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Symposium Programme
Singing a Song in a Foreign Land a celebration of music by émigré composers Symposium 21-23 February 2014 and The Eranda Foundation Supported by the Culture Programme of the European Union Royal College of Music, London | www.rcm.ac.uk/singingasong Follow the project on the RCM website: www.rcm.ac.uk/singingasong Singing a Song in a Foreign Land: Symposium Schedule FRIDAY 21 FEBRUARY 10.00am Welcome by Colin Lawson, RCM Director Introduction by Norbert Meyn, project curator & Volker Ahmels, coordinator of the EU funded ESTHER project 10.30-11.30am Session 1. Chair: Norbert Meyn (RCM) Singing a Song in a Foreign Land: The cultural impact on Britain of the “Hitler Émigrés” Daniel Snowman (Institute of Historical Research, University of London) 11.30am Tea & Coffee 12.00-1.30pm Session 2. Chair: Amanda Glauert (RCM) From somebody to nobody overnight – Berthold Goldschmidt’s battle for recognition Bernard Keeffe The Shock of Exile: Hans Keller – the re-making of a Viennese musician Alison Garnham (King’s College, London) Keeping Memories Alive: The story of Anita Lasker-Wallfisch and Peter Wallfisch Volker Ahmels (Festival Verfemte Musik Schwerin) talks to Anita Lasker-Wallfisch 1.30pm Lunch 2.30-4.00pm Session 3. Chair: Daniel Snowman Xenophobia and protectionism: attitudes to the arrival of Austro-German refugee musicians in the UK during the 1930s Erik Levi (Royal Holloway) Elena Gerhardt (1883-1961) – the extraordinary emigration of the Lieder-singer from Leipzig Jutta Raab Hansen “Productive as I never was before”: Robert Kahn in England Steffen Fahl 4.00pm Tea & Coffee 4.30-5.30pm Session 4. -
Symphonic Band
Illinois State University ISU ReD: Research and eData School of Music Programs Music 3-9-1994 Symphonic Band Daniel J. Farris Conductor Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Farris, Daniel J. Conductor, "Symphonic Band" (1994). School of Music Programs. 1113. https://ir.library.illinoisstate.edu/somp/1113 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. I Music Department 1 Illinois State University I ·I SYMPHONIC BAND I Daniel J. Farris, Conductor I I Graduate Assista,nts Thomas Merrill Bret Parker 'Iraci Typlin I I I I Braden Auditorium I Wednesday Evening March 9 I Ninety-third program of the 1993-94 season. 8:00p.m. I Program I I Program Notes Cenotaph (19'J2) Jack Stamp A cenotaph is a "statue or monmnent to a person not buried there." 1be Lincoln (born 1954) Memorial and Washington Monmnents are familiar examples of cenotaphs. After ac I I explosive percussion introduction, Stamp's Cenotaph begins with a five-part fugue. An accelerando leads to a layering of ostinatos including a 7/8 hemiola in the woodwinds. 1be fugue subject retwns in augmentation and is harmonized in a chorale Children's March, ''Over the Hills and Far Away" (1919) Percy Alchidge Grainger style. Cenotaph was commissioned by Mitchell Fennell and the California State I I University at Fullerton Bands for the 1992 Southern California All-State Band. -
LCC Symphonic Band March 9, 2012 Concert Program
Acknowledgements Dr. Chris Collins--sectionals and seating Dick Uthmann--Grand Canyon pictures. Associated Students of Lower Columbia College Jackson Gillihan, Music Librarian Robert Cochran, Technical Director JoAnne Booth, Poster, Programs, Advertising LCC Office of Instruction Melissa Mullins, House Manager Diane Bartlett, Rose Center for the Arts Facility Manager Perry Calabrese and Stage Crafts, Recording Engineers LCC College Relations and Marketing The Daily News The Clatskanie Chief The Wahkiakum County Eagle The Columbia River Reader The Stanley B. & June L. Rose Music Scholarship Endowment Kenneth and Patricia Hanson Music Department Endowment Happy Birthday, Dad! Contributions in support of the LCC Symphonic Band and LCC’s Rose Center for the Arts are welcome, and enhance our community’s musical life. To contribute, please contact: Margit Brumbaugh, Executive Director of the LCC Foundation 360.442.2131 or [email protected] More information about the LCC Symphonic Band and other LCC cultural events is online at lowercolumbia.edu/aande Performing Arts Reviews Read Reviews of locally-produced plays and concerts of regularly-performing local groups . posted the next day at www.crreader.com 7:30 p.m. Wollenberg Auditorium Rose Center for the Arts Kurt Harbaugh, Director Madurodam was commissioned by the NIB (Dutch Wind Music Institute) with financial support of the Composition Trust “Fonds voor de Scheppende Kurt Harbaugh, director of the LCC Jazz Ensemble and LCC Symphonic Band, Toonkunst.” was raised in Kalama, where he began his musical studies at a very early age. He received his Bachelor of Arts in Music from Central Washington University Superman in 1991. John Williams wrote Superman for the same titled movie. -
Views, Notes by The
Florida State University Libraries 2016 Analysis of Two Early Euphonium Concertos, Their Composers, and Their Impact on the Euphonium Repertoire Paul Thomas Dickinson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC ANALYSIS OF TWO EARLY EUPHONIUM CONCERTOS, THEIR COMPOSERS, AND THEIR IMPACT ON THE EUPHONIUM REPERTOIRE By PAUL DICKINSON A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music 2016 Paul Dickinson defended this treatise on April 11, 2016. The members of the supervisory committee were: Paul Ebbers Professor Directing Treatise Patrick Dunnigan University Representative John Drew Committee Member Christopher Moore Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii TABLE OF CONTENTS ABSTRACT……………………………………………………………………………………...iv CHAPTER ONE – JOSEPH HOROVITZ AND HIS EUPHONIUM CONCERTO OF 1972…...1 Early Life and Education………………………………………………………………….1 Career……………………………………………………………………………………...2 Joseph Horovitz’s Music…………………...………………....………………………......5 Modern Day……………………………………………………………………………….9 Historical Relevance……..................................................................................................10 Euphonium Concerto (1972)………..................................................................................11 -
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573022 bk Ebony Ivory EU_573022 bk Ebony Ivory EU 24/09/2013 12:43 Page 1 Sonatina in G minor for Clarinet and Piano The Clarinet Sonatina, composed in 1948, is Clarinetist Andrew Simon and pianist Warren Lee have been collaborating on stage for over a decade, appearing in dedicated to Frederick Thurston, of whom Arnold tries to numerous recitals for universities, the Hong Kong Chamber Music Society, Buffet-Crampon, Radio Television Hong Born in 1921 in the English town of Northampton, create a miniature portrait in the piece. The opening Kong, and in Macau, Singapore, Australia, Norway, Sweden and the United States. “Together, they produced a rich, Malcolm Arnold developed a keen interest in jazz and at theme depicts the robust and dramatic approach of vibrant and well-balanced sound, characterized by clear articulations, neat phrasing and a finely tuned sense of the age of twelve, decided to take up the trumpet. At the Thurston’s playing, and the music goes on to showcase ensemble,” said the Mercury Post of Australia of a performance of Mozart’s Kegelstatt Trio in May 2011. The Straits Royal College of Music he initially studied trumpet with the best register and character of the instrument. The Times of Singapore described their September 2011 recital as “an unrestrained flourish”. The South China Morning Ernest Hall, as well as composition with Gordon Jacob. three-movement work follows a traditional fast-slow-fast Post of Hong Kong portrayed the duo as “…embody[ing] the solidarity and breadth of local talents.” A fine trumpeter, he joined the London Philharmonic pattern, and is an example of his accessible and light- Orchestra in 1942 after only two years at the College, hearted style among many others. -
Dartmouth College Wind Ensemble Anniversaries
presents Dartmouth College Wind Ensemble Anniversaries Brian Messier, conductor Funded in part by the Deborah E. & Arthur E. Allen Jr. 1932 Fund, the Richard F. Mattern 1970 Fund and gifts from Friends of the Dartmouth College Wind Ensemble Symphony for Winds “Dartmouth” commissioned by the Hopkins Center for the Arts in memory of Scott Smedinghoff GR ’17 for the Dartmouth College Wind Ensemble in commemoration of the two hundred and fiftieth anniversary of Dartmouth College, 2019 Sat, Nov 2, 7:30 pm 2019 • Spaulding Auditorium • Dartmouth College Program Light Cavalry Overture .............................................................................................................Franz von Suppé (1819–1895) arr. Filmore, ed. Foster O Magnum Mysterium ..................................................................................................................Morten Lauridsen (b. 1943) trans. Reynolds Rocky Point Holiday ................................................................................................................................ Ron Nelson (b. 1929) Children’s March: “Over the hills and far away” ....................................................................Percy Grainger (1882–1961) ed. Rogers Intermission Symphony for Winds “Dartmouth” ........................................................................................... Oliver Caplan ’04 (b. 1982) I. Misty Morning on the River II. Summiting Moosilauke III. Frost and the Lone Pine IV. Finale: The Green at 6 PM Grande Symphonie Funebre et Triomphale -
Symphonic Winds Joseph Manfredo, Conductor
Illinois State University ISU ReD: Research and eData School of Music Programs Music 4-21-2013 Student Ensemble: Symphonic Winds Joseph Manfredo, Conductor Mark Babbitt, Conductor Roy Magnuson, Conductor Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Manfredo,, Joseph Conductor; Babbitt,, Mark Conductor; and Magnuson,, Roy Conductor, "Student Ensemble: Symphonic Winds" (2013). School of Music Programs. 428. https://ir.library.illinoisstate.edu/somp/428 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. Illinois State University College of Fine Arts School of Music __________________________________________________ Symphonic Winds Joseph Manfredo, Conductor with Guest Artists Mark Babbitt, Conductor Roy Magnuson, Composer __________________________________________________ Center for the Performing Arts April 21, 2013 Sunday Afternoon 3:00 p.m. This is the one hundred and seventy-sixth program of the 2012-2013 season. Program Please turn off cell phones and pagers for the duration of the concert. Thank you. Whirr, Whirr, Whirr!!! Ralph Hultgren (born 1953) Candide Suite Leonard Bernstein 1. The Best of All Possible Worlds (1918-1990) 2. Westphalia Chorale and Battle Scene arranged by Clare Grundman 3. Auto-da-fé 4. Glitter and Be Gay 5. Make Our Garden Grow That Dear Land of Rest Roy Magnuson (born 1983) ~ Intermission ~ Endowed Scholarship Presentation Stephen Parsons Charles W. Bolen Music Faculty Scholarship Kimberly Risinger Mary Jo Brown Scholarship Amy Gilreath, Judith Dicker Grand-Puba-Tuba Scholarships Andy Rummel Symphonic Metamorphosis Paul Hindemith 4. -
HOWARD HANSON COLLECTION Accession No
HOWARD HANSON COLLECTION Accession no. 997.12 RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER The initial intellectual arrangement and physical arrangement of these papers imposed by personnel employed by the Howard Hanson Institute for American Music at the Eastman School of Music, ?1993-1997; revisions to same under the supervision of David Peter Coppen, 2017; description revised by David Peter Coppen, 2018-19. Howard Hanson, accession no. 997.12 Director Howard Hanson at his desk, ca. 1920s. Photograph from ESPA 2-14 (8x10). Howard Hanson at the piano, ca. 1960s. Photograph from Howard Hanson Collection (Accession no. 2005/3/25), Box 61, Folder 53. 2 Howard Hanson, accession no. 997.12 TABLE OF CONTENTS Description of the Collection . 5 Description of Series . 8 INVENTORY Series 1: Addresses, essays, articles, and publicity . 14 Series 2: Correspondence . 64 Sub-series A: Inside Eastman . 64 Sub-sub-series i: Offices, departments, and budget . 64 Sub-sub-series ii: Projects, endeavors, and initiatives , , 66 Sub-sub-series iii: Programmed events . 70 Sub-series B: Outside Eastman: endeavors and initiatives . 73 Sub-series C: University of Rochester River Campus . 83 Sub-sub-series i: Reports and correspondence . 83 Sub-sub-series ii: Endeavors and initiatives . 84 Sub-series D: Hanson’s original works . 85 Series 3: Manuscripts . 86 Sub-series A: Original compositions . 86 Sub-series B: Arrangements of music by other composers . 147 Sub-series C: Other writings . 150 Sub-sub-series i: Harmonic Materials of Modern Music . 150 Sub-sub-series ii: Sketches . 151 Sub-series D: Oversized manuscripts . -
University Band & Maryland Community Band in Concert
UNIVERSITY BAND & MARYLAND COMMUNITY BAND IN CONCERT UMD School of Music presents UNIVERSITY BAND & MARYLAND COMMUNITY BAND IN CONCERT Wednesday, November 4, 2015 . 8PM Elsie & Marvin Dekelboum Concert Hall University Band, Craig G. Potter, conductor Maryland Community Band, Bill Sturgis, conductor 35 UNIVERSITY BAND & MARYLAND COMMUNITY BAND IN CONCERT: PROGRAM UNIVERSITY BAND Craig G. Potter, conductor CLIFTON WILLIAMS The Ramparts (1965) PETER WARLOCK Capriol Suite (1926) 1. Basse-Danse 2. Pavane 3. Tordion 4. Bransles 5. Pieds-en-l’air 6. Mattachins RICHARD WAGNER Procession of the Knights of the Holy Grail from Parsifal (1882) JULIUS FUCˇÍK Florentiner March, Op. 214 (1907) MARYLAND COMMUNITY BAND Bill Sturgis, conductor GUSTAV HOLST Moorside March from A Moorside Suite (1928) JOSEPH WILLCOX JENKINS American Overture (1955) ERIC WHITACRE October (2000) ALFRED REED The Hounds of Spring (1980) This performance will last approximately 1 hour and 20 minutes with one 10-minute intermission. Video or audio recording of the production is strictly prohibited. 36 PROGRAM NOTES The Ramparts describes the history, steps and musical details of CLIFTON WILLIAMS various dances of the time. For the 1925 translation, Born March 26, 1923 in Traskwood, Arkansas Warlock edited Arbeau’s music examples to fit in a Died February 12, 1976 in Miami, Florida more modern notation. Warlock must have found Instrumentation: Concert Band the experience of editing the old book inspirational; Duration: 7 minutes the music examples in the book serve as the basis Composed: 1965 for the themes in his Capriol Suite. The Ramparts, Concert Overture for Band, was The Basse-Danse is a dance in triple time that was commissioned by the United States Air Force most popular in the mid-16th century. -
ISU Red: Research and Edata
Illinois State University ISU ReD: Research and eData School of Music Programs Music 11-12-2006 University Band Symphonic Band Symphonic Winds Joe Van Riper Conductor Illinois State University Kent Krause Conductor Daniel A. Belongia Conductor Stephen K. Steele Conductor Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Riper, Joe Van Conductor; Krause, Kent Conductor; Belongia, Daniel A. Conductor; and Steele, Stephen K. Conductor, "University Band Symphonic Band Symphonic Winds" (2006). School of Music Programs. 3065. https://ir.library.illinoisstate.edu/somp/3065 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. .1 lllinois State University College of Fine Arts I School of Music I I I UNIVERSITY BAND I Joe Van Riper and Kent Krause, Conductors I SYMPHONIC BAND I Daniel A. Belongia, Conductor I SYMPHONIC WINDS I Stephen K. Steele, Conductor I David Maslanka, special guest I Center for the Performing Arts Sunday Afternoon November 12, 2006 This is the sixty-second program of the 2006-2007 Season I 2oopm Program I I Program Notes Jack Stamp is Professor of Music and Director of Band Studies at Indiana University Band I I University of Pennsylvania where he conducts the Wind Ensemble, Symphony Joe Van Riper and Kent Krause, Conductors Band, and teaches courses in undergraduate and graduate conducting. -
Wind Symphony Spring 2020 Tour
Spring 2020 Tour Program Wind Symphony of Concordia University Chicago Dr. Richard R. Fischer, Conductor The Fred and Jane Wittlinger Chair in Music Performance Expression. A pressing out. A breathing out. Pressing keys You, the audience, have expressed your support in with fingers, beating drums with mallets. Exhaling this endeavor by being here. We are grateful for through lips and reeds pressed together so tightly that. And you will, we hope, express appreciation that the air that escapes vibrates in such a way of the efforts of our students through your that it makes our ears—and our hearts—tingle. applause. We are grateful for that, too. And, if you are related to any of the performers, you Expression. Taking a thought, feeling or emotion have expressed your love and care for them by and making it audible—hesitant, confident, bringing them to this point in their lives and by soothing, startling—through words with our instilling in them a love for music. We are eternally friends and family, or through pitches with fellow grateful for that. musicians and audience members. These gifted students before you today, our We encourage our students to play and sing dedicated faculty, and all who so willingly serve expressively, with “expression”—to “say our University wish to express our thanks to our something” through the notes and phrases of Creator and Redeemer for the gift of music and music. We give of ourselves—conductors and for all of you. We hope you enjoy the concert. players alike—when we make music. Whether or not the music is a direct expression of our faith, we are expressing our love of God, whose expression of love for us was in sending Jesus, Jonathan Kohrs, Chair whose expression of love for us was in giving Music Department his life for our redemption. -
To Download a PDF of the Concert Program
Austin Symphonic Band presents MUSIC OF THE Sunday, April 3 • 4 PM AISD Performing Arts Center Richard Floyd, Music Director ASB Board of Directors and Officers Music Director: Richard Floyd Assistant Music Director: Bill Haehnel Executive Director: Amanda Turley President: Erin Knight Past-President: Sally Grant President-Elect: Al Martin Board of Directors: Susan Abbott Keith Chenoweth Elizabeth Rosinbum Faith Weaver Secretary: Gabriel Gallegos Treasurer: Sharon Kojzarek Librarian: Karen VanHooser Concert Coordinator: Kevin Jedele Transportation Manager: Chuck Ellis Marketing Director: Thomas Edwards Art & Design: Karen Cross Webmaster: David Jones Archivist: Tim DeFries Austin Symphonic Band PO Box 6472 Austin, Texas 78762 (512) 956-7420 [email protected] austinsymphonicband.org facebook.com/ATXSymphonicBand twitter.com/AustinSymphBand instagram.com/ATXSymphonicBand This project is supported in part by the Cultural Arts Division of the CITY OF AUSTIN City of Austin Economic Development Department. Richard Floyd, Music Director RICHARD FLOYD is in his 54th year of active involvement as a conductor, music educator, and administrator. He has enjoyed a distinguished and highly successful career at virtually every level of wind band performance from beginning band programs through high school and university wind ensembles as well as adult community bands. Floyd recently retired as State Director of Music at The University of Texas at Austin. He now holds the title Texas State Director of Music Emeritus. He has served as Music Director and Conductor of the Austin Symphonic Band since 1985. Floyd is a recognized authority on conducting, the art of wind band rehearsing, concert band repertoire, and music advocacy. As such, he has toured extensively throughout the United States, Canada, Australia, and Europe as a clinician, adjudicator, and conductor including appearances in 42 American states and in nine other countries.