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November 02, 2010
University of Mississippi eGrove Daily Mississippian Journalism and New Media, School of 11-2-2010 November 02, 2010 The Daily Mississippian Follow this and additional works at: https://egrove.olemiss.edu/thedmonline Recommended Citation The Daily Mississippian, "November 02, 2010" (2010). Daily Mississippian. 608. https://egrove.olemiss.edu/thedmonline/608 This Newspaper is brought to you for free and open access by the Journalism and New Media, School of at eGrove. It has been accepted for inclusion in Daily Mississippian by an authorized administrator of eGrove. For more information, please contact [email protected]. 1 T UESDAY , NOVEMBER 2, 2010 | VOL . 99, NO . 50 THE DAILY homecoming week MISSISSIPPIAN TODAY T HE ST UDEN T NEW S PAPER OF THE UNIVER S I T Y OF MI ss I ss IPPI | SERVING OLE MI ss AND OXFORD S INCE 1911 | WWW . T HED M ONLINE . CO M 92.1 REBEL RADIO LIVE REMOTE UM’s own Rebel Radio will host a live remote in front of the Student Going to new heights for charity Union from 11 a.m. until 1 p.m. PIZZA WALK doned children while the Mis- tance from they live. The Staff Council will host a Pizza sissippi Department of Human “One of the students asked Walk from 11 a.m. until 1 p.m. in Services investigates their home me if I would teach them, so I the Student Union Plaza. situation or arranges a foster got to teach for about 30 min- home. Carr asked for people to utes– and they were some very, SPB HOMECOMING make pledges to Angel Ranch very intelligent kids,” she said. -
2012 Rebel Football Game Notes
3 NATIONAL CHAMPIONSHIPS | 6 SEC CHAMPIONSHIPS | 21 BOWL WINS | 33 BOWL APPEARANCES | 626 ALL-TIME VICTORIES 22012012 RREBELEBEL FFOOTBALLOOTBALL GGAMEAME NNOTESOTES Ole Miss Athletics Media Relations | PO Box 217 | University, MS 38677 | 662-915-7522 Web: OleMissSports.com, OleMissFB.com | Facebook: Facebook.com/OleMissSports, Facebook.com/OleMissFootball Twitter: @OleMissNow, @OleMissFB, @RebelGameday, @CoachHughFreeze 54 FIRST-TEAM ALL AMERICANS | 19 NFL FIRST ROUND PICKS | 279 PRO DRAFT SELECTIONS | 216 TELEVISION APPEARANCES Date: Nov. 24, 2012 RANKINGS Time: 6 p.m. CT Ole Miss . BCS-NR/AP-NR/Coaches-NR Location: Oxford, Miss. Mississippi State . .BCS-NR/AP-t25/Coaches-24 Venue: Vaught-Hemingway Stadium Capacity: 60,580 TV (ESPNU) Surface: FieldTurf Clay Matvick . Play-by-Play Series: Ole Miss leads 60-42-6 Matt Stinchcomb . Analyst Allison Williams . Sideline In Oxford: Ole Miss leads 21-11-3 Mississippi State In Egg Bowl: Ole Miss leads 54-25-5 Ole Miss RADIO (OLE MISS NETWORK) BULLDOGS Satellite Radio: Sirius 94, XM 198 REBELS David Kellum . Play-by-Play Live Stats: OleMissSports.com Harry Harrison . Analyst (8-3, 4-3 SEC) Live Blog: OleMissSports.com (5-6, 2-5 SEC) Stan Sandroni . Sideline/Locker Room Twitter Updates: @OleMissFB Head Coach: Dan Mullen Head Coach: Hugh Freeze Brett Norsworthy . Pre- & Post-Game Host Career: 29-20/4th Career: 35-13/4th Richard Cross . Pre- & Post-Game Host At MSU: 29-20/4th At UM: 5-6/1st Web: OleMissSports.com RebelVision (subscription) OLE MISS COACHING STAFF WHAT TO WATCH FOR... On the field: Hugh Freeze . Head Coach • With five wins, the Rebels need one more to become bowl eligible for the first time since 2009. -
All-Time All-America Teams
1944 2020 Special thanks to the nation’s Sports Information Directors and the College Football Hall of Fame The All-Time Team • Compiled by Ted Gangi and Josh Yonis FIRST TEAM (11) E 55 Jack Dugger Ohio State 6-3 210 Sr. Canton, Ohio 1944 E 86 Paul Walker Yale 6-3 208 Jr. Oak Park, Ill. T 71 John Ferraro USC 6-4 240 So. Maywood, Calif. HOF T 75 Don Whitmire Navy 5-11 215 Jr. Decatur, Ala. HOF G 96 Bill Hackett Ohio State 5-10 191 Jr. London, Ohio G 63 Joe Stanowicz Army 6-1 215 Sr. Hackettstown, N.J. C 54 Jack Tavener Indiana 6-0 200 Sr. Granville, Ohio HOF B 35 Doc Blanchard Army 6-0 205 So. Bishopville, S.C. HOF B 41 Glenn Davis Army 5-9 170 So. Claremont, Calif. HOF B 55 Bob Fenimore Oklahoma A&M 6-2 188 So. Woodward, Okla. HOF B 22 Les Horvath Ohio State 5-10 167 Sr. Parma, Ohio HOF SECOND TEAM (11) E 74 Frank Bauman Purdue 6-3 209 Sr. Harvey, Ill. E 27 Phil Tinsley Georgia Tech 6-1 198 Sr. Bessemer, Ala. T 77 Milan Lazetich Michigan 6-1 200 So. Anaconda, Mont. T 99 Bill Willis Ohio State 6-2 199 Sr. Columbus, Ohio HOF G 75 Ben Chase Navy 6-1 195 Jr. San Diego, Calif. G 56 Ralph Serpico Illinois 5-7 215 So. Melrose Park, Ill. C 12 Tex Warrington Auburn 6-2 210 Jr. Dover, Del. B 23 Frank Broyles Georgia Tech 6-1 185 Jr. -
Jeff Atmajian - Orchestration Credits
Jeff Atmajian - Orchestration Credits Feature Films: Directed By: Composer: Year: Distinctions: The Bucket List R. Reiner M. Shaiman 2007 The Water Horse: Legend of the Deep J. Russell J. N. Howard 2007 Hairspray A. Shankman M. Shaiman 2007 1408 M. Hafstrom G. Yared 2007 The Reaping S. Hopkins J. Frizzell 2007 Miss Potter C. Noonan R. Portman 2006 Blood Diamond E. Zwick J. N. Howard 2006 Angel F. Ozon P. Rombi 2006 My Super Ex Girlfriend I. Reitman T. Castelucci 2006 The Lady in the Water M. N. Shyamalan J. N. Howard 2006 The LakeHouse A. Agresti R. Portman 2006 King Kong P. Jackson J. N. Howard 2005 Golden Globe Nom. Infamous D. McGrath R. Portman 2005 Freedomland J. Roth J. N. Howard 2005 The Shaggy Dog B. Robbins A. Menken 2005 Rumor Has It R. Reiner M. Shaiman 2005 Oliver Twist R. Polanski R. Portman 2005 The Interpreter S. Pollack J. N. Howard 2005 Because of Winn Dixie W. Wang R. Portman 2004 Shall We Dance P. Chelsom G. Yared 2004 Collateral M. Mann J. N. Howard 2004 The Village M. N. Shyamalan J. N. Howard 2004 Oscar Nominee The Manchurian Candidate J. Demme R. Portman 2004 Troy (Unused) W. Peterson G. Yared 2004 The Passion of The Christ M. Gibson J. Debney 2004 Oscar Nominee Peter Pan P. J. Hogan J. N. Howard 2003 Big Fish T. Burton D. Elfman 2003 Oscar Nominee Mona Lisa Smile M. Newell R. Portman 2003 Hidalgo J. Johnston J. N. Howard 2003 Hulk A. Lee D. Elfman 2003 Alex and Emma R. -
October 9, 2017
University of Mississippi eGrove Daily Mississippian Journalism and New Media, School of 10-9-2017 October 9, 2017 The Daily Mississippian Follow this and additional works at: https://egrove.olemiss.edu/thedmonline Recommended Citation The Daily Mississippian, "October 9, 2017" (2017). Daily Mississippian. 206. https://egrove.olemiss.edu/thedmonline/206 This Newspaper is brought to you for free and open access by the Journalism and New Media, School of at eGrove. It has been accepted for inclusion in Daily Mississippian by an authorized administrator of eGrove. For more information, please contact [email protected]. Monday, October 9, 2017 THE DAILY Volume 106, No. 28 MISSISSIPPIANTHE STUDENT NEWSPAPER OF THE UNIVERSITY OF MISSISSIPPI SERVING OLE MISS AND OXFORD SINCE 1911 Visit theDMonline.com @thedm_news Chancellor announces plan for offi cial mascot switch SLADE RAND with the Landshark as the after more than 4,100 stu- with executive committees decisions — in the interest of MANAGING EDITOR offi cial mascot and retire dents voted in an Associated of alumni, faculty, staff and what is best for the future of Rebel the Bear,” Vitter said Student Body-sponsored poll graduate student groups to our university and our stu- in a statement Friday. Vitter gauging student support for help fi nalize their decision. dents. We are focused upon Ole Miss fans will have a said Friday’s announcement the Landshark. Less than 20 “After we received positive moving forward with a mas- new mascot to cheer with served to offi cially retire Reb- percent of all students en- support and endorsements cot that unifi es and inspires, along the sidelines when the el the Black Bear. -
Downloaded from Manchesterhive.Com at 09/26/2021 02:14:10AM Via Free Access the Movie-Made Movement 121
6 The movie-made Movement: civil rites of passage Sharon Monteith Memory believes before knowing remembers. (William Faulkner) Forgetting is just another kind of remembering. (Robert Penn Warren) Film history cannibalises images, expropriates themes and tech- niques, and decants them into the contents of our collective memory. Movie memories are influenced by the (inter)textuality of media styles – Fredric Jameson has gone so far as to argue that such styles displace ‘real’ history. The Civil Rights Movement made real history but the Movement struggle was also a media event, played out as a teledrama in homes across the world in the 1950s and 1960s, and it is being replayed as a cinematic event. The interrela- tionship of popular memory and cinematic representations finds a telling case study in the civil rights era in the American South. This chapter assesses what films made after the civil rights era of the 1950s and 1960s express about the failure of the Movement to sus- tain and be sustained in its challenges to inequality and racist injus- tice. It argues that popular cultural currency relies on invoking images present in the sedimented layers of civil rights preoccupa- tions but that in the 1980s and 1990s movies also tap into ‘struc- tures of feeling’. Historical verisimilitude is bent to include what Tom Hayden called in 1962 ‘a reassertion of the personal’ as part of the political, but it is also bent to re-present the Movement as a communal struggle in which ordinary southern white people are much more significant actors in the personal and even the public space of civil rights politics than was actually the case. -
Crossroads Film and Television Program List
Crossroads Film and Television Program List This resource list will help expand your programmatic options for the Crossroads exhibition. Work with your local library, schools, and daycare centers to introduce age-appropriate books that focus on themes featured in the exhibition. Help libraries and bookstores to host book clubs, discussion programs or other learning opportunities, or develop a display with books on the subject. This list is not exhaustive or even all encompassing – it will simply get you started. Rural themes appeared in feature-length films from the beginning of silent movies. The subject matter appealed to audiences, many of whom had relatives or direct experience with life in rural America. Historian Hal Barron explores rural melodrama in “Rural America on the Silent Screen,” Agricultural History 80 (Fall 2006), pp. 383-410. Over the decades, film and television series dramatized, romanticized, sensationalized, and even trivialized rural life, landscapes and experiences. Audiences remained loyal, tuning in to series syndicated on non-network channels. Rural themes still appear in films and series, and treatments of the subject matter range from realistic to sensational. FEATURE LENGTH FILMS The following films are listed alphabetically and by Crossroads exhibit theme. Each film can be a basis for discussions of topics relevant to your state or community. Selected films are those that critics found compelling and that remain accessible. Identity Bridges of Madison County (1995) In rural Iowa in 1965, Italian war-bride Francesca Johnson begins to question her future when National Geographic photographer Robert Kincaid pulls into her farm while her husband and children are away at the state fair, asking for directions to Roseman Bridge. -
Art 8 Vol III Is 2
Qualitative Sociology Review Volume III, Issue 2 – August 2007 Wendy Leo Moore Texas A&M University, USA Jennifer Pierce University of Minnesota, USA Still Killing Mockingbirds: Narratives of Race and Innocence in Hollywood’s Depiction of the White Messiah Lawyer Abstract Through a narrative analysis of movies confronting issues of race and racism in the post-civil rights era, we suggest that the movie To Kill a Mockingbird ushered in a new genre for movies about race which presented an image of a white male hero, or perhaps savior, for the black community. We suggest that this genre outlasted the era of the Civil Rights Movement and continues to impact popular cultural discourses about race in post-civil rights America. Post-civil rights films share the central elements of the anti-racist white male hero genre, but they also provide a plot twist that simultaneously highlights the racial innocence of the central characters and reinforces the ideology of liberal individualism. Reading these films within their broader historical context, we show how the innocence of these characters reflects not only the recent neo-conservative emphasis on “color blindness,” but presents a cinematic analogue to the anti-affirmative action narrative of the innocent white victim. Keywords Race; Racism; Film; Popular culture; Whiteness The film, To Kill a Mockingbird , based on Harper Lee’s eponymous book, was produced in the early 1960s, in the midst of the civil rights movement. Its narrative focuses on the valiant efforts of a small town lawyer, Atticus Finch, who defends Tom Robinson, a black man wrongfully accused of rape, against the racism of the Jim Crow South. -
WHAT I LEARNED at the MOVIES ABOUT LEGAL ETHICS and PROFESSIONALISM by Anita Modak-Truran
WHAT I LEARNED AT THE MOVIES ABOUT LEGAL ETHICS AND PROFESSIONALISM By Anita Modak-Truran HOW I GOT HERE I’ve been fortunate. I practice law. I make movies. I write about both. I took up my pen and started writing a film column for The Clarion-Ledger, a Gannett-owned newspaper, back in the late 90s, when I moved from Chicago, Illinois, to Jackson, Mississippi. (It was like a Johnny Cash song… “Yeah, I’m going to Jackson. Look out Jackson Town….”) I then turned my pen to writing for The Jackson Free Press, an indie weekly newspaper, which provided me opportunities to write about indie films and interesting people. I threw down the pen, as well as stopped my public radio movie reviews and the television segment I had for an ABC affiliate, when I moved three years ago from Jackson to Nashville to head Butler Snow’s Entertainment and Media Industry Group. During my journey weaving law and film together in a non-linear direction with no particular destination, I lived in the state where a young lawyer in the 1980s worked 60 to 70 hours a week at a small town law practice, squeezing in time before going to the office and during courtroom recesses to work on his first novel. John Grisham writes that he would not have written his first book if he had not been a lawyer. “I never dreamed of being a writer. I wrote only after witnessing a trial.” See http://www.jgrisham.com/bio/ (last accessed January 24, 2016). My law partners at Butler Snow have stories about the old days when Mr. -
The Grove: Stories of Cultivating Connections Mitchell A
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) 2017 The Grove: Stories of Cultivating Connections Mitchell A. Dowden University of Mississippi. Sally McDonnell Barksdale Honors College Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the Public Relations and Advertising Commons Recommended Citation Dowden, Mitchell A., "The Grove: Stories of Cultivating Connections" (2017). Honors Theses. 712. https://egrove.olemiss.edu/hon_thesis/712 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. THE GROVE: STORIES OF CULTIVATING CONNECTIONS by Mitchell Dowden A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford May 2017 Approved by: ___________________________________ Adviser: Professor Scott Fiene ___________________________________ Reader: Professor Mike Tonos ___________________________________ Reader: Dean Charles Mitchell © 2017 Mitchell Alexander Dowden ALL RIGHTS RESERVED ii ACKNOWLEDGEMENTS I was continually humbled throughout this entire process and couldn’t have finished this without the help of so many people. Thank you, Bill Rose, for helping me put this entire idea together a week into senior year. Thank you, Mike Tonos, for editing this thesis. Also, a big thank you to my adviser, Scott Fiene, for taking me and my thesis as soon as I walked into your office. I think “untraditional” would describe this experience, but it was great nonetheless. -
History of Southern Football Page16
Distribution Agreement In presenting this thesis as a partial fulfillment of the requirements for a degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis in whole or in part in all forms of media, now or hereafter now, including display on the World Wide Web. I understand that I may select some access restrictions as part of the online submission of this thesis. I retain all ownership rights to the copyright of the thesis. I also retain the right to use in future works (such as articles or books) all or part of this thesis. Christian Wayne April 11, 2017 The Manifestation of Southern White Identity in Southeastern Conference (SEC) Football By Christian Wayne Dr. Kim Loudermilk Adviser American Studies Dr. Margaret McGehee Committee Member Dr. Susan Ashmore Committee Member 2017 The Manifestation of Southern White Identity in Southeastern Conference (SEC) Football By Christian Wayne Dr. Kim Loudermilk Adviser An abstract of a thesis submitted to the Faculty of Emory College of Arts and Sciences of Emory University in partial fulfillment of the requirements of the degree of Bachelor of Arts with Honors American Studies 2017 Abstract The Manifestation of Southern White Identity in Southeastern Conference (SEC) Football By Christian Wayne This work examines the football teams of the Southeastern Conference (SEC) and how they are reflections, projections, and bastions of southern white identity. By exploring a history of how a southern, white identity was created in the American South, we can understand how and why football became the cultural institution it is in today’s American South throughout the twentieth century and into present-day. -
APBA COLLEGE FOOTBALL GREAT TEAMS of the PAST VOL. 1 ROSTER the Following Players Comprise the 2016 Season APBA College Football Player Card Set
APBA COLLEGE FOOTBALL GREAT TEAMS OF THE PAST VOL. 1 ROSTER The following players comprise the 2016 season APBA College Football Player Card Set. The regular starters at each position are listed first and should be used most frequently. Realistic use of the players below will generate statistical results remarkably similar to those from real life. IMPORTANT: When a Red "K" appears in the R-column as the result on any kind of running play from scrimmage or on any return, roll the dice again, refer to the K-column, and use the number there for the result. When a player has a "K" in his R-column, he can never be used for kicking or punting. If the symbol "F-K" or "F-P" appears on a players card, it means that you use the K or P column when he recovers a fumble. The number in () after the player's name represents the number of individual cards of that player in this card set. Starters are in bold. MISSISSIPPI 1960 USC 1962 WISCONSIN 1962 MICHIGAN 1964 OFFENSE OFFENSE OFFENSE OFFENSE WR: Bobby Crespino OB WR: Hal Bedsole WR: Larry Howard WR: Carl Ward OB Catfish Smith Phil Hoover Ron Leafblad John Henderson Billy Champion Toby Thurlow Elmars Ezerins Dick Rindfuss (2) OC TB A.J. Holloway (2) TC OC John Ratliff Tackle: Andy Wojdula Craig Kirby Tackle: Jerry Brown Tackle: Gary Kirner Roger Pillath Dick Wells TC OC Jim Dunaway Marv Marinovich Dale Matthews Bill Laskey Joe Robertson Ron Butcher Roger Jacobazzi Jack Clancy Bob Benton Stan Gonta Lee Bernet Tackle: Charles Kines Rush McKay Lynn Reade Guard: Jim Schenk Tom Mack Charles Ferrill Guard: