DOCSLIB.ORG

German Choral Societies in an Age of Rising Nationalism, Mass Culture, and Social Conflict, 1870-1918

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
German Choral Societies in an Age of Rising Nationalism, Mass Culture, and Social Conflict, 1870-1918 Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History 12-16-2019 Unison and Harmony, Dissonance and Dissolution: German Choral Societies in an Age of Rising Nationalism, Mass Culture, and Social Conflict, 1870-1918 Ruth L. Dewhurst Ruth L. Dewhurst PhD Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Dewhurst, Ruth L. and Dewhurst, Ruth L. PhD, "Unison and Harmony, Dissonance and Dissolution: German Choral Societies in an Age of Rising Nationalism, Mass Culture, and Social Conflict, 1870-1918." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/history_diss/78 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. UNISON AND HARMONY, DISSONANCE AND DISSOLUTION: GERMAN CHORAL SOCIETIES IN AN AGE OF RISING NATIONALISM, MASS CULTURE, AND SOCIAL CONFLICT, 1870-1918 By RUTH LITTLE DEWHURST Under the Direction of Joe Perry, PhD ABSTRACT This dissertation is a study of choral societies, emotions, and German national identity during the German Empire (1871-1918). Using journals, memoirs, letters, lyrics, banners, postcards, and festival programs, I argue that singing creating overlapping emotional communities in spite of palpable social, economic, and political tensions that intensified in the late nineteenth century. The choral movement that originated in the early nineteenth century was heavily influenced by the early Romantics. Theories of the nation that were wrapped up in the ancient poetry and songs of the Germanic people led to the development of the Lied—an art form that was believed to represent the nation itself. The Romantics also prescribed an aesthetics of music that elevated it to the highest art form. An embrace of the Lied and absolute music fostered the notion that Germans were “the people of music.” Themes of myth, history, nature, and a synthesis of all these with science and politics permeated the choral movement. Choral performances created unique bonds among singers but also drew in instrumentalists, conductors, audiences, and stage hands. Each performance created new emotional connections, and a movement that began in a narrow bourgeois realm gradually filtered into all layers of German society creating complex webs of connection. Over the course of a century, war and music created a German nation and a nation of Germans. INDEX WORDS: Emotional community, Material Culture, Musicking, Bildung, Myth, Heimat, Romanticism, “People of music” UNISON AND HARMONY, DISSONANCE AND DISSOLUTION: GERMAN CHORAL SOCIETIES IN AN AGE OF RISING NATIONALISM, MASS CULTURE, AND SOCIAL CONFLICT, 1870-1918 by RUTH LITTLE DEWHURST Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the College of Arts and Sciences Georgia State University 2019 Copyright by Ruth Little Dewhurst 2019 UNISON AND HARMONY, DISSONANCE AND DISSOLUTION: GERMAN CHORAL SOCIETIES IN AN AGE OF RISING NATIONALISM, MASS CULTURE, AND SOCIAL CONFLICT, 1870-1918 by RUTH LITTLE DEWHURST Committee Chair: Joe Perry Committee: Jared Poley Nick Wilding Electronic Version Approved: Office of Graduate Studies College of Arts and Sciences Georgia State University December 2019 iv DEDICATION I cannot adequately express my appreciation to my family and friends for their support as I worked my way through seminar courses, language study, comprehensive exams, research in Germany, and hours spent writing. Betsy and Andy along with Katherine, Evan, Dylan, Megan, and Robyn; Geoffrey and Nida; Emily and Sean with Mia, and Lucy—you are the greatest blessings to me. My Supper Club friends were beside me all the way and let me off the hook many weeks! Abundant thanks are due to Brett and Katie Edwards (Lydia, Calvin, and Ruby); Matt and Jamie Ross (Mac, Cici, and Charlie); Bill and Diane Hrubik; and Tyler Proffitt. Brett and Tyler offered technical support at moments of despair, and Matt was a ready support for footnote sources. Katie and Jamie—I love you for your constant encouragement! My sisters Ann and Ginnie supported me when I doubted my argument about choirs bringing people together in community. Ann and I sang together in choirs during all our growing- up years; Ginnie sang under the direction of Robert Shaw in the Atlanta Symphony Chorus and offered anecdotal and published sources that were valuable for my research. My brother and sister-in-law (Paul and Dianne) have often provided hours of fun and relaxation from the stresses of writing. My greatest, most inexpressible thanks go to my husband Ken for putting up with me as I have travelled this journey. He has supported my travels, time away from home, and all the hours I spent writing rather than socializing with family and friends. When all is said and done, it has been my own experiences singing in choirs which have served as the muse for this project. Therefore, I dedicate my dissertation to the Midway Presbyterian Church choir (under the direction of Judy Dodd) who teach me every week what it means to be part of a unique emotional community. ii ACKNOWLEDGEMENTS I am greatly indebted to the entire history faculty at Georgia State University—so many professors challenged my thought processes and inspired my teaching strategies. My greatest thanks go to my committee members. The first course I ever took at Georgia State was a seminar about the history of science taught by Nick Wilding. Although I was never an enthusiastic student of science in high school or college, it was through Nick that I gained a profound interest in the subject—albeit through the lens of history. Jared Poley has been a perpetual encouragement to me—although he probably does not know it. More than anyone else, he challenged me to submit proposals for conferences and to participate in the broader world of academia. Marie Sumner Lott from the music department at Georgia State gave me much valuable advice about nineteenth-century music. Marie was the first to suggest that I look into the all-male choruses, and she led me to some necessary sources for general music history. And I would be remiss if I did not acknowledge the invaluable help given to me by Alexander Arlt at the Feuchtwangen (Germany) Music Museum archives. He volunteered sources about the history of the city, and most importantly, suggested a number of helpful secondary sources—primarily those of Friedhelm Brusniak who created the museum and archive. My German tutor, Christine Scheffler Veiera, was a great help in translation—especially when a poem’s/song’s lyrics were tricky to comprehend. We spent quite some time discussing how to best interpret the poets’ meanings—and to put them into English. My greatest thanks go to Joe Perry. In the first seminar I took with him I was introduced to Celia Applegate’s Bach in Berlin—a topic that set me on a course to pursue the importance of music in German society. The other seminar I took with Joe concerned World War I—so you could say, he set the parameters for my own research. Beyond those temporal and topical matters, I am indebted to Joe for advice about navigating Berlin (and the archives), and for sources, and invaluable help with the mechanics of writing and articulating an argument—he made a number of indispensable contributions to my efforts at proper word choices. iii TABLE OF CONTENTS ACKNOWLEDGEMENTS ........................................................................................................ II LIST OF FIGURES ..................................................................................................................... V 1 INTRODUCTION............................................................................................................. 1 2 MOVEMENT I UNISON AND HARMONY ............................................................... 27 2.1 Chapter 1 German Singers ........................................................................................ 31 2.2 Chapter Two The Lied ............................................................................................. 43 2.3 Chapter 3 Women’s Narratives ................................................................................ 70 3 MOVEMENT II RITUAL OF PERFORMANCE AND FESTIVALS ................... 106 3.1 Chapter 4 Making a Joyful Noise: Festivals Large and Small ............................ 111 3.1.1 Materiality of Print and Advertising .................................................................... 117 3.1.2 Festival Spaces and Rituals ................................................................................. 123 3.1.3 Modern Spaces and Honored Symbols ................................................................ 129 3.1.4 The Main Event: Die Hauptaufführung ............................................................. 146 3.2 Chapter 5 Heterogeneity, Community, and Harmony ......................................... 170 3.2.1 Feuchtwangen: The Musical Life of a Small Franconian Town ...................... 173 3.2.2 Die tausendjährige Linde ..................................................................................... 179 3.2.3 Celebrating Holidays with the Gesang- und Musikverein .................................. 190 3.2.4 Feuchtwangen and its Neighbors
Load more

Recommended publications
  • 5, 2020 - 00 the Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
    Sun, Jul 05, 2020 - 00 The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 05:50 Watkins Soul of Remembrance from New Black Music 13225 Albany 1200 034061120025 Five Movements in Color Repertory Ensemble/Dunner 00:08:3505:43 Paulus Berceuse Yolanda Kondonassis 11483 Azica 71281 787867128121 00:15:4844:19 Beethoven Symphony No. 6 in F, Op. 68 New York 08852 CBS 42222 07464422222 "Pastoral" Philharmonic/Bernstein 01:01:37 10:51 Schubert Impromptu in B flat, D. 935 No. Marc-Andre Hamelin 13496 Hyperion 68213 034571282138 3 01:13:4317:49 Britten Variations and Fugue on a Philadelphia 04033 Sony 62638 074646263822 Theme of Purcell, Op. 34 Orchestra/Ormandy Classical 01:33:02 27:47 MacDowell Piano Concerto No. 2 in D Amato/London 00734 Archduke 1 n/a minor, Op. 23 Philharmonic/Freeman Recordings 02:02:1910:37 Dvorak Romance in F minor, Op. 11 Frank/Czech 05323 London 460 316 028946031629 Philharmonic/Mackerra s 02:14:1117:25 Dett Magnolia Suite Denver Oldham 05092 New World 367 n/a Records 02:33:0626:51 Haydn Symphony No. 102 in B flat London 00664 London 414 673 028941467324 Philharmonic/Solti 03:01:2730:36 Schubert Symphony No. 6 in C, D. 589 Dresden State 03988 Philips 446 539 028944653922 Orchestra/Sawallisch 03:33:3312:36 Hanson Elegy in Memory of Serge Seattle 00825 Delos 3073 013491307329 Koussevitsky Symphony/Schwarz 03:47:2409:55 Chopin Scherzo No. 4 in E, Op. 54 Benjamin Grosvenor 10752 Decca 478 3206 028947832065 03:58:49 13:08 Harbach One of Ours - A Cather Slovak Radio 08416 MSR 1252 681585125229 Symphony Symphony/Trevor 04:13:1227:41 Chadwick String Quartet No.
    [Show full text]
  • A Genealogical Handbook of German Research
    Family History Library • 35 North West Temple Street • Salt Lake City, UT 84150-3400 USA A GENEALOGICAL HANDBOOK OF GERMAN RESEARCH REVISED EDITION 1980 By Larry O. Jensen P.O. Box 441 PLEASANT GROVE, UTAH 84062 Copyright © 1996, by Larry O. Jensen All rights reserved. No part of this work may be translated or reproduced in any form or by any means, electronic, mechanical, including photocopying, without permission in writing from the author. Printed in the U.S.A. INTRODUCTION There are many different aspects of German research that could and maybe should be covered; but it is not the intention of this book even to try to cover the majority of these. Too often when genealogical texts are written on German research, the tendency has been to generalize. Because of the historical, political, and environmental background of this country, that is one thing that should not be done. In Germany the records vary as far as types, time period, contents, and use from one kingdom to the next and even between areas within the same kingdom. In addition to the variation in record types there are also research problems concerning the use of different calendars and naming practices that also vary from area to area. Before one can successfully begin doing research in Germany there are certain things that he must know. There are certain references, problems and procedures that will affect how one does research regardless of the area in Germany where he intends to do research. The purpose of this book is to set forth those things that a person must know and do to succeed in his Germanic research, whether he is just beginning or whether he is advanced.
    [Show full text]
  • Flint Orchestra
    Flint SymphonyOrchestra A Program of the Flint Institute of Music ENRIQUE DIEMECKE, MUSIC DIRECTOR & CONDUCTOR MAY 8, 2021 FIM SEASON SPONSOR Whiting Foundation CONCERT SPONSORS Mr. Edward Davison, Attorney at Law & Dr. Cathy O. Blight, Dr. Brenda Fortunate & C. Edward White, Mrs. Linda LeMieux, Drs. Bobby & Nita Mukkamala, Dr. Mark & Genie Plucer Flint Symphony Orchestra THEFSO.ORG 2020 – 21 Season SEASON AT A GLANCE Flint Symphony Orchestra Flint School of Performing Arts Flint Repertory Theatre STRAVINSKY & PROKOFIEV FAMILY DAY SAT, FEB 6, 2021 @ 7:30PM Cathy Prevett, narrator SAINT-SAËNS & BRAHMS SAT, MAR 6, 2021 @ 7:30PM Noelle Naito, violin 2020 William C. Byrd Winner WELCOME TO THE 2020 – 21 SEASON WITH YOUR FLINT SYMPHONY ORCHESTRA! BEETHOVEN & DVOŘÁK SAT, APR 10, 2021 @ 7:30PM he Flint Symphony Orchestra (FSO) is one of Joonghun Cho, piano the finest orchestras of its size in the nation. BRUCH & TCHAIKOVSKY TIts rich 103-year history as a cultural icon SAT, MAY 8, 2021 @ 7:30PM in the community is testament to the dedication Julian Rhee, violin of world-class performance from the musicians AN EVENING WITH and Flint and Genesee County audiences alike. DAMIEN ESCOBAR The FSO has been performing under the baton SAT, JUNE 19, 2021 @ 7:30PM of Maestro Enrique Diemecke for over 30 years Damien Escobar, violin now – one of the longest tenures for a Music Director in the country. Under the Maestro’s unwavering musical integrity and commitment to the community, the FSO has connected with audiences throughout southeast Michigan, delivering outstanding artistry and excellence. All dates are subject to change.
    [Show full text]
  • The University of Chicago Objects of Veneration
    THE UNIVERSITY OF CHICAGO OBJECTS OF VENERATION: MUSIC AND MATERIALITY IN THE COMPOSER-CULTS OF GERMANY AND AUSTRIA, 1870-1930 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF MUSIC BY ABIGAIL FINE CHICAGO, ILLINOIS AUGUST 2017 © Copyright Abigail Fine 2017 All rights reserved ii TABLE OF CONTENTS LIST OF MUSICAL EXAMPLES.................................................................. v LIST OF FIGURES.......................................................................................... vi LIST OF TABLES............................................................................................ ix ACKNOWLEDGEMENTS............................................................................. x ABSTRACT....................................................................................................... xiii INTRODUCTION........................................................................................................ 1 CHAPTER 1: Beethoven’s Death and the Physiognomy of Late Style Introduction..................................................................................................... 41 Part I: Material Reception Beethoven’s (Death) Mask............................................................................. 50 The Cult of the Face........................................................................................ 67 Part II: Musical Reception Musical Physiognomies...............................................................................
    [Show full text]
  • The German Civil Code
    TUE A ERICANI LAW REGISTER FOUNDED 1852. UNIERSITY OF PENNSYLVANIA DEPART=ENT OF LAW VOL. {4 0 - S'I DECEMBER, 1902. No. 12. THE GERMAN CIVIL CODE. (Das Biirgerliche Gesetzbuch.) SOURCES-PREPARATION-ADOPTION. The magnitude of an attempt to codify the German civil. laws can be adequately appreciated only by remembering that for more than fifteefn centuries central Europe was the world's arena for startling political changes radically involv- ing territorial boundaries and of necessity affecting private as well as public law. With no thought of presenting new data, but that the reader may properly marshall events for an accurate compre- hension of the irregular development of the law into the modem and concrete results, it is necessary to call attention to some of the political- and social factors which have been potent and conspicuous since the eighth century. Notwithstanding the boast of Charles the Great that he was both master of Europe and the chosen pr6pagandist of Christianity and despite his efforts in urging general accept- ance of the Roman law, which the Latinized Celts of the western and southern parts of his titular domain had orig- THE GERM AN CIVIL CODE. inally been forced to receive and later had willingly retained, upon none of those three points did the facts sustain his van- ity. He was constrained to recognize that beyond the Rhine there were great tribes, anciently nomadic, but for some cen- turies become agricultural when not engaged in their normal and chief occupation, war, who were by no means under his control. His missii or special commissioners to those people were not well received and his laws were not much respected.
    [Show full text]
  • How Britain Unified Germany: Geography and the Rise of Prussia
    — Early draft. Please do not quote, cite, or redistribute without written permission of the authors. — How Britain Unified Germany: Geography and the Rise of Prussia After 1815∗ Thilo R. Huningy and Nikolaus Wolfz Abstract We analyze the formation oft he German Zollverein as an example how geography can shape institutional change. We show how the redrawing of the European map at the Congress of Vienna—notably Prussia’s control over the Rhineland and Westphalia—affected the incentives for policymakers to cooperate. The new borders were not endogenous. They were at odds with the strategy of Prussia, but followed from Britain’s intervention at Vienna regarding the Polish-Saxon question. For many small German states, the resulting borders changed the trade-off between the benefits from cooperation with Prussia and the costs of losing political control. Based on GIS data on Central Europe for 1818–1854 we estimate a simple model of the incentives to join an existing customs union. The model can explain the sequence of states joining the Prussian Zollverein extremely well. Moreover we run a counterfactual exercise: if Prussia would have succeeded with her strategy to gain the entire Kingdom of Saxony instead of the western provinces, the Zollverein would not have formed. We conclude that geography can shape institutional change. To put it different, as collateral damage to her intervention at Vienna,”’Britain unified Germany”’. JEL Codes: C31, F13, N73 ∗We would like to thank Robert C. Allen, Nicholas Crafts, Theresa Gutberlet, Theocharis N. Grigoriadis, Ulas Karakoc, Daniel Kreßner, Stelios Michalopoulos, Klaus Desmet, Florian Ploeckl, Kevin H.
    [Show full text]
  • Grosser Saal Klangwolke Brucknerhaus Präsentiert Von Der Linz Ag Linz
    ZWISCHEN CREDO Vollendeter Genuss TRADITION BEKENNTNIS braucht ein & GLAUBE perfektes MODERNE Zusammenspiel RELIGION Als führendes Energie- und Infrastrukturunternehmen im oberösterreichischen Zentralraum sind wir ein starker Partner für Wirtschaft, Kunst und Kultur und die Menschen in der Region. Die LINZ AG wünscht allen Besucherinnen und Besuchern beste Unterhaltung. bezahlte Anzeige LINZ AG_Brucknerfest 190x245.indd 1 02.05.18 10:32 6 Vorworte 12 Saison 2018/19 16 Abos 2018/19 22 Das Große Abonnement 32 Sonntagsmatineen 44 Internationale Orchester 50 Bruckner Orchester Linz 56 Kost-Proben 60 Das besondere Konzert 66 Oratorien 128 Hier & Jetzt 72 Chorkonzerte 134 Moderierte Foyer-Konzerte INHALTS- 78 Liederabende 138 Musikalischer Adventkalender 84 Streichquartette 146 BrucknerBeats 90 Kammermusik 150 Russische Dienstage 96 Stars von morgen 154 Musik der Völker 102 Klavierrecitals 160 Jazz VERZEICHNIS 108 Orgelkonzerte 168 Jazzbrunch 114 Orgelmusik zur Teatime 172 Gemischter Satz 118 WortKlang 176 Kinder.Jugend 124 Ars Antiqua Austria 196 Serenaden 204 Kooperationen 216 Kalendarium 236 Saalpläne 242 Karten & Service 4 5 Linz hat sich schon längst als interessanter heimischen, aber auch internationalen Künst- Der Veröffentlichung des neuen Saisonpro- Musik wird heutzutage bevorzugt über diverse und innovativer Kulturstandort auch auf in- lerinnen und Künstlern es ermöglichen, ihr gramms des Brucknerhauses Linz sehen Medien, vom Radio bis zum Internet, gehört. ternationaler Ebene Anerkennung verschafft. Potenzial abzurufen und sich zu entfalten. Für unzählige Kulturinteressierte jedes Jahr er- Dennoch hat die klassische Form des Konzerts Ein wichtiger Meilenstein auf diesem Weg war alle Kulturinteressierten jeglichen Alters bietet wartungsvoll entgegen. Heuer dürfte die nichts von ihrer Attraktivität eingebüßt. Denn bislang auf jeden Fall die Errichtung des Bruck- das ausgewogene und abwechslungsreiche Spannung besonders groß sein, weil es die das Live-Erlebnis bleibt einzigartig – dank der nerhauses Linz.
    [Show full text]
  • Max Bruch Symphonies 1–3 Overtures Bamberger Symphoniker Robert Trevino
    Max Bruch Symphonies 1–3 Overtures Bamberger Symphoniker Robert Trevino cpo 555 252–2 Booklet.indd 1 13.03.2020 10:56:27 Max Bruch, 1870 cpo 555 252–2 Booklet.indd 2 13.03.2020 10:56:27 Max Bruch (1838–1920) Complete Symphonies CD 1 Symphony No. 1 op. 28 in E flat major 38'04 1 Allegro maestoso 10'32 2 Intermezzo. Andante con moto 7'13 3 Scherzo. Presto 5'00 4 Quasi Fantasia. Grave 7'30 5 Finale. Allegro guerriero 7'49 Symphony No. 2 op. 36 in F minor 39'22 6 Allegro passionato, ma un poco maestoso 15'02 7 Adagio ma non troppo 13'32 8 Allegro molto tranquillo 10'57 T.T.: 77'30 cpo 555 252–2 Booklet.indd 3 13.03.2020 10:56:27 CD 2 1 Prelude from Hermione op. 40 8'54 (Concert ending by Wolfgang Jacob) 2 Funeral march from Hermione op. 40 6'15 3 Entr’acte from Hermione op. 40 2'35 4 Overture from Loreley op. 16 4'53 5 Prelude from Odysseus op. 41 9'54 Symphony No. 3 op. 51 in E major 38'30 6 Andante sostenuto 13'04 7 Adagio ma non troppo 12'08 8 Scherzo 6'43 9 Finale 6'35 T.T.: 71'34 Bamberger Symphoniker Robert Trevino, Conductor cpo 555 252–2 Booklet.indd 4 13.03.2020 10:56:27 Bamberger Symphoniker (© Andreas Herzau) cpo 555 252–2 Booklet.indd 5 13.03.2020 10:56:28 Auf Eselsbrücken nach Damaskus – oder: darüber, daß wir es bei dieser Krone der Schöpfung Der steinige Weg zu Bruch dem Symphoniker mit einem Kompositum zu tun haben, das sich als Geist mit mehr oder minder vorhandenem Verstand in einem In der dichtung – wie in aller kunst-betätigung – ist jeder Körper darstellt (die Bezeichnungen der Ingredienzien der noch von der sucht ergriffen ist etwas ›sagen‹ etwas ›wir- mögen wechseln, die Tatsache bleibt).
    [Show full text]
  • Mitteilungsblatt Gemeinde Wilburgstetten 2121 Markisen
    Amts- und Mitteilungsblatt der Gemeinde Wilburgstetten mit Nachrichten der Verwaltungsgemeinschaft Wilburgstetten Wilburgstetten www.wilburg stetten.de Freitag, den 19. Januar 2018 Nummer 1 7g\ZgbZ^hiZgB^X]VZaHdbbZg 7^aYYZhBdcVih ojV`ijZaaZcI]ZbZc Unser Wertstoffhof Sehr geehrte Mitbürgerinnen wurde vor 20 Jahren gegründet und Mitbürger, für das neue Jahr wünsche ich Ihren Familien und Ihnen im Namen der Gemeinde alles Gute! Im Privaten wünsche ich Ihnen insbesondere Gesundheit und Zufriedenheit, für Ihre Arbeit und im Unternehmen wünsche ich Ihnen gutes Gelingen und viel Erfolg! Auch in diesem Jahr stehen viele kleine und große Projekte in unserer Gemeinde an. Diese werde ich Ihnen wie gewohnt im Rahmen der jährlichen Bürgerversammlungen vorstellen. Die genauen Termine in den Monaten Februar und März werden im Mitteilungsblatt Februar bekannt gegeben. Als ein wichtiges Thema mit Auswirkungen auf viele Menschen möchte ich auf die anstehende, dringend notwendige Sanie- rung der Turnhalle hinweisen, zu der sich der Gemeinderat ent- schlossen hat. Im November hatten wir unsere jährliche Klausur in Langfurth abgehalten und die dortige, bereits sanierte Turnhalle besich- tigt, die mit unserer baugleich ist. Dort konnten wichtige Anre- Der Wertstoffhof ist Samstags von 10:00 bis 12:00 Uhr geöffnet. gungen gewonnen werden. Foto: Gemeinde Wilburgstetten/Michael Sommer Um den möglichen zeitlichen Ablauf zu besprechen, werden die betroffenen Vereine und Gruppen demnächst zu einem Run- den Tisch eingeladen. Das Ziel ist eine Lösung, mit der alle gut Unser ehemaliges Gemeinderatsmitglied und Dritter Bürger- leben können. Allerdings werden sich während der Bauphase meister Helmut Mahler (†) hat sich darum besonders verdient signifikante Einschränkungen in der Nutzung der Halle sicher- gemacht.
    [Show full text]
  • Curriculum Vitae
    Curriculum Vitae VIRGINIA L. LEWIS, Ph.D. Department of Languages, Literature, and Communication Studies Tech Center 248 Northern State University | 1200 S. Jay Street Aberdeen SD 57401 (605)216-7383 [email protected] https://www.northern.edu/directory/ginny-lewis EDUCATION 1983-1989 UNIVERSITY OF PENNSYLVANIA 1989 Ph.D. in Modern German Literature Dissertation: “The Arsonist in Literature: A Thematic Approach to the Role of Crime in German Prose from 1850-1900,” Horst S. Daemmrich, Director 1986 M.A. in German Literature 1987-1988 UNIVERSITÄT HAMBURG DAAD Fellow: Doctoral research on crime, literature, and society in 19th-century Germany. Advisors: Jörg Schönert, Joachim Linder 2007-08 SHENANDOAH UNIVERSITY Graduate Professional Certificate in TESOL (Teaching English to Speakers of Other Languages) 2016 ONLINE LEARNING CONSORTIUM OLC Certificate in Online Teaching 1977-1983 AUBURN UNIVERSITY 1981-1983 Graduate work in French Literature, completion of German major 1981 B.A. with Highest Honors in French and Art History Rome ‘81 Italian Summer Program in Art History 1979-1980 UNIVERSITÉ DE PARIS, ÉCOLE NORMALE DE MUSIQUE Sweet Briar College Junior Year in France 1978-1979 UNIVERSITY OF TEXAS AT AUSTIN Recipient of two Diplomes d'Honneur from the French Department PROFESSIONAL EXPERIENCE 2014-date Professor of German, Northern State University Member, Graduate Faculty 2012-2015 Chair, Department of Languages, Literature, and Communication Studies, Northern State University 2009-2014 Associate Professor of German, Northern State University
    [Show full text]
  • The House of Coburg and Queen Victoria: a Study of Duty and Affection
    University of Nebraska at Omaha DigitalCommons@UNO Student Work 6-1-1971 The House of Coburg and Queen Victoria: A study of duty and affection Terrence Shellard University of Nebraska at Omaha Follow this and additional works at: https://digitalcommons.unomaha.edu/studentwork Recommended Citation Shellard, Terrence, "The House of Coburg and Queen Victoria: A study of duty and affection" (1971). Student Work. 413. https://digitalcommons.unomaha.edu/studentwork/413 This Thesis is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Student Work by an authorized administrator of DigitalCommons@UNO. For more information, please contact [email protected]. THE HOUSE OF COBURG AND QUEEN VICTORIA A STORY OF DUTY AND AFFECTION A Thesis Presented to the Department of History and the Faculty of the Graduate College University of Nebraska at Omaha In Partial Fulfillment of the Requirements for the Degree Master of Arts by Terrance She Ha r d June Ip71 UMI Number: EP73051 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Diss««4afor. R_bJ .stung UMI EP73051 Published by ProQuest LLC (2015). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProQuest LLC.
    [Show full text]
  • Anmelde-Formulare Ausflüge Und Reisen
    Regens Wagner Offene Hilfen für den südlichen Landkreis Ansbach Freizeit, Bildung und Begegnung für Menschen mit und ohne Behinderung September 2021 bis Januar 2022 Liebe Leser*innen, Wir möchten Ihnen unser neues Angebots-Heft vorstellen. Die Texte sind in einfacher Sprache. Die Angebote sind für Menschen mit und ohne Behinderung. Die Offene Behindertenarbeit wird gefördert vom Bezirk Mittelfranken und vom Bayerischen Staatsministerium für Arbeit und Soziales, Familie und Integration. Für die Durchführung gelten die gesetzlichen Vorgaben, sowie die aktuellen Abstands- und Hygiene-Regeln. Wir informieren Sie, wenn Angebote nicht statt- finden können. Wir wünschen Ihnen viel Freude beim Auswählen und freuen uns auf ein Wiedersehen mit Ihnen! 2 Inhaltsverzeichnis Das sind wir Adressen ................................................................................................................................................4 Ansprechpartner*innen ...................................................................................................................5 Teilnahme-Bedingungen ...........................................................................................................6-7 Bildungs- und Begegnungsangebote Apfel, Nuss und Walnusskern, Angebot am Kappelbuck ...................................................8 Basteln für Kinder..............................................................................................................................9 Cocktail-Gruppe .............................................................................................................................
    [Show full text]