The Lawrence Welk Show 2015-2016 Season Some Program Numbers Intentionally Out-Of-Order Due to Holidays
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Book8-File06
APPENDIX 1 SHADOWS EPS, FRANCE: BACK COVER IMAGES French EPs back covers are not especially informative, on any level, but their various attributes may prove to be of interest to some enquirers, hence this collection. These are as they come, for the most part, no effort having been made by me to doctor the images to eliminate or lessen the ravages of time. 91 EP 01 92 UK version [see main entry]: 93 EP 02 94 EP 03 (ESDF) 95 EP 03 (ESRF) 96 EP 04 (ESDF) 97 EP 04 (ESRF) 98 EP 05 (ESDF) 99 EP 05 (ESRF) 100 EP 06 (ESDF) 101 EP 06 (ESRF) 102 EP 07 103 EP 08 104 EP 09 105 EP 10 (ESDF) 106 EP 10 (ESRF) 107 EP 11 (ESDF) 108 EP 11 (ESRF) 109 EP 12 110 EP 13 111 EP 14 112 EP 15 113 EP 16 114 EP 17 115 EP 18 116 EP 19 117 EP 20 118 EP 21 119 APPENDIX 2 CLIFF RICHARD & THE SHADOWS THE SHADOWS FRENCH EPS, 1959–1967 This is a checklist of all the initial issues of EPs featuring The Shadows with Cliff Richard or The Shadows in their own right released over this nine-year period. Asterisked titles* denote Cliff tracks in which the group had no involvement. — (Initial) ESRF reissues are illustrated with smaller thumbnails as they arise: see under 1963/3 and 1966. 1959 1. ESDF1272 CLIFF RICHARD AND THE DRIFTERS [Drifters personnel variable] Schoolboy Crush/ Move It!/ Mean Streak/ Steady With You 2. ESDF 1289 CLIFF RICHARD AND THE DRIFTERS/ THE DRIFTERS† Living Doll/ No Turning Back/ Mad About You/ Chinchilla † 3. -
Brian Casserly, Who Also Goes by the Name "Big B" Plays Trumpet, Trombone and Is Also a Vocalist with the Band
Cornet Chop Suey – Biographies The Cornet Chop Suey Jazz Band has enjoyed a meteoric rise in popularity since its arrival on the jazz scene in 2001. The band's unique front line with Brian Casserly on trumpet, Tom Tucker on cornet, Jerry Epperson on reeds and Brett Stamps on trombone is driven by a powerful rhythm section consisting of Paul Reid on piano, Al Sherman on bass and John Gillick on drums. Best known for a wide variety of styles, Cornet Chop Suey applies its own exciting style to traditional jazz, swing, blues and "big production" numbers. Every performance by Cornet Chop Suey is a high-energy presentation and is always a memorable experience for the audience. Named after a somewhat obscure Louis Armstrong composition, Cornet Chop Suey now has six CD's available. The "St. Louis Armstrong" CD includes many of the tunes performed in the special Louis Armstrong show. The band is in great demand at jazz festivals, jazz cruises, conventions and concerts around the country. Brian Casserly, who also goes by the name "Big B" plays trumpet, trombone and is also a vocalist with the band. A professional musician since the age of 14, Brian has played for many greats in the music business, including Tony Bennett,Tex Beneke, Stan Kenton, Chuck Berry and even Tiny Tim. He has also played the prestigious Monterey Pops Festival for several years. An in-demand session musician, Brian has performed in many commercials, recordings and musicals in the U.S. and Canada and is the past musical director for the S.S. -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
[Cost?] of Lessons. His Father Told Him He Played French 2 EDMOND SOUCHON, M.D
EDMOND SOUCHON, M.D. 1 I E of 3]\--Digest--Retyped February^17, 1962 Also present:William Russell Dr. Edmond Soucl-ion II, grandson of Edmond Souchon I, son of Marion Sims Souchon, was born October 25, 1897^ in New Orleans, s, on St. Charles Street at First Street. He can remember as far back as wl-ien he was four years old, as he pointed out in an article he recently wrote about xToe Oliver [in the Jazz Review.RBA]. Discussion about memory. His first memory of music was of the singing of two cooks, who followed [succeeded?-] each other at fhe Souchon residence; they were Aumontine [spelling?] and Adele; both had fine contralto voices, and both sang hymns in the same style of Mahalia Jackson. ES remembers funeral parades [i.e., funeral £ processions]7 the cook would take him to see them; they started at the Bulls Club and always passed Terrell's Grocery (wbere ES and cook jtoined second line) on First Street, on their way to a cemetery on Washington Avenue. ES was impressed by the young Joe Oliver, who played in those parades; ES says Oliver worked in the neiglrborhood, on Magazine at First or Third? WR says it was at Second, that he took pictures of all four corners there, that Bunk Johnson showed him one that it was not, but that Louis Keppard, who worked with Oliver in those days [identified the correct house?]. ES admired Oliver's white teeth; Oliver always chewed a hunk of tar. ES's mother played piano a little; once s1'ie played a waltz and a mazurka for liim and told him that was tTne sum total of $5,000 [cost?] of lessons. -
Most Requested Songs of 2015
Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence® music request system at weddings & parties in 2015 RANK ARTIST SONG 1 Ronson, Mark Feat. Bruno Mars Uptown Funk 2 Journey Don't Stop Believin' 3 Cupid Cupid Shuffle 4 Swift, Taylor Shake It Off 5 Walk The Moon Shut Up And Dance 6 Williams, Pharrell Happy 7 Black Eyed Peas I Gotta Feeling 8 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 9 Sheeran, Ed Thinking Out Loud 10 V.I.C. Wobble 11 Houston, Whitney I Wanna Dance With Somebody (Who Loves Me) 12 AC/DC You Shook Me All Night Long 13 Bon Jovi Livin' On A Prayer 14 DJ Casper Cha Cha Slide 15 Mars, Bruno Marry You 16 Maroon 5 Sugar 17 Morrison, Van Brown Eyed Girl 18 Usher Feat. Ludacris & Lil' Jon Yeah 19 Legend, John All Of Me 20 B-52's Love Shack 21 Isley Brothers Shout 22 DJ Snake Feat. Lil Jon Turn Down For What 23 Outkast Hey Ya! 24 Brooks, Garth Friends In Low Places 25 Beatles Twist And Shout 26 Pitbull Feat. Ke$Ha Timber 27 Def Leppard Pour Some Sugar On Me 28 Jackson, Michael Billie Jean 29 Sir Mix-A-Lot Baby Got Back 30 Trainor, Meghan All About That Bass 31 Beyonce Single Ladies (Put A Ring On It) 32 Loggins, Kenny Footloose 33 Rihanna Feat. Calvin Harris We Found Love 34 Lynyrd Skynyrd Sweet Home Alabama 35 Bryan, Luke Country Girl (Shake It For Me) 36 Sinatra, Frank The Way You Look Tonight 37 Lmfao Feat. -
Frank Scott Photo Coll
Photograph Collections Home Finding Aid to the Frank Scott Photograph Collection Scott, Frank Frank Scott Photograph Collection, 1930s-1990s 91 photographic prints Collection number: Photo 2058 Biography Scope and Content Folder List OVERVIEW Links: Finding Aid to the Frank and Audrey Scott Papers Finding aid to the Frank Scott Musical Arrangements View collection in Digital Horizons Access: The collection is open under the rules and regulations of the Institute. Provenance: Donated by Audrey Roseland Scott, 1997 (Acc. 2535). Property rights: The Institute for Regional Studies owns the property rights to this collection. Copyrights: Copyright to images in this collection remains with the creators. Citation: Institute for Regional Studies, NDSU, Fargo (item number) BIOGRAPHY The youngest of three sons of Frank Roy Scott, Sr. and Alice Wilson Scott, Frank Roy Scott, Jr. was born in Fargo on June 21, 1921. Educated in the Fargo school system, he graduated from Central High School in 1939. He entered the engineering program at North Dakota Agricultural College (NDAC) that fall, but left school in 1940. Music, not engineering, had been Frank’s calling from the time he was very young. He began taking piano lessons when he was eight years old, and he led a band and composed and arranged Photo 2058 Frank Scott Photograph Collection Page 2 of 4 his first songs at age 12. He also learned to play the guitar, banjo, ukulele, and harpsichord. When Frank left NDAC, he moved with his new wife, Jeanette Daniels Scott, to Cleveland, Ohio, and joined the orchestra of Paul Simms. While in Ohio Frank and Jeanette had their first child, Douglas. -
Bob Havens Musicians “Parade of Bands”
Newsletter of the Sacramento Traditional Jazz Society STJS is a non-profit organization dedicated to the preservation and promotion of traditional jazz music. 106 K Street, Suite #1 • Sacramento, CA 95814 • (916) 444-2004 • www.sacjazz.org VOLUME 44 • NO. 7 AUGUST 2012 Ad rates ............................................................2 Dante Club – info/directions ........................2 Dante Club Notes The Cricket ....................8-10 Dave Robinson’s CFJB Letter to Editor .............4 Future Festivals ............................................12 In Loving Memory ..........................................6 In the Months Ahead .....................................2 Jazz Ed. Graduates Felicia Weatherly ..............4 Jazz Notes ......................................................12 Sept. 9: “Hot Tram Tooter & Membership application .............................16 Music Here & There .......................................13 Bubble Blower” Bob Havens Musicians “Parade of Bands” ......................11 Notes from the Office Vivian Abraham .........2 ob Havens, the great jazz trombon- It began in 1938 at the age of eight. Patron Members ............................................3 Bist, is known to his many loyal fans Trombone lessons started that year. I President’s Message Tom Duff .......................3 from his appearances at jazz festivals, listened intently at home to recorded Raffle Cents Kathy Becker .............................12 STJS Fundraiser on Sept. 28 .........................5 and from his 22 years on the Lawrence music: Swing bands, Dixieland, sym- Sponsorships needed Ken McMurray .............7 Welk Show. Now, he has taken time phonic, you name it. My heros then Thankful for Volunteers ...............................6 to write a personal message to STJS were Tommy Dorsey and Jack Tea- members for whom he will perform at garden—all the while feeding an urge “Jazz Sunday” info ➤ pg. 2 the Sept. 9 Jazz Sunday. This will be a to become a master trombonist such rare appearance for Bob these days, so as they were. -
Tuesday, June 1, 2021
KIXE-HD Channel 9-1 The Nine Online Tuesday, June 1, 2021 Tuesday, June 1, 2021 12AM 12:30 1:00 1:30 2:00 2:30 3:00 3:30 4:00 4:30 5:00 5:30 One Voice: Antiques The Inside The Met: Roadshow: Ca' National Memorial Day Songs Tulsa: The Fire and the Forgotten Love and D'zan - Hour Concert We Money Two Share: The Sacred 7:30PM Inside California Education - Focusing On Mental Health Meet an Elk Grove teacher who is using yoga to help her students balance their mental and physical health during the pandemic. Explore a new online suicide prevention effort helping school districts and their students all over California, and meet a Chula Vista teacher who created an education plan around mental health. Visit a school district in Los Angeles County that, pre-COVID, had a mental health professional on every one of the district's 29 campuses. 8:00PM Extra Life: A Short History of Living Longer - Behavior Understand the importance of persuading the public to protect themselves during health crises. History shows that handwashing, social distancing and grassroots campaigning all play important roles in helping to shift behavior and save lives. (Next Air 06/02/2021 12:00AM) 9:00PM Philly D.A. - Episode Eight Krasner recruits law students to join the next generation of prosecutors leading reform from within. Activists who campaigned for Krasner's election warn him of consequences if he doesn't accelerate plans to phase out cash bail. (Next Air 06/02/2021 01:00AM) 10:00PM Frontline Repeat of 05/26/2021 The Jihadist 02:00AM A powerful Syrian militant called a terrorist by the U.S. -
Texas Polka News - May 2020 Volume 32 | Isssue 15 INSIDE THIS ISSUE
Texas Polka News - May 2020 Volume 32 | Isssue 15 INSIDE THIS ISSUE Texas Covering Polka Dance Hall Music Since 1987News 2 Bohemian Princess Diary eresa Cernoch Parker e New Polka Normal ALL QUIET ON THE SOCIAL 3 Editor’s Log Gary E. McKee DANCING FRONT Lawrence Welk Was Cool! By Gary E. McKee Story on Page 4 3 From our readers 4-6 Featured Story Social Dancing Hostyn Picnic 2019 6 PoLK of A Report 8 Music Review & DJ Profi le Darrel Appelt 9 Wunnerful Welk Cont'd. 10-13 Dances, Festivals, Live Music 13 Boerne Village Band 14 Village Band & Welk Cont'd. 15 Band ads 16 Polka Smiles Sponsored by Slovacek's 2 Texas Polka News - May 2020 Bohemian Princess canceled and rescheduled. When Texas Polka News Staff in doubt please call the venue or eresa Cernoch Parker, Publisher Diary organization to make sure events Gary E. McKee, Editor/Photo Journalist are still taking place. Je Brosch, Artist/Graphic Designer As for TPN, which relies heavily Contributors: Louise Barcak Mark Hiebert John Roberts on ad revenue from events and Justin Everett Karen Williams Kurtz Will Seegers dance venues, I have made the Lauren Haase Julie Matus Rose Vrazel dicult decision to change the Walt Harfmann Earline Berger Okruhlik George Weber Joe Cool Pavlicek Harvey Wise publishing schedule from monthly to every other month. I don't know Contact how long this will last, possibly By Theresa Cernoch Parker until the end of the year. eresa Parker, Texas Polka News [email protected] 118 Vintage Park Blvd, Suite 443 • Houston, TX 77070 281-836-5362 PRINT SCHEDULE & AD [email protected] | Gary: [email protected] With the onset of the COVID-19 DEADLINES pandemic in our country, I thought No June issue Ads/Media last month's column was hard to July issue, deadline for ads, June 1 Articles, ads, letters to the editor deadline: 1st of the month for the next month write, until I sat down to pen this No August issue Ad Rates 1/3 page: $185 1/8: $65 one. -
1 TROMBONE EMBOUCHURE TYPE SELF-ASSESSMENT by DANIEL K
TROMBONE EMBOUCHURE TYPE SELF-ASSESSMENT Daniel Twentey TMUS 8249 Pedagogy Practicum TROMBONE EMBOUCHURE TYPE SELF-ASSESSMENT by DANIEL K. TWENTEY B.A., Virginia Polytechnic Institute and State University, 2010 M.A., Pennsylvania State University, 2012 A dissertation project submitted to the University of Colorado Boulder in partial fulfillment of the requirements for the degree of Doctor of Musical Arts College of Music 2020 Committee Members: Dr. William Stanley Dr. David Rickels Dr. Ryan Gardner Prof. Michael Dunn Dr. Donald McKinney 1 TROMBONE EMBOUCHURE TYPE SELF-ASSESSMENT Daniel Twentey TMUS 8249 Pedagogy Practicum ABSTRACT Twentey, Daniel K. (DMA, Music) Trombone Embouchure Type Self-Assessment Thesis directed by Dr. William Stanley The focus of this study is to create a self-assessment tool with which the user may identify their own embouchure type. The assessment criteria and embouchure types are derived from the embouchure pedagogy of Donald Reinhardt as revised and clarified by Doug Elliott and David Wilken. Three possible embouchure types include Very High Placement, Medium High Placement, and Low Placement. This study utilizes audio/video recordings, user-recorded musical examples, pre-recorded musical examples, self-observation analysis questions, external observation questions, and comparative analysis questions for assessment. The resulting study complements my other dissertation study, Selected Published Literature Concerning Trombone Embouchure: An Evaluation and Reference (2020), which provides accessible information about embouchure-related content in trombone pedagogical literature. In conjunction, these two studies allow trombonists and teachers to filter the reviewed texts according to their compatibility with each of the specified embouchure types. 2 TROMBONE EMBOUCHURE TYPE SELF-ASSESSMENT Daniel Twentey TMUS 8249 Pedagogy Practicum Outline of Assessment Contents I. -
Great Instrumental
I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T. -
Big Band Jump
BIG BAND JUMP NEWSLETTER BIG BAND JUMP NEWSLETTER FIRST-CLASS MAIL Box 52252 U.S. POSTAGE Atlanta, GA 30355 PAID Atlanta, GA Permit No. 2022 BIG BAND JUMP NEWSLETTER VOLUME XLVII BIG BAND JUMP NEWSLETTER NOVEMBER-DECEMBER 1996 our impression of Jo Stafford is that’s she’s a business JO STAFFORD INTERVIEW like person with no pretensions. Down-to-earth might be another way to describe our reaction to the conversation. The Background Her voice seems deeper than it was during her singing years; she admits to having Jo Stafford has been in the mu been a “dedicated smoker”until sic business since the ’30s, when just ten years ago. Our first she began her professional ca question concerned Jo’s life be reer with two older sisters. fore she became one of the Pied Pauline and Christine, as one of Pipers. a trio at a time when sister acts (the Andrews Sisters, the The Interview Boswell Sisters) were popular. How did you get into The Stafford Sisters worked in southern California on radio and music? in movie musicals until 1938 I had two older sis when Jo became the only girl ters, quite a bit older, singer with a group of seven 11 and 14 years older than I. men who called themselves the They were already in local ra Pied Pipers. dio in Long Beach, California and finally came up to Holly Jo is a native of California, where her Tennessee bom wood, doing radio in and around Los Angeles. When I parents moved just before she was bom in 1917.