\ the Phonetically-Based Speech Therapy Methods of I Alexander Graham Bell R
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Alexander Graham Bell 1847-1922
NATIONAL ACADEMY OF SCIENCES OF THE UNITED STATES OF AMERICA BIOGRAPHICAL MEMOIRS VOLUME XXIII FIRST MEMOIR BIOGRAPHICAL MEMOIR OF ALEXANDER GRAHAM BELL 1847-1922 BY HAROLD S. OSBORNE PRESENTED TO THE ACADEMY AT THE ANNUAL MEETING, 1943 It was the intention that this Biographical Memoir would be written jointly by the present author and the late Dr. Bancroft Gherardi. The scope of the memoir and plan of work were laid out in cooperation with him, but Dr. Gherardi's untimely death prevented the proposed collaboration in writing the text. The author expresses his appreciation also of the help of members of the Bell family, particularly Dr. Gilbert Grosvenor, and of Mr. R. T. Barrett and Mr. A. M. Dowling of the American Telephone & Telegraph Company staff. The courtesy of these gentlemen has included, in addition to other help, making available to the author historic documents relating to the life of Alexander Graham Bell in the files of the National Geographic Society and in the Historical Museum of the American Telephone and Telegraph Company. ALEXANDER GRAHAM BELL 1847-1922 BY HAROLD S. OSBORNE Alexander Graham Bell—teacher, scientist, inventor, gentle- man—was one whose life was devoted to the benefit of mankind with unusual success. Known throughout the world as the inventor of the telephone, he made also other inventions and scientific discoveries of first importance, greatly advanced the methods and practices for teaching the deaf and came to be admired and loved throughout the world for his accuracy of thought and expression, his rigid code of honor, punctilious courtesy, and unfailing generosity in helping others. -
UC Santa Barbara Previously Published Works
UC Santa Barbara UC Santa Barbara Previously Published Works Title Scriptworlds Permalink https://escholarship.org/uc/item/41d2f9kq Author Park, Sowon Publication Date 2021-06-28 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Scriptworlds Sowon Park Script and world Thinking about literature in relation to ‘world’ tends to invite the broad sweep. But the widened scope needn’t take in only the majestic, as conjured up in lofty concepts such as planetarity or world-historical totality. Sometimes the scale of world can produce a multifocal optic that helps us pay renewed attention to the literary commonplace. Taking script, the most basic component of literature, as one of the lenses through which to view the world literary landscape, this chapter will examine if, and how, ideas about writing can influence both our close and distant reading. Script is something that usually escapes notice under traditional classifications of literature, which organize subjects along linguistic borders, whether as English, French, or Spanish, or as Anglophone, Francophone, or Hispanophone studies. The construction of literatures by discrete language categories supports a wide-spread view that differences between languages are not just a matter of different phonemes, lexemes and grammars but of distinct ways of conceiving, apprehending and relating to the world. This was a view that was developed into a political stance in Europe in the nineteenth century.1 It posited a language as an embodiment of cultural or national distinctiveness, and a literature written in a national language as the sovereign expression of a particular worldview. One of the facets this stance obscured was the script in which the texts were written. -
2 Hangul Jamo Auxiliary Canonical Decomposition Mappings
DRAFT Unicode technical note NN Auxiliary character decompositions for supporting Hangul Kent Karlsson 2006-09-24 1 Introduction The Hangul script is very elegantly designed. There are just a small number of letters (28, plus a small number of variant letters introduced later, but the latter have fallen out of use) and even a featural design philosophy for the shapes of the letters. However, the incarnation of Hangul as characters in ISO/IEC 10646 and Unicode is not so elegant. In particular, there are many Hangul characters that are not needed, for precomposed letter clusters as well as precomposed syllable characters. The precomposed syllables have arithmetically specified canonical decompositions into Hangul jamos (conjoining Hangul letters). But unfortunately the letter cluster Hangul jamos do not have canonical decompositions to their constituent letters, which they should have had. This leads to multiple representations for exactly the same sequence of letters. There is not even any compatibility-like distinction; i.e. no (intended) font difference, no (intended) width difference, no (intended) ligaturing difference of any kind. They have even lost the compatibility decompositions that they had in Unicode 2.0. There are also some problems with the Hangul compatibility letters, and their proper compatibility decompositions to Hangul jamo characters. Just following their compatibility decompositions in UnicodeData.txt does not give any useful results in any setting. In this paper and its two associated datafiles these problems are addressed. Note that no changes to the standard Unicode normal forms (NFD, NFC, NFKD, and NFKC) are proposed, since these normal forms are stable for already allocated characters. -
A STUDY of WRITING Oi.Uchicago.Edu Oi.Uchicago.Edu /MAAM^MA
oi.uchicago.edu A STUDY OF WRITING oi.uchicago.edu oi.uchicago.edu /MAAM^MA. A STUDY OF "*?• ,fii WRITING REVISED EDITION I. J. GELB Phoenix Books THE UNIVERSITY OF CHICAGO PRESS oi.uchicago.edu This book is also available in a clothbound edition from THE UNIVERSITY OF CHICAGO PRESS TO THE MOKSTADS THE UNIVERSITY OF CHICAGO PRESS, CHICAGO & LONDON The University of Toronto Press, Toronto 5, Canada Copyright 1952 in the International Copyright Union. All rights reserved. Published 1952. Second Edition 1963. First Phoenix Impression 1963. Printed in the United States of America oi.uchicago.edu PREFACE HE book contains twelve chapters, but it can be broken up structurally into five parts. First, the place of writing among the various systems of human inter communication is discussed. This is followed by four Tchapters devoted to the descriptive and comparative treatment of the various types of writing in the world. The sixth chapter deals with the evolution of writing from the earliest stages of picture writing to a full alphabet. The next four chapters deal with general problems, such as the future of writing and the relationship of writing to speech, art, and religion. Of the two final chapters, one contains the first attempt to establish a full terminology of writing, the other an extensive bibliography. The aim of this study is to lay a foundation for a new science of writing which might be called grammatology. While the general histories of writing treat individual writings mainly from a descriptive-historical point of view, the new science attempts to establish general principles governing the use and evolution of writing on a comparative-typological basis. -
ONIX for Books Codelists Issue 40
ONIX for Books Codelists Issue 40 23 January 2018 DOI: 10.4400/akjh All ONIX standards and documentation – including this document – are copyright materials, made available free of charge for general use. A full license agreement (DOI: 10.4400/nwgj) that governs their use is available on the EDItEUR website. All ONIX users should note that this is the fourth issue of the ONIX codelists that does not include support for codelists used only with ONIX version 2.1. Of course, ONIX 2.1 remains fully usable, using Issue 36 of the codelists or earlier. Issue 36 continues to be available via the archive section of the EDItEUR website (http://www.editeur.org/15/Archived-Previous-Releases). These codelists are also available within a multilingual online browser at https://ns.editeur.org/onix. Codelists are revised quarterly. Go to latest Issue Layout of codelists This document contains ONIX for Books codelists Issue 40, intended primarily for use with ONIX 3.0. The codelists are arranged in a single table for reference and printing. They may also be used as controlled vocabularies, independent of ONIX. This document does not differentiate explicitly between codelists for ONIX 3.0 and those that are used with earlier releases, but lists used only with earlier releases have been removed. For details of which code list to use with which data element in each version of ONIX, please consult the main Specification for the appropriate release. Occasionally, a handful of codes within a particular list are defined as either deprecated, or not valid for use in a particular version of ONIX or with a particular data element. -
Chapter One Chapter
M01_HULI7523_05_SE_C01.QXD 12/4/09 11:37 AM Page 1 CHAPTER ONE A Connection of Brains C HAPTER O BJECTIVES This first chapter is designed to pique your facilitate understanding of the following interest in speech and language as pro- topics: cesses within the broader process we call • Definitions of communication, language, communication. We define and describe and speech these processes, and we consider how • Speech and language as separate but speech and language interact to produce a related processes form of communication unique to humans. We also consider how a speaker’s thoughts • Design features of the human communi- are conveyed to a listener’s brain through a cation system series of communication transformations • The speech chain that connects the known collectively as the speech chain. speaker’s thoughts to the listener’s Specifically, this chapter is designed to understanding of those thoughts 1 M01_HULI7523_05_SE_C01.QXD 12/4/09 11:37 AM Page 2 2 Chapter 1 he idea for Born to Talk was cultivated long before the first word of the original Tmanuscript was written, and it was probably a good thing that there was a period of latency between the concept and the product. During that latency, I* observed lan- guage development firsthand in my two daughters, Yvonne and Carmen. I learned more about the power and wonder of language in observing them than I have in all the books and all the journal articles I have read over the course of my career because I witnessed their processes of discovery. I watched and listened as they made con- nections between the world in which they were growing up and the words and lan- guage forms that spilled out of them. -
Cover Page the Handle
Cover Page The handle http://hdl.handle.net/1887/42753 holds various files of this Leiden University dissertation Author: Moezel, K.V.J. van der Title: Of marks and meaning : a palaeographic, semiotic-cognitive, and comparative analysis of the identity marks from Deir el-Medina Issue Date: 2016-09-07 INTRODUCTION vii viii DEFINING VISUAL COMMUNICATION WE TEND TO think of communication in terms of speech and writing: speech as the oral expression of language and writing as its graphic expression.1 This thought can be traced back to ancient Greece, particularly to a statement written by Aristotle around 350 BC: ‘Spoken words are the symbols of mental experience and written words are the symbols of spoken words’2 This statement was understood in the sense that spoken signs are the key to language systems, while written signs are merely their representations, serving only to their needs. Even though Aristotle had not meant to say this,3 writing thus came to be considered written speech: spoken language recorded by marks the basic function of which is phonoptic.4 Western scholars throughout the Middle Ages and the Early Modern Period held the view of writing as a visible surrogate or substitute for speech. This view, called ‘the surrogational model’ by Harris,5 was prevailing especially in the 18th and 19th centuries. The French missionary De Brébeuf, for instance, in translating the poem Pharsalia by Lucan, spoke of ‘cet art ingénieux – de peindre la parole et de parler aux yeux’.6 In similar fashion Voltaire’s famous quote reads ‘l’écriture est la peinture de la voix : plus elle est ressemblante, meilleure elle est.’7 The Irish poet Trench in 1855 spoke of ‘representing sounds by written signs, of reproducing for the eye that which existed at first only for the ear’; and ‘The intention of the written word’ is ‘to represent to the eye with as much accuracy as possible the spoken word.’8 The surrogational view was still popular in much of the 20th century. -
Genius at Work
For Vera Williams Harley, and in loving memory of George Ernest Esmond Harley, whojrst told me stories of Nova Scotia Copyright @I 1982 by Dorothy Harley Eber All rights reserved First published in 1982 by The Viking Press 625 Madison Avenue, New York, N.Y. 10022 Library of Congress Cataloging in Publication Data Eber, Dorothy. Genius at work. (A Studio book) Bibliography: p. 9 1. Bell, Alexander Graham, 1847- 1922. 2. Inventors- q); J' United States-Biography. I. Title. TK6143.B4E23 621.385'092'4 [B] 81-1 1670 ISBN 0-670-27389-9 AACR2 Printed in the United States of America Set in Baskerville Designed by Michael Shroyer PROLOGUE: An Interview with R. Buckminster Fuller/9 ARRIVALS/ 13 THE INVENTOR AT HOME/31 EXPLORING RIGHT AND LEFT/67 THE TETRAHEDRON/85 GETTING INTO THE AIR/103 FLIGHT/ 117 THE HYDROFOIL YEARS/ 135 RIDING THE HD-4/159 COURTING THE ADMIRALTY/ 169 FINAL DAYS/ 17 7 EPILOGUE/ 18 1 Reference Notes/ 183 Bibliography/ 187 Index/ 189 "Mr. Baldwin is designing another boat from which he and Alec Opposite page: expect wonderful things," wrote Mabel Bell in August of 1908. In Bell in his dressing gown in his fact the boat, built during the summer of the A.E.A.'s existence, later years, perhaps working far into the night. (I. D. Boyce) was designed in the hopes of its becoming an airplane. The aim of its designers was that it should rise up out of the water on hydro- foils and then take off and fly. This failed to happen, and so the Dhonnas Beag-Gaelic for "little devil" and dubbed thus by a Beinn Bhreagh workman, according to C. -
AKARA the Quest for Perfect Form
AKARA The Quest for Perfect Form 20th Nov. 1988 - 15th Feb. 1989 5, Dr. R. P. Road, IGNCA 'For every form, He has been the ideal, His form, visible everywhere.' Rig Veda VI.47.18 From the mind, emanates AKARA A considerable volume of work has been done in the areas of content of the written word: its semantic structure; its linguistic interconnections; its etymology and grammer. But the spiritual and philosophical aspects and the physical manifestation of the letter (akshara) need to be examined. The letter needs to be viewed as an organic whole. The visual power and the inner strength of otherwise innocuous-looking letters (aksharas) should be felt, experienced, realised. Our core concern is to probe into the inner processes. We explore the emergence of sound (nada); of speech of writing which gives form (akara) to language. This leads to ideal form -- the ultimate objective of calligraphy. We examine the universality of using the written symbol for meditation, ideation, cognition and communication at various levels, from the mundane to the sacred. Such an attempt would help to create an awareness of the metaphysical (adhyatmic), aesthetic (saundarya), structural (rachana), spatial (akasha) and technical (upayojana) considerations of the aksharas. The psyche dimensions of Akara deal with aspects both inherently metaphysical as well as intellectual conceptual, simultaneously encompassing the world view and inquiring into the mind's eye-view of what emerges as an aesthetic experience: the written symbol which begins as the vibration in every breath drawn from the primal energy-source, the nada, that imbues the calligrapher's mind and guides his hand to express beauty in dot and stroke, shape and form. -
Vowel Formant Theory and the Languages of Verdi's Don Carolos Justin Andrew Owen Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2012 Hidden music: vowel formant theory and the languages of Verdi's Don Carolos Justin Andrew Owen Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Music Commons Recommended Citation Owen, Justin Andrew, "Hidden music: vowel formant theory and the languages of Verdi's Don Carolos" (2012). LSU Master's Theses. 1896. https://digitalcommons.lsu.edu/gradschool_theses/1896 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. HIDDEN MUSIC: VOWEL FORMANT THEORY AND THE LANGUAGES OF VERDI’S DON CARLOS A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Music in The School of Music by Justin Andrew Owen B.A., Delta State University, 2009 May 2012 TABLE OF CONTENTS List of Tables ................................................................................................................................. iii List of Figures ................................................................................................................................ iv Abstract ......................................................................................................................................... -
Pronunciation Support for Arabic Learners
PRONUNCIATION SUPPORT FOR ARABIC LEARNERS A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Engineering and Physical Sciences 2015 By Majed Alsabaan School of Computer Science Contents Abstract 12 Declaration 14 Copyright 15 Acknowledgements 16 1 Introduction 18 1.1 Research Overview . 19 1.2 Organisation of the Thesis . 20 1.3 Research Questions and Research Tasks . 22 1.4 Research Methodology . 24 1.5 Research Contribution . 25 1.6 Summary . 25 2 Background and Literature Review 26 2.1 Automatic Speech Recognition (ASR) . 26 2.1.1 Introduction . 26 2.1.2 Hidden Markov Model (HMM) . 28 2.2 The Arabic Language . 31 2.2.1 Introduction . 31 2.2.2 Arabic ASR . 32 2.3 Pedagogy of Learning . 34 2.3.1 Aptitude and Motivation . 34 2.3.2 Thinking Tools . 35 2.3.3 Conditions for Learning Language . 35 2.3.4 Assessment in Learning . 36 2 2.4 CALL tools in Language Learning . 38 2.4.1 History of CALL . 38 2.4.2 Importance of CALL . 40 2.4.3 Detailed Example of a CALL tool - Baldi . 43 2.4.3.1 How does Baldi work? . 45 2.4.4 Graphical Simulation of the Vocal Tract . 46 2.5 Speech Synthesis . 48 2.6 Conclusion . 50 3 Architecture of the CALL tool 51 3.1 System Architecture . 51 3.2 System Integration . 51 3.2.1 Identifying Mispronunciation by the HTK . 53 3.2.2 Animating the Vocal Tract . 53 3.2.3 Synthesising Utterances . -
Grammatological Studies Writing and Its Relation to Speech
RUUL Reports from Uppsala University Linguistics #29 — 1996 (digital format 2019 with minor corrections) John Sören Pettersson Grammatological Studies Writing and its Relation to Speech Dissertation for the Degree of Doctor of Philosophy in Linguistics at Uppsala University 1996 ABSTRACT Petterson, J. S. I 996. Grammatological Studies: Writing and its Relation to Speech. Reports from Uppsala University, Department of Linguistics RUUL #29. 228 pp. Uppsala. ISBN 91-506-1170-4. This work addresses the problem of how writing is related to speech and how our notions of language are related to writing principles such as ‘the alphabetic principle’. The target of the study is the concept of ‘phonography’ (sound-writing, sometimes called ‘glottography’). This has been used in several theoretical works on writing, often with the assumption that the existence of phonographic systems somehow proves that the purpose of writing is to represent speech. From a functional approach, that is, from a theoretical base where language (of whatever modality) is seen as crucially dependent on actual communicative events, the notion that writing is representational in nature is criticised. Three areas are investigated: 1. the origin of the phono+graphic type of writing (also treated are the origin of spoken language and the medium-dependency of language); 2. the relation between alphabetic writing and notions concerning the structure of language in general and of particular languages; 3. the relationship between phonographic methods of reading old scripts and the prevailing phonocentrism. In all three areas it is found that the possibility of indicating pronunciation of written texts by phonographic means has been overinterpretated in favour of the prevalent representational view.