Mughal Gardens: the Re-Emergence of Comparative Possibilities and the Wavering of Practical Concern
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The Sasanian Tradition in ʽabbāsid Art: Squinch Fragmentation As The
The Sasanian Tradition in ʽAbbāsid Art: squinch fragmentation as The structural origin of the muqarnas La tradición sasánida en el arte ʿabbāssí: la fragmentación de la trompa de esquina como origen estructural de la decoración de muqarnas A tradição sassânida na arte abássida: a fragmentação do arco de canto como origem estrutural da decoração das Muqarnas Alicia CARRILLO1 Abstract: Islamic architecture presents a three-dimensional decoration system known as muqarnas. An original system created in the Near East between the second/eighth and the fourth/tenth centuries due to the fragmentation of the squinche, but it was in the fourth/eleventh century when it turned into a basic element, not only all along the Islamic territory but also in the Islamic vocabulary. However, the origin and shape of muqarnas has not been thoroughly considered by Historiography. This research tries to prove the importance of Sasanian Art in the aesthetics creation of muqarnas. Keywords: Islamic architecture – Tripartite squinches – Muqarnas –Sasanian – Middle Ages – ʽAbbāsid Caliphate. Resumen: La arquitectura islámica presenta un mecanismo de decoración tridimensional conocido como decoración de muqarnas. Un sistema novedoso creado en el Próximo Oriente entre los siglos II/VIII y IV/X a partir de la fragmentación de la trompa de esquina, y que en el siglo XI se extendió por toda la geografía del Islam para formar parte del vocabulario del arte islámico. A pesar de su importancia y amplio desarrollo, la historiografía no se ha detenido especialmente en el origen formal de la decoración de muqarnas y por ello, este estudio pone de manifiesto la influencia del arte sasánida en su concepción estética durante el Califato ʿabbāssí. -
Islamic Gardens
Islamic Gardens Amy Rebecca Gansell This course explores gardens of the Islamic World, covering a breadth of historical, cultural, geographic, and environmental contexts. After being introduced to the Islamic world, the nature of specifically “Islamic” gardens is considered. While formal design and aesthetic experience is emphasized throughout, religious, social, and political implication of landscape design are studied through historic cases. Evidence for past gardens, archaeology, and garden conservation are addressed as well. Week 1 Introduction to Islamic culture, religion, and history Students are encouraged to browse entire books, outlining major themes. These books may be consulted for reference throughout the semester. -R. Hillenbrand, Islamic Art and Architecture (Thames and Hudson, 1999). -Ira Lapidus, A History of Islamic Societies (Cambridge, 2002). -Frederick Mathewson Denny, An Introduction to Islam, 3rd edition (Prentice Hall, 2005). Week 2 Introduction to Islamic gardens, Part 1: History and Symbolism -J. Lehrman, “An introduction to the problems and possibilities of restoring historic Islamic gardens,” in L. Tjon Sie Fat and E. de Jong (eds.), The Authentic Garden: A Symposium on Gardens (Leiden: Clusius Foundation, 1990). -Emma Clark, “Introduction” and Ch. 1 “History, symbolism, and the Quran,” in The Art of the Islamic Garden (Wiltshire, UK: Crowood Press, 2004), pp. 11-22, 23-36. Week 3 Introduction to Islamic gardens, Part 2: Design and Layout -David Stronach, “Parterres and stone watercourses at Pasargadae: Notes on the Achaemenid contribution to garden design,” Journal of Garden History 14 (1994): 3-12. -Emma Clark, Ch. 2 “Design and Layout” and Ch. 3 “Geometry, hard landscaping and architectural ornament,” in The Art of the Islamic Garden (Wiltshire, UK: Crowood Press, 2004), pp. -
Rotary Tour to India
Incredible Rotary in India Itinerary Dream • Explore • Celebrate Start planning your tailor-made holiday by contacting one of our specialists... Why book with us Over 20 years of experience with more than 100,000 tourists served Our Mission is to be passionately committed to Total Quality Travel World Class Destination Management Company Recognized by Government of India, Ministry of Tourism One Stop Shop for all your travel needs to Asia & Middle East Support of Highly Professional and Experienced Team Vast Network and Robust Infrastructure across the country 100% Tailor Made Customised Tours to suit your needs 24/7 Customer Service Support Available Secure online payment options Best Price Guaranteed 100% Tailor-made Expert Knowledge The Best Guides Your entire holiday is All our specialists have Make the difference between a designed around your travelled extensively or good trip and an outstanding one requirements lived in their specialist Hand-picked by us or our local Explore your interests at regions partners as the best available your own speed Make the most of your time Offering more than just dates Select your preferred and budget and names, they strive to offer a style of accommodation One specialist will handle real insight into their country Create the perfect trip your trip from start to finish with help of our specialists Office : 29, Wadhwa House, Nikhil Garden Phase 1 , Taj Nagari Phase 2 , Agra 282001 , UP – INDIA Ph: +91- 562 -6459375 / email: [email protected] / web: www.calindiatours.comm Tour Itinerary | Al and Sherri Muniz Group | March 2018 Incredible Rotary in India Tour Golden Triangle Tour of north India is one of the most popular and well-received tourist circuits of the country. -
Celebrating Thirty Years of Muqarnas
Muqarnas An Annual on the Visual Cultures of the Islamic World Celebrating Thirty Years of Muqarnas Editor Gülru Necipoğlu Managing Editor Karen A. Leal volume 30 Sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts LEIDEN • BOSTON 2013 © 2013 Koninklijke Brill NV ISBN 978 90 04 25576 0 CONTENTS Gülru Necİpoğlu, Reflections on Thirty Years of Muqarnas . 1 Benedict Cuddon, A Field Pioneered by Amateurs: The Collecting and Display of Islamic Art in Early Twentieth-Century Boston . 13 Silvia Armando, Ugo Monneret de Villard (1881–1954) and the Establishment of Islamic Art Studies in Italy . 35 Ayşİn Yoltar-Yildirim, Raqqa: The Forgotten Excavation of an Islamic Site in Syria by the Ottoman Imperial Museum in t he Early Twentieth Century . 73 D. Fairchild Ruggles, At the Margins of Architectural and Landscape History: The Rajputs of South Asia . 95 Jennifer Pruitt, Method in Madness: Recontextualizing the Destruction of Churches in the Fatimid Era . 119 Peter Christensen, “As if she were Jerusalem”: Placemaking in Sephardic Salonica . 141 David J. Roxburgh, In Pursuit of Shadows: Al-Hariri’s Maqāmāt . 171 Abolala Soudavar, The Patronage of the Vizier Mirza Salman . 213 Lâle Uluç, An Iskandarnāma of Nizami Produced for Ibrahim Sultan . 235 NOTES AND SOURCES Serpİl Bağci, Presenting Vaṣṣāl Kalender’s Works: The Prefaces of Three Ottoman Albums . 255 Gülru Necİpoğlu, “Virtual Archaeology” in Light of a New Document on the Topkapı Palace’s Waterworks and Earliest Buildings, circa 1509 . 315 Ebba Koch, The Wooden Audience Halls of Shah Jahan: Sources and Reconstruction . -
Desert Utopia: the Hidden Unity of Iranian Architecture Conceptualization Behind the Making of a Documentary Film
American International Journal of Humanities and Social Science Vol. 4 No. 2; April 2018 Desert Utopia: The Hidden Unity of Iranian Architecture Conceptualization behind the Making of a Documentary Film Khosrow Bozorgi Professor of Architecture and Urban Design Director, Center for Middle Eastern Architecture and Culture College of Architecture, University of Oklahoma United States of America NARRATIVE Desert Utopia will examine the history of architecture in three desert cities in Iran, exploring unique aspects of the built environment that enabled people to flourish in one of the world’s harshest climates. Although the film will focus on the history of Iranian desert architecture spanning thousands of years, this project is nevertheless timely for today’s American audiences. Due to concerns about global environmental change, sustainable building techniques have emerged as a topic of increasing interest over the past two decades. This interest encompasses themes such as the use of local building materials, creative ways to minimize water use (and water waste), and ways to reduce the amount of energy spent on heating and cooling. Furthermore, the geopolitics of the last two decades also have piqued Americans’ curiosity about the Middle East, especially Iran, but for many people, their knowledge about this part of the world is spotty or even misinformed. Desert Utopia is therefore a film that comes at the right time: It will help satisfy Americans’ curiosity about environmentally sound architecture while filling some of the gaps in their knowledge about Iranian culture and history. However, Desert Utopia is more than simply a film about sustainable architecture in Iranian history. -
2 Days Taj Mahal Tour from Delhi by Car India, National Capital Territory of Delhi | 2 Days | 1 - 9 Pax
2 Days Taj Mahal Tour from Delhi By Car India, National Capital Territory of Delhi | 2 days | 1 - 9 Pax Overview Spend 2 days visiting some of India’s most iconic monuments. Take in the beauty of the Taj Mahal, both at sunrise and sunset. Tour the Agra Fort and visit the Baby Taj and Sunset Point. Enjoy an excursion to the magnificent Fatehpur Sikri also known as the Ghost Town. Detailed Itinerary Day 1: Delhi to Agra 08.00: Pick-up in Delhi and drive to Agra by air-conditioned car 11:30: Check in at the hotel (the guide will meet you in the hotel lobby) 13:00: Visit the tomb of Itmad ud Daulah (also known as the Baby Taj) 14:00: Lunch at a multi-cuisine restaurant (not included in the tour price) 15:00: Visit Agra Fort, where Emperor Shah Jahan was imprisoned 16.30: Visit the Mahtab Garden and take in the sunset at the Taj Mahal 20:00: Drop off at hotel for the overnight stay in Agra city Day 2: Agra to Delhi 06:00: After an early breakfast, your driver will pick you up at your hotel 06:20: Visit the Taj Mahal with your guide to marvel at the outstanding beauty of India’s most renowned monument at sunrise 09:30: Enjoy a full breakfast and check out of the hotel 10.00: Head out on an excursion to Fatehpur Sikri, a perfectly preserved red stone ghost town that was the estranged capital of Emperor Akbar, built in 1569 AD. -
Tour Guides in Agra & Fatehpur Sikri
Tour Guides In Agra & Fatehpur Sikri DISCOVER INDIA PROGRAM 2017-18 Certificate This is to certify that the work incorporated in the report titled “Tour Guides in Agra and Fatehpur Sikri” submitted by the undersigned research team was carried out under my supervision. Such material as has been obtained from other sources has been duly acknowledged. Sr. No. Name Designation Signature 1 Aditya Jha Visual Documentation 2 Advait Makhija Group Leader and On-field Research 3 Amalina Sengupta Accounts and On-field Research 4 Aman N Shah Accounts and On-field Research 5 Anish Jayaraman Content Writing 6 Deepta Iyer Logistics and On-field Research 7 Enasha Thakker Creativity 8 Hardika Zaveri Creativity 9 Maitreyi Menon Content Writing 10 Manasi Pant Content Writing 11 Sharvari Karandikar Content Writing 12 Shreya Negandhi Creativity 13 Tamanna Rajabali Creativity and Visual Documentation 14 Vishwambhar Vaidyam Visual Documentation Name of the Mentor: Dr. Juhi Sidharth Signature: Date: ii Table of Contents Sr. No. Particulars Page no. 1 1.0. Introduction 1 1.1. Geographical Location 1.1.1. Location 1.1.2. Climate 1.2. Economy and Education 1.3. Historical Overview 1.3.1. History of The Region 1.4. Research Statement 1.5. Research Aims and Objectives 1.6. Research Methodology 1.7. Limitations 2 2.1. Literature Review: Evaluation of Secondary Sources 11 2.1.1. Roles of a Tour Guide 2.1.2. Types of Tour Guides 2.1.3. Training 2.1.4. Conduct 2.1.5. Challenges to The Guides and The Industry 2.1.6. Gender 2.1.7. -
Tracing the Islamic Influences on the Garden Design of Nineteenth- Century Cairene Gardens
American University in Cairo AUC Knowledge Fountain Theses and Dissertations 6-1-2018 Tracing the Islamic influences on the garden design of nineteenth- century Cairene gardens Radwa M. Elfardy Follow this and additional works at: https://fount.aucegypt.edu/etds Recommended Citation APA Citation Elfardy, R. (2018).Tracing the Islamic influences on the garden design of nineteenth-century Cairene gardens [Master’s thesis, the American University in Cairo]. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/488 MLA Citation Elfardy, Radwa M.. Tracing the Islamic influences on the garden design of nineteenth-century Cairene gardens. 2018. American University in Cairo, Master's thesis. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/488 This Thesis is brought to you for free and open access by AUC Knowledge Fountain. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of AUC Knowledge Fountain. For more information, please contact [email protected]. The American University in Cairo School of Humanities and Social Sciences Tracing the Islamic Influences on the Garden Design of Nineteenth Century Cairene Gardens A Thesis Submitted to The Department of Arab and Islamic Civilizations In Partial Fulfillment of the Requirements For the Degree of Master of Arts By Radwa M. Elfardy Under the supervision of Prof. Dr. Bernard O’Kane 1 The American University in Cairo Tracing the Islamic Influences on the Garden Design of Nineteenth Century Cairene Gardens A Thesis Submitted by Radwa M. Elfardy To the Department of Arab and Islamic Civilizations In partial fulfillment of the requirements for The degree of Master of Arts Has been approved by Prof. -
The Gardens of Timur: New Perspectives
LISA GOLOMBEK THE GARDENS OF TIMUR: NEW PERSPECTIVES The subject of the formal garden has attracted more vide very different experiences. The central pavilion attention in recent years than many of the more tradi remains in view from all parts of the garden. The pavil tional subjects of Islamic architecture. It involves various ion at one end comes as a climax, its impact on the visitor domains of inquiry, not only the history of architecture, building like a cresecendo the closer one gets to it. The but also architectural ensembles and town planning, prince sitting in such a pavilion would have a grand view horticulture, hydraulics, patronage, and signification. of the avenue of approach, including the spectacular The Timurid garden of the late fourteenth and the fif pool at the crossing of the chief axes. For the river pal teenth century, in particular, has attracted attention ace, locating the pavilion at one end allowed for a view probably because of the widely held belief that it served ing of the river and its palatial structures, as well as a as a model for the great Mughal gardens of sixteenth viewing of the building cluster when approached from and seventeenth-century Lahore, Agra, and Delhi. For the river. this reason, most studies of the Timurid garden have concentrated on morphological questions. l More Timur's Quadripartite Gardens recently, attention has turned to the social context of Textual and archaeological evidence, sifted through by these gardens and their possible meanings. The hypoth many scholars, indicates that the garden with a central eses emerging from such studies suggest several new per ized pavilion predominated in Timur's time (1370- spectives, relative to both the morphological and semi 1405) . -
Encounters with the Past: Sustainable Tourism and Cultural History in Agra for the Taj National Park
ENCOUNTERS WITH THE PAST 357 Encounters with the Past: Sustainable Tourism and Cultural History in Agra for the Taj National Park KENNETH MCCOWN California State Polytechnic State University, Pomona PROJECT HISTORY reduce sprawl, pollution and environmental damage from wind-borne particulates. No further develop- Several cross-cultural encounters influenced the ment beyond the existing squatter villages would direction and development of this project. The be permitted in the park boundaries, thus making governments of the United States and India signed a pre-emptive move to keep tourist infrastructure a memorandum of understanding for site planning from eyesight of the Taj Mahal. Taj National Park, of cultural heritage sites in the city of Agra. This led acting in tandem with the proposed and Taj Nature to a series of studies by the United States National Trail and existing Shah Jahan Park afford a sizeable Park Service, the Civil Engineering Department of three-sided buffer zone around the spectacular the University of Roorkee, the National Transpor- monument. This park creates a greenbelt area tation Planning and Research Center, the Center around the Taj, as required by a court order in 1994. for Advanced Development Research, and Delhi These green spaces keep large amounts of vehicular University. The reports covered possible strate- traffic away from the Taj, and reduce and absorb gies for the development in Agra, and addressed diesel emissions in close proximity to the monu- aspects of Agra's environment, focusing primarily on ment. The two proposed parks, and Shah Jahan park the immediate surroundings of the Taj Mahal. The work in conjunction with other regionally planned results of those studies indicated critical issues re- green belts protect the Taj from erosion from sand garding Agra's tourism industry and environmental particles windswept out of the Thar Desert outside conditions. -
Patterns and Geometry
PATTERNS ROSE CHABUTRA: ICE CHABUTRA: Pentagon and 10-Pointed Star Hexagon and 6-Pointed Star 4 PATTERNS AND GEOMETRY NELSON BYRD WOLTZ LANDSCAPE ARCHITECTS Geometric design, based on the spiritual principles of nature, is at the center of Islamic QUESTIONS GROUNDING THE RESEARCH culture. Geometry is regarded as a sacred art form in which craftsmen connected with the The research process began with a series of fundamental questions that eternal; it is a form of prayer or meditation to awaken the soul in the practitioner via the informed the study: act of recollection. Participating “in” geometry is symbolic of creating order in the material 1. How can we respectfully and thoughtfully use this pattern language, which world and a way for the practitioner to bring to consciousness a greater understanding of represents hundreds of years of Islamic culture and design, within the the woven Universe and the Divine. context of a contemporary garden? 2. How can we appropriately apply these patterns in the Aga Khan Garden Islamic art has the power to connect us to nature and the cosmos by revealing patterns with purpose and meaning? inherent in the physical world. While the use of geometry and patterns are intrinsic 3. How can we make these gardens a pleasure for users to experience and elements in Islamic garden design, graphic arts, and architecture, the rules and rationale provide the sensorial delight depicted in extant precedents and historic to their form and application are not cohesively documented. To undertake the design descriptions, such as Mughal miniature paintings? and construction of the Aga Khan Garden, Nelson Byrd Woltz, the landscape architects, 4. -
Lalbagh: an Incomplete Depiction of Mughal Garden in Bangladesh Farzana Sharmin Hfwu Nürtingen Geislingen, [email protected]
Proceedings of the Fábos Conference on Landscape and Greenway Planning Volume 6 Adapting to Expanding and Contracting Article 21 Cities 2019 Lalbagh: an Incomplete Depiction of Mughal Garden in Bangladesh Farzana Sharmin HfWU Nürtingen Geislingen, [email protected] Follow this and additional works at: https://scholarworks.umass.edu/fabos Part of the Environmental Design Commons, Geographic Information Sciences Commons, Historic Preservation and Conservation Commons, Landscape Architecture Commons, Nature and Society Relations Commons, Remote Sensing Commons, Urban, Community and Regional Planning Commons, and the Urban Studies and Planning Commons Recommended Citation Sharmin, Farzana (2019) "Lalbagh: an Incomplete Depiction of Mughal Garden in Bangladesh," Proceedings of the Fábos Conference on Landscape and Greenway Planning: Vol. 6 , Article 21. DOI: https://doi.org/10.7275/pcnk-h124 Available at: https://scholarworks.umass.edu/fabos/vol6/iss1/21 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Proceedings of the Fábos Conference on Landscape and Greenway Planning by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Sharmin: Lalbagh: an Incomplete Depiction of Mughal Garden in Bangladesh Lalbagh: an Incomplete Depiction of Mughal Garden in Bangladesh Farzana Sharmin HfWU Nürtingen Geislingen Abstract Lalbagh Fort Complex is one of the extravagant examples built by the Mughal Empire in Bangladesh, documented in UNESCO World Heritage tentative List. While there are several Mughal structures found in the Indian sub-continent, this incomplete fort is the only footprint of encamped Mughal garden style that remains in the capital of Bengal, Jahangirnagar (now Dhaka).