Gutzon Borglum (1867 – 1941)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Mount Rushmore U.S
National Park Service Mount Rushmore U.S. Department of the Interior Mount Rushmore National Memorial Keystone, South Dakota Sculptor Gutzon Borglum The path which led Sculptor John Gutzon de la The Artist Matures Mothe Borglum to Mount Rushmore began on a Borglum’s two years in Paris were spent studying homestead near Bear Lake, Idaho, where he was art at the Julien Academy and the Ecole des born in march of 1867. his father, James Borglum, Beaux-Arts. He had successful showings at had immigrated to this country from Denmark a major Paris salons and developed some valuable few years earlier. Shortly after Gutzon’s birth his friendships, including a close relationship with the family moved to Utah. By the time Borglum was great French sculptor, Auguste Rodin, who carved seven they were living in Fremont, Nebraska. The Thinker. After leaving France, Borglum spent a year in Spain and then returned to California. Three years later in 1896, he once again left for Europe; this time settling in England. Here he achieved some success. Some of his works were displayed at Windsor Castle for Queen Victoria. He returned to the United States in 1901. Back in this country, Borglum led a life marked by artistic success, public service, and occasional controversy. During this period he created many of his finest works. His Mares of Diomedes was accepted by the Metropolitan Museum of Art in New York City. He did a large equestrian bronze of General Phil Sheridan which Theodore Roosevelt unveiled in Washington. He also created a memorial to Pickett’s Charge on the Gettysburg Battlefield. -
Gordon Bond All Were Created by Sculptors Who Also Have Celebrated Works in Newark, New Jersey
Sitting in Military Park, at the heart of Newark’s downtown revival, Gutzon Borglum’s 1926 “Wars of America” monumental bronze is far more subtle than its massive size suggests, and possessing of a fascinating and complicated history few who pass by it each day are aware of. hat does Mount Rushmore, the Washington quarter, W and New York's famed Trinity Church Astor Doors all have in common? Gordon Bond All were created by sculptors who also have celebrated works in Newark, New Jersey. When people hear "Newark," they almost gardenstatelegacy.com/Monumental_Newark.html certainly don't think of a city full of monuments, memorials, and statuary by world renowned sculptors. Yet it is home to some forty-five public monuments reflecting a surprising artistic and cultural heritage—and an underappreciated resource for improving the City's image. With recent investment in Newark's revitalization, public spaces and the art within them take on an important role in creating a desirable environment. These memorials link the present City with a past when Newark was among the great American metropolises, a thriving center of commerce and culture standing its ground against the lure of Manhattan. They are a Newark’s “Wars of America” | Gordon Bond | www.GardenStateLegacy.com Issue 42 December 2018 chance for resident Newarkers to reconnect with their city's heritage anew and foster a sense of pride. After moving to Newark five years ago, I decided to undertake the creation of a new guidebook that will update and expand on that idea. Titled "Monumental Newark," the proposed work will go deeper into the fascinating back-stories of whom or what the monuments depict and how they came to be. -
Download This
NPS Form 10-900 OMB No. 1024-0018 (Oct. 1990) —_.,.. United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations of eligibility for individual properties or districts." ____ nal Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking V in the appropriate box or by entering the! equested. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials and areas of significance, enter only categories and subcategories listed in the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property____________________________________________________ historic name Military Park Commons Historic District_____________________________________ other names/site number _______________________________________________ 2. Location_________________________________________________________ Street & number Roughly bounded by Washington PI, McCarter H'way., E. Park St. & Raymond Blvd. [~~| not for publication city or town Newark_______________________________________ | | vicinity state New Jersey________ code NJ county Essex_______ code 013 zip code 07102 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, 1 certify that this nomination | | request for determination of eligibility meets the docurm;ntation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property 1 1 meets | j does not meet the National Register criteria 1 recommend that this property be considered significant 1 1 nationally | [ statewide [ | locally. -
3/Rz^ Sjgfiature of Certifying Official/Title Bfate/ Amy Cradic
NPS Form 10-900 (Oct. 1990) United States Department of the Interior National Park Service /7Q National Register of Historic Places NAT. KtbiblhK OF HISTOR!P~ Registration Form NATIONAL PARK This form is for use in nominating or requesting determinations of eligibility for individual properties or districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials and areas of significance, enter only categories and subcategories listed in the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property___________________________________________________ historic name Theodore Roosevelt Monument______________________________________ other names/site number Roosevelt Common; Theodore Roosevelt Memorial_______________ 2. Location ______________________________________ street & number Roosevelt Common, Riveredge Road___________________ | | not for publication city or town Borough of Tenafly vicinity State New Jersey code NJ county Bergen code 003 zip code 07670 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I certify that this >c nomination | _ | request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property x meets | | does not m§et~the National Register criteria. -
Wars of America 1 Wars of America
Wars of America 1 Wars of America Military Park Gutzon Borglum 1926 “The Wars of America” tells a wondrous story that will prove worthy of endless repetition to old and young. — Jewish Chronicle1 May 28, 1926, Page 4 “Wars of America” was the last—and the most ambitious—of the three public monuments bequeathed to the City of Newark through funding by the will of Amos H. Van Horn (for more about Van Horn, see page XX). Though the United States had been involved in wars since its founding, the Civil War inspired a particularly strong desire for public memorialization. Yet, as of the 20th century, no such monuments were erected in Newark—something Van Horn’s bequeath was meant to rectify. His will noted how, as “funds for this purpose are not being obtained as readily as desired and as this monument has always been one of my greatest desires,” he left $100,000 for “a Soldiers and Sailors Monument…to be erected in Military Park in the City of Newark.”2 By the time the City got to this monument in 1920, a new wave of patriotic memorialization had been inspired by the sacrifices of the First World War. Sculptor Gutzon Borglum’s (see page XX) reputation had already been established in Newark by his seated 2 Military Park Abraham Lincoln, “The Indian and The Puritan,” and “First Landing Party of the Founders of Newark” (see pages XX, XX, and XX, respectively). “With that much money at my disposal,” Borglum wrote enthusiastically of Van Horn’s bequeath, “I can create a monument that will truly do honor to the brave men who have served America in times of war.”3 His first thoughts for the Newark monument were something in a more typically classical style—a pillar surrounded by military figures from the various wars to date, shown in appropriate action. -
Gutzon Borglum Papers
Gutzon Borglum Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2015 Revised 2015 June Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms011155 LC Online Catalog record: http://lccn.loc.gov/mm79013284 Prepared by Grover Batts and Joseph Sullivan Collection Summary Title: Gutzon Borglum Papers Span Dates: 1895-1960 Bulk Dates: (bulk 1912-1941) ID No.: MSS13284 Creator: Borglum, Gutzon, 1867-1941 Extent: 71,000 items ; 190 containers plus 1 oversize ; 76.4 linear feet ; 1 microfilm reel Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Artist, author, and sculptor. Correspondence, diaries, family papers, subject files, speeches and writings, and other papers relating primarily to Borglum's artistic works, especially the Mount Rushmore National Memorial and plans for a Confederate memorial at Stone Mountain, Georgia. Also includes records of the Mount Rushmore National Memorial Commission and of its officials. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Arnold, Henry Harley, 1886-1950--Correspondence. Baker, Newton Diehl, 1871-1937--Correspondence. Boland, John A. (John Abram), 1884-1958--Correspondence. Borglum family. Borglum, Gutzon, 1867-1941. Borglum, Lincoln, 1912-1986--Correspondence. Coolidge, Calvin, 1872-1933--Correspondence. Daniels, Josephus, 1862-1948--Correspondence. French, Daniel Chester, 1850-1931--Correspondence. -
IMAGINING MONUMENTS for NEWARK Salamishah Tillet and Paul Farber
FALL 2019 PRESENTED BY NEW ARTS JUSTICE AND MONUMENT LAB MILITARY PARK THE TIME IS NOW: IMAGINING MONUMENTS FOR NEWARK Salamishah Tillet and Paul Farber There is a great peace, after the war great love, after the hatred –Amiri Baraka Located in the heart of Newark’s Military Park, one of the nation’s oldest public spaces, a large bronze sculpture sits elevated on a raised pedestal layered with granite on its outer edges. The sculp- ture, Wars of America, is nearly a century old and included on the National Register of Historic Places. It forges the middle ground of a park that has been and continues to be a throughway, a gathering place, and a space to consider the multiple narratives that comprise Newark of yesteryear and today. Wars of America stands out from most other war monuments in Newark and elsewhere, as it elevates a collective of people rather than a single heroic icon. Conjuring references of American conflicts from the Revolution through the Civil War and World War I, this grouping does not merely lionize the leaders of End Apartheid Now rally, 1986. Photo: Manuel Acevedo battle or abstract them in dignified poses. All forty- two of the human figures are depicted in the midst of struggles, on and off the battlefield, whether leaning toward conquest or reserved in protection or defi- patriotism, gatherings and displacement, and memo- to the South; anti-apartheid activists in the 1980s; ance. In front of the monument, a reflecting pool once ry and historical amnesia. and the city’s annual Afro Beat festival today. -
The Public Sculpture of John De La Mothe Gutzon Borglum in Newark, New Jersey, 1911 - 1926
NPS Form 10-900-b OMB No. 1024-0018 (June 1991) United States Department of the Interior APR 2 0 1994 SEP 2 7 1994 National Park Service National Register of Historic Places - Multiple Property Documentation Form This form is used for documenting multiple property groups relating to one or several historic contexts. See instructions in How to Complete the Multiple Property Documentation Form (National Register Bulletin 16B). Complete each item by entering the requested information. For additional space, use continuation sheets (Form 10-900-a). Use a typewriter, word processor, or computer to complete all items. X New Submission Amended Submission A. Name of Multiple Property Listing Public Sculpture in Newark, New Jersey B. Associated Historic Contexts (Name each associated historic context, identifying theme, geographical area, and chronological period for each.) The Public Sculpture of John de la Mothe Gutzon Borglum in Newark, New Jersey, 1911 - 1926 C. Form Preparedj name/title Ulana D. Zakalak/ Historic Preservation Consultant organization Zakalak Associates date April 13, 1994 street & number 57 Cayuga Avenue telephone (908) 571-3176 city or town Oceanport state New Jersey zip code Q7757________ D. Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this documentation form meets the National Register documentation standards and sets forth requirements for the listing of related properties consistent with the National Register criteria. This submission meets the procedural and professional requirements set forth in 36 CFR Part 60 and the Secretary of the Interior's Standards and Guidelines fpr Archeology and Historic Preservation. -
Wars of America.Qxd
Wars of America | 21 Wars of America Military Park Gutzon Borglum Bronze, 1926 “The Wars of America” tells a wondrous Whereas at the present time a movement story that will prove worthy of endless is under way to raise by subscription or repetition to old and young. otherwise money for the purpose of —Jewish Chronicle1 May 28, 1926 erecting a monument to the memory of the Soldiers and Sailors who served their “Wars of America” was the last—and the country in the Civil War and funds for this most ambitious—of the three public purpose are not being obtained as readily monuments bequeathed to the City of as desired and as this monument has Newark by the will of Amos H. Van Horn (for always been one of my greatest desires I more about Van Horn, see page XX): expressly authorize and instruct my 22 | Military Park executors in case no Soldiers and Sailors West, Mexico, Cuba, Nicaragua, Haiti, and Monument shall have been erected by Dominican Republic. The next conflict to private subscription or otherwise in inspire memorialization on a similar scale to Military Park in the City of Newark when the Civil War would be the First World War. the time shall arrive as appointed There was renewed interest in Newark for a hereinafter by me for the erecting of the soldiers and sailors memorial, but thanks to same to set aside and use the sum of one Van Horn, the city had the money to make it hundred thousand dollars out of the happen. proceeds of the trust fund specified By 1920, Gutzon Borglum had made a heretofore fore and to use the same for strong name for himself as a sculptor the erection of a suitable monument to be throughout the country and specifically in selected by them and to be known as the Newark (for more about Borglum, see page Soldiers and Sailors Monument the same XX). -
Gutzon Borglum
Gutzon Borglum A Brief Sketch of His Life and Work Mount Rushmore Memorial Society Rapid Cit.y, South Dakota Gutzon Borglum * A Brief Sketch of His Life ancl Work * Mount Rushmore Memorial Society Rapid City, South Dakota Gutzon Borglum 1871-1941 GUTZON BORGLUl\'.I Gutzon Borglum was born in 1871 on the Ore gon Trail near a little frontier town called Bear Lake, Idaho. His father was a Danish physician and scholar, whose vigorous, adventurous spirit had brought him with his young Danish wife to the new world and the far west. Instead of proceeding to Oregon, however, Dr. Borglum returned to Nebraska and settled first in Fremont, where Gutzon's early boyhood and school memories were centered. His very first recollections were of pioneer life and In dians peeping in at windows; buffalo skins took the place of rugs on the floor. The father had a large country practice and the boy often accompanied him on long rides in a buggy to distant points in all sorts of weather, sometimes even being called upon to assist in operations. There were, all together, nine brothers and sisters. A younger brother Solon studied under Gutzon and became a famous sculptor. The family made a brief so1ourn in California, where -7-- Gutzon got his first art training, and afterwards settled in Omaha, where Dr. Borglum died in 1910. Gutzon showed his independence by running away from home several times, starting when he was very young, and took care of himself from his early 'teens. His artistic tendency manifested itself early. His school comrades remember that the margins of his lesson books were covered with drawings and in a Jesuit College (Saint Mary's), in which he was placed at one time, he was set to work painting saints and angels. -
Remarks at the Centennial Celebration of the Statue of George Washington in Washington Park, Newark November 2, 2012 Timothy J
Remarks at the Centennial Celebration of the Statue of George Washington in Washington Park, Newark November 2, 2012 Timothy J. Crist Remarks at the Centennial Celebration of the Statue of George Washington in Washington Park, Newark November 2, 2012 over the past thirty years, I’ve passed this statue of George Washington hundreds of times, and the question that keeps occurring to me is, “Why is Washington standing?” Guy Sterling’s invitation to speak at this celebration led me to come up with my own answer to that question. We tend to think of our leaders in heroic poses: leading troops into battle, making a stirring speech, or gazing confidently into the future. Consider the iconic images of George Washington that are familiar to all of us: crossing the Delaware, windswept and leaning forward in the prow of the boat; or tall and proud and resolute outside the Federal Building in lower Manhattan; or in profile looking like a Roman senator on the quarters we carry in our pockets. But in Newark, our country’s leaders appear in more human poses. at the Courthouse we have a seated Lincoln and here in Washington Park we have a standing Washington. even in Gutzon Borglum’s magnificent Wars of america sculpture in Military Park, George Washington may be in the lead, but Borglum didn’t forget the wounded soldier or the grieving widow and children. our statues in Newark remind us that History does not unfold in a straight-line. even the most just of causes, like ending slavery or the civil rights struggle, play out in fits and spurts with lots of setbacks and dead-ends. -
Sculptor Borglum Bio.Pdf
MOUNT RUSHMORE SCULPTOR GUTZON BORGLUM Gutzon Borglum was 58 years old when he began designing Mount Rushmore in 1925. Although he is primarily known for this great artistic feat, he had been a successful sculptor for decades before this memorial was conceived. The son of Danish immigrants, Borglum was reared in the Western frontier of America at the end of the nineteenth century. It was a time of great national confidence and expansion, two characteristics that often found expression in Borglum’s work. He was an outspoken man given to immersing himself in any cause to which he thought he could contribute. In addition to his successful career as an artist, Borglum also fancied himself as a statesman, speaking out and writing about topics from aeronautics to flood control. He was actively involved in national politics and international political affairs. He also was concerned with local community issues. His friends included many prominent people in the arts, politics, science, and law. Borglum was born John Gutzon de la Mothe Borglum on March 25, 1867, to Danish immigrants in the frontier wilderness of Idaho. He was the second eldest of what were eventually to be nine children. The family moved to Utah and St. Louis before settling in Nebraska, where Gutzon’s father practiced medicine. Gutzon ran away from home several times in his youth and finally at age 17 he left permanently for California to study art. At age 22 he married his teacher who was 40. This marriage ended 20 years later and he married Mary Montgomery who became dedicated to him and his work.