Guitarcoach02 Kindle Layout 1

Total Page:16

File Type:pdf, Size:1020Kb

Guitarcoach02 Kindle Layout 1 GUITAR COACH MAGAZINE : GUITAR Issue 002 The FREE Interactive Guitar Magazine ISSUE 002 Beginners Bootcamp Blues Riffs & Licks Special Coaching Sessions Songs, Riffs, Guitars & Gizmos Licks & Solos Skills & Techniques Blues Road Warrior Eugene Hideaway Bridges Play JJ Cale, Robert Cray, & Blues Brothers Step by step video lessons Plus guitar news, features, profiles & cool new Apps. MAGAZINE Editorial enquiries: [email protected] Advertising enquiries: [email protected] www.guitarcoachmag.com Issue 002 Contents Features Note from the Editor 5 Eugene on the road...page 35 Guitarist Eugene “Hideaway” Bridges, a native What’s Hot & What’s Not! 6 of New Orleans, with seven albums to his credit and three recent nominations from the The Blues Debate 11 Blues Foundation... The Blues: Then & Now 13 Chord of the Month 18 Nils Lofgren Interview; Part 2 25 Guitar Top 10s 29 Quick Survey 39 Songwriting & Detuning 52 FAQs 54 Dillon teaches The Blues...page 20 Lesson Videos, Tutorials and Tips Jimmy Dillon is an accomplished and award- winning musician, singer, songsmith and Beginners Bootcamp 7 teacher with an impressive record. .. Relax and get into the correct postion to play. Plus an introduction to Fingerstyle playing Coaching Session 15 A great fun session, developing your improv skills, with our cool Blues backing track Skills & Techniques 22 The string muting, bass note picking strum. The eJamming revolution...page 49 It’s got something for everyone! New technology that allows musicians to jam and collaborate anytime, anywhere... Guitars & Gizmos 28 Guitar Makers, plus the latest guitar Apps and tech stuff Riffs, Licks & Solos 40 From The Blues Brothers to Clapton - a series a classic Blues riffs and licks Editor’s note Guitar Coach Magazine 5 Hi and welcome to our Blues insprired issue... In this second issue of Guitar Coach magazine, we’ve gone for a Blues flavour with some of our features, articles and Coaching sessions. New this month, we’ve also got a survey for you. This is your oppor- tunity to get the content you want every month. It only takes 30 seconds to complete the survey, so don’t miss this great opportu- nity to help shape Guitar Coach magazine to suit you! Also keep your questions coming for our FAQs. Contributors And finally keep submitting those ratings and reviews, as they are Many thanks to our contributors: what will help us to grow our subscriber numbers and enable us to continue to publish Guitar Coach free of charge. Eugene Hideaway Bridges Jimmy Dillon So, have fun, and do let me know what you think about the maga- The eJamming team Nick Benjamin zine. Just email me at [email protected] Rikky Rooksby Harrison Marsh And to our writing team: Jonathan Howkins Bob Cianci Editor, Guitar Coach magazine Graham Land Ben Vine Tom Rosier And our special thanks to: Andy Partridge of BandJammer Cover shot: Alyn Coates Keeping it Free! We hope you enjoy this issue of Guitar Coach All you have to do is either tell your guitar play- magazine and we look forward to bringing you ing friends about it, ‘Like’ us on Facebook, or much more great free stuff in the next issue. maybe Tweet about us :) But we need your help :) You help is much appreciated, thank you. In order for us to continue to produce this magazine free of charge, we need to get the word out to as many people as possible - and to do this we need your help. News Guitar Coach Magazine 6 What’s Hot and What’s Not this month! By Tom Rosier What’s Hot... Wes Scantlin, lead singer of Puddle of Mudd, could face jail time after a drunken encounter on a flight because the crew allegedly refused to serve the singer alcohol. Green Day release 3 new tracks from their up coming trilogy of Albums, Uno, Dos and Tre, the first of which is due for release later this month. An eBay auction to support the Randy Blythe (Lamb Of God) Legal Fund for his recent manslaughter charge includes guitars and basses from Slash, Megadeth, Gwar and Five Finger Death Punch. A 13-year-old girl's dream came true Wednesday at the Minnesota State Fair when she got to meet Motley Crue’s Nikki Sixx after the glam-rocker saw her anti-bullying video on YouTube. Prog Magazine holds its first ever award ceremony in London. What’s Not... Eddie van Halen narrowly avoids death after tri- alling a diet containing too much cayenne pepper and nearly had his “stomach explode”. A new scientific study has noted that pop music, over the last five decades, has gotten more depressing. A deadly spider which hid in one of Noel Gallagher’s guitar cases prompted an emergency quarantine while experts tried to catch the insect at Jersey Live Festival. An LA store owner and music producer has received hate mail after releasing an album of "new" music from notorious imprisoned serial murderer, Charles Manson. Guns N' Roses have hosted a new auction that includes their old clothes dryer for $110. Metallica frontman James Hetfield says there are too many rock bands, but the best will survive and keep the genre alive. Guitar Coach Magazine 7 Beginners Bootcamp – Guitar basics; Hand positions – Introduction to Fingerstyle Boot Camp Guitar Coach Magazine 8 Playing Basics: Hand positions by Harrison Marsh Any seasoned, acoustic guitarist will tell you about the perils of tendonitis and RSI, but it's not just the professionals that can suffer. The best way to avoid these issues is to get a correct and comfortable technique right from the start. There are a few rules with hand position that apply for both hands; firstly if it doesn't feel comfortable don't do it! New idea's may feel unfamiliar but avoid huge changing between chords smoother. A similar ap- stretches or extreme wrist angles, becasue you proach can be applied to the right hand. will almost always find that there is a more com- A good starting point for the left hand is to as- fortable way of doing things such as changing sume a "one finger per fret" hand position, i.e if the fingering of that chord. your index finger is playing the first fret, your lit- Secondly, just like any exercise, warm up and warn tle finger should be hovering over the fourth. down, ten minutes of scales or simple familiar ex- With your right hand, experiment to find your ercises at a slow tempo before you start will in- own comfortable hand position but avoid strain crease your stamina, muscle memory and avoid on the wrist and try and keep your hand loose. It any strains making playing uncomfortable. can be tempting to tense up but not only will this Though some famously heavy handed players be uncomfortable, your playing will not sound as may disagree, keep everything light. Firstly hitting smooth as you want it to. the strings harder puts more strain on your hands Finally, a few words on how acoustic guitars work. and wrists and is unnecessary, and secondly one Strum an open chord, and whilst this chord is tell tell sign of an experienced player is a good un- ringing out place your hand flat against the body derstanding and use of dynamics. It's one of the just behind the bridge. You should notice that the beautiful things about guitar, and by playing sound has changed slightly, becoming slightly quite lightly, there's room to increase volume and more muffled. The top of an acoustic guitar vi- attack when you want a passage to sound more brates as you play as the sound waves flow dynamic. through it. If your hand or wrist is contact with Try this, hold a chord as you normally would and the top of the guitar you are going to deaden the keep strumming it. Now without lifting your fin- guitar slightly. It's also going to limit your playing. gers from the strings, gradually decrease the pres- You will notice in the video that my hand is hover- sure your using in your left hand until you start to ing over the strings and each finger is resting on get a buzzing sound. Now the amount of pressure the string it's about to play, or just over the string you were using on that last strum before the buzz that is ringing out. Lightly touching the string is the minimum amount needed to play that with your right hand finger will stop any note chord. Is it lighter than you normally hold the gui- ringing and in turn stop notes ringing into each tar? Thought so! Keeping this in mind makes other, making everything much clearer. Boot Camp Guitar Coach Magazine 9 Fingerstyle: Introduction by Harrison Marsh Welcome to this introduction to finger style acoustic guitar; a playing style that has found it's way into every genre of music. Whether it be as an accompanist or solo player, friend with your favourite finger patterns becom- finger picking is a dynamic technique without ing automatic; just don't get stuck in the same limitation. few patterns! Above, and in the video, I have laid out some sim- The rolling arpeggio exercise uses the conven- ple exercises reminiscent of how I got into the tional way of showing which fingers to use as fol- style, over ten years ago. lows PIMA. P= Thumb, I = Index , M = middle, A = ring These exercises are designed to be fluid, giving you a chance to put your own mark on them. Mixing pinching, strumming and rolling tech- Once you can play them to a standard you are niques will give your playing rhythmic variety and happy with, take the same right hand patterns depth.
Recommended publications
  • Download (2399Kb)
    A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/ 84893 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Culture is a Weapon: Popular Music, Protest and Opposition to Apartheid in Britain David Toulson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History University of Warwick Department of History January 2016 Table of Contents Acknowledgements………………………………………………………………...iv Declaration………………………………………………………………………….v Abstract…………………………………………………………………………….vi Introduction………………………………………………………………………..1 ‘A rock concert with a cause’……………………………………………………….1 Come Together……………………………………………………………………...7 Methodology………………………………………………………………………13 Research Questions and Structure…………………………………………………22 1)“Culture is a weapon that we can use against the apartheid regime”……...25 The Cultural Boycott and the Anti-Apartheid Movement…………………………25 ‘The Times They Are A Changing’………………………………………………..34 ‘Culture is a weapon of struggle’………………………………………………….47 Rock Against Racism……………………………………………………………...54 ‘We need less airy fairy freedom music and more action.’………………………..72 2) ‘The Myth
    [Show full text]
  • Aretha Franklin's Gendered Re-Authoring of Otis Redding's
    Popular Music (2014) Volume 33/2. © Cambridge University Press 2014, pp. 185–207 doi:10.1017/S0261143014000270 ‘Find out what it means to me’: Aretha Franklin’s gendered re-authoring of Otis Redding’s ‘Respect’ VICTORIA MALAWEY Music Department, Macalester College, 1600 Grand Avenue, Saint Paul, MN 55105, USA E-mail: [email protected] Abstract In her re-authoring of Otis Redding’s ‘Respect’, Aretha Franklin’s seminal 1967 recording features striking changes to melodic content, vocal delivery, lyrics and form. Musical analysis and transcription reveal Franklin’s re-authoring techniques, which relate to rhetorical strategies of motivated rewriting, talking texts and call-and-response introduced by Henry Louis Gates, Jr. The extent of her re-authoring grants her status as owner of the song and results in a new sonic experience that can be clearly related to the cultural work the song has performed over the past 45 years. Multiple social movements claimed Franklin’s ‘Respect’ as their anthem, and her version more generally functioned as a song of empower- ment for those who have been marginalised, resulting in the song’s complex relationship with feminism. Franklin’s ‘Respect’ speaks dialogically with Redding’s version as an answer song that gives agency to a female perspective speaking within the language of soul music, which appealed to many audiences. Introduction Although Otis Redding wrote and recorded ‘Respect’ in 1965, Aretha Franklin stakes a claim of ownership by re-authoring the song in her famous 1967 recording. Her version features striking changes to the melodic content, vocal delivery, lyrics and form.
    [Show full text]
  • A Multi-Level Analysis of Songwriter Career Strategies by Rachel S
    Changing Patterns of Cooperation in Occupational Communities: A Multi-Level Analysis of Songwriter Career Strategies By Rachel Skaggs Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in Sociology August 10, 2018 Nashville, Tennessee Approved: Daniel B. Cornfield, PhD Shaul Kelner, PhD Joshua Murray, PhD Copyright © 2018 by Rachel Skaggs All Rights Reserved ii To my father, Donnie Skaggs, who I’ve watched pursue his songwriting dreams. To my mother, Rose Skaggs, who supports his dreams and mine. To David Carlson. His dreams and mine are intertwined. iii ACKNOWLEDGMENTS It is an overwhelming task to think of all of the support that people have given me in support of this dissertation. My dissertation is about collaboration, and I have been unmeasurably lucky to have collaborated with wonderful people. I want to begin by thanking every songwriter I interviewed. Without their trust and insight, I could not have conducted research that is as compelling, touching, and important as the project that has emerged. The generosity and openness of these people, most of whom were total strangers to me, is inspiring. Next, I must acknowledge the support of the Robert Penn Warren Center for the Humanities. As a dissertation fellow at the Warren Center, I was able to truly develop my ideas and focus on the work of writing a good dissertation. My fellow fellows at the Warren Center challenged me and supported me. Danielle Picard, Wietske Smeele, Sara Kollner, Alexandra Alekseyeva, David Vila, and James Phelan all contributed to the ways I think about my own work as I try to present it in a manner that is intelligible and meaningful to an interdisciplinary audience.
    [Show full text]
  • Arizona 500 2021 Final List of Songs
    ARIZONA 500 2021 FINAL LIST OF SONGS # SONG ARTIST Run Time 1 SWEET EMOTION AEROSMITH 4:20 2 YOU SHOOK ME ALL NIGHT LONG AC/DC 3:28 3 BOHEMIAN RHAPSODY QUEEN 5:49 4 KASHMIR LED ZEPPELIN 8:23 5 I LOVE ROCK N' ROLL JOAN JETT AND THE BLACKHEARTS 2:52 6 HAVE YOU EVER SEEN THE RAIN? CREEDENCE CLEARWATER REVIVAL 2:34 7 THE HAPPIEST DAYS OF OUR LIVES/ANOTHER BRICK IN THE WALL PART TWO ANOTHER BRICK IN THE WALL PART TWO 5:35 8 WELCOME TO THE JUNGLE GUNS N' ROSES 4:23 9 ERUPTION/YOU REALLY GOT ME VAN HALEN 4:15 10 DREAMS FLEETWOOD MAC 4:10 11 CRAZY TRAIN OZZY OSBOURNE 4:42 12 MORE THAN A FEELING BOSTON 4:40 13 CARRY ON WAYWARD SON KANSAS 5:17 14 TAKE IT EASY EAGLES 3:25 15 PARANOID BLACK SABBATH 2:44 16 DON'T STOP BELIEVIN' JOURNEY 4:08 17 SWEET HOME ALABAMA LYNYRD SKYNYRD 4:38 18 STAIRWAY TO HEAVEN LED ZEPPELIN 7:58 19 ROCK YOU LIKE A HURRICANE SCORPIONS 4:09 20 WE WILL ROCK YOU/WE ARE THE CHAMPIONS QUEEN 4:58 21 IN THE AIR TONIGHT PHIL COLLINS 5:21 22 LIVE AND LET DIE PAUL MCCARTNEY AND WINGS 2:58 23 HIGHWAY TO HELL AC/DC 3:26 24 DREAM ON AEROSMITH 4:21 25 EDGE OF SEVENTEEN STEVIE NICKS 5:16 26 BLACK DOG LED ZEPPELIN 4:49 27 THE JOKER STEVE MILLER BAND 4:22 28 WHITE WEDDING BILLY IDOL 4:03 29 SYMPATHY FOR THE DEVIL ROLLING STONES 6:21 30 WALK THIS WAY AEROSMITH 3:34 31 HEARTBREAKER PAT BENATAR 3:25 32 COME TOGETHER BEATLES 4:06 33 BAD COMPANY BAD COMPANY 4:32 34 SWEET CHILD O' MINE GUNS N' ROSES 5:50 35 I WANT YOU TO WANT ME CHEAP TRICK 3:33 36 BARRACUDA HEART 4:20 37 COMFORTABLY NUMB PINK FLOYD 6:14 38 IMMIGRANT SONG LED ZEPPELIN 2:20 39 THE
    [Show full text]
  • Hall of Fame Andy Partridge
    Hall of Fame Andy Partridge Andrew John Partridge (born 11 November 1953) is an English singer, songwriter, guitarist, and record producer from Swindon. He is best known for co-founding the rock band XTC, in which he served as the group's primary songwriter and vocalist. While the band was formed as an early punk rock group, Partridge's music drew heavily from British Invasion songwriters, and his style gradually shifted to more traditional pop, often with pastoral themes. The band's only British top 10 hit, "Senses Working Overtime" (1982), was written by Partridge. In addition to his work with XTC, Partridge has released one solo album on Virgin Records in 1980 called Take Away / The Lure of Salvage. He has also collaborated (as performer, writer or record producer) with recording artists, including Martin Newell, with whom he recorded and produced an album in 1993 entitled The Greatest Living Englishman released in Japan as a duo album. Partridge was producer for the English band Blur during the recording of Modern Life Is Rubbish (1993). He was replaced by Stephen Street at the insistence of their record label, Food. According to Partridge he was unpaid for the sessions and received his expenses only. Partridge also wrote four songs for Disney's version of James and the Giant Peach (1996) but was replaced by Randy Newman when he could not get Disney to offer him "an acceptable deal". In the 2000s, Partridge began releasing demos of his songs under his own name in The Official Fuzzy Warbles Collector's Album and the Fuzzy Warbles album series on his APE House record label.
    [Show full text]
  • Off the Beaten Track
    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
    [Show full text]
  • Blues Rock Star Joe Bonamassa Announces Highly Anticipated New Studio Album
    BLUES-ROCK STAR JOE BONAMASSA ANNOUNCES NEW SINGLE "TIME CLOCKS" TAKEN FROM HIS NEW STUDIO ALBUM 'TIME CLOCKS' TO BE RELEASED OCT 29 PRE-ORDER “TIME CLOCKS” https://smarturl.it/JoeB-MLG LISTEN TO THE “TIME CLOCKS” SINGLE HERE: https://smarturl.it/JoeBonamassa WATCH THE MUSIC VIDEO FOR “TIME CLOCKS” HERE: https://youtu.be/Z7116ryQV-I Guitar legend Joe Bonamassa today reveals his stunningly sweeping new single, "Time Clocks." This is the third song taken from his forthcoming brand-new studio album of the same name, released on October 29 via Provogue (Europe) and J&R Adventures (North America). Joe continues his soul-searching evolution on this beautifully poignant Bonamassa-Shirley penned song. At just over seven minutes long, it has all the epic musical grandeur of him at his most expressive and ambitious. With a heart on sleeve narrative weaving its way throughout, the rousing chorus rises to the heavens as he sings, "and the rain soaking through my coat, about to capsize my boat I push it along away from the docks, I was never a good puncher of time clocks." Backed with cascading vocals from Juanita Tippins and Prinnie Stevens, as well as the supreme musicianship of Anton Fig (Drums), Steve Mackey (Bass), Lachy Doley (Piano/Organ) and Kevin Shirley (Percussion), it has an aura of pure timelessness. The album was recorded in New York City and took Joe back to his early roots and rediscovers him at a newfound peak with an unparalleled Blues Rock prowess. Known as the man in the suit, loved by many as the ultimate guitar hero, and cited by critics as "the world's biggest blues guitarist" (Guitar World), somehow the music mastermind has found yet another layer of immense new artistry to share with his fans.
    [Show full text]
  • (Pdf) Download
    Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air
    [Show full text]
  • Newsletter Summer 2002 Issue 39 Volume 10 Number 3
    Kentucky Thumbpickers Club Newsletter Summer 2002 Issue 39 Volume 10 Number 3 Pat Kirtley South of the Border at the Lincoln Jamboree Fingerstyle champion Pat Kirtley performed at the played his new Latin beat music like on “Just Listen” Lincoln Jamboree in Hodgenville on Friday night, April accompanied by a bass player and Congo drummer. He 12 and was accompanied by singer/songwriter Tim played Michael and Monica, Waiting for the Times to Grimm. Tim opened the show Get Better, The One Note and sang and played all his Samba, El Sureto and own compositions except one Picatta. In order to fully from Woody Guthrie. He has appreciate the Latin beat, a nice rich voice and writes producer Eddie Mattingly interesting story telling songs. tossed egg shaped maracas My favorite tune was one that into the crowd for a little was requested by someone in audience participation. Pat's the audience. But, I was really latest CD in the works has a just waiting for Pat. lot more of the South Most of you know Pat American style and it's Kirtley by now and many of promised to be out soon. I you know that he's the reason hope we can see it at CAAS I rediscovered my guitar and shortly. began playing fingerstyle and Of course Pat also played thumbpicking. I bought his ‘Kentucky Guitar’ CD full the fingerstyle and thumbpicking that won him the of great thumbpicking classic tunes like Merle’s Guitar Winfield National Championship. He picked several Rag, Old Joe Clark, Ghost Riders in the Sky, Steel from his Kentucky Guitar CD - B Rod's Rag, Shufflin' Guitar Rag and Pat’s own Ripplin’ and I was hooked.
    [Show full text]
  • Music & Entertainment Auction
    Hugo Marsh Neil Thomas Forrester (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction Tuesday 19th February 2019 at 10.00 Viewing: For enquiries relating to the auction Monday 18th February 2019 10:00 - 16:00 please contact: 09:00 morning of auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment Music www.specialauctionservices.com As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to auction; the purchase will be made at their own risk. Special Auction Services will give indications of the provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. ORDER OF AUCTION Music Hall & other Disc Records 1-68 Cylinder Records 69-108 Phonographs & Gramophones 109-149 Technical Apparatus 150-155 Musical Boxes 156-171 Jazz/ other 78s 172-184 Vinyl Records 185-549 Reel to Reel Tapes 550-556 CDs/ CD Box Sets 557-604 DVDs 605-612 Music Memorabilia 613-658 Music Posters 659-666 Film & Entertainment Memorabilia Including items from the Estate of John Inman 667-718 Film Posters 719-743 Musical Instruments 744-759 Hi-Fi 760-786 2 www.specialauctionservices.com MUSIC HALL & OTHER DISC RECORDS 18. Music hall and similar records, 10 inch, 67, by Geo Robey (G & T 2-2721 & 18 1.
    [Show full text]
  • Hammond Jazz Empfehlungen
    Hammond Jazz Empfehlungen Vorname Name Album Label B-3in' Organ Jazz 32Jazz George Benson It's Uptown Columbia George Benson The George Benson Cookbook Columbia George/"Brother" Jack Benson/McDuff George Benson & Jack McDuff Prestige Pat Bianchi East Coast Roots Jazzed Media Earl Bostic Complete Quintet Recordings Lonehilljazz Terence Brewer Groovin' Wes StrongBrewMusic Gloria Coleman Sweet Missy Doodlin' Records Linda Dachtyl For Hep Cats Chicken Coup Wild Bill Davis The Zurich Concert Jazz Connaisseur Deep Blue Organ Trio Wonderful Origin Records Moe Denham The Soul Jazz Sessions Thortch Recordings Joey DeFrancesco All About My Girl Muse Records Joey DeFrancesco All or Nothing at All Big Mo Joey DeFrancesco Ballads and Blues Concord Papa John DeFrancesco Desert Heat High Note Joey DeFrancesco Goodfellas Concord Joey DeFrancesco Joey DeFrancesco plays Sinatra his way High Note Joey DeFrancesco Legacy Concord Joey DeFrancesco One For Rudy High Note Joey DeFrancesco Plays Sinatra His Way High Note Joey DeFrancesco Singin' and Swingin' Concord Joey DeFrancesco The Champ Round 2 High Note Joey DeFrancesco The Philadelphia Connection High Note Bob De Vos Breaking the ice Savant Barbara Dennerlein Junkanoo Verve www.b-tonic.ch Seite 1 von 7 Hammond Jazz Empfehlungen Barbara Dennerlein Love Letters Bebab Lou Donaldson Everything I Play Is Funky Blue Note Lou Donaldson Good Gracious! Blue Note Lou Donaldson Here 'Tis Blue Note Lou Donaldson Midnight Creeper Blue Note Lou Donaldson The Natural Soul Blue Note Charles Earland Cookin' With the Mighty
    [Show full text]
  • Ac-Cent-Tchu-Ate the Positive Achin Hearted Blues After Youve Gone
    Ac-cent-tchu-ate The Positive Baltimore Bluesette Achin Hearted Blues Barbados Bluesology After Youve Gone Basin Street Blues Bluin The Blues Afternoon In Paris Battle Hymn Of The Republic Body And Soul Again Baubles Bangles And Beads Bohemia After Dark Aggravatin Papa Be My Love Bouncing With Bud Ah-leu-cha Beale Street Blues Bourbon Street Parade Aint Cha Glad Beale Street Mama Breeze And J Aint Misbehavin Beau Koo Jack Breezin Along With The Breeze Aint She Sweet Beautiful Love Broadway Air Mail Special BeBop Brother Can You Spare A Dime Airegin Because Of You Brown Sugar Alabama Jubilee Begin The Beguine Buddy Boldens Blues Alabamy Bound Bei Mir Bist Du Schoen Buddys Habits Alexanders Ragtime Band Believe It Beloved Budo Alice Blue Gown Bemsha Swing Bugle Boy March All Alone Bernies Tune Bugle Call Rag All Gods Chillun Got Rhythm Besame Mucho But Beautiful All I Do Is Dream Of You Besie Couldnt Help It But Not For Me All My Life Best Things In Life Are Free Button Up Your Overcoat All Of Me Between The Devil And The Deep Buzzy All Of You Blue Sea By The Beautiful Sea All Or Nothing At All Bewitched By The Light Of The Silvery Moon All That Meat And No Potatoes Beyond The Blue Horizon By The River Sainte Marie All The Things You Are Biden’ My Time By The Waters Of Minnetonka All Through The Night Big Butter And Egg Man Bye And Bye All Too Soon Big Noise From Winnetka Bye Bye Blackbird Alligator Crawl Bill Bailey Bye Bye Blues Almost Like Being In Love Billie Boy C Jam Blues Alone Billies Bounce Cakewalking Babies From Home Alone Together
    [Show full text]