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Legally Blonde: Introduction
Being true to yourself never goes out of style! WINNER BEST NEW MUSICAL 2011 OLIVIER AWARD EDUCATION KIT AUSTRALIAN PREMIERE SEASON • SYDNEY LYRIC LegallyBlonde.com.au facebook.com/ legallyblondemusical @legallyblondeoz Legally Blonde: INTRODUCTION INTRODUCTION This teacher’s guide has been developed as a teaching tool to assist teachers who are bringing their students to see the show. This guide is based on Camp Broadway’s StageNOTES, conceived for the original Broadway musical adaptation of Amanda Brown’s 2001 novel and the film released that same year, and has been adapted for use within the UK and Australia. The Australian Education Pack is intended to offer some pathways into the production, and focuses on some of the topics covered in Legally Blonde which may interest students and teachers. It is not an exhaustive analysis of the musical or the production, but instead aims to offer a variety of stimuli for debate, discussion and practical exploration. It is anticipated that the Education Pack will be best utilised after a group of students have seen the production with their teacher, and can engage in an informed discussion based on a sound awareness of the musical. We hope that the information provided here will both enhance the live theatre experience and provide readers with information they may not otherwise have been able to access. Legally Blonde is an uplifting, energising, feel-good show and with that in mind we hope this pack will be enjoyed through equally energising and enjoyable practical work in the classroom and drama studio. 1 Legally Blonde: INTRODUCTION LEgally Blonde Education Pack CONTENTS PAGE INTODUCTION 1. -
1998 Acquisitions
1998 Acquisitions PAINTINGS PRINTS Carl Rice Embrey, Shells, 1972. Acrylic on panel, 47 7/8 x 71 7/8 in. Albert Belleroche, Rêverie, 1903. Lithograph, image 13 3/4 x Museum purchase with funds from Charline and Red McCombs, 17 1/4 in. Museum purchase, 1998.5. 1998.3. Henry Caro-Delvaille, Maternité, ca.1905. Lithograph, Ernest Lawson, Harbor in Winter, ca. 1908. Oil on canvas, image 22 x 17 1/4 in. Museum purchase, 1998.6. 24 1/4 x 29 1/2 in. Bequest of Gloria and Dan Oppenheimer, Honoré Daumier, Ne vous y frottez pas (Don’t Meddle With It), 1834. 1998.10. Lithograph, image 13 1/4 x 17 3/4 in. Museum purchase in memory Bill Reily, Variations on a Xuande Bowl, 1959. Oil on canvas, of Alexander J. Oppenheimer, 1998.23. 70 1/2 x 54 in. Gift of Maryanne MacGuarin Leeper in memory of Marsden Hartley, Apples in a Basket, 1923. Lithograph, image Blanche and John Palmer Leeper, 1998.21. 13 1/2 x 18 1/2 in. Museum purchase in memory of Alexander J. Kent Rush, Untitled, 1978. Collage with acrylic, charcoal, and Oppenheimer, 1998.24. graphite on panel, 67 x 48 in. Gift of Jane and Arthur Stieren, Maximilian Kurzweil, Der Polster (The Pillow), ca.1903. 1998.9. Woodcut, image 11 1/4 x 10 1/4 in. Gift of Mr. and Mrs. Frederic J. SCULPTURE Oppenheimer in memory of Alexander J. Oppenheimer, 1998.4. Pierre-Jean David d’Angers, Philopoemen, 1837. Gilded bronze, Louis LeGrand, The End, ca.1887. Two etching and aquatints, 19 in. -
Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences and the Community at Large
NOVEMBER 2012 November 17 - December 29 Dr. Seuss Properties TM & (c) 1957 and 2012 Dr. Seuss Enterprises, L.P. All Rights Reserved. Welcome to Welcome to Whoville! We are pleased to be addressing you jointly for the very first time as we launch a new chapter in the history of The Old Globe. We look forward to honoring and building upon this theatre’s cherished traditions by creating extraordinary theatre for you. DOUG GATES No Globe tradition is more beloved than our annual Managing Director Michael G. Murphy with recently appointed production of Dr. Seuss’ How the Grinch Stole Artistic Director Barry Edelstein. Christmas! We celebrate its 15th Anniversary this year, a milestone that would not have been possible without the support of one very special person. For more than three decades, Audrey Geisel has been close to the heart of The Old Globe, providing support through her kindness, warm smile, charming wit and great generosity. She is a champion of the arts in this community, serving as philanthropist, advocate and leader for many institutions. The production that you see today is on our stage thanks to Theodor Geisel’s creativity and Audrey’s vision and most sincere friendship. Tens of thousands of children have come to know live theatre through the Grinch, and we are grateful to Audrey that each year we are able to mount this production and introduce more young people to this magical art form. We are so proud that for the last 15 years, our audiences have made The Old Globe part of their holiday celebrations. -
67Th Annual Tony Awards
The American Theatre Wing's The 2013 Tony Awards® Sunday, June 9th at 8/7c on CBS 67TH ANNUAL TONY AWARDS Best Play Best Performance by an Actress in a Leading Role in a Musical Best Costume Design of a Musical The! Assembled Parties (Richard Greenberg) Stephanie! J. Block, The Mystery of Edwin Drood Gregg! Barnes, Kinky Boots Lucky Guy (Nora Ephron) Carolee Carmello, Scandalous Rob Howell, Matilda The Musical The Testament of Mary (Colm Toíbín) Valisia LeKae, Motown The Musical Dominique Lemieux, Pippin Vanya and Sonia and Masha and Spike (Christopher Durang) Patina Miller, Pippin William Ivey Long, Rodgers + Hammerstein’s Cinderella Laura Osnes, Rodgers + Hammerstein’s Cinderella Best Musical Bring! It On: The Musical Best Performance by an Actor in a Featured Role in a Play Best Lighting Design of a Play A Christmas Story, The Musical Danny! Burstein, Golden Boy Jules! Fisher & Peggy Eisenhauer, Lucky Guy Kinky Boots Richard Kind, The Big Knife Donald Holder, Golden Boy Matilda The Musical Billy Magnussen, Vanya and Sonia and Masha and Spike Jennifer Tipton, The Testament of Mary Tony Shalhoub, Golden Boy Japhy Weideman, The Nance Best Book of a Musical Courtney B. Vance, Lucky Guy A! Christmas Story, The Musical (Joseph Robinette) Best Lighting Design of a Musical Kinky Boots (Harvey Fierstein) Best Performance by an Actress in a Featured Role in a Play Kenneth! Posner, Kinky Boots Matilda The Musical (Dennis Kelly) Carrie! Coon, Who’s Afraid of Virginia Woolf? Kenneth Posner, Pippin Rodgers + Hammerstein’s Cinderella (Douglas Carter -
Edition 5 | 2018-2019
2 GOODSPEED MUSICALS | 2018 SEASON 4 GOODSPEED MUSICALS | 2018 SEASON The Drowsy Chaperone | 15 Cast of Characters | 16 Synopsis of Scenes and Musical Numbers | 17 Who’s Who | 18 About the Authors | 25 Program Notes | 26 About Goodspeed Musicals | 27 History of The Goodspeed | 28 Our Mission | 28 The Goodspeed Opera House Foundation | 29 Corporate Support | 30 Foundation & Government Support | 30 Looking to the Future | 31 Memorial and Tribute Gifts | 33 Goodspeed Members | 35 Footlights Fund | 42 Goodspeed Musicals Staff | 45 For Your Information | 57 Editor: Lori A. Cartwright ADVERTISING Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Avenue, Kettering, OH 45409. This program may not be reproduced in whole or inpart without written permission from the publisher. JBI Publishing is a division of Onstage Publications, Inc. Contents © 2018. All rights reserved. Printed in the U.S.A. GOODSPEED MUSICALS | 2018 SEASON 7 12 GOODSPEED MUSICALS | 2018 SEASON GOODSPEED MUSICALS | 2018 SEASON 13 A Non-Profit Arts Organization MICHAEL GENNARO Executive Director presents Music & Lyrics by LISA LAMBERT and GREG MORRISON Book by BOB MARTIN and DON McKELLAR With JENNIFER ALLEN CLYDE ALVES HALLIE BREVETTI ABBY CHURCH JAMES SPENCER DEAN TIM FALTER RUTH GOTTSCHALL DANIELLE LEE GREAVES BRYAN THOMAS HUNT JAY AUBREY JONES JAMES JUDY EVAN MAYER RUTH PFERDEHIRT JOHN RAPSON STEPHANIE ROTHENBERG JOHN SCHERER BLAKELY SLAYBAUGH PARKER SLAYBAUGH GABI STAPULA Scenic Design by Costume Design by Lighting Design by Sound Design by HOWARD JONES GREGG BARNES KIRK BOOKMAN JAY HILTON Wig & Hair Design by Assistant Music Director Orchestrations Production Manager MARK ADAM WILLIAM J. -
AC RES Current
Alexander Cole "AC" Gottlieb | Costume Design for Stage and Film 818.876.2363 | [email protected] AC www.JamesandAC.com | New York, NY EDUCATION New York University, Tisch School of the Arts, Department of Drama Production and Design Studio, BFA in Costume Design WORK EXPERIENCE Costume Design The Bodyguard Dir. Nick Kenkel North Shore Music Theatre 2019 Fragments of a Star Dir. Oliver Henzler Ideal Glass Studios 2019 Dance To This - Kids Dir. Jake Wilson New York, NY *Music Video* 2018 Beyond the Backyard Dir. Peter Jon Magerko Nemacolin Resort *Film* 2016 Girl VS Corinth Dir. Catie Davis Fringe Festival 2016 The Secret Garden Dir. Marcia M. Dodge Burrows Theatre 2015 The Wild Party Dir. Kent Gash Burrows Theatre 2014 In the Heights Dir. Catie Davis Shop Theatre 2013 Hairspray Dir. Gary Soerensen El Portal Theatre 2012 The Music Man Dir. Frank Dion Baurer Auditorium 2012 Passing Strange Dir. Catie Davis PHTS, Moss Theatre 2012 Out of My Head Dir. Ryan Scott Oliver The Pico Playhouse 2011 Assoc.*/Asst. Costume Design Oslo Des. Catherine Zuber HBO *Film* Current Moulin Rouge Tours* Des. Catherine Zuber US and International Current Mrs. Doubtfire Des. Catherine Zuber Stephen Sondheim Theatre Current Mrs. Doubtfire Des. Catherine Zuber 5th Ave Theatre, Seattle 2019 Tina - The Tina Turner Musical Des. Mark Thompson Lunt - Fontanne Theatre 2019 Moulin Rouge* Des. Catherine Zuber Al Hirschfeld Theatre 2019 My Very Own British Invasion* Des. Gregg Barnes Papermill Playhouse 2019 Something Rotten!* Des. Gregg Barnes 2nd National Tour 2018 Elf The Musical* Des. Gregg Barnes NETworks Tour 2018 Moulin Rouge Des. -
Tony Award Winners
M N 2015 TONY AWARD WINNERS BEST PLAY Disgraced by Ayad Akhtar Hand to God by Robert Askins The Curious Incident of the Dog in the Night-Time by Simon Stephens Wolf Hall Parts One & Two by Hilary Mantel and Mike Poulton BEST MUSICAL An American in Paris Fun Home Something Rotten! The Visit BEST REVIVAL OF A PLAY Skylight The Elephant Man This is Our Youth You Can’t Take it With You BEST REVIVAL OF A MUSICAL On the Town On the Twentieth Century The King and I GreatWhiteWay.com (212) 757-9117 (888) 517-0112 M N 2015 TONY AWARD WINNERS BEST LEADING ACTOR IN A PLAY Steven Boyer, Hand to God Bradley Cooper, The Elephant Man Ben Miles, Wolf hall Parts One & Two Bill Nighy, Skylight Alex Sharp, The Curious Incident of the Dog in the Night-Time BEST LEADING ACTRESS IN A PLAY Geneva Call, Hand to God Helen Mirren, The Audience Elisabeth Moss, The Heigi Chronicles Carey Mulligan, Skylight Ruth Wilson, Constellations BEST PERFORMANCE BY AN ACTOR IN A MUSICAL Michael Cerveris, Fun Home Robert Fairchild, An American in Paris Brian d’Arcy James, Something Rotten! Ken Watanabe, The King and I Tony Yazbeck, On The Town BEST PERFORMANCE BY AN ACTRESS IN A MUSICAL Kristin Chenowith, On the Twentieth Century Leanne Cope, An American in Paris Beth Malone, Fun Home Kelli O’Hara, The King and I Chita Rivera, The Visit GreatWhiteWay.com (212) 757-9117 | (888) 517-0112 M N 2015 TONY AWARD WINNERS BEST ORIGINAL SCORE (MUSIC / LYRICS) FOR THE THEATRE Music: Jeanine Tesori, Lyrics: Lisa Kron, Fun Home Music and Lyrics: Sting, The Last Ship Music and Lyrics: Wayne and Karey Kirkpatrick, Something Rotten! Music: John Kander, Lyrics: Fred Ebb, The Visit BEST BOOK OF A MUSICAL Craig Lucas, An American in Paris Lisa Kron, Fun Home Karey Kirkpatrick, John O’Farrell, Something Rotten! Terrence McNally, The Visit BEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A PLAY Matthew Beard, Skylight K. -
Edition 4 | 2018-2019
BROADWAY AT THE TENNESSEE 9 WORK LIGHT PRODUCTIONS STEPHEN GABRIEL, PRODUCER PRESENT BOOK BY KAREY KIRKPATRICK AND JOHN O’FARRELL MUSIC AND LYRICS BY WAYNE KIRKPATRICK AND KAREY KIRKPATRICK CONCEIVED BY KAREY KIRKPATRICK AND WAYNE KIRKPATRICK STARRING MATTHEW BAKER MATTHEW MICHAEL JANISSE GREG KALAFATAS EMILY KRISTEN MORRIS MARK SAUNDERS JENNIFER ELIZABETH SMITH RICHARD SPITALETTA DREW ARISCO ABBY BARTISH EMMA BENSON ZACHARY BIGELOW KATIE SCARLETT BRUNSON JULIAN BURZYNSKI JR. BRIAN COWING ALEX EISENBERG TIM FUCHS ROBERT HEAD DEVIN HOLLOWAY DANNY LOPEZ KEELEY ANNE McCORMICK NICK PANKUCH AVEENA SAWYER ALLISON C. SCOTT PETER SURACE DORSEY ZILLER SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN SCOTT PASK GREGG BARNES JEFF CROITER PETER HYLENSKI CASTING HAIR DESIGN MAKEUP DESIGN PRODUCTION MANAGER WOJCIK | SEAY CASTING JOSH MARQUETTE MILAGROS PORT CITY TECHNICAL MEDINA-CERDEIRA PRODUCTION STAGE MANAGER ASSOCIATE DIRECTOR MUSIC DIRECTOR & CONDUCTOR KRISTIN SUTTER STEVE BEBOUT MATTHEW CROFT TOUR MARKETING TOUR BOOKING AGENCY GENERAL MANAGEMENT ALLIED TOURING THE BOOKING GROUP WORK LIGHT PRODUCTIONS RICH RUNDLE, BRIAN BROOKS MUSIC SUPERVISOR & VOCAL ARRANGEMENTS ORCHESTRATIONS MUSIC ARRANGEMENTS ASSOCIATE MUSIC SUPERVISOR PHIL RENO LARRY HOCHMAN GLEN KELLY BRIAN P. KENNEDY DIRECTED AND CHOREOGRAPHED BY CASEY NICHOLAW ORIGINALLY PRODUCED ON BROADWAY BY KEVIN McCOLLUM, BROADWAY GLOBAL VENTURES, CMC, MASTRO/GOODMAN, JERRY & RONALD FRANKEL, MORRIS BERCHARD, KYODO TOKYO INC., WENDY FEDERMAN, BARBARA FREITAG, LAMS PRODUCTIONS, WINKLER/DESIMONE, -
Aldn-Digital-Press-Kit.Pdf
CONTACT DETAILS BridgesPR Email: [email protected] Website: www.bridgespr.com Phone: +61 3 9534 0585 Peter Bridges + 61 417 390 180 Remy Chancerel + 61 403 996 433 To access broadcast quality footage, high-res production shots and audio files please go to: URL: http://www.disney.com.au/ aladdinthemusical/media/index.php Username: MediaUser Password: Al@dd1n AladdinTheMusical.com.au #aladdininaus THE HIT BROADWAY MUSICAL CONTENTS Synopsis 2 Background on Film 5 List of Musical Numbers 6 A Journey to Australia 7 Critical Praise 11 Creative Team Biographies 18 About Disney Theatrical Productions 23 Aladdin Costume Fun Facts 24 Interesting Notes 25 1 SYNOPSIS Act 1 On a desert road, a mysterious traveler welcomes us to the fabled city of Agrabah, where things are indeed “hotter than hot, in a lot of good ways” (Arabian Nights). In the bustling marketplace, Aladdin is shoved out of a bakery, accused of stealing. His ne’er-do-well buddies – Babkak, Omar and Kassim – arrive and stick up for him. Even though Aladdin had promised his dying mother he would stop his thieving ways, Kassim finds a loaf of bread in his bag. The palace guards chase Aladdin, who avoids arrest through cunning and luck (One Jump Ahead). On his way to win the heart of Princess Jasmine, Prince Abdullah confronts Aladdin and calls him an embarrassment to his family name. Hurt and alone, Aladdin vows to make something of his life (Proud of Your Boy). At the palace, Jafar – the Sultan’s royal vizier – and his murder-happy henchman Iago anxiously await news of Abdullah’s meeting with Jasmine. -
Hollywood Pantages Theatre Los Angeles, California
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA PLAYBILL.COM HOLLYWOOD PANTAGES THEATRE Disney Theatrical Productions under the direction of Thomas Schumacher presents Music by Lyrics by Book by ALAN MENKEN HOWARD ASHMAN CHAD BEGUELIN TIMd RICE an CHAD BEGUELIN Based on the Disney film written by RON CLEMENTS, JOHN MUSKER, TED ELLIOTT & TERRY ROSSIO and directed and produced by JOHN MUSKER & RON CLEMENTS Starring ADAM JACOBS MICHAEL JAMES SCOTT COURTNEY REED ISABELLE MCCALLA JONATHAN WEIR REGGIE DE LEON JC MONTGOMERY JERALD VINCENT ZACH BENCAL PHILIPPE ARROYO MIKE LONGO KORIE LEE BLOSSEY ELLIS C. DAWSON III ADAM STEVENSON MARY ANTONINI MICHAEL BULLARD MICHAEL CALLAHAN JACE CORONADO CORNELIUS DAVIS BOBBY DAYE LISSA DEGUZMAN MATHEW DEGUZMAN OLIVIA DONALSON MICHAEL EVERETT KARLEE FERREIRA MICHAEL GRACEFFA CLINTON GREENSPAN ADRIENNE HOWARD ALBERT JENNINGS KENWAY HON WAI K. KUA NIKKI LONG JASON SCOTT MACDONALD ANGELINA MULLINS CELINA NIGHTENGALE JAZ SEALEY CHARLES SOUTH MANNY STARK ANNIE WALLACE MICHELLE WEST Co-Producer Technical Supervision Senior Production Supervisor Production Supervisor ANNE QUART GEOFFREY QUART/ CLIFFORD SCHWARTZ JASON TRUBITT HUDSON THEATRICAL ASSOCIATES General Manager Associate Director Dance Supervisor Casting MYRIAH BASH SCOTTY TAYLOR MICHAEL MINDLIN TARA RUBIN CASTING ERIC WOODALL, CSA Music Director/Conductor Dance Music Arrangements Music Coordinator Original Fight Direction Production Stage Manager BRENT-ALAN HUFFMAN GLEN KELLY HOWARD JOINES J. ALLEN SUDDETH MICHAEL MCGOFF Sound Design Hair Design Makeup Design Illusion Design KEN TRAVIS JOSH MARQUETTE MILAGROS MEDINA-CERDEIRA JIM STEINMEYER Costume Design Lighting Design GREGG BARNES NATASHA KATZ Scenic Design BOB CROWLEY Orchestrations DANNY TROOB Music Supervision Incidental Music & Vocal Arrangements MICHAEL KOSARIN Directed and Choreographed by CASEY NICHOLAW ©Disney 2 PLAYBILL Adam Michael James Courtney Isabelle Jacobs Scott Reed McCalla Jonathan Reggie JC Jerald Weir De Leon Montgomery Vincent Zach Philippe Mike Bencal Arroyo Longo Korie Lee Ellis C. -
Announced in New York Today: Cast of Goodspeed Musicals' Mame
NEWS RELEASE FOR MORE INFORMATION, CONTACT: Elisa Hale at (860) 873-8664, ext. 323 [email protected] Dan McMahon at (860) 873-8664, ext. 324 [email protected] FOR IMMEDIATE RELEASE: March 13, 2012 ANNOUNCED IN NEW YORK TODAY: CAST OF GOODSPEED MUSICALS’ MAME -TONY-NOMINATED LOUISE PITRE WILL LEAD THE CAST- THE SENSATIONAL MAME HITS GOODSPEED’S STAGE APRIL 20 EAST HADDAM, CONN., MARCH 13, 2012: Goodspeed Musicals will “coax the blues right out ‘a the horn” with its much-anticipated new production of Mame. The bold and brassy musical comedy will run from April 20 – July 1 at the Goodspeed Opera House in East Haddam, Conn. Mame will be sponsored by Liberty Bank, Mohegan Sun, and The Shops at Mohegan Sun. [Official Press Opening will be May 9, 2012] Come along for the madcap adventures of Auntie Mame and her adoring nephew. Surrounded by an eccentric cast of characters, she celebrates the Roaring 20s, overcomes tragedy and sails through life without missing a fad or a dance step. Jerry Herman’s delightful score is packed with favorites “Bosom Buddies,” “We Need a Little Christmas” and more. Brimming with optimism and zest, Mame will keep you laughing while warming your heart! Mame features Music and Lyrics by Jerry Herman, a book by Jerome Lawrence and Robert E. Lee and is based on the novel by Patrick Dennis and the play, Auntie Mame by Lawrence and Lee. Louise Pitre, the Tony-nominated star of Broadway’s Mamma Mia!, will lead the stellar cast as Mame. Known as Canada’s “first lady of musical theatre,” Ms. -
Oral History of Professional Theater Beaders in New York City
University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2014 Oral History of Professional Theater Beaders in New York City Mary Lalon Alexander University of the Incarnate Word, [email protected] Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the Fiber, Textile, and Weaving Arts Commons, and the Theatre History Commons Recommended Citation Alexander, Mary Lalon, "Oral History of Professional Theater Beaders in New York City" (2014). Theses & Dissertations. 41. https://athenaeum.uiw.edu/uiw_etds/41 This Dissertation is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. ORAL HISTORY OF PROFESSIONAL THEATER BEADERS IN NEW YORK CITY by MARY LALON ALEXANDER A DISSERTATION Presented to the faculty of the University of the Incarnate Word in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF THE INCARNATE WORD December 2014 ii © 2014 Mary Lalon Alexander iii ACKNOWLEDGEMENTS “Did you send a thank you note?” –Mom An expression of gratitude is somehow the most simple and complex to convey for so many of us. Very early in life my mother instilled the importance of a simple thank you for even the smallest of gestures. After all, it is one of the greatest of sins to fall short of a Southern societal standard. Therefore, I must first thank my mother and father for the constant support and love, occasional berating, and intermittent nagging. This dissertation certainly would have been a slower process if not for the constant presence of Thomas R.