Kunstig liv, kunstig intelligens, ”telepresence”

Ragnhild Tronstad 7. februar 2007 Analyseeksempler

• Kunstig liv • Autopoiesis, Ken Rinaldo 2000

• Kunstig intelligens • Head, Ken Feingold 1999

• SMS (”telepresence”) • Surrender Control, Tim Etchells 2001 Teoretiske perspektiver

• (1919): “Das Unheimliche” (The Uncanny)

• Hans Ulrich Gumbrecht (2004): Production of Presence. What Meaning Cannot Convey

• J.L. Austin (1962): How to Do Things with Words Kunstig liv: Autopoiesis Ken Rinaldo 2000

Foto: Yehia Eweis (http://accad.osu.edu/~rinaldo/works/autopoiesis/) Kunstig liv og ”Das Unheimliche”

• http://kenrinaldo.com/ • Mori, Masahiro (1970): “The uncanny valley” • http://www.lynnhershman.com/tillie/ Kunstig intelligens: Head Ken Feingold 1999-2000

Foto: Pirje Mykkanen, The Central Art Archives, Finland Visitor: Hi Head: Hello V: How are you? H: I am so offended. I can't tell if everyone would prod her to the left or not. V: Who offended you? H: The delicious conditions delay disturbed daredevils. V: Which daredevils are disturbed? H: The bothersome one V: Which one is bothersome? H: The absurd one V: Who is absurd? H: The unconscious V: What is the unconscious? H: It is something that makes me feel slow with groups. V: That’s interesting – why slow? H: Because the kids wrinkled it. Laaaaalaadeee moooommmm. V: Kids? H: The child will tail the things which shrink. (…) H: Where is my home? Anxious in the picture? V: How would I know? H: The hairy shipwrecks hang harmful mechanics. Would wood hood wood should should should should would. Ixnxilaltylotl. (http://www.kenfeingold.com/catalog_html/head.html) Kunstig intelligens

• (1950): “Computer machinery and intelligence” (The New Media Reader) • (1976): Computer Power and Human Reason (Utdrag i The New Media Reader) • ELIZA (1966, Joseph Weizenbaum) http://www.manifestation.com/neurotoys/eliza.php 3 • PARRY (1971, Kenneth Colby) Surrender Control Tim Etchells 2001

1. Put your fingers in your mouth. 2. Touch your ankles, feel the skin. 3. Close your eyes and count to twenty. 4. Remember last night. 5. Move something small from one place to another. 6. Open your mouth as wide as you can. 7. Look up. Count the people who can see you. If there is no one: who would you like to be watching you now? (…) 34. Don’t eat at lunchtime. Performativitet

• Performativer (Austins talehandlingsteori) • F.eks. • et løfte • en kommando • et veddemål • Ikke-referensielle, selvrefererende: Refererer ikke til noe ute i verden, men peker tilbake på seg selv, og på den som utfører talehandlingen Performativitet

• Et performativ er aldri sant eller usant, men kan være vellykket eller mislykket utført, avhengig av situasjonen rundt og talerens autoritet til å utføre talehandlingen. • Eks: En prest har autoritet til å vie folk ved å utsi en bestemt talehandling. Samme talehanding utsagt av meg vil være et mislykket performativ, og vil ikke medføre et giftemål. (Senere konsekvenser som evt. skilsmisser er irrelevante i forhold til distinksjonen vellykket/mislykket.) 15. Drop something. Make it look like an accident.

16. Break something. Make it look like an accident.

31. Call someone. Tell a lie.

32. Call them back. Admit that you lied but do not tell the truth about why.

69. When another person stands you sit. When they sit you stand. 23. Think about your weaknesses.

13. Imagine tomorrow. 39. Pinch your arm. Hard. Are you dreaming?

40. Are you dreaming?

41. Are you in love?

42. Do you love me?

43. Are you scared?

44. Are you awake?