Mark Darden October '20 Media
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The Crowd Goes Wild for Mascot Hall of Fame New Museum in Whiting Indiana Draws Rave Reviews— and It’S Just Getting Started
A PUBLICATION OF CHICAGO SCENIC STUDIOS, INC. SPRING 2019 Vol. 28, NO. 2 StudioNews Photography: Charlie Simokaitis MUSEUMS The Crowd Goes Wild for Mascot Hall of Fame New museum in Whiting Indiana draws rave reviews— and it’s just getting started. The Indianapolis Star has called the Mascot Hall of about mascots and how to become a mascot. Fame.... “a piece of Disney right in Indiana” and “…the The university concept also helps educators meet furry version of Cooperstown.” That’s very impressive STEAM requirements. It’s a win-win: The museum coverage for a museum that only opened for visitors in incorporates STEAM principles into as many exhibits December 2018. as possible to teach kids important lessons through play and to support educators in meeting local A hearty congratulations from Chicago Scenic to curriculum requirements. Kids may think they’re just founder and museum visionary, David Raymond, having fun in the moment, but they’re also learning mayor of Whiting, Joseph M. Stahura, and the and being exposed to important ideas. excellent Hall of Fame team. Chicago Scenic’s team of fabricators spent six months Why mascots—and why a hall of fame? The museum is building the seven exhibits that make for a highly Raymond’s brainchild and he’s pursued the vision for interactive and fun family-oriented experience— 14 years. Chicago Scenic is also giving a shout-out to each of which features a fun, playful name including our fellow collaborators on the museum—including the Fuzzical Education, Fureshman Orientation, Science talented people at JRA, the Cincinnati attraction design of Silliness, Marvelous Mascot Maker, Mascot Studies, firm that we partnered with on the 25,000 sq. -
Participating Museums As of 8/13/2021 Alabama Arizona
Lutz Children’s Museum, Manchester, 860-643-0949 www.childrensmuseums.org Niantic Children’s Museum, 860-691-1111 Stepping Stones Museum for Children, Norwalk, 203.899.0606 Administered by the Association of Children’s Museums (ACM) Delaware Questions about the program? Please contact the museum where you Delaware Children's Museum, Wilmington, 302-654-2340 hold your membership. Florida Cade Museum for Creativity and Invention, Gainesville, 352-371- 8001 Present your valid museum membership card with the Reciprocal The Children's Museum of the Treasure Coast, Jensen Beach, 772-225-7575 Network logo above at any of the 120 museums listed in this Explorations V Children’s Museum, Lakeland, 863.687.3869 brochure to receive 50% off general admission for up to six (6) Glazer Children's Museum, Tampa, 813-443-3861 people, including the cardholder. Golisano Children’s Museum of Naples, Naples, 239-514-0084 Remember: Great Explorations Children’s Museum, St. Petersburg, You must have your card with you 727-821-8992 MOSI (Museum of Science and Industry, Tampa. 813-987-6313 ID may be required Verify museum’s participation before visiting Pensacola Children’s Museum, 850-595-6985 Schoolhouse Children’s Museum, Boynton Beach, 561-742-6780 Enjoy your visit! Young at Art Museum, Davie, 954-424-0085 Participating Museums as of 8/13/2021 Georgia Children’s Museum of Atlanta, 404-659-5437 Alabama InterActive Neighborhood for Kids, Gainesville, 770-536-1900 EarlyWorks, Huntsville, 256-564-8100 Illinois Arizona Chicago Children’s Museum, -
2019 Topps WWE Money in the Bank Wrestling Cards Retail Tin
RETAIL Introducing the new Topps WWE Money In the Bank® 2019 Trading Cards! Commemorating one of WWE’s most fun and popular PPV events. Packed in a mini Money in the Bank® inspired briefcase! 1 hit per mini- briefcase guaranteed! Base Autograph Card – Triple Autograph Card Gold Parallel BASE & INSERT CARDS INSERTS 90 new Base Cards featuring Greatest Money in the Bank Superstars who participated in the Matches & Moments Money in the Bank® ladder match Highlighting the most memorable matches and moments from the or the Money in the Bank® PPV. Money in the Bank® PPV. Base Card Parallels Include: • Bronze: 1 per pack Money Cards • Green: numbered to 99 Featuring Superstars who • Blue: numbered to 50 successfully retrieved the Money in • Purple: numbered to 25 the Bank® briefcase. • Gold: numbered to 10 • Black: numbered to 5 Cash-In Moments • Red: numbered 1-of-1 Highlighting the epic moments of Superstars cashing in their championship match contracts. Base Card AUTOGRAPH & RELIC CARDS Autographs RELICS Featuring Superstars who have participated Superstar Shirt Relics in the Money in the Bank® PPV: #’d to 99 Featuring a dollar sign-shaped • Blue: numbered to 50 shirt relic. • Purple: numbered to 25 • Gold: numbered to 10 Superstar Mat Relics • Black: numbered to 5 Featuring a ladder-shaped mat • Red: numbered 1-of-1 relic. Dual Autographs • Gold: numbered to 10 Relic Parallels: • Black: numbered to 5 • Green: numbered to 99 • Red: numbered 1-of-1 • Blue: numbered to 50 Triple Autographs • Purple: numbered to 25 • Gold: numbered to 10 • Gold: numbered to 10 • Black: numbered to 5 • Black: numbered to 5 • Red: numbered 1-of-1 • Red: numbered 1-of-1 Quad Autograph Book Cards • Autograph: numbered to 10 • Red: numbered 1-of-1 #’d to 5 Dual Autograph Card Solicitation subject to change. -
Pathway Lighting Celebrates 30 Years
Founded in 1990, Pathway Lighting is an innovative designer and manufacturer of specification-grade LED luminaires. Our product line is designed for the commercial and institutional markets and includes: downlights, wall washers, adjustable accents, decorative pendants, cylinders, and emergency egress fixtures. As an independently-owned American lighting manufacturer, we are able to provide responsive technical support, as well as fixture modifications and custom products. Our History 1990 - Fred Stark founded Pathway Lighting, an emergency and exit lighting company. 19 91 - GSA awarded Pathway a $1M contract to supply emergency lighting products to all federal buildings worldwide. 19 94 - Pathway expands product portfolio to include specification-grade downlights for residential and commercial applications. 1999 - Pathway acquired The Lighting Source and launched Coventry Architectural product line. 2001 - Pathway increased its warehouse and manufacturing capacity by 125% to support increasing demands. 2005 - Fred Stark started to make significant investments in Solid State Lighting product development, establishing a separate engineering department to develop LED luminaires. 2006 - Adopted ‘Open Platform’ philosophy to LED product development allowing specifiers the ability to choose quality SSL technologies. 2008 - Pathway introduced the industry’s first Philips Fortimo-based downlight. 2013 - MultiCare Healthcare Lighting Solutions line is introduced, including human-centric lighting. 2015 - The company hits a 25-year milestone, and celebrates with a two-day party for more than 500 customers at the BB King’s House of Blues during LightFair in NYC. 2015 - Business growth requires enlarging operations and expanding into a new facility to house R&D, Engineering, and additional Manufacturing divisions. 2 017 - Pathway developed CentralDriveTM, a system of low voltage LED lighting fixtures with drivers that are remotely located for easily accessible maintenance. -
View , 82, (Winter 2002): 191-207
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2018 Collegiate Symbols and Mascots of the American Landscape: Identity, Iconography, and Marketing Gary Gennar DeSantis Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES COLLEGIATE SYMBOLS AND MASCOTS OF THE AMERICAN LANDSCAPE: IDENTITY, ICONOGRAPHY, AND MARKETING By GARY GENNAR DeSANTIS A Dissertation submitted to the Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2018 ©2018 Gary Gennar DeSantis Gary Gennar DeSantis defended this dissertation on November 2, 2018. The members of the committee were: Andrew Frank Professor Directing Dissertation Robert Crew University Representative Jonathan Grant Committee Member Jennifer Koslow Committee Member Edward Gray Committee Member The Graduate School has verified and approved the above-named committee members and certifies that the dissertation has been approved in accordance with university requirements. ii I dedicate this dissertation to the memory of my beloved father, Gennar DeSantis, an avid fan of American history, who instilled in me the same admiration and fascination of the subject. iii TABLE OF CONTENTS Abstract ............................................................................................................................................v 1. FITNESS, BACK-TO-NATURE, AND COLLEGE MASCOTS -
Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Hebert, Neal Anderson, "Professional Wrestling: Local Performance History, Global Performance Praxis" (2016). LSU Doctoral Dissertations. 2329. https://digitalcommons.lsu.edu/gradschool_dissertations/2329 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. PROFESSIONAL WRESTLING: LOCAL PERFORMANCE HISTORY, GLOBAL PERFORMANCE PRAXIS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Theatre By Neal A. Hebert B.A., Louisiana State University, 2003 M.A., Louisiana State University, 2008 August 2016 TABLE OF CONTENTS ACKNOWLEDGMENTS .............................................................................................. iv ABSTRACT ......................................................................................................................v -
Colorado Connecticut Delaware Florida Georgia Illinois Indiana
California (continued) Santa Cruz Children’s Museum of Discovery, 831-234-4014 Santa Maria Valley Discovery Museum, 805-928-8414 Utah Skirball Cultural Center - Noah’s Ark, Los Angeles, Discovery Gateway, Salt Lake City, 801-456-5437 310-440-4500 St. George Children’s Museum. 435.986.4000 Colorado U. S. Virgin Islands Children’s Museum of Denver at Marsico Campus, 303-433-7444 The Virgin Islands Children’s Museum, Havensight, St. Thomas, WOW! Children’s Museum (World of Wonder) 303-604-2424 340-643-0366 Connecticut Vermont Present your valid museum membership card with the Reciprocal Children’s Museum of Southeastern Connecticut, Niantic, Wonderfeet Children’s Museum, Rutland, 802-282-2678 Network logo above at any of the 200 museums listed in this 860-691-1111 Virginia brochure to receive 50% off general admission for up to six (6) people, including the cardholder. EverWonder Children’s Museum, Newtown, 203-364-4009 Amazement Square, The Rightmire Children’s Museum Lynchburg, Imagine Nation Museum, Bristol, 860-314-1400 434-845-1888 Remember: Kidcity Children’s Museum, Middletown, 860-347-0495 Children’s Museum of Virginia, Portsmouth, 757-393-5258 You must have your card with you KidsPlay Children’s Museum, Torrington, 860-618-7700 Children’s Science Center Lab, Fairfax, 703-648-3130 ID may be required Lutz Children’s Museum, Manchester, 860-643-0949 Explore More Discovery Museum, Harrisonburg, 540-442-8900 Verify museum’s participation before visiting The Children’s Museum, West Hartford, 860-231-2824 Shenandoah -
The Faces Behind Franchises Society Beta Alpha Psi
Grand Valley State University ScholarWorks@GVSU Volume 41, July 13, 2006 - June 14, 2007 Lanthorn, 1968-2001 11-30-2006 Lanthorn, vol. 41, no. 28, November 30, 2006 Grand Valley State University Follow this and additional works at: https://scholarworks.gvsu.edu/lanthorn_vol41 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 41, no. 28, November 30, 2006" (2006). Volume 41, July 13, 2006 - June 14, 2007. 28. https://scholarworks.gvsu.edu/lanthorn_vol41/28 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 41, July 13, 2006 - June 14, 2007 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. Laker Life A&E Sports GVSU student takes home a GVSU New Music Ensemble The laker dodgeball team $1,000 prize for her participation will perform the works of a continues to make a name in Do Something! events contemporary composer for itself nationally A5 &rmb gallep Jfanttyom Grand Valley State University www.lanthorn.com Thursday, November 30, 2006 Kickoff event explains concepts of business in India Leaders SAM-i hosts workshop on the to discuss values of culture when engaging in international business business By Erik Westlund GVL Stqff Writer expansion Grand Valley State University students had the opportunity to leant about Indian culture and business By Erik Westlund practices Tuesday night at a workshop titled How to do Business in India. GVL Staff Writer The event, hosted by the Society for Advancement of Management and International Business, was the Bringing together business and kickoff event for India Awareness Week at GVSU. -
REPORT of INDEPENDENT REGISTERED PUBLIC ACCOUNTING FIRM to the Board of Directors and Stockholders of World Wrestling Entertainment, Inc
TO OUR SHAREHOLDERS few years ago, we began executing a bold strategy to transform WWE’s business and provide a foundation for significant long-term growth. Our financial and operational performance in 2015 proves that this strategy is not only working; it is delivering impressive results. We achieved record revenue of $659 million, an increase of 21%, reflecting record contributions from our key businesses: WWE Network, Television, Live Events, and Consumer Products. Our focus on global growth is also paying off – international revenue hit an all-time high, increasing 46% to $170 million, or 26% of overall sales. WWE’s strong, top-line growth translated into significantly improved bottom-line performance, with our Adjusted OIBDA increasing to $69 million, representing a 10% Adjusted operating margin. WWE’s total shareholder return of 48% (including $36 million dividend payout) outpaced the majority of our entertainment peers and key market benchmarks, such as the S&P 500 and the Russell 2000. Recognizing WWE’s industry leadership, earnings growth, and the long-term potential of our global business, WWE was added to the S&P SmallCap 600 Index. We are proud that we accomplished what we set out to do – increasing the monetization of our content by leveraging our position as a global media enterprise uniquely engaged with our fans across traditional television, direct-to- consumer (WWE Network), and digital and social platforms. We enter 2016 with significant opportunities ahead and strong operating momentum. global brand strength: record engagement across platforms The consumption of WWE content reached unprecedented levels across television, direct-to- consumer (WWE Network), and digital and social platforms, which serve as the pillars of our future growth. -
How Women Fans of World Wrestling Entertainment Perceive Women Wrestlers Melissa Jacobs Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 5-2017 "They've Come to Draw Blood" - How Women Fans of World Wrestling Entertainment Perceive Women Wrestlers Melissa Jacobs Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Recommended Citation Jacobs, Melissa, ""They've Come to Draw Blood" - How Women Fans of World Wrestling Entertainment Perceive Women Wrestlers" (2017). All Theses. 2638. https://tigerprints.clemson.edu/all_theses/2638 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. “THEY’VE COME TO DRAW BLOOD” – HOW WOMEN FANS OF WORLD WRESTLING ENTERTAINMENT PERCEIVE WOMEN WRESTLERS A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Communication, Technology, and Society by Melissa Jacobs May 2017 Accepted by: Dr. D. Travers Scott, Committee Chair Dr. Erin Ash Dr. Darren Linvill ABSTRACT For a long time, professional wrestling has existed on the outskirts of society, with the idea that it was just for college-aged men. With the rise of the popularity of the World Wrestling Entertainment promotion, professional wrestling entered the mainstream. Celebrities often appear at wrestling shows, and the WWE often hires mainstream musical artists to perform at their biggest shows, WrestleMania and Summer Slam. Despite this still-growing popularity, there still exists a gap between men’s wrestling and women’s wrestling. Often the women aren’t allowed long match times, and for the longest time sometimes weren’t even on the main shows. -
CRIMSON JOE CCSJ’S New Mascot Teachers & Technology Academic Advancements
Alumni Magazine avelengAVolume 7h • 2018-2019 Introducing CRIMSON JOE CCSJ’s New Mascot Teachers & Technology Academic Advancements Power of Partnerships Local Community Partners EGE of S LL A O IN C T T J E O M S E U P L H A C H A A N MM IA OND, IND avelength Letter from the President Alumni Magazine Dear Alumni, This past year has been focused on planning, pillars, and partnerships. As you will read, we have celebrated progress and academic advancements in a number of ways on campus and in the community. We are delighted to share highlights of activities that have helped to build Wave Momentum at CCSJ. It is hard to believe it was this time last year that we were in the depths of carving out our plan for the future. The approved strategic plan addendum 2020, titled Foundation for the Future, is now helping to drive our efforts, and as you will see, the goals of the strategic plan are simple, yet impactful. The mission pillars, which you will read about, have also been integrated into many aspects of the College and are more prominent around campus. This edition of Wavelength highlights our progress in developing more transparent pathways to associate’s and bachelor’s degrees in several program areas. You will also read about new technology being utilized to extend our market and convenience to students. In addition, you will learn about a new program launched to addressavelengt a critical need for science h teachers. I am very grateful for the vision and commitment of our faculty and staff who have worked so diligently on these initiatives. -
The Full 100+ Page Pdf!
2014 was a unique year for pro-wrestling, one that will undoubtedly be viewed as historically significant in years to follow. Whether it is to be reflected upon positively or negatively is not only highly subjective, but also context-specific with major occurrences transpiring across the pro-wrestling world over the last 12 months, each with its own strong, and at times far reaching, consequences. The WWE launched its much awaited Network, New Japan continued to expand, CMLL booked lucha's biggest match in well over a decade, culminating in the country's first million dollar gate, TNA teetered more precariously on the brink of death than perhaps ever before, Daniel Bryan won the WWE's top prize, Dragon Gate and DDT saw continued success before their loyal niche audiences, Alberto Del Rio and CM Punk departed the WWE with one ending up in the most unexpected of places, a developing and divergent style produced some of the best indie matches of the year, the European scene flourished, the Shield disbanded, Batista returned, Daniel Bryan relinquished his championship, and the Undertaker's streak came to an unexpected and dramatic end. These are but some of the happenings, which made 2014 the year that it was, and it is in this year-book that we look to not only recap all of these events and more, but also contemplate their relevance to the greater pro-wrestling landscape, both for 2015 and beyond. It should be stated that this year-book was inspired by the DKP Annuals that were released in 2011 and 2012, in fact, it was the absence of a 2013 annual that inspired us to produce a year-book for 2014.