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Borderline Research
Borderline Research Histories of Art between Canada and the United States, c. 1965–1975 Adam Douglas Swinton Welch A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Art University of Toronto © Copyright by Adam Douglas Swinton Welch 2019 Borderline Research Histories of Art between Canada and the United States, c. 1965–1975 Adam Douglas Swinton Welch Doctor of Philosophy Department of Art University of Toronto 2019 Abstract Taking General Idea’s “Borderline Research” request, which appeared in the first issue of FILE Megazine (1972), as a model, this dissertation presents a composite set of histories. Through a comparative case approach, I present eight scenes which register and enact larger political, social, and aesthetic tendencies in art between Canada and the United States from 1965 to 1975. These cases include Jack Bush’s relationship with the critic Clement Greenberg; Brydon Smith’s first decade as curator at the National Gallery of Canada (1967–1975); the exhibition New York 13 (1969) at the Vancouver Art Gallery; Greg Curnoe’s debt to New York Neo-dada; Joyce Wieland living in New York and making work for exhibition in Toronto (1962–1972); Barry Lord and Gail Dexter’s involvement with the Canadian Liberation Movement (1970–1975); the use of surrogates and copies at the Nova Scotia College of Art and Design (1967–1972); and the Eternal Network performance event, Decca Dance, in Los Angeles (1974). Relying heavily on my work in institutional archives, artists’ fonds, and research interviews, I establish chronologies and describe events. By the close of my study, in the mid-1970s, the movement of art and ideas was eased between Canada and the United States, anticipating the advent of a globalized art world. -
Ministry of the Environmental Review Or Individual Environmental Environment’S (MOE, March 2001) “Guide to Environmental Assessment
NOTICE OF COMPLETION OF ENVIRONMENTAL SCREENING FOR THE PROPOSED ADELAIDE WIND FARM Air Energy TCI Inc (AET) has completed an environmental The Environmental Screening Report screening of the proposed Adelaide Wind Farm (the Project), In accordance with the Guide, AET is hereby notifying the to be located west of Centre Road and north and south of public that the Environmental Screening Report (ESR) / Hwy 402 in the Township of Adelaide Metcalfe, Ontario. The Environmental Impact Statement (EIS) will be available for the 30-day public review and comment period until Friday, July Project is being developed in response to the Ontario Ministry th of Energy’s desire to procure new renewable energy sources. 10 , 2009. A hard copy of the complete ESR is available for review at the following locations: Project Description AET plans to develop a wind project with a generation Adelaide Metcalfe Township Office capacity of 72 MW. The Project would involve the erection of (2340 Egremont Drive, Strathroy, ON); 40 wind turbines and installation of temporary and permanent Strathroy Public Library access roads, cabling, a substation, permanent met mast and (34 Frank Street, Strathroy, ON); and other ancillary works. Middlesex County Library Administrative Office Proponent (34B Frank Street, Strathroy, ON). AET is the North American branch of TCI Renewables and A digital copy of the report will also be available on AET’s part of the TCI Group. The company is a leading independent website at www.tcir.net renewable energy business with offices in the United Kingdom and Canada, and interests in over 30 wind power The Report is a comprehensive document that details public development projects in these countries and the United and agency consultation and findings, and describes the key States. -
The Thames River, Ontario
The Thames River, Ontario Canadian Heritage Rivers System Ten Year Monitoring Report 2000-2012 Prepared for the Canadian Heritage Rivers Board Prepared by Cathy Quinlan, Upper Thames River Conservation Authority March, 2013 ISBN 1-894329-12-0 Upper Thames River Conservation Authority 1424 Clarke Road London, Ontario N5V 5B9 Phone: 519-451-2800 Website: www.thamesriver.on.ca E-mail: [email protected] Cover Photograph: The Thames CHRS plaque at the Forks in London. C. Quinlan Photo Credits: C. Quinlan, M. Troughton, P. Donnelly Thames River, Ontario Canadian Heritage Rivers System, Ten Year Monitoring Report 2000 – 2012 Compiled by Cathy Quinlan, Upper Thames River Conservation Authority, with assistance from members of the Thames Canadian Heritage River Committee. Thanks are extended to the CHRS for the financial support to complete this ten year monitoring report. Thanks to Andrea McNeil of Parks Canada and Jenny Fay of MNR for guidance and support. Chronological Events Natural Heritage Values 2000-2012 Cultural Heritage Values Recreational Values Thames River Integrity Guidelines Executive Summary Executive Summary The Thames River nomination for inclusion in the Canadian Heritage Rivers System (CHRS) was accepted by the CHRS Board in 1997. The nomination document was produced by the Thames River Coordinating Committee, a volunteer group of individuals and agency representatives, supported by the Upper Thames River Conservation Authority (UTRCA) and Lower Thames Valley Conservation Authority (LTVCA). The Thames River and its watershed were nominated on the basis of their significant human heritage features and recreational values. Although the Thames River possesses an outstanding natural heritage which contributes to its human heritage and recreational values, CHRS integrity guidelines precluded nomination of the Thames based on natural heritage values because of the presence of impoundments. -
News Release
Phone: 519-641-1400 Fax: 519-641-1419 342 Commissioners Road, W. London, Ontario N6J 1Y3 News Release For Comment: Joe Pereira, Chair, Regional Commercial Council, 519-433-4331 For Background: Betty Dore, Chief Executive Officer, 519.641.1400 LONDON – February 1, 2016 Don Smith Commercial Building Award contenders named for 2015 The Regional Commercial Council of the London and St. Thomas Association of REALTORS® (LSTAR) has named the nineteen contenders for the 2015 Don Smith Commercial Building Awards, sponsored by CBRE, Colliers International, Dancor Construction, EllisDon Corporation, ListCentral and National Bank. Judging tour transportation generously provided by Voyageur Transportation Services. To be eligible, properties must fit into one of the following categories: Commercial (including retail and office buildings); Industrial; Institutional (community); or Multi- family. They must also be located within LSTAR’s jurisdiction of Middlesex and Elgin Counties and must have been completed between August 1, 2013 and July 31, 2015. The contenders in Commercial category are: Nixon Medical Centre (510 Southdale Road West, London ) Engineers Building ( 561-567 Talbot Street, St. Thomas) Re/Max Centre City Realty (36 First Street, St. Thomas) Rexall Pharmacy Bishop Hellmuth Heritage District (350 Oxford St. E., London) The London Roundhouse ( 240 Waterloo Street, London) a-LiNK Architecture Inc. Office ( 136 Wellington Road, London) In the Industrial category we have one nominee: Kaiser Aluminum Manufacturing Plant Expansion (3021 Gore Rd., London) Falling into the Institutional Category the nominees are: London Regional Mental Health Care- Parkwood Hospital( 550 Wellington Rd., London) The Elgin County Courthouse ( 4 Wellington St., ST. Thomas ) Elgin St. Thomas Public Health Unity (1230 Talbot St., St Thomas) Earl`s Court Village Nursing Home ( 1390 Highbury Ave. -
Register of Cultural Heritage Resources
˜ ° ˛ ˝˙ ˆ ° ˜ ˇ˘ ˇ ˆ ˜ ˇ ° ˜ ˝ˆ ˛ ° ˇ ˜ ° ˙ ˘ ˜ ° ˙ City of London Register of Cultural Heritage Resources City Planning 206 Dundas Street London, Ontario N6A 1G7 Last Updated: December 8, 2020 Register of Cultural Heritage Resources Register Introduction The City of London’s Register of Cultural Heritage Resources is provided by The Register of Cultural Heritage Resources is an essential resource used by the City for information purposes only. The City of London endeavours to the public and City staff to identify the cultural heritage status of properties in keep the Register current, accurate, and complete; however, the City the City of London. The first City Council-adopted Inventory of Heritage reserves the right to change or modify the Register and information contained Resources was created in 1991, and was compiled from previous inventories within the Register at any time without notice. dating back to the 1970s. The Inventory of Heritage Resources was reviewed and revised in 1997 to include newly-annexed areas of the City of London. In The Register is available on the City’s website 2005-2006, City Council adopted the revised Inventory of Heritage at, https://www.london.ca/About-London/heritage/Pages/Register.aspx. Resources. The Inventory of Heritage Resources (2006) was adopted in its Printed copies of the Register are also available. The printed edition of the entirety as the Register pursuant to Section 27 of the Ontario Heritage Act on Register of Cultural Heritage Resources is current to the date indicated on the March 26, 2007. Since 2007, City Council has removed and added properties title page. -
Highway Wherever: on Jack Chambers's 401 Towards London No.1
MATTHEW RYAN SMITH Highway Wherever: On Jack Chambers’s 401 Towards London No.1 ≈ The story behind Jack Chambers's painting 1 01 Towards London No. 1 (1968-69) is something like this: Chambers left London, Ontario for a meeting in Toronto. As he drove over the Exit 232 overpass near Woodstock, he glanced in his rear-view mirror and was struck by what he sa w behind him. He returned later that night and the next morning with a camera to photograph the area. The result is an archive of images taken above and around a banal overpass in Southwestern Ontario, later used as source material for one of Canada's most important landscape paintings. Chambers was born in l 93 l in London, Ontario, the gritty and spra wling half way point between Detroit/Windsor and Toronto. Inthe late 1950s and 1960s, Chambers and other local artists-including John Boyle, Greg Curnoe, Murray Favro, Bev Kelly, Ron Martin, David Rabinowitch, Royden Rabinovwitch, Walter Redinger, Tony Urquhart, and Ed Zclcnak-centralizcd the city of London in their artistic and social activities. As the 60s drew to a close, art historian Barry Lord wrote in Art in America that London was fast becoming "the most important art centre in Canada and a model for artists working elsewhere" and "the site of 'Canada's first regional liberation front."' In effect, the London Regionalism movement, as it became known, dismissed the stereotype that the local was trivial, which lent serious value to the fortunate moment where the artists found themselves: together in London making art about making art in London. -
John Boyle, Greg Curnoe and Joyce Wieland: Erotic Art and English Canadian Nationalism
John Boyle, Greg Curnoe and Joyce Wieland: Erotic Art and English Canadian Nationalism by Matthew Purvis A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Cultural Mediations Carleton University Ottawa, Ontario © 2020, Matthew Purvis i Abstract This dissertation concerns the relation between eroticism and nationalism in the work of a set of English Canadian artists in the mid-1960s-70s, namely John Boyle, Greg Curnoe, and Joyce Wieland. It contends that within their bodies of work there are ways of imagining nationalism and eroticism that are often formally or conceptually interrelated, either by strategy or figuration, and at times indistinguishable. This was evident in the content of their work, in the models that they established for interpreting it and present in more and less overt forms in some of the ways of imagining an English Canadian nationalism that surrounded them. The dissertation contextualizes the three artists in the terms of erotic art prevalent in the twentieth century and makes a case for them as part of a uniquely Canadian mode of decadence. Constructing my case largely from the published and unpublished writing of the three subjects and how these played against their reception, I have attempted to elaborate their artistic models and processes, as well as their understandings of eroticism and nationalism, situating them within the discourses on English Canadian nationalism and its potentially morbid prospects. Rather than treating this as a primarily cultural or socio-political issue, it is treated as both an epistemic and formal one. -
City of London Register of Cultural Heritage Resources
City of London Register of Cultural Heritage Resources City Planning 206 Dundas Street London, Ontario N6A 1G7 Last Updated: July 2, 2019 Register of Cultural Heritage Resources Register Introduction The City of London’s Register is provided by the City for information The Register is an essential resource used by the public and City staff to purposes only. The City of London endeavours to keep the Register current, identify the cultural heritage status of properties in the City of London. The accurate, and complete; however, the City reserves the right to change or first City Council-adopted Inventory of Heritage Resources was created in modify the Register and information contained within the Register at any time 1991, and was compiled from previous inventories dating back to the 1970s. without notice. The Inventory of Heritage Resources was reviewed and revised in 1997 to include newly-annexed areas of the City of London. In 2005-2006, City For information on a property’s cultural heritage status, please contact a Council adopted the revised Inventory of Heritage Resources. The Inventory Heritage Planner at 519-661-4890 or [email protected]. of Heritage Resources (2006) was adopted in its entirety as the Register pursuant to Section 27 of the Ontario Heritage Act on March 26, 2007. Since The cultural heritage status of properties can also be identified using CityMap, 2007, City Council has removed and added properties to the Register by www.maps.london.ca. resolution. To obtain an extract of the Register pursuant to Section 27(1) of the Ontario The Register includes heritage listed properties (Section 27 of the Ontario Heritage Act, please contact the City Clerk. -
1976-77-Annual-Report.Pdf
TheCanada Council Members Michelle Tisseyre Elizabeth Yeigh Gertrude Laing John James MacDonaId Audrey Thomas Mavor Moore (Chairman) (resigned March 21, (until September 1976) (Member of the Michel Bélanger 1977) Gilles Tremblay Council) (Vice-Chairman) Eric McLean Anna Wyman Robert Rivard Nini Baird Mavor Moore (until September 1976) (Member of the David Owen Carrigan Roland Parenteau Rudy Wiebe Council) (from May 26,1977) Paul B. Park John Wood Dorothy Corrigan John C. Parkin Advisory Academic Pane1 Guita Falardeau Christopher Pratt Milan V. Dimic Claude Lévesque John W. Grace Robert Rivard (Chairman) Robert Law McDougall Marjorie Johnston Thomas Symons Richard Salisbury Romain Paquette Douglas T. Kenny Norman Ward (Vice-Chairman) James Russell Eva Kushner Ronald J. Burke Laurent Santerre Investment Committee Jean Burnet Edward F. Sheffield Frank E. Case Allan Hockin William H. R. Charles Mary J. Wright (Chairman) Gertrude Laing J. C. Courtney Douglas T. Kenny Michel Bélanger Raymond Primeau Louise Dechêne (Member of the Gérard Dion Council) Advisory Arts Pane1 Harry C. Eastman Eva Kushner Robert Creech John Hirsch John E. Flint (Member of the (Chairman) (until September 1976) Jack Graham Council) Albert Millaire Gary Karr Renée Legris (Vice-Chairman) Jean-Pierre Lefebvre Executive Committee for the Bruno Bobak Jacqueline Lemieux- Canadian Commission for Unesco (until September 1976) Lope2 John Boyle Phyllis Mailing L. H. Cragg Napoléon LeBlanc Jacques Brault Ray Michal (Chairman) Paul B. Park Roch Carrier John Neville Vianney Décarie Lucien Perras Joe Fafard Michael Ondaatje (Vice-Chairman) John Roberts Bruce Ferguson P. K. Page Jacques Asselin Céline Saint-Pierre Suzanne Garceau Richard Rutherford Paul Bélanger Charles Lussier (until August 1976) Michael Snow Bert E. -
Speaking Clown to Power: Can We Resist the Historic Compromise of Neoliberal Art? GREGORY SHOLETTE
03_Cronin pg27-54 11/19/10 12:48 PM Page 27 Speaking Clown to Power: Can We Resist the Historic Compromise of Neoliberal Art? GREGORY SHOLETTE Clowns always speak of the same thing, they speak of hunger; hunger for food, hunger for sex, but also hunger for dignity, hunger for identity, hunger for power. In fact, they introduce questions about who commands, who protests.1 he transformation of the postwar welfare or “Keynesian” state economy into its current, neoliberal form has dramatically altered the relationship Tbetween labour, capital, and the state. As noted in the introduction to this book, globalization, privatization, flexible work schedules, financial schemes, and hyper-deregulated markets have plunged many individuals into a world of precarious labour, in which one’s very sense of “being” is in a constant, yet indeterminate state of risk. In one stroke, the 2008 global financial meltdown illuminated the details of risk society—painfully for many (profitably for a small group of others). Not surprisingly, some look to culture for a modicum of critical insight if not an entirely different vision of life and labour. The work of artists, it is alleged, provides self-knowledge and sometimes utopian alter- natives precisely because cultural creativity is said to be a unique form of sen- suous, nonproductive, self-directed, and therefore “autonomous,”labour. Art appears to exist separately from the “cultural pollution”of everyday commerce. But given that art is also a form of labour, is it not also affected by the recent changes in -
2Nd Report of the Community Safety and Crime
2ND REPORT OF THE COMMUNITY SAFETY AND CRIME PREVENTION ADVISORY COMMITTEE Meeting held on February 22, 2017, commencing at 12:25 PM, in Committee Room #5, Second Floor, London City Hall. PRESENT: L. Norman (Chair), J. Bennett, S. Davis, M. Melling, M. Sherritt, B. Spearman and L. Steel and H. Lysynski (Secretary). ABSENT: P. Arcese, I. Bielaska-Hornblower, B. Hall and D. Judson. ALSO PRESENT: M. Diaz. I. CALL TO ORDER 1. Disclosures of Pecuniary Interest That it BE NOTED that no pecuniary interests were disclosed. II. SCHEDULED ITEMS 2. Environmental Assessment - Western Road and Sarnia Road/Philip Aziz Avenue That it BE NOTED that the Community Safety and Crime Prevention Advisory Committee (CSCP) did not hear the presentation from D. MacRae, Division, Manager, Transportation Planning and Design and S. Maguire, Division Manager, Roadway Lighting and Traffic Control, with respect to the Environmental Assessment being undertaken at the intersection of Western Road and Sarnia Road/Philip Aziz Avenue; it being noted that the CSCP received the requested information previously. III. CONSENT ITEMS 3. 7th and 1st Reports of the Community Safety and Crime Prevention Advisory Committee That it BE NOTED that the 7th and 1st Reports of the Community Safety and Crime Prevention Advisory Committee from its meetings held on November 24, 2016 and January 26, 2017, respectively, were received. 4. Municipal Council Resolution - Terms of Reference That it BE NOTED that the Municipal Council resolution adopted at its meeting held on December 19, 2016, with respect to the Terms of Reference for the Community Safety and Crime Prevention Advisory Committee was received. -
This Entire Document
iOw*--^;^^^^ TKADEMAHKED BY THE SPOBTINO LIPE PTTB. CO. ENTERED AT PHILA. P. O. AS SECOND CLASS MATTBB VOLUME 27, NO.'4. PHILADELPHIA, APRIL 18, 1898. J PRICE, FIVE CENTS. KNOCK THEM ALL DOWN YOU GET A PENNANT! . WASH. BALT. i-j-r" ' "I 1 ' »-WW'" " ^V—ifa^gii"' ' T'«-jj. JiiV ""[^• t_] [PHiLM. N.Y. BOST. BROOKTCI "Now Then, Boys, Don't Let Baltimore Knock Them All Down Again 55 o SPORTING "LIFE. April and the best for me. Soilings wanted mo and of curves which he has well in hand, with plenty left a ticket so I could follow him in case 1 of speed to back thorn. could not conic to tonns with Mobile. It took 0«llalian is the quickest man who we ever Manager Oushmau and myself a whole day to saw in the box, and will win us many a gatnw agree. I dirt not fall a cent and he came to this year. He watches bases better than any my terms. I will get $£5 more per month than mau in the South and catches many a man nap- I would hsvo gotten from Detroit, and will ] ping after he has what he thinks a sinecure oa THE READfflG DEFECTION §UITE captain the team, for which 1 will receive 5100 IS SHAMORIN'S INVASION BY THE I flrst- base. ' . extra." Cross and Walker arc our new pitchers and Fisher gets a five mouths' contract and is not they both show .up in splendid style. Both are MADE GOOD, to he resen'ed for 185)7 Cor lisas than he re STATE LEAGUE.