DOCSLIB.ORG

SF Ballet Program 5 and 6 2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

2019 SEASON | PROGRAMS 07 / 08 THE LITTLE MERMAID / SHOSTAKOVICH TRILOGY The people you trust, trust City National. Top Ranked in Client Referrals* “City National helps keep my financial life in tune.” Michael Tilson Thomas Conductor, Educator and Composer Find your way up.SM Visit cnb.com *Based on interviews conducted by Greenwich Associates in 2017 with more than 30,000 executives at businesses across the country with sales of $1 million to $500 million. City National Bank results are compared to leading competitors on the following question: How likely are you to recommend (bank) to a friend or colleague? City National Bank Member FDIC. City National Bank is a subsidiary of Royal Bank of Canada. ©2018 City National Bank. All Rights Reserved. cnb.com 7275.26 April 2019 PROGRAM 07 | THE LITTLE MERMAID / Volume 96, No. 7 PROGRAM 08 | SHOSTAKOVICH TRILOGY TABLE OF CONTENTS 0 5 Greetings from the Artistic Director Paul Heppner & Principal Choreographer President 0 6 Board of Trustees Mike Hathaway Endowment Foundation Board Senior Vice President Kajsa Puckett 0 8 SF Ballet Leadership Vice President, Sales & Marketing 1 0 For Your Information Genay Genereux Accounting & Office Manager 1 2 Timeline: Recognizing Glenn McCoy Production 1 4 SF Ballet School Spotlight Susan Peterson 05 Vice President, Production 1 6 Explore Ballet Jennifer Sugden 1 8 Artists of the Company Assistant Production Manager 2 6 PROGRAM 07 The Little Mermaid Ana Alvira, Stevie VanBronkhorst Production Artists and Graphic Designers 3 4 PROGRAM 08 Shostakovich Trilogy Sales Symphony #9 Marilyn Kallins, Terri Reed Chamber Symphony San Francisco/Bay Area Account Executives Piano Concerto #1 Devin Bannon, Brieanna Hansen, Amelia Heppner, Ann Manning 4 0 SF Ballet Orchestra Seattle Area Account Executives 4 2 SF Ballet Staff Carol Yip EMG FP 3 Sales Coordinator 4 4 Donor News MarketingMASTHEAD 4 8 SF Ballet Donors Shaun Swick Senior Designer & Digital Lead 6 2 Thank You to Our Volunteers Ciara Caya 6 4 Last Words on The Little Mermaid Marketing Coordinator Encore Media Group 425 North 85th Street Seattle, WA 98103 p 800.308.2898 | 206.443.0445 34 f 206.443.1246 [email protected] www.encoremediagroup.com FOLLOW US BEFORE AND AFTER THE PERFORMANCE! Encore Arts Programs and Encore Stages are published monthly by Encore Media Group to serve musical and theatrical events facebook.com/sfballet twitter.com/sfballet in the Puget Sound and San Francisco Bay Areas. All rights reserved. ©2019 Encore Media Group. Reproduction without youtube.com/sfballet written permission is prohibited. instagram.com/sfballet San Francisco Ballet | Program Book | Vol. 26, No. 7 2019 Repertory Season All editorial material © San Francisco Ballet, 2019 Chris Hellman Center for Dance 455 Franklin Street, San Francisco, CA 94102 415 861 5600 | sfballet.org Cover: Yuan Yuan Tan // © Erik Tomasson Above, top to bottom: Helgi Tomasson; Sofiane Sylve and Tiit Helimets in Ratmanksy’s Shostakovich Trilogy // Both © Erik Tomasson PROGRAMS 07 / 08 | SFBALLET.ORG | 1 Compass welcomes Alain Pinel. We are privileged to expand our Bay Area presence by partnering with long-respected brokerage, Alain Pinel Realtors®, known for its high level of excellence and decades of experience in the local market. Compass is a real estate broker licensed by the State of California and abides by Equal Housing Opportunity laws. License Number 01527235. All material presented herein is intended for informational purposes only and is compiled from sources deemed reliable but has not been verified. compass.com Compass welcomes Alain Pinel. We are privileged to expand our Bay Area presence by partnering with long-respected brokerage, Alain Pinel Realtors®, known for its high level of excellence and decades of experience in the local market. Compass is a real estate broker licensed by the State of California and abides by Equal Housing Opportunity laws. License Number 01527235. All material presented herein is intended for informational purposes only and is compiled from sources deemed reliable but has not been verified. compass.com The location that connects you to the best of San Francisco. San Francisco is known for its rich intellectual and creative culture, progressive spirit, and global outlook — and that’s just what you’ll find at San Francisco Towers, a sophisticated Life Plan Community in the heart of the city. Everything you love is within walking distance, making it easy to stay connected to the culture and diversity San Francisco is known for plus convenient services, wonderful comforts, and security for the future. Join the waiting list! For information, or to schedule a visit, call 415.447.5526. covia.org/san-francisco-towers 1661 Pine St, San Francisco, CA 94109 A not-for-profit community owned and operated by Covia. License No. 380540292 COA# 325 GREETINGS FROM THE ARTISTIC DIRECTOR & PRINCIPAL CHOREOGRAPHER Welcome to The Little Mermaid and Shostakovich Trilogy, the final two programs of our 2019 Season. These deeply engrossing works were created by two of the most talented choreographers working today. John Neumeier’s The Little Mermaid is a tour de force of contemporary dance theater. John takes the emotional heart of Hans Christian Andersen’s fairy tale and reframes it, incorporating both the artist (the Poet) and the art. He explores the deeper, emotional themes of the original story, dramatically underscoring the sacrifice and unrequited love the title character endures. Beyond the movement itself, John conceived every detail of the scenic, costume, and lighting designs, which along with the score composed by Lera Auerbach, bring this story to life with a theatrical vibrancy perfectly suited for our Opera House stage. Because the role of the Mermaid is as much of an emotional as a physical challenge, it’s a transformational role— both demanding and deeply gratifying. You’ll have an opportunity to see a different side of our dancers in The Little Mermaid. The location that connects you to Alexei Ratmansky’s Shostakovich Trilogy is another truly unique work of art. Alexei crafted a cohesive evening-length work from three FP 4 markedly different ballets, all set to music by this singular composer. the best of San Francisco. Shostakovich Trilogy, a co-commission between San Francisco Ballet and American Ballet Theatre, was an ambitious project that has earned accolades from audiences and critics around the globe. Alexei subtly weaves elements of Shostakovich’s life throughout the ballet, more abstractly in Symphony #9 and San Francisco is known for its rich intellectual and creative culture, progressive Piano Concerto #1 and more overtly in Chamber Symphony. And even if you are unfamiliar with Shostakovich, the themes spirit, and global outlook — and that’s just what you’ll find at San Francisco Towers, a explored in this ballet—love, grief, and fear—are universal. sophisticated Life Plan Community in the heart of the city. If you enjoy Shostakovich Trilogy, I have some good news—we’ll be presenting the SF Ballet premiere of Alexei Ratmansky’s The Seasons, another co-production with American Ballet Theatre, in 2020. Our 2020 Season includes our signature blend Everything you love is within walking distance, making it easy to stay connected to the of new works and beloved classics: world premieres by Cathy Marston and Trey McIntyre, as well as George Balanchine’s culture and diversity San Francisco is known for plus convenient services, wonderful A Midsummer Night’s Dream, Christopher Wheeldon’s Cinderella©, and my production of Romeo & Juliet. Next Season will comforts, and security for the future. also bring the return of Mark Morris’ Sandpaper Ballet, and three works from our Unbound Festival: David Dawson’s Anima Animus, Edwaard Liang’s The Infinite Ocean, and Stanton Welch’s Bespoke. Join the waiting list! For information, or to schedule a visit, call 415.447.5526. Thank you for supporting San Francisco Ballet. I hope to see you again in the Opera House soon. Sincerely, covia.org/san-francisco-towers Helgi Tomasson 1661 Pine St, San Francisco, CA 94109 Artistic Director & Principal Choreographer A not-for-profit community owned and operated by Covia. License No. 380540292 COA# 325 PROGRAMS 07 / 08 | 415 865 2000 | 5 SAN FRANCISCO BALLET ASSOCIATION BOARD OF TRUSTEES | 2018–19 Carl F. Pascarella, Chair of the Board and Executive Committee John S. Osterweis†, Immediate Past Chair Lisa Daniels Robert G. Shaw Sally Hambrecht Margaret G. Gill, Vice Chair Susan P. Diekman Christine E. Sherry Ingrid von Mangoldt Hills James H. Herbert, II†, Vice Chair Sonia H. Evers Charlotte Mailliard Shultz Pamela J. Joyner† Lucy Jewett, Vice Chair Shelby M. Gans Catherine Slavonia David A. Kaplan James D. Marver, Vice Chair Joseph C. Geagea David Hooker Spencer Mary Jo Kovacevich Diane B. Wilsey, Vice Chair Richard Gibbs, M.D. Fran A. Streets James J. Ludwig† Nancy Kukacka, Treasurer Beth Grossman Judy C. Swanson Nancy H. Mohr Jennifer J. McCall, Secretary Matthew T. Hobart Richard J. Thalheimer Marie-Louise Pratt Susan S. Briggs, Assistant Secretary Patrick M. Hogan Miles Archer Woodlief George R. Roberts Thomas E. Horn Timothy C. Wu Kathleen Scutchfield Helgi Tomasson, Artistic Director Hiro Iwanaga Zhenya Yoder Robert M. Smelick & Principal Choreographer Thomas M. Jackson, M.D. Janice Hansen Zakin Susan A. Van Wagner Glenn McCoy*, Executive Director Elaine Kartalis Dennis Wu James C. Katzman Akiko Yamazaki Yasunobu Kyogoku Kelsey Lamond TRUSTEES EMERITI Jola Anderson Brenda Leff Michael C. Abramson Kristen A. Avansino Marie O’Gara Lipman Thomas W. Allen ASSOCIATE TRUSTEES Richard C. Barker† Alison Mauzé Marjorie Burnett Ann Kathryn Baer, President, Karen S. Bergman Marissa Mayer Robert Clegg San Francisco Ballet Auxiliary President Gary Bridge John T. Palmer Charles Dishman Steve Merlo, , BRAVO President Chaomei Chen Fritz Quattlebaum Garrettson Dulin, Jr.† Daniel Cassell, , Hannah Comolli ENCORE! FP 5 Kara Roell Millicent Dunham Stewart McDowell Brady, Christine Leong Connors Christine Russell Stephanie Barlage Ejabat Patrice Lovato, David C.
Recommended publications
  • 1 CURICULUM VITAE Marc Jonkers Geboren in 1945 Gepensioneerd

    1 CURICULUM VITAE Marc Jonkers Geboren in 1945 Gepensioneerd

    1 CURICULUM VITAE Marc Jonkers foto: Bettina Stoess – Berlijn 2008 Geboren in 1945 Gepensioneerd Woont in Den Haag met zijn echtgenoot Jan Linkens e-mail: [email protected] Mobile phone: +32 (0)657318758 2 DIRECTIE-, ORGANISATIE- EN MANAGEMENTERVARING - Adjunctdirecteur van het Instituut voor Taalexpressie van de Rijksuniversiteit Utrecht, 1974 –1977 - Artistiek Directeur en mede-oprichter van het Dans Centrum Utrecht, 1978 – 1985 - Mede-oprichter en directeur van de Paas- en Zomerweken New Dance in Bergen, 1977 – 1981 - Oprichter en Artistiek Directeur van het Internationale Festival Dans- en Beweging - SPRINGDANCE in Utrecht, 1978 – 1986 - Mede-curator van de tentoonstelling DANS TE KIJK, 40 Jaar Nederlandse Dans, Amsterdam 1983 - Dansprogrammeur van het Holland Festival, Amsterdam, 1986 – 1994 - Oprichter en Artistiek Directeur van het tweejaarlijkse Holland Dance Festival, Den Haag, 1987 – 1995 – Intensieve samenwerking met Jiři Kylián en Carel Birnie van het Nederlands Dans Theater - Directeur van het gezelschap Tanztheater der Komischen Oper Berlin, 1994 – 1999, samen met Jan Linkens als Chef-Choreograaf en Artistiek Direkteur - Artistiek Directeur van het tweejaarlijkse Internationales Tanz Festival Nordrhein- Westfalen, 1996 – 2000 - Artistiek Directeur van Companhia Nacional de Bailado (het Nationale Ballet van PortugaL), Lissabon, 2001 – 2002 - Intendant Stichting Dansvoorziening Limburg (Danshuis Limburg), Heerlen, 2003 – 2006 - Artistiek Leider en - Manager van het projekt PARLANDO, een samenwerkingsproject van het Orlando Festival, het Wereldfestival Parade Brunssum en het Gotra Ballet op het gebied van de dans, 2007-2008 - Adviseur/Artistiek leider van het PopOpera-project BARE in opdracht van het COC-Limburg, 2009 – - Medeeigenaar van SWAN PRODUCTIONS v.o.f. in Maastricht, 2003-heden - Artistiek Manager Codarts Circus Arts, 2010 – 2015 .
  • Scanned Document

    Scanned Document

    -~.:. Association of Performing Arts Presenters .. .. : . ". VIA ELECTRONIC FILING January 13, 2010 Ms. Marlene H. Dortch Secretary Federal Communications Commission 445 12th Street SW Washington, DC 20554 Re: Ex Parte Communication, Revisions to Rules Authorizing the Operation ofLow Power Auxiliary Stations in the 698-806 MHz Band, WT Docket No. 08-166; Public Interest Spectrum Coalition, Petition for Rulemaking Regarding Low Power Auxiliary Stations, Including Wireless Microphones, and the Digital Television Transition. WT Docket No. 08-167 Dear Ms. Dortch: The Association ofPerforming Arts Presenters ("Arts Presenters") requests that the Commission recognize the legitimate use ofwireless microphones used in the performing arts by expanding eligibility for licensing ofwireless microphones to include performing arts organizations, by permitting incumbent wireless microphone operations to relocate to spectrum in the TV Core (on or below UHF Channel 51), by adopting appropriate technical and service rules for such operations and by affording interference protection for wireless microphone operations from co-channel and adjacent channel unlicensed fixed and mobile white space operations. Arts Presenters includes nearly 2,000 members representing the nation's leading performing arts centers, including civic and university performance facilities, as well as artist agencies, managers, touring companies, national consulting practices that service the field, and a growing roster ofself-presenting artists. Arts Presenters members operate in all 50 states and range from large performing arts centers in major urban cities, outdoor festivals and rural community-focused organizations to academic institutions, artists and artist managers. For the Commission's information, attached is a copy ofthe participants listings from the January 2010 Arts Presenters conference.
  • AUDITION for FOUR COMPANIES in One Great Workshop

    AUDITION for FOUR COMPANIES in One Great Workshop

    Serious High School, College & Conservatory Dancers AUDITION for FOUR COMPANIES in One Great Workshop June 29, 2020 - August 2, 2020 Only 32 Dancers Accepted Classes with these Directors... Hope Muir Robert Curran Charlotte Ballet Louisville Ballet James Sofranko Adam Sklute Grand Rapids Ballet West Ballet PLUS other fantastic faculty! SUMMER 2020 INTENSIVE PERFORMANCE WORKSHOP June 29, 2020 – August 2, 2020 Study with Artistic Directors: Hope Muir, Charlotte Ballet Robert Curran, Louisville Ballet Adam Sklute, Ballet West James Sofranko Grand Rapids Ballet Monday - Saturdays 10am – 6pm (6 days per week) Tuition: $1,995 Cincinnati Ballet’s Victoria Morgan during a “Meet the Director” Lunch/Lecture • Use class as an Audition for these four companies. • Meet and ask questions of these Directors during the “Meet the Director” lecture series. • Classes in ballet technique, pointe technique, variations, together with jazz and modern will be included. Additional classes in Pilates and hip-hop will also be included. • Dance enrichment sessions of the workshops will include: question-and-answer ses- sions with professional dancers, technical theater production, video critique of his- toric ballet performances, plus discussions on resume, make-up and audition skills. • In the [Performance Intensive Workshop], you will learn what it is to be a member of a Corps de Ballet dancing with some of the finest professional dancers in the world. • All Performance Workshop Participants will be cast in a full-length production, La Bayadère. Performance: La Bayadère July 31, August 1 & 2, 2020 with Pennsylvania Ballet’s Sterling Baca and Nayara Lopes and San Francisco Ballet’s Sasha de la Sola! About Boca Ballet Theatre: Founded in 1990, Boca Ballet Theatre’s mission is to enrich the cultural landscape of our community and to educate our youth in classical ballet and concert dance through focused training, interaction with professional dancers and participation in full length ballets and contemporary choreog- raphy.
  • LES BALLETS DE MONTE-CARLO « Atman » GOYO MONTERO

    LES BALLETS DE MONTE-CARLO « Atman » GOYO MONTERO

    CRÉATION LES BALLETS DE MONTE-CARLO « Atman » GOYO MONTERO En sanskrit Atman signifie « le moi » ou « l’âme ». Dans la philosophie hindoue, il s’agit d’un principe primordial qui sépare les êtres vivants sans les désunir totalement. Il est l’essence du moi intérieur connecté et unifié au tout. Ce concept a entrainé Goyo Montero dans une réflexion traitant de l’individu au sein de la société. Le chorégraphe a ensuite transposé cette réflexion à la compagnie des Ballets de Monte-Carlo en tant que groupe de solistes qui travaillent ensemble à la manière d’éléments fluides. Goyo Montero s’efforce ainsi d’attirer l’attention sur le caractère unique de chaque danseur et sur la manière dont sont transcendées les connexions entre les membres de la compagnie. The atman is a Sanskrit word that means inner self or soul. In Hindu philosophy, it is a primordial principle that separates living beings without totally disuniting them. This concept brings Goyo Montero to the reflection over the idea of individual versus group. It is also a reflection of what a Dance company is, and specially the Ballets de Monte-Carlo as a group of incredibly gifted Soloist that work together as a tide group. The choreographer is pointing out the unique character of each dancer and tells us how they transcend when they connect with each other. Photo © Jesús Vallinas / Gregory Batardon / Gregory © Jesús Vallinas Photo ATMAN Chorégraphie Goyo Montero Musique Owen Belton, composition pour Les Ballets de Monte-Carlo (créée à partir de PULSE, pièce courte créée pour le Projet de « Première Chorégraphie du Prix de Lausanne » 2018) Costumes Jean-Michel Lainé Lumières Samuel Thery Durée 29 minutes CRÉATION LES BALLETS DE MONTE-CARLO Avec Antonio Castrignanò et son Orchestre « Core meu » JEAN-CHRISTOPHE MAILLOT La création de Jean-Christophe Maillot fait écho au ballet créé le 1er juillet 2017 à l’occasion de F(ê)aites de la danse ! Le chorégraphe avait rendu possible une confrontation inédite entre les Ballets de Monte- Carlo et le public, massé autour des danseurs comme dans une arène.
  • The Shubert Foundation 2020 Grants

    The Shubert Foundation 2020 Grants

    The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company
  • N°14 an Der Quelle: Einblicke in Das Institut Für Musikwissenschaft Weimar-Jena | Die Seele Auf Der Zunge: Zu Gast in Prof. J

    N°14 an Der Quelle: Einblicke in Das Institut Für Musikwissenschaft Weimar-Jena | Die Seele Auf Der Zunge: Zu Gast in Prof. J

    N°14 Das Magazin der Hochschule iszt Einblicke in das Institut für Musikwissenschaft Weimar-Jena L N°14 An der Quelle: | Die Seele auf der Zunge: Zu Gast in Prof. Jörg Brückners Hornklasse | Auf Liebesfüßen: Wie klingt die Oboe d‘amore? Großer Sprung: Cellistin Camille Thomas unterschrieb einen Exklusivvertrag bei der Deutschen Grammophon Spielzeit 2018/19 Premierenauswahl Musiktheater Cabaret Musical von John Kander 28. September 2018 Großes Haus Gera Der Vogelhändler Operette von Carl Zeller 30. September 2018 Großes Haus Altenburg Weiße Rose Kammeroper von Udo Zimmermann 4. November 2018 · Heizhaus Altenburg Foto: Ronny Ristok Die verkaufte Braut Komische Oper von Bedřich Smetana 19. Oktober 2018 Großes Haus Gera Die Entführung aus dem Serail Singspiel von Wolfgang Amadeus Mozart 11. November 2018 Großes Haus Altenburg Hoffmanns Erzählungen Fantastische Oper von Jacques Offenbach 30. November 2018 Großes Haus Gera Oedipe Oper von George Enescu 24. Februar 2019 Großes Haus Altenburg Die Passagierin Oper von Mieczysław Weinberg 8. März 2019 Großes Haus Gera Geliebtes Klärchen Collage von Kay Kuntze 7. April 2019 Großes Haus Altenburg Untergang der Titanic Große Oper von Wilhelm Dieter Siebert 28. Juni 2019 Landestheater Altenburg Kartentelefon 0365 8279105 Theater&Philharmonie Thüringen 2 Liszt - Das Magazin der Hochschule 2018www.tpthueringen.de Liebe Leserinnen und Leser, seit ihren frühesten Anfängen hat die Musik, mehr als alle anderen Das Institut gilt in seiner heutigen Ausrichtung als Modell für eine Künste, eine intime Nähe zur Wissenschaft gehabt. Lust zu Theo- zukunftsorientierte Musikwissenschaft. Neben dem für alle Musik- riebildung, Formelhaftigkeit, Gesetzlichkeit und Wiederholbarkeit berufe unverzichtbaren europäischen „Kerngeschäft“ (Alte Musik, gehören zum Wesen der Musik wie zur Wissenschaft.
  • Dance Theatre of Harlem

    Dance Theatre of Harlem

    François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin
  • Bolshoi Theater

    Bolshoi Theater

    FOR IMMEDIATE RELEASE Contact: Dick Caples Tel: 212.221.7909 E-mail: [email protected] Lar Lubovitch awarded the 20th annual prize for best choreography by the Prix Benois de la Danse at the Bolshoi Theater. He is the first head of an American dance company ever to be so honored. New York, NY, May 23, 2012 – Last night at the Bolshoi Theater in Moscow, Lar Lubovitch was awarded the 20th annual prize for best choreography by the Prix Benois de la Danse. Lubovitch is the first head of an American dance company ever presented with the award. He was honored for his creation of Crisis Variations, which premiered at the Baryshnikov Arts Center in New York City on November 9, 2011. The work, for seven dancers, is set to a commissioned score by composer Yevgeniy Sharlat, and the score was performed live at its premiere by the ensemble Le Train Bleu, under the direction of conductor Ransom Wilson. To celebrate the occasion, the Lar Lubovitch Dance Company performed the duet from Meadow for the audience of 2,500 at the Bolshoi. The dancers in the duet were Katarzyna Skarpetowska and Brian McGinnis. The laureates for best choreography over the previous 19 years include: John Neumeier, Jiri Kylian, Roland Petit, Angelin Preljocaj, Nacho Duato, Alexei Ratmansky, Boris Eifman, Wayne McGregor, Sidi Larbi Cherkaoui, and Jorma Elo. Other star performers and important international figures from the world of dance received prizes at this year’s award ceremony. In addition to the award for choreography given to Lubovitch, the winners in other categories were: For the best performance by a ballerina: Alina Cojocaru for the role of Julie in “Liliom” at the Hamburg Ballet.

  • Programm 2013 2014

    Programm 2013 2014 200. Geburtstag Verbandsreisen Opernbesuche Semperoper Dresden 15.09.2013, 29.09.2013 und Exkursionen La Juive (Die Jüdin) Informationen und Anmeldung in der Oper von Jacques Fromental Haléyy Geschäftsstelle, Telefon 0341 30 86 89 33, E-Mail [email protected] 25.01.2014 (mit Bus) Oper Leipzig Elektra Oper von Richard Strauss 12. 09.2013 bis 17. 09.2013 22.09.2013, 10.11.2013 Von der samländischen Küste Das Rheingold auf die Kurische Nehrung Vorabend zum Bühnenfestspiel „Der Ring des Großer Schlosshof des Residenzschlosses Dresden Ostpreußen: Königsberg, Ostseebad Rauschen, Nibelungen“ von Richard Wagner Tilsit, Kurische Nehrung. Konzertbesuch im 07.06.2014 Dom von Königsberg/Kaliningrad aus Anlass von 29.09.2013, 13.10.2013, 16.10.2013, 01.03.2014, Feuersnot (halbszenisch) Richard Wagners 200. Geburtstag. 28.05.2014 Singgedicht von Richard Strauss Das Liebesverbot 21. 03.2014 bis 25. 03.2014 Große Komische Oper von Richard Wagner Mit Richard Wagner in die Schweiz Dresdner Musikfestspiele (in Vorbereitung) 07.12.2013, 22.12.2013, 05.01.2014, 11.01.2014 Luzern, Tribschen, Seelisberg, Zürich mit Opern- Die Walküre 23.05.2014 bis 10.06.2014 besuch „Der fliegende Holländer“ Erster Tag des Bühnenfestspiels „Der Ring des Programm erscheint Ende September 2013 Nibelungen“ von Richard Wagner www.musikfestspiele.com 20.04.2014, 25.04.2014, 25.05.2014, 06.06.2014, 27.06.2014 Mittelsächsisches Theater Freiberg Stadtführungen Die Feen Romantische Oper von Richard Wagner 27.10.2013 zum Thema Tannhäuser (szenisch-konzertant)
  • Qurrat Ann Kadwani: Still Calling Her Q!

    Qurrat Ann Kadwani: Still Calling Her Q!

    1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St.
  • Ballet Notes the Seagull March 21 – 25, 2012

    Ballet Notes the Seagull March 21 – 25, 2012

    Ballet Notes The SeagUll March 21 – 25, 2012 Aleksandar Antonijevic and Sonia Rodriguez as Trigorin and Nina. Photo by Cylla von Tiedemann. Orchestra Violins Trumpets Benjamin Bowman Richard Sandals, Principal Concertmaster Mark Dharmaratnam Lynn KUo, Robert WeymoUth Assistant Concertmaster Trombones DominiqUe Laplante, David Archer, Principal Principal Second Violin Robert FergUson James Aylesworth David Pell, Bass Trombone Jennie Baccante Csaba Ko czó Tuba Sheldon Grabke Sasha Johnson, Principal Xiao Grabke • Nancy Kershaw Harp Sonia Klimasko-LeheniUk LUcie Parent, Principal Celia Franca, C.C., FoUnder Yakov Lerner Timpany George Crum, MUsic Director EmeritUs Jayne Maddison Michael Perry, Principal Ron Mah Karen Kain, C.C. Kevin Garland Aya Miyagawa Percussion Mark MazUr, Acting Artistic Director ExecUtive Director Wendy Rogers Filip Tomov Principal David Briskin Rex Harrington, O.C. Joanna Zabrowarna Kristofer Maddigan MUsic Director and Artist-in-Residence PaUl ZevenhUizen Orchestra Personnel Principal CondUctor Violas Manager and Music Magdalena Popa Lindsay Fischer Angela RUdden, Principal Administrator Principal Artistic Coach Artistic Director, • Theresa RUdolph Koczó, Jean Verch YOU dance / Ballet Master Assistant Principal Assistant Orchestra Valerie KUinka Peter Ottmann Mandy-Jayne Personnel Manager Johann Lotter Raymond Tizzard Senior Ballet Master Richardson Beverley Spotton Senior Ballet Mistress • Larry Toman Librarian LUcie Parent Aleksandar Antonijevic, GUillaUme Côté, Cellos Greta Hodgkinson, Jiˇrí Jelinek, Zdenek Konvalina*,
  • Thüringer Opernstudio Als Erfolgsmo

    Thüringer Opernstudio Als Erfolgsmo

    Liszt Sonderausgabe 2019 Weimarer Meistersinger Eleganter Übergang: Thüringer Opernstudio als Erfolgsmo- dell | Wachsende Stimme: Catriona Morison ist Singer of the World | Das Leben im Lied: Interview mit dem Duo Timoshenko – Desseva | Debüt an der Met: Alumna Allison Oakes auf den großen Bühnen Einklang Liebe Leserinnen und Leser, Institutstitel fasst es: Gesang und Musiktheater werden hier vom ersten Studientag an in ihrer direkten Verbundenheit verstanden. Die als Einheit „Gesang ist wohl die älteste, ursprünglichste und wahrscheinlich auch begriffene Ausbildung von Stimme und Körper mündet in der Äußerung wandlungsfähigste musikalische Ausdrucksform des Menschen“, sagt auf der Bühne. Die Entwicklung neuer, zeitgemäßer Formen musikthea- uns Wikipedia. Dass sich in unserer schnelllebigen Zeit stimm- und hoch- tralischer Gestaltung sind – jenseits des akademischen Lehrangebotes, begabte junge Menschen dazu entscheiden, aus dem Singen einen aber von diesem ausgehend – mitgedacht. Und nicht zuletzt widmet Beruf zu machen und bereit sind, sich mit Geduld und Hingabe der man sich in Weimar in ganz besonderem Maße der Pflege des Kunst- Ausbildung ihrer Gesangsstimme zu widmen, zeugt von der ungebro- liedes. chenen Faszination dieses Urinstrumentes. Es gibt viele gute Gründe, sich zur Ausbildung desselben Weimar als Studienort zu erwählen. Das auf fächerübergreifenden und interdisziplinären Austausch hin orientierte Kollegium eint das Ziel eines an den individuellen Bedürf- Zahllose Gedenktafeln, die die Erinnerung an Dichter, Denker, Musiker nissen ausgerichteten, gewissermaßen maßgeschneiderten Studienver- und Künstler aller Art bis heute wachhalten, prägen das Antlitz dieser laufes. Wir holen die Studierenden zu Beginn ihres Studiums an sehr Stadt. Glanz, aber auch Elend deutscher Geschichte sind allgegen- unterschiedlichen Punkten ab und sind darauf bedacht, die best- und wärtig.