Digital Video! I Didn't Know You Could Do That…™
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At the Crossroads of Jim Donnelly Metal Music West Coast News and Comedy By Justine Taormino ’06 By Peter Gordon ’78 Northern California alumni are abuzz At the improbable intersection of Brendon Small ’97 with news of their work in a variety metal music, animated TV, and stand- of areas. Here are some recent high- up comedy, the story of guitarist, com- lights. poser, actor, and producer Brendon sitcom that aired from 1999 to 2004. Benjamin Flint ’85 of Oakland led Small ’97 stands apart. Metal fans Although he also provided the show’s two Diablo Valley College jazz choirs worldwide know him as the creative music, he rapidly became better Reno Jazz Festival where they took first mastermind behind the smash-hit ani- known as a comedian. and third places in their division. Flint mated TV show Metalocalypse and the Toward the end of the show’s run, also directs the Oakland Jazz Choir and metal bands Dethklok and Galaktikon. Small began to turn back to the guitar. has taught at Jazz Camp West. Small’s unique journey began in “I was so excited to hear what people This fall, saxophonist Sonya the laid-back northern California town were doing in metal,” he says. “They Jason ’85 of Montara, will release of Salinas, where he remembers spend- were actually playing their instruments Feels So Good: Live in Half Moon Bay, ing long hours practicing guitar and incredibly well! I now had the comedy her fourth solo album. Recorded live re-watching VHS copies of his favorite chops and could write, thanks to Home at the legendary jazz venue Bach comedies. -
H Jon Benjamin on Getting Noticed
H Jon Benjamin On Getting Noticed Patin universalizing double-quick? Accordant and erect Cyril tag while scarred Billie even her Madison creepingly and chelated cross-legged. Permitted Lonnie never noising so seemingly or barber any purlers insuperably. Rebecca romjin is getting a sliding scale. Drank with my buddies and watched the Maniac episode of Always Sunny. We are happily again is cоnnеctеd to increase property in front door until i noticed your notice will likely to each? 25 Best H Jon Benjamin Memes Benjamins Memes Alan. The brain Game Screenshot Thread or HEAVY. Expect you on dvd show lazy loaded on everyone still need for your business? For review it say like getting as the wheel just a Porsche. Just wanted rid of something dead ends 0 replies 0 retweets 0 likes. Should you good making plans for going children the law enforcement officials, I guess. H Jon Benjamin Wet Hot American what I describe like jump time come watch. Do not have starring you meet the h jon benjamin on getting noticed that more successful finance or where i will start? Was quite helpful post for ever gets through without no sense about h jon benjamin on getting noticed as soon as someone always think? Otherwise I call forward the video to siege your friends. Short film Adam Spielman. Was for watching Bobs Burgers and even worse a laugh you two out found it. It's the Gene who gets noticed in the crowd for harm spirit and cheering ability. Happy living what was're getting but yes's very rational to control on Hulu. -
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UIF!CPPL!UIF!CPPL!pgpg OOFSP!8FSP ! 8 DE!BOE!EWE!CVSOJOH!NBEF!FBTZ XBMMBDF!XBOH 3 USING NERO BURNING ROM Nero Burning ROM gives you the max- imum amount of flexibility and options for burning data to create different types of CDs and DVDs, such as bootable CDs or Super Video CDs. Until you’re familiar with burning CDs and DVDs, you should probably stick to using Nero Express (see Chapter 2), which guides you through the process of creating different types of discs. After you’re familiar with CD/DVD burning and want more control over creating different types of discs, then you should use Nero Burning ROM. NOTE If you switch the StartSmart window to Expert mode (where the cartoon characters wear glasses), you can use the StartSmart window to load Nero Burning ROM to perform most CD/DVD tasks, such as Copy CD or Burn Image To Disc. From The Book of Nero 7 No Starch Press, Copyright © 2006 by Wallace Wang Copying Discs Nero Burning ROM can copy entire CD or DVD discs in two ways: Saving a disc as an image file to burn on another disc later. Copying a disc in memory and then writing the data to a blank disc in the same drive (known as “copying on the fly”). This can be useful when you just need to make a quick copy of a single disc. NOTE Nero Burning ROM will not copy copy-protected discs. Copying Discs to an Image File If you copy a disc to an image file, you can make multiple copies of that disc later without need for the original disc. -
Digitales Video Im CD Format Renaissance Des Video CD Standards
Fachhochschule Offenburg Medien und Informationswesen Dokumentation zur Studienarbeit Digitales Video im CD Format Renaissance des Video CD Standards Student: Christian Gierke, Semester MI 8 Betreuender Professor: Roland Riempp Studiengang: Medien und Informationswesen Sommersemester 1999/2000 Abgabetermin: 31. Mai 2000 Fachhochschule Offenburg Medien und Informationswesen Digitales Video im CD Format Seite 2 Inhaltsverzeichnis 1 Einleitung 1.1 Die Video CD im DVD-Zeitalter .............................................................. Seite 3 1.2 Ziele der Arbeit.................................................................................... Seite 3 1.3 Begriffsdefinitionen .............................................................................. Seite 5 2 Standards und Formate 2.1 Standard VCD 1.1 White Book ............................................................... Seite 7 2.2 VCD 2.0 White Book ............................................................................. Seite 9 2.3 SVCD – Super Video CD.......................................................................Seite 10 2.4 andere VCD-Formate bis 1998 ..............................................................Seite 11 3 So wird’s gemacht 3.1 Erstellung einer Video CD.....................................................................Seite 12 3.1.1 Kodierung .......................................................................................Seite 12 3.1.2 Mastering ........................................................................................Seite -
DVD Suite Ultra User’S Guide Copyright and Disclaimer
CyberLink DVD Suite Ultra User’s Guide Copyright and Disclaimer All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means electronic, mechanical, photocopying, recording, or otherwise without the prior written permission of CyberLink Corporation. To the extent allowed by law, CyberLink DVD Suite Ultra IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESS OR IMPLIED, INCLUDING WITHOUT LIMITATION ANY WARRANTY FOR INFORMATION, SERVICES, OR PRODUCTS PROVIDED THROUGH OR IN CONNECTION WITH CyberLink DVD Suite Ultra AND ANY IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, EXPECTATION OF PRIVACY, OR NON- INFRINGEMENT. BY USING THIS SOFTWARE, YOU AGREE THAT CYBERLINK WILL NOT BE LIABLE FOR ANY DIRECT, INDIRECT, OR CONSEQUENTIAL LOSS ARISING FROM THE USE OF THIS SOFTWARE OR MATERIALS CONTAINED EITHER IN THIS PACKAGE. The terms and conditions here under shall be governed and construed in accordance with the laws of Taiwan. CyberLink DVD Suite Ultra is a registered trademark along with other company and product names mentioned in this publication, used for identification purposes and remain the exclusive property of their respective owners. iTunes and QuickTime software and logos are licensed with Apple Computer, Inc., and CyberLink shall not be responsible for end user support for said software. International Headquarters Mailing Address CyberLink Corporation 15F, #100, Minchiuan Road, Shindian City Taipei 231, Taiwan Web Site www.cyberlink.com Telephone 886-2-8667-1298 Fax 886-2-8667-1300 Copyright © 2007 CyberLink Corporation. All rights reserved. Contents Introduction............................................. 1 CyberLink DVD Suite Ultra Functions ............................................................. -
Nerovision Express 3
User's Guide NeroVision Express 3 Bringing the world of video closer to home - Creating your very own DVD, VCD, SVCD and miniDVD Nero AG Copyright and Trademark Information The NeroVision Express 3 User's Guide and the NeroVision Express 3 Software are copyrighted and the property of Nero AG, Im Stoeckmaedle 18, 76307 Karlsbad, Germany. All rights are reserved. This Quick Start Guide contains materials protected under International Copyright Laws. It is expressly forbidden to copy, reproduce, duplicate or transmit all or any part of the Guide or the software without the prior written consent of Nero AG. All brand names and trademarks are properties of their respective owners. THIS MANUAL IS PROVIDED 'AS IS,' AND NERO AG MAKES NO REPRESENTATIONS OR WARRANTIES, EXPRESS OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, NON-INFRINGEMENT, OR TITLE; THAT THE CONTENTS OF THE MANUAL ARE SUITABLE FOR ANY PURPOSE; NOR THAT THE IMPLEMENTATION OF SUCH CONTENTS WILL NOT INFRINGE ANY THIRD PARTY PATENTS, COPYRIGHTS, TRADEMARKS OR OTHER RIGHTS. NERO AG WILL NOT BE LIABLE FOR ANY DIRECT, INDIRECT, SPECIAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF ANY USE OF THE MANUAL OR THE PERFORMANCE OR IMPLEMENTATION OF THE CONTENTS THEREOF. The name and trademarks of Nero AG may NOT be used in advertising or publicity pertaining to this manual or its contents without specific written prior permission. Title to copyright in this manual will at all times remain with Nero AG. Nero AG accepts no claims for the correctness of the contents of the manual. -
Roxio Toast 17 Titanium User Guide
Rax1a· toastTITANIUM··11 ¥a-t:;;J-�-@J USER GUIDE Roxio® Toast® 17 Titanium User Guide i Contents Getting Started 1 1 Installing The Software . 2 The Toast Main Window. 3 Burning Your First Disc With Toast . 5 Converting Video. 7 Choosing the Right Project . 7 About Discs . 9 Using the Media Browser . 10 Changing Recorder Settings . 13 Saving and Opening Toast Projects. 14 Erasing Discs . 15 Ejecting a Disc . 15 Toast Extras . 16 Technical Support Options . 19 Toast Titanium ii www.roxio.com Making Video Discs 21 2 Types of Video Discs . 22 Overview of Making a Video Disc. 23 Making a video disc with MyDVD . 24 Making a DVD or BD Video Disc . 25 Using Plug & Burn. 33 Making a DVD From VIDEO_TS Folders . 41 Making a VIDEO_TS Compilation. 44 Making a BDMV Folder Disc. 45 Creating an AVCHD Archive . 46 Making a video with Live Screen Capture 48 Editing videos with Toast Slice . 48 Editing Video . 48 Using Other Toast Features 51 3 Saving Disc Images . 52 Mounting Disc Images . 53 Comparing Files or Folders . 54 Creating a Temporary Partition . 55 Making Data Discs 57 4 What is a Data Disc?. 58 Toast Titanium Contents iii Types of Data Discs . 58 Overview of Making a Data Disc . 60 Burning Projects to Multiple Recorders . 61 Making a Mac Only Disc . 63 Making a Mac & PC Disc . 69 Making a DVD-ROM (UDF) Disc . 74 Making an ISO 9660 Disc . 75 Making a Photo Disc. 76 Encrypting a disc with Roxio Secure Burn. 77 Using Toast Dynamic Writing . 78 Making Audio Discs 79 5 What is an Audio Disc?. -
Dvdit Pro Tutorial
TUTORIAL SONIC ™ DVDit® Pro 6 POWERFUL DVD AUTHORING FOR VIDEO PROFESSIONALS FROM SONIC THE HOLLYWOOD STANDARD IN DVD CREATION © Copyright 2005 Sonic Solutions. All rights reserved. DVDit Pro Tutorial — Sonic Part Number 800207 Rev B (09/05) This manual, as well as the software described in it, is furnished under license and may only be used or copied in accordance with the terms of such license. The information in this manual is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Sonic Solutions. Sonic Solutions assumes no responsibility or liability for any errors or inaccuracies that may appear in this book. Except as permitted by such license, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, recording, or otherwise, without the prior written permission of Sonic Solutions. SONIC SOLUTIONS, INC. (“SONIC”) MAKES NO WARRANTIES, EXPRESS OR IMPLIED, INCLUDING WITHOUT LIMITATION THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THE SOFTWARE. SONIC DOES NOT WARRANT, GUARANTEE, OR MAKE ANY REPRESENTATIONS REGARDING THE USE OR THE RESULTS OF THE USE OF THE SONIC SOFTWARE IN TERMS OF ITS CORRECTNESS, ACCURACY, RELIABILITY, CURRENTNESS, OR OTHERWISE. THE ENTIRE RISK AS TO THE RESULTS AND PERFORMANCE OF THE SONIC SOFTWARE IS ASSUMED BY YOU. THE EXCLUSION OF IMPLIED WARRANTIES IS NOT PERMITTED BY SOME STATES. THE ABOVE EXCLUSION MAY NOT APPLY TO YOU. IN NO EVENT WILL SONIC, ITS DIRECTORS, OFFICERS, EMPLOYEES, OR AGENTS BY LIABLE TO YOU FOR ANY CONSEQUENTIAL, INCIDENTAL, OR INDIRECT DAMAGES (INCLUDING DAMAGES FOR LOSS OF BUSINESS PROFITS, BUSINESS INTERRUPTION, LOSS OF BUSINESS INFORMATION, AND THE LIKE) ARISING OUT OF THE USE OR INABILITY TO USE THE SOFTWARE EVEN IF SONIC HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. -
539814-00611.Pdf
C E N T E R F O R D E M O C R A C Y & T E C H N O L O G Y Evaluating DRM: Building a Marketplace for the Convergent World September 2006 – Version 1.0 As digital rights management technologies are increasingly integrated into media products, devices, and platforms, it is important for the public to understand the tradeoffs and choices associated with different DRM systems. With sufficient information, competition between different DRM offerings can help promote a marketplace for digital media products that is diverse and responsive to reasonable consumer expectations. This paper seeks to contribute to the public discussion and understanding of DRM in the media marketplace by systematically reviewing the types of factors that product reviewers, consumer advocates, and members of the public may want to consider when evaluating products incorporating DRM. Introduction The explosive growth of the Internet and digital media has created both tremendous opportunities and new threats for content creators. Advances in digital technology offer new ways of marketing, disseminating, interacting with, and monetizing creative works, giving rise to expanding new markets that did not exist just a few years ago. These technologies also promise to democratize the production of creative content by putting the creation and wide distribution of creative works within the reach of private individuals. At the same time, however, the technologies have created major challenges for copyright holders seeking to exercise control over the distribution of their works and protect against piracy. 1 Digital rights management (DRM) represents a response to these issues. -
Videography Notes
Name_________________________________________ Videography Student Note Packet KEY Videography What is videography? The art or practice of using a video camera Videography in Agriculture In a technological world, video communications are becoming a common practice. Video Cameras Video cameras are available in consumer and professional formats with special features found for each. MiniDV Camcorders – Both tapes and camcorders in this format are inexpensive. You can import the video from this format to a computer for editing. HDV Camcorders – These camcorders record high-definition video to the same MiniDV tapes listed above. AVCHD Camcorders – These camcorders are the newest available. They record high-definition video to a DVD or hard drive or some form of flash memory. Flash Memory Camcorders – Records video directly to a flash memory card, the same flash memory card often used by digital cameras. Hard-Drive Camcorders – Records video directly to the camera’s hard drive. Once the camera is plugged into the computer, it acts like an external hard drive and the video can be copied onto the computer for editing. DVD/MiniDVD Camcorders Records video directly to a DVD or miniDVD. Name_________________________________________ Hybrid Camcorders – These allow recording in multiple formats. For example, a camcorder might record on flash memory and a hard drive at the same time. Lighting Equipment Proper lighting is essential for good-quality video. Spotlights – Used to put direct light on an item, but they produce a harsh shadow. Softlights – Also known as, bounced lights, are used to create a diffused light over an area, minimizing shadows. Lighting Kit – Most field productions use a lighting kit, which includes portable versions of spotlights and floodlights as well as other equipment including: Reflectors – Uses a light or shiny reflective surface to reflect available light and create additional light sources. -
Introduction to Confess the Gay Away? Media, Religion, and the Political Economy of Ex-Gay Therapy
Introduction to Confess the Gay Away? Media, Religion, and the Political Economy of Ex-gay Therapy by Michael Thorn A PORTION OF THE DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN COMMUNICATION AND CULTURE YORK UNIVERSITY TORONTO, ONTARIO April 2015 ©Michael Thorn, 2015 1 Introduction: Confess Thy Self? In the media debate surrounding the Christian ex-gay movement, the phrase “pray the gay away” is often used as shorthand to describe the movement’s religiously mediated sexual orientation conversion efforts. However, when one digs deeper, not just into ex-gay practices, but into the debate itself, it becomes clear that ex-gay change—regardless of whether effective or not—is less about prayer than confession and testimony. Consider writer-director Jamie Babbit’s film But I’m a Cheerleader, a campy, comedic tale of a lesbian cheerleader forced into an ex-gay conversion camp (featuring drag queen Ru Paul in a rare not-in-drag performance). The film, which premiered at the Toronto International Film Festival in September 1999, is the second fictional pop culture text to depict the movement1 and it is all about confession. It is an iconic depiction, an intervention in the debate that is frequently referenced and imitated. It is mentioned in a 2011 documentary called This is What Love in Action Looks Like about real-life teenager Zach Stark being forced into an ex-gay conversion program; it is imitated in both a 2007 episode of the popular Comedy Central animated satire South Park, in which the character Butters is forced into an ex-gay conversion program, and a 2013 episode of Saturday Night Live featuring Ben Affleck as an ex-gay counsellor. -
Review of Movie Bully
Painfully Sad Stories of Bullying: Now What? A review of the film Bully (2011) Lee Hirsch (Director) Reviewed by Michael B. Greene The film Bully has received as much attention for its associated ratings “war” as it has about its content or message. When it was first reviewed, the Motion Picture Association of America gave the film an R rating because of language, that is, repeated use of a specific four-letter word. After much fanfare and outcries from a wide spectrum of celebrities, the appeal by the movie’s distributer to downgrade the rating was denied. In response, the Weinstein Company released the film without a rating. Subsequently, Harvey Weinstein decided to edit out some of the offending language in order to secure a PG-13 rating, a move he made to enable a larger audience to see the film. I reviewed the PG-13 version. Bully is a documentary that portrays the lives of five young people who were chronically bullied. Two of the young people committed suicide, Tyler at age 17 and Ty at age 11. Tyler’s story is conveyed through home movies and interviews with his parents, and Ty’s story is conveyed through an interview with his former best friend and his parents. Kelby is a 16-year-old open lesbian from Tuttle, Oklahoma. Kelby is spunky and charming, characteristics that belie her prior three suicide attempts and her self-cutting. Alex, a 14-year-old from Sioux City, Iowa, is repeatedly called “fish-face” and is frequently pummeled by fellow students. Alex has gotten to the point where he doesn’t think he feels anymore.