9-member group to an unprecedented label deal where each member was able to launch solo records. The deal allowed them to become the most revolutionary rap group of the mid-’90s releasing five group and 19 compilation albums totaling over 6 platinum records and over 40 million sold. -
Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption. -
The Cord Weekly (January 23, 2002)
Lady Hawks keep Staying mentally winning sound...with or 21 without drugs Page THE CORD WEEKLY Page T6 Wednesday January 23, 2002 Laurier's Official Student Newspaper • Volume 42 • Issue 20 3 News 8 Opinion 12 International 15 Feature 18 Entertainment 21 Sports 24 Student Life 26 Business 27 Classifieds] 'A little Matter of Genocide' his billing as one of the most out- tion, Churchill explained the trayed how the global empires Native American activist Ward spoken, and intelligent Native unique role of his people in the were built on the oppression of American activists. process of globalization, which he native peoples. To Churchill, this Churchill decries colonialism Churchill, a Keetowah defines as, "the global, cultural oppression fulfills the "twisted Cherokee, began the evening by projection of power, militarily, Greek meaning of European: globalization alluding to American prisoner politically, and economically, with namely, darkness and ignorance." and Leonard Peltier, whom he believes the goal of materialistically homog- Moreover, he asked the audience, Brandon Currie of native people in North America. epitomizes the miscarriage of jus- enizing or 'unifying' the world." "What happened to make an entire Professor of American Indian tice Native Americans have experi- He explained that while third continent so greedy and psychot- With the passionate beating of an Studies at the University of enced over the past five centuries. world countries are usually seen as ic?" indigenous drum, the K-town Colorado, acclaimed author, chair- -
Marketed and Promoted by Stones Throw Records Publicity by Score
THIRD RELEASE FROM MADLIB’S ONCE-A-MONTH SERIES Madlib follows Flight To Brazil, with the Marketed and third installment of the Medicine Show series and the fourth installment in his promoted by Beat Konducta Series: Beat Konducta in Stones Throw Records Africa. Previous entries include: Beat Konducta: Movie Scenes, Beat Konducta: in Publicity by Score Press India and Beat Konducta: Dil Cosby and Dil Withers Suites. Limited edition Beat Konducta In Africa contains over Format: CD forty instrumental hip hop tracks produced and mixed by Madlib. This Cat. No: MMS 003 epic “beat tape” springs from obscure Label: Madlib Medicine Show vinyl gems culled from the afro-beat, Available: March 23rd, 2010 funk, psych, garage-rock, prog-rock and soul movements of countries as diverse as Zambia, Nigeria, Ethiopia, Ghana, Botswana and the Ivory Coast. The Madlib Medicine Show series is a combination of Madlib's new hip-hop productions, remixes, beat tapes, and jazz, as well as mixtapes of funk, soul, Brazilian, psych, jazz and other undefined forms of music from the Beat Konducta's 4-ton* stack of vinyl. Next up: 420 Chalice All Stars (All Jamaican Sounds) *4-tons of vinyl, this is true. It’s all in his studio. DISC ONE: Jawbones 1. Free 2. Ihadmyheadoverthechickensouppot 3. Mary 4. Don’t Judge Your Brother 5. Cat House Blues 6. The Ones Left Behind 7. Betrayed 8. Bullheads In My Shoes Blues 9. Karen DISC TWO: Since Washington 10. Alone And Watching 11. Sad Sunday 12. Now Is Here 13. Donna 14. 3 AM 15. It Doesn’t Matter … Yes It Does … But I Can’t Stop 16. -
Damon Williams Testimony
PUBLIC VERSION Before the COPYRIGHT ROYALTY BOARD In the Matter of ADJUSTMENT OF RATES AND TERMS FOR Docket No 2006-1 CRB DSTRA PREEXIST1NG SUBSCRIPTION SERVICES AND SATELLITE DIGITAL AUDIO RADIO SERVICES __________________________________________________________________________________________ TESTIMONY OF DAMON WILLIAMS My name is Damon Williams am the Vice President of Programming and Production for Music Choice In that capacity oversee the direction and strategy for video and audio programming at Music Choice and the employees manage also work directly with record labels and artists to further their promotional strategies through various aspects of the Music Choice service submit this testimony to explain the many ways in which the Music Choice residentialaudio service promotes records and the artists and labels who produce them and particularly how the Music Choice service drives record sales and leads to the creation of more recordings My Background Ijoined Music Choice in 1998 spending my first years with the company as the lead programmer for the urban music channels which under my direction have emerged as the most popular channels in the Music Choice line-up My vision for compelling urban programming realized with the introduction of the first for was Tha Corner uncut rap show television which both directed and produced In addition wrote and hosted four-part audio series called The NY744252y1 PUBLIC VERSION History of Hip Hop which aired on the Music Choice RB and Hip-Hop channel have brought both up-and-coming and established -
Gone Too Soon Remembering Civil Rights Icon Dr
A&E Opinion Sports KoJa Kitchen serves Sinclair airs script about Champion track athlete Korean-Japanese fake news on dozens of stations, Destiny Longmire fusion with a twist sets sights on Olympics echoing Trump’s fake news rhetoric Page 5 Page 6 Page 8 Serving the San Jose State University community since 1934 Volume 150 No. 27 Wednesday, April 4, 2018 SPARTAN DAILY sjsunews.com/spartan_daily GONE TOO SOON REMEMBERING CIVIL RIGHTS ICON DR. MARTIN LUTHER KING JR. BY OMAR PEREZ Young was withh King on the MULTIMEDIA EDITOR balcony in the momentsoments after he was shot. April 4, 1968 was supposed to He was also one of King’s be like any other day for a 39-year- confidants and thehe two worked old activist and minister from closely coordinatingng desegregation Atlanta, Georgia. efforts throughout the South. King Dr. Martin Luther King Jr. grew to trust Young,ung, eventually and other Southern Christian assigning him commandmmand over the Leadership Conference (SCLC) SCLC while King spentpent time in jail. members were called into Memphis, According to the National Tennessee to support a sanitation Archives, King wasas shot minutes workers strike. after 6 p.m. and was pronounced King and fellow activists checked dead just about ann hour later. An into their rooms at the Lorraine autopsy later confirmedfirmed he died Motel, which at the time welcomed from a single gunshothot wound. African-Americans in an otherwise His death sent shockock wavwaveses unwelcoming Jim Crow South. across the country. Things took an unexpected “No one at thatat titimeme turn moments after King stepped wanted to believee that outside room 306 onto the balcony our leader had been that evening.