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Qui Si Prova a Furia Varie Musiche [...] Alla piccola Marta e alla nuova Vita che porto in grembo Qui si prova a furia varie musiche [...] (da un lettera di Ottavio Rinuccini a Ferdinando Gonzaga, Firenze, 2 settembre 1609) INDICE Ringraziamenti .................................................................................................. Pag. 8 INTRODUZIONE ............................................................................................... » 10 PARTE PRIMA Luoghi, occasioni e prassi esecutive delle “Nuove musiche” CAPITOLO 1 I luoghi delle “Nuove musiche” 1.1 La corte dei Medici: Palazzo Pitti ............................................................ » 31 1.2 Residenze medicee extraurbane ............................................................... » 40 1.3 Residenze di nobili famiglie ................................................................... » 44 1.4 Accademie e camerate ........................................................................... » 51 1.5 “Nuove musiche” e confraternite ......................................................... » 55 1.6 Conventi e monasteri .............................................................................. » 57 1.7 Le abitazioni dei musicisti ....................................................................... » 60 CAPITOLO 2 Gli spazi e le occasioni 2.1 Gli spazi della corte ................................................................................... » 64 2.2 Le occasioni ................................................................................................ » 71 2.3 Quale tipo di ascolto? ................................................................................ » 74 CAPITOLO 3 La performance 3.1 Gli esecutori delle “Nuove musiche”: professionismo o dilettantismo? .............................................................. » 77 3.2 Disposizione dello e nello spazio ............................................................ » 83 4.1 Le prassi esecutive ..................................................................................... » 85 3.4 Actio e gestualità ........................................................................................ » 89 3.5 Musica, cantanti e liceità morale .............................................................. » 96 PARTE SECONDA Musiche e testi (1602-1635) CAPITOLO 4 Il repertorio a stampa delle “Nuove musiche” 4.1 Editoria fiorentina e “Nuove musiche” .................................................. » 100 4.2 Dediche e dedicatari .................................................................................. » 108 4.3 Delle “Nuove musiche” nelle stampe fiorentine ................................... » 113 4.4 “Nuove musiche” e contesti spettacolari ............................................... » 121 4.5 Il repertorio spirituale. Contenuti e ipotesi performative .................... » 131 CAPITOLO 5 Le Varie musiche (1623) di Giovanni Battista da Gagliano 5.1 Caratteristiche e contenuti della stampa ................................................. » 147 5.2 Canzonette e varietà metrica .................................................................... » 152 5.3 Modalità d’intonazione e possibile destinazione di un brano spirituale: Ecco ch’io verso il sangue ............................................................................... » 154 5.4 Per un’analisi delle musiche ...................................................................... » 159 PARTE TERZA Testi, documenti, strumenti I. TESTI Edizione delle Varie musiche di Gioambattista da Gagliano. Libro primo (1623) I.1 Fonti ............................................................................................................ » 175 I.2 I testi poetici: A. Note al testo .......................................................................................... » 176 B. Criteri di edizione ................................................................................. » 178 C. Edizione dei testi .................................................................................. » 182 I.3 Le musiche: A. Criteri di edizione ................................................................................. » 192 B. Apparato ................................................................................................ » 197 C. Edizione delle musiche ........................................................................ » 198 [1] Luci, stelle d’amor chiare e ardenti ....................................................... » 199 [2] Tempo ben fu ...................................................................................... » 201 [3] Lampi amorosi .................................................................................... » 202 [4] Gioite, gioite ........................................................................................ » 203 [5] Ninfe, prole del ciel, donne e regine ....................................................... » 205 [6] Pupille arciere ...................................................................................... » 210 [7] Io mi credeva, misero ............................................................................ » 211 [8] Che più da me chiedete, occhi crudeli? ................................................... » 212 [9] Se tu sei bella ...................................................................................... » 215 [10] All’ombra de gl’allori ........................................................................ » 217 [11] Non sdegnar tra i nostri balli ............................................................. » 218 [12] Voi ch’in seno amor provate ............................................................... » 219 [13] Filli ascoltami ................................................................................... » 220 [14] Ah, ladra d’amore ............................................................................. » 221 [15] Dormi, dormi, io già non voglio .......................................................... » 223 [16] Cruda, pur mi lasciasti ...................................................................... » 224 [17] Spiegh’i rai sereni e belli .................................................................... » 225 [18] Ecco che pur s’arriva ......................................................................... » 227 [19] È morto il tuo Signore ....................................................................... » 230 [20] Care amorose piaghe .......................................................................... » 232 [21] Stella del mare................................................................................... » 235 [22] Tu languisci e tu mori, o Giesù mio.................................................... » 236 [23] Nato è il Re d’eterna pace .................................................................. » 238 [24] Ecco ch’io verso il sangue ................................................................... » 240 [25] O notte amata ................................................................................... » 244 [26] Gioite, o selve, o colli ......................................................................... » 248 II. DOCUMENTI II.1 Dai Diari primo, secondo e terzo del granduca di Toscana di Cesare Tinghi ......................................................................................... » 252 A. Criteri di edizione ................................................................................. » 253 B. Trascrizioni Diario Primo di S.A.S. ............................................................................ » 256 Diario Secondo di S.A.S. .......................................................................... » 262 Diario Terzo di S.A.S. ............................................................................. » 274 II.2 Lettere ......................................................................................................... » 277 II.3 Dai tre Dialoghi di Lorenzo Parigi ............................................................ » 306 - Il Parigi dialogo primo sopra alcune cose di medicina, alla state appartenenti ............................................................................. » 308 - Al sereniss. sig. duca d’Urbino il Parigi dialogo secondo, ove di alcuni errori si discorre, che nel medicar si commettono, e spezialmente nel sollione, la sanità dell’huom riguardanti .............................................................................. » 309 - All’illustrissimo sig. il sig. Cardinal Montalto il Parigi dialogo terzo, ove d’alcune cose di medicina si discorre .......................................................... » 310 III. STRUMENTI III.1 Tabella n. 1a ............................................................................................. » 317 III.1 Tabella n. 1b ............................................................................................. » 318 III.2 Tabella n. 2 ............................................................................................... » 319 III.3 Incipitario dei testi in volgare intonati nelle edizioni a stampa delle “Nuove Musiche” .......................................................................... » 320 III.4 Incipitario dei testi in latino ................................................................... » 338 III.5 Apparato iconografico ............................................................................ » 339 BIBLIOGRAFIA .......................................................................................... » 348 SITOGRAFIA ............................................................................................
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