A SELECTED DISCOGRAPHY: LUIS PERDOMO As a Leader: Luis

Total Page:16

File Type:pdf, Size:1020Kb

A SELECTED DISCOGRAPHY: LUIS PERDOMO As a Leader: Luis Miguel Zenón, alto sax phone: 212.426.3282 Guillermo Klein, compoaser & pianist fax: 646.290.6180 Luis Perdomo, piano e-mail: [email protected] Fly: Jeff Ballard, Larry Grenadier & Mark Turner web: www.mariahwilkins.com Ambrose Akinmusire, trumpet Luis Bonilla, trombone A SELECTED DISCOGRAPHY: LUIS PERDOMO As a Leader: Luis Perdomo, “Universal Mind” (RKM/2012) Luis Perdomo “Pathways” (Criss Cross/2009) Luis Perdomo “Awareness” (RKM/2007) Luis Perdomo “Focus Point” (RKM/2005) As a Sideman: Miguel Zenon “Alma Adentro” (Marsalis Music, 2011) Diego Urcola Quartet “Appreciation” (CamJazz, 2010) Ben Wolfe Quintet “Live at Small's” (SL, 2010) Magos Herrera “Mexico Azul” (Sony Music Entertainment, 2010) Roland Vazquez Big Band “The Visitor” (RVCD, 2010) Miguel Zenon “Esta Plena” (Marsalis Music, 2009) Ravi Coltrane, “Blending Times” ( Savoy 2009) Conrad Herwig, “The Latin Side of Wayne Shorter” (Half Note 2008) Miguel Zenon, “Awake” (Marsalis Music 2008) Hans Glawischnig, “Panorama” ( Sunnyside 2006) Ravi Coltrane “In Flux” (Savoy/2005) Miguel Zenón “Jibaro” (Marsalis Music/2005) Brian Lynch, “Conclave” (Criss Cross/2005) Dafnis Prieto, “About the Monks” (Zoho/2005) Miguel Zenón “Ceremonial”(Marsalis Music/2004) Miguel Zenón “Looking Forward”(Fresh Sounds New Talent/2002) Ray Barretto “Homage to Art Blakey” (Sunnyside/2003) Ralph Irizarry and Timbalaye “It’s Time”(BKS Records/2003) Ralph Irizarry and Timbalaye “Best Kept Secret”(Shanachie/2001) Ralph Irizarry and Timbalaye “Live at Birdland”(RCA Victor/1999) Ralph Irizarry and Timbalaye “Timbalaye”(Shanachie/1998) The Jinga Quintet “A Day Gone By” (Fresh Sounds World Jazz/2003) El Negro and Robby at the “Third World War”(American ClaveRecords/2003) Pablo Gil “Major Delights”(Musical Mind/2002) Avi Lebowich “Constant Chase” (Fresh Sounds New Talent/2002) Yosuke Inoue “Peace”(M&I/2002) Hans Glawischnig “Common Ground” (Fresh Sounds New Talent/2002) John Benítez “Descarga in New York” (Khaeon/2001) Kahlil Kwame Bell “Gift of Forgiveness”(KKB Productions/2001) Gerardo Rosales “La Salsa es mi Vida”(Challenge Records/2001) Marlon Simon and the Nagual Spirits “Rumba a la Patato” (CuBop/2000) Ari Ambrose “Chainsaw”(Steeplechase/1999) Eric Wood “Illustrated Night”(Appaloosa/1999) Viento de Agua “De Puerto Rico Para el Mundo”(Agogo/Qbadisc/1999) Wendell Rivera “Portfolio” (Les DisqueS World Class/1998) Tom Dempsey “Blues in the Slope”(Igmod Records/1998) .
Recommended publications
  • 94 DOWNBEAT JUNE 2019 42Nd ANNUAL
    94 DOWNBEAT JUNE 2019 42nd ANNUAL JUNE 2019 DOWNBEAT 95 JeJenna McLean, from the University of Northern Colorado in Greeley, is the Graduate College Wininner in the Vocal Jazz Soloist category. She is also the recipient of an Outstanding Arrangement honor. 42nd Student Music Awards WELCOME TO THE 42nd ANNUAL DOWNBEAT STUDENT MUSIC AWARDS The UNT Jazz Singers from the University of North Texas in Denton are a winner in the Graduate College division of the Large Vocal Jazz Ensemble category. WELCOME TO THE FUTURE. WE’RE PROUD after year. (The same is true for certain junior to present the results of the 42nd Annual high schools, high schools and after-school DownBeat Student Music Awards (SMAs). In programs.) Such sustained success cannot be this section of the magazine, you will read the attributed to the work of one visionary pro- 102 | JAZZ INSTRUMENTAL SOLOIST names and see the photos of some of the finest gram director or one great teacher. Ongoing young musicians on the planet. success on this scale results from the collec- 108 | LARGE JAZZ ENSEMBLE Some of these youngsters are on the path tive efforts of faculty members who perpetu- to becoming the jazz stars and/or jazz edu- ally nurture a culture of excellence. 116 | VOCAL JAZZ SOLOIST cators of tomorrow. (New music I’m cur- DownBeat reached out to Dana Landry, rently enjoying includes the 2019 albums by director of jazz studies at the University of 124 | BLUES/POP/ROCK GROUP Norah Jones, Brad Mehldau, Chris Potter and Northern Colorado, to inquire about the keys 132 | JAZZ ARRANGEMENT Kendrick Scott—all former SMA competitors.) to building an atmosphere of excellence.
    [Show full text]
  • The Jazz Record
    oCtober 2019—ISSUe 210 YO Ur Free GUide TO tHe NYC JaZZ sCene nyCJaZZreCord.Com BLAKEYART INDESTRUCTIBLE LEGACY david andrew akira DR. billy torn lamb sakata taylor on tHe Cover ART BLAKEY A INDESTRUCTIBLE LEGACY L A N N by russ musto A H I G I A N The final set of this year’s Charlie Parker Jazz Festival and rhythmic vitality of bebop, took on a gospel-tinged and former band pianist Walter Davis, Jr. With the was by Carl Allen’s Art Blakey Centennial Project, playing melodicism buoyed by polyrhythmic drumming, giving replacement of Hardman by Russian trumpeter Valery songs from the Jazz Messengers songbook. Allen recalls, the music a more accessible sound that was dubbed Ponomarev and the addition of alto saxophonist Bobby “It was an honor to present the project at the festival. For hardbop, a name that would be used to describe the Watson to the band, Blakey once again had a stable me it was very fitting because Charlie Parker changed the Jazz Messengers style throughout its long existence. unit, replenishing his spirit, as can be heard on the direction of jazz as we know it and Art Blakey changed By 1955, following a slew of trio recordings as a album Gypsy Folk Tales. The drummer was soon touring my conceptual approach to playing music and leading a sideman with the day’s most inventive players, Blakey regularly again, feeling his oats, as reflected in the titles band. They were both trailblazers…Art represented in had taken over leadership of the band with Dorham, of his next records, In My Prime and Album of the Year.
    [Show full text]
  • Eddie Gómez Trío, Magos Herrera E Iraida Noriega En El Lunario
    México, D.F., a 24 de julio de 2013 Eddie Gómez Trío, Magos Herrera e Iraida Noriega en el Lunario Concierta Independencia ofrece una velada de jazz Ciclo dedicado al talento independiente Las dos voces se unen para apoyar la campaña UNiTE La presencia de una leyenda viva del jazz mundial y el gran reencuentro de las dos voces femeninas emblemáticas de este género en México es lo que propone el ciclo Concierta Independencia del Lunario, que el próximo martes 20 de agosto presenta a Eddie Gómez Trío, Magos Herrera e Iraida Noriega. Reconocido por su versatilidad y con una trayectoria en la que figuran colaboraciones con los exponentes más relevantes del jazz en los últimos 50 años, el bajista Eddie Gómez mantiene intactas las virtudes que elogió el pianista Bill Evans: “brillantez técnica, sonido diáfano y mezcla de agresividad y lirismo”. Con 68 años, este músico estadounidense ha recorrido los más diversos estilos del jazz, junto a músicos de la talla de Gerry Mulligan, Miles Davis, Charles Mingus, Dizzy Gillespie, McCoy Tyner, Chick Corea, Bill Evans, Lester Bowie, Jack DeJohnette y Herbie Hancock. También ha intervenido en el mundo del rock, en grabaciones de Bob Dylan y Mark Knopfler. Durante este concierto, el también director musical de la cátedra de jazz del conservatorio de Puerto Rico estará acompañado por su trío, integrado por el pianista sueco Stefan Karlsson y el baterista mexicano Rodrigo Villanueva. Por su parte, Magos Herrera e Iraida Noriega, las cantantes mexicanas de jazz con mayor reconocimiento en nuestro país y el extranjero, vuelven a hacer mancuerna luego de grabar juntas el álbum Soliluna hace siete años.
    [Show full text]
  • Downbeat.Com March 2014 U.K. £3.50
    £3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene
    [Show full text]
  • Reggie Workman Working Man
    APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne
    [Show full text]
  • 2013 Brian Lynch Full Press Kit(Bio-Discog
    GRAMMY© AWARD WINNING TRUMPETER Brian Lynch “You can lose yourself in the pure energy of his playing, but at any moment you can switch your attention to the logic and craftsmanship of his music and find multiple rewards.” NEIL TESSER, Jazziz “Lynch demonstrates that a dedicated, knowledgeable jazzman can play a diversity of styles with telling authenticity, and make the renditions extremely appealing to both musician and neophyte...Lynch is simply first- rate.” ZAN STEWART, Downbeat “When you’re as dynamic and flexible a trumpeter as Lynch, everyone wants you.” THE NEW YORKER “ … a knife-blade articulation on his horn… his command of rhythm, sharpened by a long apprenticeship with Mr. Palmieri, lent impressive authority to his playing…” NATE CHINEN, The New York Times “Ranks in the top ten of current trumpeters.” SCOTT YANOW, Cadence Magazine “Brilliant… two steps ahead of the ordinary ear.” REUTERS NEWS TRUMPETER COMPOSER ARRANGER EDUCATOR BANDLEADER: Spheres Of Influence Unsung Heroes Project The Brian Lynch Quartet Brian Lynch "This is a new millennium, and a lot of music has gone down," Brian Lynch said several years ago. "I think that to be a jazz musician now means drawing on a wider variety of things than 30 or 40 years ago. Not to play a little bit of this or a little bit of that, but to blend everything together into something that has integrity and sounds good. Not to sound like a pastiche or shifting styles; but like someone with a lot of range and understanding." Trumpeter and Grammy© Award Winner Brian Lynch brings to his music an unparalleled depth and breadth of experience.
    [Show full text]
  • Press Release
    Johannes Wallmann releases new quintet album Day and Night on Shifting Paradigm Records For his eighth album as leader, the pianist-composer reconnects with an intergenerational cast of New York heavyweights Pianist-composer Johannes Wallmann is releasing a new quintet album, Day and Night, on Shifting Paradigm Records on November 2, 2018. Grammy-award winning trumpeter Brian Lynch, saxophonist Dayna Stephens, bassist Matt Pavolka, and drummer Colin Stranahan join Wallmann for an album of original compositions and re-imagined jazz standards. With this quintet, Wallmann revisits musical connections established over more than two decades in the jazz world. Wallmann has been living in Madison, Wisconsin since 2012, when he joined the faculty of the University of Wisconsin’s Mead Witter School of Music as the inaugural holder of the Peterson Chair in Jazz Studies to spearhead the development of a jazz program. Prior to that, he spent five years teaching at a California State University campus near Oakland. But Wallmann’s longest-lasting home, and the location of his formative professional years was New York City, where the German-born, Canadian-raised pianist spent his twenties and early thirties making his living playing jazz in bars, clubs, and the occasional concert hall. Having first met as students at Berklee College of Music, veteran bassist Matt Pavolka was a long-term musical partner on many of Wallmann’s gigs in the 1990s and early aughts. Through his teaching positions, Wallmann got to know Brian Lynch as a colleague at NYU, and Colin Stranahan as a student at the New School. Wallmann’s musical collaboration with Dayna Stephens first began in California’s Bay Area, the saxophonist’s former home, and Stephens has since guest-starred on two previous Wallmann albums, The Town Musicians (2015) and Love Wins (2018).
    [Show full text]
  • 1-15-20 the Messenger Legacy Honors Jazz Great Art Blakey at The
    Media Contact: Barbara Hiller, Marketing Manager 301-600-2868 | [email protected] FOR IMMEDIATE RELEASE The Messenger Legacy Honors Jazz Great Art Blakey at the Weinberg Center FREDERICK, MD, Wednesday, January 15, 2020 — The Messenger Legacy – Art Blakey Centennial Celebration brings an all-star group of musicians to the Weinberg Center for the Arts on Friday, February 7, 2020 at 8:00 PM to play tribute to the Jazz Messengers, the big band collective led by the late Art Blakey. Tickets start at $20 and may be purchased online at WeinbergCenter.org, by calling the box office at 301- 600-2828, or in person at 20 West Patrick Street. Discounts are available for students, children, military, and seniors. Drummer Ralph Peterson Jr. has assembled an all-star group of musical talent for a tribute to the Jazz Messengers, the prolific big band collective led by his mentor, the late Art Blakey. Also the founding drummer, Blakely led the influential jazz collective from the mid-1950s until his death in 1990. This year the collective is marking the 100th anniversary of Blakey’s birth with selections from a new recording. The musicians include Peterson on percussion, saxophonists Bobby Watson and Bill Pierce, bassist Essiet Essiet, pianist Geoffrey Keezer, and trumpeter Brian Lynch. The Messenger Legacy can exist in several configurations. Musicians Phillip Harper, Robin Eubanks, Craig Handy, Donald Harrison, Johnny O’Neal, Lonnie Plaxico, Donald Brown and even the living senior Messenger Reggie Workman, are all connected to the project. Under the leadership of Blakey, the Jazz Messengers collective was a proving ground for young jazz talent, and that tradition continues today.
    [Show full text]
  • GRAMMY© AWARD WINNING TRUMPETER Brian Lynch
    GRAMMY© AWARD WINNING TRUMPETER Brian Lynch “You can lose yourself in the pure energy of his playing, but at any moment you can switch your attention to the logic and craftsmanship of his music and find multiple rewards.” NEIL TESSER, Jazziz “Lynch demonstrates that a dedicated, knowledgeable jazzman can play a diversity of styles with telling authenticity, and make the renditions extremely appealing to both musician and neophyte...Lynch is simply first- rate.” ZAN STEWART, Downbeat “When youʼre as dynamic and flexible a trumpeter as Lynch, everyone wants you.” THE NEW YORKER “ … a knife-blade articulation on his horn… his command of rhythm, sharpened by a long apprenticeship with Mr. Palmieri, lent impressive authority to his playing…” NATE CHINEN, The New York Times “Ranks in the top ten of current trumpeters.” SCOTT YANOW, Cadence Magazine “Brilliant… two steps ahead of the ordinary ear.” REUTERS NEWS TRUMPETER COMPOSER ARRANGER EDUCATOR BANDLEADER: “Spheres Of Influence” “Unsung Heroes Project” The Brian Lynch Big Band Brian Lynch "This is a new millennium, and a lot of music has gone down," Brian Lynch said several years ago. "I think that to be a straight-ahead jazz musician now means drawing on a wider variety of things than 30 or 40 years ago. Not to play a little bit of this or a little bit of that, but to blend everything together into something that sounds good. It doesn't sound like pastiche or shifting styles; it's people with a lot of knowledge." Few musicians embody this 21st century credo as profoundly as the 48-year-old trumpet master.
    [Show full text]
  • Unlocking Standard Tunes for Improv: Use Your Keys! Presented by Antonio J
    Unlocking Standard Tunes for Improv: Use Your Keys! presented by Antonio J. García, Associate Professor Director of Jazz Studies, Virginia Commonwealth University The Midwest Clinic: An International Band & Orchestra Conference Friday, December 21, 2007; 2:15-3:15 p.m. Williford Room, Chicago Hilton, Chicago, Illinois Thank you for coming today! STOP! Ideally, I wouldn’t distribute this handout (or any accompanying materials) to you at the beginning of this session: the best way for you to experience this workshop is for you to do so with your ears, in the same manner as the volunteers demonstrating for you today. But rather than interrupt our workshop later in order to pass these out, I am doing so now. I encourage you NOT to open and review the contents until I cue you to do so during the session. That way you can experience these concepts first aurally, just as your peers and students would in an ensemble or improv class. In the meantime, if you wish, take a look at the first eight bars of the lead-sheet excerpt below. Consider how you would explain to someone else how to solo over these chord changes if asked to do so right now—particularly if you were explaining to a fairly new improviser! If you’re still sitting around after this exercise, waiting for the session to begin, feel free to read my bio on the last page. I wrote a really long one so that you’d have something to do right now. Or meet the person next to you! Thanks again for coming—we’re going to have a good time experimenting today! (Don’t turn the page yet: stick to the front or back pages for now!) © 2007 Antonio J.
    [Show full text]
  • About Miguel Zenón
    About Miguel Zenón “This young musician and composer is at once reestablishing the artistic, cultural, and social tradition of jazz while creating an entirely new jazz language for the 21st century.” -- MacArthur Foundation, 2008. Multiple Grammy Nominee and Guggenheim and MacArthur Fellow Miguel Zenón represents a select group of musicians who have masterfully balanced and blended the often-contradictory poles of innovation and tradition. Widely considered as one of the most groundbreaking and influential saxophonists of his generation, he has also developed a unique voice as a composer and as a conceptualist, concentrating his efforts on perfecting a fine mix between Latin American Folkloric Music and Jazz. Born and raised in San Juan, Puerto Rico, Zenón has built a distinguished career as a leader, releasing twelve albums under his own name. In addition, he has crafted his artistic identity by dividing his time equally between working with older jazz masters and the music’s younger innovators --irrespective of styles and genres. The list of musicians Zenón has toured and/or recorded with includes: The SFJAZZ Collective, Charlie Haden, Fred Hersch, Kenny Werner, David Sánchez, Danilo Pérez, The Village Vanguard Orchestra, Kurt Elling, Guillermo Klein & Los Guachos, The Jeff Ballard Trio, Antonio Sánchez, David Gilmore, Paoli Mejías, Brian Lynch, Jason Lindner, Dan Tepfer, Miles Okazaki, Dan Weiss, Ray Barreto, Andy Montañez, Jerry Gonzalez & The Fort Apache Band, The Mingus Big Band, Bobby Hutcherson and Steve Coleman. As a composer he has been commissioned by SFJAZZ, The New York State Council for the Arts, Chamber Music America, NYO JAZZ, The Logan Center for The Arts, The Hyde Park Jazz Festival, The John Simon Guggenheim Foundation, MIT, Jazz Reach, Peak Performances, PRISM Quartet and many of his peers.
    [Show full text]
  • Magic Triangle Jazz Series Timeline
    Close to the Music 25 Years of Magic Triangle Jazz Series Close to the Music 25 Years of Magic Triangle Jazz Series February 2014 WMUA 91.1 FM and the Fine Arts Center University of Massachusetts Amherst Concept and Project Director: Priscilla Page Founding Director of Magic Triangle: Glenn Siegel Book and Cover Design: Rebecca Neimark, Twenty-Six Letters Magic Triangle Posters: Ryan O’Donnell Contributing Writers: John Bracey, Jason Robinson, Ed Hazell Contributing Photographers: Jim Gipe, Ed Cohen, Maurice Robertson, Ben Barnhart, Parthasarathi Valluri, Frank Ward !!!"\$%&'()*%$(%'"*+,-,&./*('/&$.0% Magic Triangle archives are housed in the UMass Special Collections and University Archives, W.E.B. DuBois Library. Information at: 1((23--0/4'&'5"6,&))"%76-)2*+00- . Front Cover: Jonathan Finlayson, April 26, 2012, photo: Parthasarathi Valluri Back Cover: Bezanson Recital Hall, April 26, 2012, photo: Maurice Robertson © 2014 All Rights Reserved Glenn Siegel would like to thank: Dr. Fred Tillis, Director Emeritus of the UMass Fine Arts Center, !1+8\')(826(8/$)(/(6(/+$&08'%)+6'*%)84%1/$78+6'8%$(16)/&),"89+4%'(&8:$+;8<+6$7/$.8=/'%*(+'8+<8>%!8 WORLD Theater, for giving me entré to the world of presenting via the Bright Moments Festival and the Black Musicians Conference. Dr. Willie Hill and the entire FAC staff, for their unwavering sup- port. The jazz djs of WMUA-91.1FM. The Pioneer Valley is blessed to have a college radio station so *+,,/((%78(+8'%&08,6)/*&087/?%')/(5"8@+48A$(/08<+'8$6'(6'/$.8(1%8B%'/%)8(1'+6.18/()8\')(87%*&7%"8C58 beloved Priscilla Page, she hatched this book idea, and was its shepherd.
    [Show full text]