Puerto Rican Heritage Poster Series: a Study Guide
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Reading Julia De Burgos with the FBI HARRIS FEINSOD
98 CENTRO JOURNAL VOLUME XXVI • NUMBER II • FALL 2014 Between Dissidence and Good NeighBor Diplomacy: Reading Julia de Burgos with the FBI HARRIS FEINSOD ABSTRACT Little is known about Julia de Burgos’s six months as an audit clerk at the Offi ce of the Co- ordinator of Inter-American Affairs in Washington, D.C. (1944-1945). This article recounts this interlude in Burgos’s career by focusing on her FBI fi le and the Hatch Act investigation that led to her termination as a federal employee. Reading the FBI fi le in the vein of literary criticism, the article shows how bureau ghosttranslators characterized Burgos’s political poems as works of dissident Nationalism. In so far as Burgos’s poems navigate the compet- ing ideologies of Puerto Rican Nationalism and Good Neighbor diplomacy, the article links them to a hemispheric matrix of writing—by Elizabeth Bishop, Pablo Neruda, Luis Palés Matos, Samuel Putnam and William Carlos Williams, among others—in which Puerto Rican decolonial politics intersect international communism and anticommunism. [Keywords: Julia de Burgos; Pablo Neruda; Elizabeth Bishop; Federal Bureau of Investigations; Good Neigh- bor Policy; Puerto Rican Nationalism] The author ([email protected]) is Assistant Professor in the Department of English and the Program in Comparative Literary Studies at Northwestern University. His current book project is Fluent Mundo: Inter-American Poetry from Good Neighbors to Countercultures. His recent writing appears or is forthcoming in American Literary History, American Quarterly, Arcade, Chicago Review, and the Princeton Encyclopedia of Poetry and Poetics: Fourth Edition, for which he was assistant editor. -
SPRING 2012 25 a Nuyorican Absurdist: Pedro Pietri and His Plays of Happy Subversion David Crespy
SPRING 2012 25 A Nuyorican Absurdist: Pedro Pietri and His Plays of Happy Subversion David Crespy Jerzy Grotowski once wrote of the visionary Antonin Artaud, “He wasn’t entirely himself;” the same might be said of the late poet Pedro Pietri—who wasn’t entirely himself since he began writing plays (Grotowski 117). Pietri’s body of plays, having been produced in New York since the late sixties and early seventies, recommends itself as an example of the wave of Nuyorican theatre in the US prominent at that time—characterized by experimentation in form and the merging of social issues within that form (Mohr 92). For Raphael Dalleo and Elena Machado Sáez, Pietri is a transi- tional figure, moving from the “anti-colonial project” of his early 60’s poetry to “reconcile himself to the emergence of the Post-Sixties Order” and, in so doing, reaching out to a broader audience (Dalleo and Sáez 12). After the 1960s, Pietri chose to “disorient” himself from the mass of populist social- realism that had characterized much of Latino/a playwriting prevalent before and up to the late 1960s, and to find his voice in his own brand of Nuyorican absurdism that has at its heart “a strong affirmation of puertorriqueñismo, pride in one’s essence and heritage” (Mohr 95). Reading Pietri is a great deal like reading Ionesco; there is the same cheerful dismemberment of language, the same static violence, and above all, a calculated disorientation which serves to scourge and reinvest language (in this case, three languages: English, Spanish, and Spanglish) in ways which skew all reasoned attempts to make sense. -
View Centro's Film List
About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession. -
The First Filipino and Boricua Historians
Latin American Literary Review Goldwin Smith Hall, Cornell University • Ithaca, NY 14853 • 607-255-4155 Volume 45 / Number 90 2018 E-mail: [email protected] • Website: www.lalrp.net Imperial Endnotes: The First Filipino and Boricua Historians Ernest Rafael Hartwell, PhD College of the Holy Cross ABSTRACT: The Philippines and Puerto Rico are part of a transoceanic archipelago of colonies that continued under Spanish rule throughout the 19th century, long after the Latin American wars of independence. This article examines parallel projects in anticolonial historiography from these two regions through the prism of converging and diverging articulations of authority. Specifically, two late 19th-century intellectuals, José Julián Acosta of Puerto Rico and José Rizal of the Philippines, dust off 17th- and 18th-century tomes of official Spanish colonial history, publishing critical editions of these histories. Acosta and Rizal insert their own voices into discussions over the past, present, and future of their colonies through the annotations that they append to the original texts. While scholars often affirm that the work of Latin American 19th-century writing is to facilitate the forgetting of differences in the service of community consolidation, I argue that these experiments in marginal historiography constitute a contentious and continual revisiting of difference at the root of the authors’ assertion of their own authority: difference from Spain, from the popular classes, and from other colonies. These projects of annotation expose the racialized nature of the colonial intellectuals’ constructions of authority, pointing to diverging understandings of the work of doubt in anticolonial historiography. The Philippines and Puerto Rico, often overlooked in studies of Latin American literature and history, are endnotes to Spain’s imperial saga. -
Introduction and Will Be Subject to Additions and Corrections the Early History of El Museo Del Barrio Is Complex
This timeline and exhibition chronology is in process INTRODUCTION and will be subject to additions and corrections The early history of El Museo del Barrio is complex. as more information comes to light. All artists’ It is intertwined with popular struggles in New York names have been input directly from brochures, City over access to, and control of, educational and catalogues, or other existing archival documentation. cultural resources. Part and parcel of the national We apologize for any oversights, misspellings, or Civil Rights movement, public demonstrations, inconsistencies. A careful reader will note names strikes, boycotts, and sit-ins were held in New York that shift between the Spanish and the Anglicized City between 1966 and 1969. African American and versions. Names have been kept, for the most part, Puerto Rican parents, teachers and community as they are in the original documents. However, these activists in Central and East Harlem demanded variations, in themselves, reveal much about identity that their children— who, by 1967, composed the and cultural awareness during these decades. majority of the public school population—receive an education that acknowledged and addressed their We are grateful for any documentation that can diverse cultural heritages. In 1969, these community- be brought to our attention by the public at large. based groups attained their goal of decentralizing This timeline focuses on the defining institutional the Board of Education. They began to participate landmarks, as well as the major visual arts in structuring school curricula, and directed financial exhibitions. There are numerous events that still resources towards ethnic-specific didactic programs need to be documented and included, such as public that enriched their children’s education. -
Literature Review of Black/Brown Unity and Coalition Building
Literature Review of Black/Brown Unity and Coalition Building Introduction This literature review is a living document which highlights and document the work of organizations, individuals and communities that are working on building Black and Brown power through unity and common struggle. The goal is to offer people research materials that can be used to further the building of Black/Brown power within their own communitiy or oragnization. Both communities face injustices that are intertwined with one another; such as poverty, police brutality, education reform/school to prison pipeline, immigration, unemployment and much more. This literature review focuses on the many different ways that black and brown unity has been successful. From time to time, this Literture review will be update. By Ramon Ramirez, 2019-2020 Taconic Fellow, Community Change, Washington DC, with the assistance of Diana Santiago, a graduate student of Oregon State University. Literature Review 1. Out of the Muck - Out of the Muck Grant Trailer - YouTube Apopka, Florida. 2013. Story of Black and Brown farmworkers being poisoned by Pesticides from Lake Apopka in Florida. Farmworkers fighting back through the Farmworker Association of Florida, a multi racial organization of Blacks, Latino and Haitian farmworkers. 2. “Solidarity: Brief Accounts of Black and Latino Unity from the Late 1800’s to the Present” By Carlos Martinez. Latino Rebels. December 26, 2014. This article narrates how there has been unity among the black and brown community since the late 1800’s beginning with Arturo Alfonso Schomburg, an Afro-Latino who is known as a founder of the African American/African studies, to the present day with communities coming together to fight against police brutality through solidarity. -
WE ACCEPT JUN 30 Valor Y Cambio of PUERTO ESOS RICO SE ACEPTAN PESOS DE PUERTO RICO
MAY 31th th WE ACCEPT JUN 30 valor y cambio OF PUERTO ESOS RICO SE ACEPTAN PESOS DE PUERTO RICO 13 10 9 11 7 15 8 5 6 14 16 12 2 4 3 1 CITY-WIDE ORGANIZATIONS AND BUSINESSES ACCEPTING THE PESO: 1. Mil Mundos Libreria 5. Repertorio Español 9. The LitBar 13. Pregones PRTT 2. The Loisaida Center 6. Downtown Art 10. La Morada 14. Museum of Reclaimed 3. Teatro SEA 7. La Marqueta Retoña 11. Port Morris Distillery Urban Spaces (MORUS) 4. Teatro La Tea 8. No Longer Empty 12. Girls Club LES 15. El Museo del Barrio 16. Essex St. Market Share what you value with the VyC machine at The Loisaida Center and obtain the PR Peso in exchange. Use the pesos for a limited time at participating venues around the city. For more information, visit loisaida.org/contact-us/ and valorycambio.org. ABOUT THE PROJECT On May 26, Valor y Cambio (#valorycambio), a participatory art installation and community currency project, had its New York City premiere at the 2019 Loisaida Festival, followed by a one-month residency that includes collaborations with local businesses and other venues. The project is also part of Pasado y Presente: Art After the Young Lords 1969-2019, an exhibition produced by Loisaida Inc. in partnership with the Nathan Cummings Foundation, that opened on May 31. Started by artist Frances Negrón-Muntaner and collaborator Sarabel Santos Negrón in Puerto Rico last February, Valor y Cambio raises the question of what communities value and introduces a community currency called pesos of Puerto Rico—named after the project’s birthplace—as a means of change, in the sense of both money and social transformation. -
Heritage Month
HARRIS BEACH RECOGNIZES NATIONAL HISPANIC HERITAGE MONTH National Hispanic Heritage Month in the United States honors the histories, cultures and contributions of American citizens whose ancestors came from Spain, Mexico, the Caribbean and Central and South America. We’re participating at Harris Beach by spotlighting interesting Hispanic public figures, and facts about different countries, and testing your language skills. As our focus on National Hispanic Heritage Month continues, this week we focus on a figure from the world of sports: Roberto Clemente, who is known as much for his accomplishments as humanitarian as he is for his feats on the field of play. ROBERTO CLEMENTE Roberto Enrique Clemente Walker of Puerto Rico, born August 18, 1934, has the distinction of being the first Latin American and Caribbean player to be inducted in the National Baseball Hall of Fame. He played right field over 18 seasons for the Pittsburgh Pirates. Clemente’s untimely death established the precedent that, as an alternative to the five-year retirement period, a player who has been deceased for at least six months is eligible for entry into the Hall of Fame. Clemente was the youngest of 7 children and was raised in Barrio San Antón, Carolina, Puerto Rico. During his childhood, his father worked as foreman of sugar crops located in the municipality and, because the family’s resources were limited, Clemente worked alongside his father in the fields by loading and unloading trucks. Clemente was a track and field star and Olympic hopeful before deciding to turn his full attention to baseball. His interest in baseball showed itself early on in childhood with Clemente often times playing against neighboring barrios. -
The Black Plumb Line: Re-Evaluating Race and Africanist Images in Non-Black Authored American Texts
The University of Southern Mississippi The Aquila Digital Community Dissertations Summer 8-2011 The Black Plumb Line: Re-evaluating Race and Africanist Images in Non-Black Authored American Texts LaShondra Vanessa Robinson University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Literature in English, North America Commons, and the Literature in English, North America, Ethnic and Cultural Minority Commons Recommended Citation Robinson, LaShondra Vanessa, "The Black Plumb Line: Re-evaluating Race and Africanist Images in Non- Black Authored American Texts" (2011). Dissertations. 663. https://aquila.usm.edu/dissertations/663 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi THE BLACK PLUMB LINE: RE-EVALUATING RACE AND AFRICANIST IMAGES IN NON-BLACK AUTHORED AMERICAN TEXTS by LaShondra Vanessa Robinson Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2011 ABSTRACT THE BLACK PLUMB LINE: RE-EVALUATING RACE AND AFRICANIST IMAGES IN NON-BLACK AUTHORED AMERICAN TEXTS by LaShondra Vanessa Robinson August 2011 This study evaluates Africanisms (representations of racialized or ethnicized blackness) within three contemporary non-black authors’ texts: Jewish American Saul Bellow’s novel Henderson the Rain King, white southerner Melinda Haynes’ novel Mother of Pearl, and Nyurican poet Victor Hernández Cruz’s works “Mesa Blanca” and “White Table.” Though not entirely unproblematic, each selection somehow redefines black identity and agency to challenge denigrated representations of Africanist people and culture. -
The Nationlist Party and Puerto Rico Memorias
Memorias. Revista Digital de Historia y Arqueología desde el Caribe E-ISSN: 1794-8886 [email protected] Universidad del Norte Colombia Power, Margaret Nationalism in a Colonized Nation: The Nationlist Party and Puerto Rico Memorias. Revista Digital de Historia y Arqueología desde el Caribe, núm. 20, mayo- agosto, 2013, pp. 119-137 Universidad del Norte Barranquilla, Colombia Available in: http://www.redalyc.org/articulo.oa?id=85528620006 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative MEMORIAS Revista digital de Historia y Arqueología desde el Caribe colombiano Nationalism in a Colonized Nation: The Nationlist Party and Puerto Rico Nacionalismo en una Nación Colonizada: El Partido Nacionalista y Puerto Rico Margaret Power1 Resumen Este artículo aborda el concepto de nacionalismo del Partido Nacionalista de Puerto Rico. El partido sitúa la nación tanto en la entidad geográfica de la isla, como en el área política-cultural transnacional de América Latina. Para establecer que Puerto Rico era una nación, el partido se basó en la cultura, la historia, el idioma y la religión que la isla comparte con América Latina. Los Nacionalistas también vincularon la isla a América Latina para convencer a los puertorriqueños de que su historia y su futuro estaban con América Latina, no con los de los Estado Unidos. Este artículo también establece que el Partido Nacionalista consideraba que tanto los hombres como las mujeres constituyen la nación y tienen un papel fundamental que desempeñar en el logro de su liberación. -
Racial Politics, Gendered Norms, and the Rt Ansformation of Puerto Rican Identity in the Wet Ntieth Century Cristóbal A
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2014-01-01 Unspoken Prejudice: Racial Politics, Gendered Norms, And The rT ansformation Of Puerto Rican Identity In The weT ntieth Century Cristóbal A. Borges University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Latin American History Commons, Latin American Languages and Societies Commons, Latin American Studies Commons, Other French and Francophone Language and Literature Commons, and the United States History Commons Recommended Citation Borges, Cristóbal A., "Unspoken Prejudice: Racial Politics, Gendered Norms, And The rT ansformation Of Puerto Rican Identity In The wT entieth Century" (2014). Open Access Theses & Dissertations. 1590. https://digitalcommons.utep.edu/open_etd/1590 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. UNSPOKEN PREJUDICE: RACIAL POLITICS, GENDERED NORMS, AND THE TRANSFORMATION OF PUERTO RICAN IDENTITY IN THE TWENTIETH CENTURY CRISTÓBAL A. BORGES Department of History APPROVED: Sandra McGee Deutsch, Ph.D., Chair Jeffrey P. Shepherd, Ph.D. Michael Topp, Ph.D. Marion Rohrleitner, Ph.D. Bess Sirmon-Taylor, Ph.D. Interim Dean of the Graduate School Copyright © by Cristóbal A. Borges 2014 Dedication Para Julie, Sofía e Ilia. Thank you for all the support. UNSPOKEN PREJUDICE: RACIAL POLITICS, GENDERED NORMS, AND THE TRANSFORMATION OF PUERTO RICAN IDENTITY IN THE TWENTIETH CENTURY by CRISTÓBAL A. BORGES, B.A., M.S., M.A. -
Melendez-Ramirez.Pdf
NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 CASA DRA. CONCHA MELÉNDEZ RAMÍREZ Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Casa Dra. Concha Meléndez Ramírez Other Name/Site Number: Casa Biblioteca Dra. Concha Meléndez Ramírez 2. LOCATION Street & Number: 1400 Vilá Mayo Not for publication: City/Town: San Juan Vicinity: X State: Puerto Rico County: San Juan Code: 127 Zip Code: 00907 3. CLASSIFICATION Ownership of Property Category of Property Private: Building(s): _X_ Public-Local: District: ___ Public-State: _X_ Site: ___ Public-Federal: ___ Structure: ___ Object: ___ Number of Resources within Property Contributing Noncontributing 1 1 buildings sites structures objects 1 1 Total Number of Contributing Resources Previously Listed in the National Register: 1 Name of Related Multiple Property Listing: NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 CASA DRA. CONCHA MELÉNDEZ RAMÍREZ Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ____ nomination ____ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ____ meets ____ does not meet the National Register Criteria.