DOCSLIB.ORG

Co-Producing with the Nordic Countries 2016

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Co-Producing with the Nordic Countries 2016 BERLIN 2016 CO-PRODUCING WITH THE NORDIC COUNTRIES 1 INDEX THE NORDIC COUNTRIES AND THEIR CO-PRODUCTION PROGRAMS Denmark 4 Danish Film Institute Regional Film Funds Finland 8 Finnish Film Foundation Audiovisual Finland and Film Commissions Iceland 10 Icelandic Film Centre The Ministry of Industries and Innovation Norway 12 Norwegian Film Institute Regional Film Funds Film Commissions Sweden 17 Swedish Film Institute Regional Film Funds NORDISK FILM & TV FOND 20 CREATIVE EUROPE DESKS Denmark, Finland, Iceland, Norway and Sweden 24 CONTACTS 27 CREDITS Page 01 LITTLE WING, Selma Vilhunen – Finland, Making Movies Oy © Cata Portin Page 03 LAND OF MINE, Martin Pieter Zandvliet – Denmark, Nordisk Film Production © Christian Geisnæs Page 20 SIV SLEEPS ASTRAY, Catti Edfeldt & Lena Hanno Clyne – Sweden, Snowcloud Films AB © Karolina Pajak Page 24 SPARROWS, Rúnar Rúnarsson – Iceland, Nimbus Film © Sophia Olsson Page 28 THE LAST KING, Nils Gaup – Norway, Nordisk Film © Ian Brodie Editor: Tytti Rantanen Layout: Maikki Rantala 2 THE NORDIC COUNTRIES AND THEIR CO-PRODUCTION PROGRAMS 3 DENMARK DANISH FILM INSTITUTE The Danish Film Institute (DFI) • There must be Danish creative or has established an international department technical participation in the production. with the remit of advising Danish producers • There must be a distribution deal for on international funding possibilities, while theatrical distribution in Denmark or being the point of contact for international broadcast on national Danish TV. producers seeking information on the • The financing in the major co-producing Danish production landscape and financing country has to be secured. possibilities. Applications will be evaluated Minority Co-Production Funding based on the following criteria The purpose of funding co-productions is • Creative strength to strengthen partnerships and creative • Creative and financial collaboration exchange between Danish and international between the Danish company and its producers. The DFI highly values the ­­co-producer, including previous projects opportunities afforded from co-productions and future plans – international financing, cultural and • The level of creative and technical business exchange and distribution – and collaboration, the participation of therefore encourages such partnerships. Danish talent and crew and the overall Danish spend. Successful Co-Produced Films: • The nature of the distribution deal VIRGIN MOUNTAIN signed by the producer by Dagur Kári (Iceland) MOUNTAIN DFI is able to allocate no more than by Yaelle Kayam (Israel) 60% of the Danish spend. LONGWAY NORTH by Rémi Chayé (France) Applications are submitted to Noemi Ferrer, LOUDER THAN BOMBS Head of DFI International, and assessed by by Joachim Trier (Norway) a DFI panel consisting of Commissioning THE RAMS Editors, the Head of Feature Film, the Head by Grímar Hákonarsson (Iceland) of DFI International and the Director for Film Funding. Subsidy Application Requirements dfi.dk DFI can fund 5–9 minority co-productions per year. The annual budget amounts to Deadlines for application 2016 DKK 12 million. 23 February – noon • The application must be submitted by 24 May – noon a Danish production company. 20 September – noon 4 DENMARK Minority Co-Production Features supported in 2015 FEATURE FILMS DIRECTOR PRODUCTION DANISH COUNTRY COMPANY CO-PRODUCER OF ORIGIN GODLESS Ralitza Petrova Klas Film Snowglobe Bulgaria HJERTESTARTER Arild Andresen Motlys SF film Production Norway LUIS AND HIS FRIENDS Christoph & Wolfgang Ulysses Filmproduktion A. Film Production Germany FROM OUTER SPACE Lauenstein, Sean McCormack SAMEBLOD Amanda Kernell Nordisk Film Nordisk Film Sweden Production SE Production DK THE LITTLE VAMPIRE Richard Claus, First Look BV A. Film Production Netherlands Karsten Kiilerich THE UNTAMED Amat Escalante Mantarraya Snowglobe Mexico Producciones TOM OF FINLAND Dome Karukoski Helsinki Filmi Fridthjof Film Finland TONIC IMMOBILITY Nathalie Teirlinck Savage Film 41Shadows Belgium 5 DENMARK Documentaries Selection Process The Danish Film Institute (DFI) can fund The application form can be found on the international co-productions of documen- DFI website and must be addressed directly taries, short fiction and transmedia. to one of the three film commissioners. The DFI can fund 4–6 minority co- Evaluation of each submission will be made productions per year. by the individual film commissioner; in addition the projects will also be discussed Application Requirements by an editorial group consisting of the film • The application must be submitted by commissioners, the head of unit and head a Danish production company of production. The purpose is to ensure that • There must be Danish creative or technical each project receives a creative evaluation participation in the production as well as a sound financial and productional • A confirmed distribution deal must be review. Funding awards are announced submitted for theatrical distribution in approximately one month after submission. Denmark, national Danish broadcast and/ or another approved distribution platform Deadlines for application 2016 31 March – noon 11 August – noon 03 November – noon Minority Co-Production Documentaries supported in 2015 DOCUMENTARIES DIRECTOR PRODUCTION DANISH COUNTRY COMPANY CO-PRODUCER OF ORIGIN ACALI EXPERIMENTET Marcus Lindeen Fasad Bullitt Film Sweden AQUARELA Victor Kossakovsky Aconite Productions Danish Documentary UK Production POST-PUNK DISORDER Jukka Kärkkäinen Mouka Filmi Magic Hour Films Finland SHADOW WORLD Johan Grimonprez Louverture Films Final Cut for Real USA THE ISLAND AND Mike Day Intrepid Cinema Radiator Film UK THE WHALES THE RESCUER Hark Joon Lee Eclipse Film Good Company South Korea Pictures THE ROAD Zhang Zanbo Galaxion Films Plus Pictures China 6 DENMARK REGIONAL FILM FUNDS The regional film funds make an important The fund’s primary goals are to invest in contribution to the success of Danish films Danish and international film and television and television. productions that are produced in the member municipalities and intended for THE WEST DANISH FILM FUND national and international distribution. The West Danish Film Fund is located in The Copenhagen Film Fund primarily Denmark’s second biggest city, Aarhus, and invests in international productions of high annually invests around EUR 1.5 million in artistic merit with Danish co-producers, or film and media productions. Beyond fund- Danish projects with substantial interna- ing the organization provides equipment, tional financing and distribution in place. professional film studios, film workers, The fund’s focus is on productions wholly or industrial parks, training and talent partly shot in the region. development, as well as scouting services. cphfilmfund.com The Fund supports and invests in co- productions that have Danish artistic or FILM FYN technical participation with a connection to FilmFyn is located on the island of Funen the region. and manages an annual budget of EUR 1.5 The Fund is working to establish a film million, of which more than EUR 1 million and media commission. This will enhance is invested in feature films and television the West Danish Film Fund’s visibility on the series shot on location in the area. international stage and hopefully encourage The fund primarily gives support to more major and minority co-productions. feature films, but any film with investment filmpuljen.dk potential will be considered, based on the local spend in the seven municipalities COPENHAGEN FILM FUND behind FilmFyn. Danish productions or The Copenhagen Film Fund was founded international productions with Danish in 2013 by the initiative of the Producers minority co-producers will typically be Association as a partnership between eight required to spend more than 200% of the Copenhagen municipalities, the Capital investment granted locally. Region and a number of players in the local In 2013 FilmFyn established Film film industry. The Fund has a budget of Commission Fyn, in part to be better able EUR 4.7 million as of 2016. to guide international producers to the right locations, people, facilities and resources available in the area. filmfyn.dk 7 FINLAND FINNISH FILM FOUNDATION The Finnish Film Foundation supports Eligibility for co-production support is and promotes the Finnish film industry. determined with the following criteria: Founded in 1969, The Foundation operates • Involvement of a Finnish co-producer under the Ministry of Education and Culture with Finnish distribution rights and is regulated by the Film Promotion • Creative and/or technical input Act and the Film Promotion Decree. from Finland The Foundation receives its funding from • Distribution of some kind in Finland lottery and pool funds and in 2015 • Relevance of the project for Finnish The Foundation handed out over EUR audiences 25,5 million in support for the production, • Possibilities for an ongoing distribution and exhibition of films. co-operation between the parties Production Support The Support Application is made by Production support is given to an average the Finnish co-producer. There are of 80 films per year. The Foundation’s sup- no fixed deadlines for applying but it port makes up around 40 percent of the is recommended that the Finnish co- average feature film budget. The rest of the production partner is brought in as early as average budget is made up by television and possible. The amount of production support distribution companies, the producers’ own for minority co-productions has traditionally investment
Load more

Recommended publications
  • Pernille Fischer Christensen
    A FAMILY EEN FILM VAN Pernille Fischer Christensen WILD BUNCH HAARLEMMERDIJK 159 - 1013 KH – AMSTERDAM WWW.WILDBUNCH.NL [email protected] WILDBUNCHblx A FAMILY – Pernille Fischer Christensen PROJECT SUMMARY Een productie van ZENTROPA Taal DEENS Originele titel EN FAMILIE Lengte 99 MINUTEN Genre DRAMA Land van herkomst DENEMARKEN Filmmaker PERNILLE FISCHER CHRISTENSEN Hoofdrollen LENE MARIA CHRISTENSEN (Brothers, Terribly Happy) JESPER CHRISTENSEN (Melancholia, The Young Victoria, The Interpreter) PILOU AESBAK (Worlds Apart) ANNE LOUISE HASSING Release datum 4 AUGUSTUS 2011 DVD Release 5 JANUARI 2012 Awards/nominaties FILM FESTIVAL BERLIJN 2010 NOMINATIE GOUDEN BEER WINNAAR FIPRESCI PRIJS Kijkwijzer SYNOPSIS Ditte Rheinwald vertegenwoordigt de jongste generatie van de beroemde Deense bakkersfamilie. Haar eigen dromen en ambities zijn echter anders dan die van haar familie. Als ze een droombaan bij een galerie in New York krijgt aangeboden, besluit ze samen met haar vriend Peter de kans aan te grijpen. De toekomst lijkt stralend, het leven vrolijk en simpel. Maar dan wordt Ditte’s charismatische vader Rikard, meesterbakker en hofleverancier, ernstig ziek. Als Rikard eist dat zij de leiding overneemt van het familiebedrijf, raakt haar hele leven uit balans. Plotseling is het leven niet meer zo simpel. CAST Ditte Lene Maria Christensen Far Jesper Christensen Peter Pilou Asbæk Sanne Anne Louise Hassing Chrisser Line Kruse Line Coco Hjardemaal Vimmer Gustav Fischer Kjærulff CREW DIRECTOR Pernille Fischer Christensen SCREENWRITERS Kim Fupz
    [Show full text]
  • People of Snowy Mountain, People of the River: a Multi-Agency Ethnographic Overview and Compendium Relating to Tribes Associated with Clark County, Nevada
    Portland State University PDXScholar Anthropology Faculty Publications and Presentations Anthropology 2012 People of Snowy Mountain, People of the River: A Multi-Agency Ethnographic Overview and Compendium Relating to Tribes Associated with Clark County, Nevada Douglas Deur Portland State University, [email protected] Deborah Confer University of Washington Follow this and additional works at: https://pdxscholar.library.pdx.edu/anth_fac Part of the Social and Cultural Anthropology Commons, and the Sustainability Commons Let us know how access to this document benefits ou.y Citation Details Deur, Douglas and Confer, Deborah, "People of Snowy Mountain, People of the River: A Multi-Agency Ethnographic Overview and Compendium Relating to Tribes Associated with Clark County, Nevada" (2012). Anthropology Faculty Publications and Presentations. 98. https://pdxscholar.library.pdx.edu/anth_fac/98 This Report is brought to you for free and open access. It has been accepted for inclusion in Anthropology Faculty Publications and Presentations by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Pacific West Region: Social Science Series National Park Service Publication Number 2012-01 U.S. Department of the Interior PEOPLE OF SNOWY MOUNTAIN, PEOPLE OF THE RIVER: A MULTI-AGENCY ETHNOGRAPHIC OVERVIEW AND COMPENDIUM RELATING TO TRIBES ASSOCIATED WITH CLARK COUNTY, NEVADA 2012 Douglas Deur, Ph.D. and Deborah Confer LAKE MEAD AND BLACK CANYON Doc Searls Photo, Courtesy Wikimedia Commons
    [Show full text]
  • The 63Rd Sydney Film Festival Announces Official Competition
    MEDIA RELEASE EMBARGOED UNTIL 8:30PM SUNDAY 19 JUNE 2016 THE 63rd SYDNEY FILM FESTIVAL ANNOUNCES: OFFICIAL COMPETITION WINNER Aquarius, directed by Kleber Mendonça Filho, was tonight awarded Sydney Film Festival’s prestigious Sydney Film Prize, from a selection of 12 Official Competition films, at the Festival’s Closing Night Gala. The $63,000 cash prize, now in its ninth year, is awarded for a film’s ‘emotional power and resonance; audaciousness, cutting-edge, courageousness; and capacity to go beyond the usual treatment of the subject matter’. “The jury was unanimous in its admiration of a strong competition this year, and wishes to award Kleber Mendonça Filho as the recipient of this year’s Sydney Film Prize, for his film Aquarius,” said Jury President Simon Field. “Aquarius is a compelling and relevant statement about contemporary Brazil, and the power of an individual standing up for what she believes,” he said. “Mendonça Filho has created a film that is both political and personal – witty, sexy and playful. A film of effortless verve and intelligence. At the heart of the film is Sonia Braga’s astonishing and brave performance of a fearless character, resisting pressures from her family, and the corporate world,” he said. Selected to compete for the Palme d'Or at the 2016 Cannes Film Festival, Mendonça Filho’s magnificent second feature is about social justice, with an incredible role crafted for Sonia Braga, thirty years after Kiss of the Spider Woman first brought her international acclaim. The story unfolds across three chapters, and celebrates the prospect of growing stronger with age.
    [Show full text]
  • Words of Ages: Democracy and Adversity 1919-1945 Historical Perspectives
    WORDS OF AGES: DEMOCRACY AND ADVERSITY 1919-1945 HISTORICAL PERSPECTIVES ® CLOSE UP IN CLASS HISTORICAL PERSPECTIVES: WORDS OF AGES DEMOCRACY AND ADVERSITY UNIT 4 INTRODUCTION In the 25 years following the end of World War I, the United States endured dramatic changes of fortune on its roller-coaster ride from riches and material 1923 excess to severe economic depression and back to world economic and military Ku Klux Klan membership dominance. During these tumultuous years, paradigms shifted and literary forms reaches its peak. companies grew bigger. Mass marketing and consumer loans enabled middle-class citizenschanged to dramatically. own automobiles At first, and the modern 1920s household were marked conveniences. by great Artwealth. of all Largetypes 1925 F. Scott Fitzgerald publishes The Great Gatsby. wars, many authors sought new themes and modes of expression. For example, Africanflourished, Americans as wealthy developed consumers their and own patrons literary grew forms in number. and mes Betweensages, inspired the world by black music and experiences. 1927 sound, The Jazz Singer, is halt. Within a few years, mil lions of Americans had lost their jobs and homes in The first motionreleased. picture with theWith Great the stockDepression. market Desperatecrash of 1929, for newhowever, economic boom leader times ship, came voters to an electedabrupt with the American people led 1929 President Franklin Delano Roosevelt in 1932. His promise to make a “New Deal” to the creation of federal crashes, and the Great agencies and pro grams to The DepressionNew York stock begins. market give people jobs, economic assistance, and hope. Writers, dramatists, visual artists, and 1930 from government programs President Herbert Hoover tophotogra sup port phers the all artsbenefited and Tariff Act.
    [Show full text]
  • Collection Adultes Et Jeunesse
    bibliothèque Marguerite Audoux collection DVD adultes et jeunesse [mise à jour avril 2015] FILMS Héritage / Hiam Abbass, réal. ABB L'iceberg / Bruno Romy, Fiona Gordon, Dominique Abel, réal., scénario ABE Garage / Lenny Abrahamson, réal ABR Jamais sans toi / Aluizio Abranches, réal. ABR Star Trek / J.J. Abrams, réal. ABR SUPER 8 / Jeffrey Jacob Abrams, réal. ABR Y a-t-il un pilote dans l'avion ? / Jim Abrahams, David Zucker, Jerry Zucker, réal., scénario ABR Omar / Hany Abu-Assad, réal. ABU Paradise now / Hany Abu-Assad, réal., scénario ABU Le dernier des fous / Laurent Achard, réal., scénario ACH Le hérisson / Mona Achache, réal., scénario ACH Everyone else / Maren Ade, réal., scénario ADE Bagdad café / Percy Adlon, réal., scénario ADL Bethléem / Yuval Adler, réal., scénario ADL New York Masala / Nikhil Advani, réal. ADV Argo / Ben Affleck, réal., act. AFF Gone baby gone / Ben Affleck, réal. AFF The town / Ben Affleck, réal. AFF L'âge heureux / Philippe Agostini, réal. AGO Le jardin des délices / Silvano Agosti, réal., scénario AGO La influencia / Pedro Aguilera, réal., scénario AGU Le Ciel de Suely / Karim Aïnouz, réal., scénario AIN Golden eighties / Chantal Akerman, réal., scénario AKE Hotel Monterey / Chantal Akerman, réal., scénario AKE Jeanne Dielman 23 quai du commerce, 1080 Bruxelles / Chantal Akerman, réal., scénario AKE La captive / Chantal Akerman, réal., scénario AKE Les rendez-vous d'Anna / Chantal Akerman, réal., scénario AKE News from home / Chantal Akerman, réal., scénario, voix AKE De l'autre côté / Fatih Akin, réal., scénario AKI Head-on / Fatih Akin, réal, scénario AKI Julie en juillet / Fatih Akin, réal., scénario AKI L'engrenage / Fatih Akin, réal., scénario AKI Solino / Fatih Akin, réal.
    [Show full text]
  • Half a Century with the Swedish Film Institute
    Swedish #2 2013 • A magazine from the Swedish Film Institute Film 50Half a century with the Swedish Film Institute CDirector Lisah Langsethe exploresc identityk issuesi nin Hotel g in www.sfi.se scp reklambyrå Photo: Simon Bordier Repro: F&B Repro: Factory. Bordier Simon Photo: reklambyrå scp One million reasons to join us in Göteborg. DRAGON AWARD BEST NORDIC FILM OF ONE MILLION SEK IS ONE OF THE LARGEST FILM AWARD PRIZES IN THE WORLD. GÖTEBORG INTERNATIONAL FILM FESTIVAL IS ALSO THE MAIN INDUSTRY WINDOW FOR NEW NORDIC FILM AND TALENT, FEATURING NORDIC FILM MARKET AND NORDIC FILM LAB. 1,000 SCREENINGS • 500 FILMS • 23 VENUES • 160,000 VISITS • WWW.GIFF.SE WELCOME Director, International Department Pia Lundberg Fifty and counting Phone +46 70 692 79 80 [email protected] 2013 marks the Swedish Film Institute’s various points in time. The films we support 50th anniversary. This gives us cause to look today are gradually added to history, giving back to 1963 and reflect on how society and that history a deeper understanding of the Festivals, features the world at large have changed since then. world we currently live in. Gunnar Almér Phone +46 70 640 46 56 Europe is in crisis, and in many quarters [email protected] arts funding is being cut to balance national IN THIS CONTEXT, international film festivals budgets. At the same time, film has a more have an important part to play. It is here that important role to play than ever before, we can learn both from and about each other.
    [Show full text]
  • 89Th Annual Academy Awards® Oscar® Nominations Fact
    ® 89TH ANNUAL ACADEMY AWARDS ® OSCAR NOMINATIONS FACT SHEET Best Motion Picture of the Year: Arrival (Paramount) - Shawn Levy, Dan Levine, Aaron Ryder and David Linde, producers - This is the first nomination for all four. Fences (Paramount) - Scott Rudin, Denzel Washington and Todd Black, producers - This is the eighth nomination for Scott Rudin, who won for No Country for Old Men (2007). His other Best Picture nominations were for The Hours (2002), The Social Network (2010), True Grit (2010), Extremely Loud & Incredibly Close (2011), Captain Phillips (2013) and The Grand Budapest Hotel (2014). This is the first nomination in this category for both Denzel Washington and Todd Black. Hacksaw Ridge (Summit Entertainment) - Bill Mechanic and David Permut, producers - This is the first nomination for both. Hell or High Water (CBS Films and Lionsgate) - Carla Hacken and Julie Yorn, producers - This is the first nomination for both. Hidden Figures (20th Century Fox) - Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi, producers - This is the fourth nomination in this category for Donna Gigliotti, who won for Shakespeare in Love (1998). Her other Best Picture nominations were for The Reader (2008) and Silver Linings Playbook (2012). This is the first nomination in this category for Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi. La La Land (Summit Entertainment) - Fred Berger, Jordan Horowitz and Marc Platt, producers - This is the first nomination for both Fred Berger and Jordan Horowitz. This is the second nomination in this category for Marc Platt. He was nominated last year for Bridge of Spies. Lion (The Weinstein Company) - Emile Sherman, Iain Canning and Angie Fielder, producers - This is the second nomination in this category for both Emile Sherman and Iain Canning, who won for The King's Speech (2010).
    [Show full text]
  • Land of Mine
    LAND OF MINE Directed and Written by Martin Zandvliet Official Selection 2016 Sundance Film Festival 2015 Toronto International Film Festival 101 Minutes East Coast Publicity West Coast Publicity Distributor Sophie Gluck & Block Korenbrot Sony Pictures Classics Associates 6100 Wilshire Blvd Carmelo Pirrone Sophie Gluck Suite 170 Maya Anand Aimee Morris Los Angeles, CA 90048 550 Madison Ave [email protected] 323-634-7001 tel New York, NY 10022 [email protected] 323-634-7030 fax 212-833-8833 tel 212-833-8844 fax CAST Sgt. Rasmussen ROLAND MØLLER Captain Ebbe MIKKEL BOE FØLSGAARD Sebastian Schumann LOUIS HOFMANN Helmut Morbach JOEL BASMAN Ernst Lessner EMIL BELTON Werner Lessner OSKAR BELTON FILMMAKERS Written and directed by Martin Zandvliet Director of Photography Camilla Hjelm Knudsen, DFF Production Designer Gitte Malling Casting Director Simone Bär Editors Per Sandholt Molly Malene Stensgaard Composer Sune Martin Sound Designer Rasmus Winther Jensen Re-recording Mixer Lars Ginzel Production Sound Mixer Johannes Elling Dam Costume Designer Stefanie Bieker Hair and Make-up Designer Barbara Kreuzer Producer Mikael Chr. Rieks Malte Grunert Line Producer Louise Birk Petersen Post Producer Mette Høst Hansen Executive Producers Henrik Zein Torben Majgaard Lena Haugaard Oliver Simon Daniel Baur Stefan Kapelari Silke Wilfinger Associate Producer Klaus Dohle LOGLINE As World War Two comes to an end, a group of German POWs, boys rather than men, are captured by the Danish army and forced to engage in a deadly task – to defuse and clear land mines from the Danish coastline. With little or no training, the boys soon discover that the war is far from over.
    [Show full text]
  • The Hunt Thomas Vinterberg Susanne Bier Bille August Slug Invasion Cinefondation PAGE 2 / FILM#75 / CANNES ISSUE
    Film is published#75 by the Danish Film institute / may 2012 Cannes issue 2012 THE HUNT THOMAS VINTERBERG SUSANNE BIER BILLE AUGUST SLUG INVASION CINEFONDATION PAGE 2 / FILM#75 / CANNES ISSUE 10 14 05 19 25 INSIDE 03 Editorial and short news 22 Tobias lindholm Writer on Vinterberg's Cannes competitor The Hunt 05 The Hunt by Thomas Vinterberg and the hit TV series Borgen, Tobias Lindholm has / Cannes Competition carved out a name for himself as a skilled storyteller. Film#75 Cannes issue The Hunt is the first collaboration between may 2012 Mads Mikkelsen and director Thomas Vinterberg 25 From The Kingdom to The Killing who shook the film world with his 1998 Cannes A modernisation strategy in the '90s in the drama Published by Danish Film Institute winner, the tough family drama The Celebration. department at national broadcaster DR laid the foun- Editor Susanna Neimann (SN) dation for the current golden age in Danish TV drama. Co-editor Annemarie Hørsman (AH) Editorial team Lars Fiil-Jensen (LFJ), 10 Susanne Bier Anders Budtz-Jørgensen (ABJ), Lizette Gram "With this film there is less of a difference between 28 You & me Forever Mygind, Christian Juhl Lemche who I am and what the movie is like," says Oscar Kaspar Munk deliberately started making You & Me Translations Glen Garner laureate Susanne Bier about Love Is All You Need. Forever without funding – he wanted to have ultimate Design Rasmus Koch Studio AD Morten Bak freedom to experiment with ideas and methods. Type Holton, Akzidenz-Grotesk, Cendia 14 Bille August Paper Munken Lynx 100 g Bille August uses a famous piece of Danish art history 30 The Bird Chase Printed by Rosendahls-Schultz Grafisk as the backdrop for his story about Marie Krøyer, "We tend to make family films too nice," says Christian Circulation 6,000 iSSN 1399-2813 (print version) a woman who challenged the conventions of society.
    [Show full text]
  • NG18 Program (Screen)
    PROGRAM 2018 PROGRAM#nordicgame 2017 #nordicgame Welcome to Nordic Game 2018 It’s a great pleasure to welcome you to this fifteenth edition of Nordic Game, the only conference in the world with a dedicated focus on the entire Nordic games industry. Over the years we’ve evolved from a humble regional conference into a truly global industry event, as our vision of a strong, united games community and the values so many of us share - openness, innovation and diversity - have resonated with games industry professionals around the world, and they have been welcomed into our extended family. Of course, we continue to proudly celebrate the sheer quality and variety of games developed in the Nordic countries, and this year’s Nordic Game Awards (Thursday, 24 May from 18:00 in the Unreal Theatre) once again reflects the imagination and vitality of developers from the region we call home. However, our rapidly changing, interconnected industry doesn’t allow us to rest on our laurels, and our opening keynote (Wednesday, 23 May at 11:00 in the Unreal Theatre) brings together a panel of leaders from some of our most prominent Nordic studios to explore key challenges and opportunities for game developers moving forward. True to the many values we share with our extended global family, we’re also introducing a string of talks - the Impact sessions - that delve beyond the albeit important business and technical aspects of game development, to encourage all of us to think more deeply about the real impact of the games we create - and how we create them - on our world.
    [Show full text]
  • N O Rd Isk Film & T V Fo N D a N Nu Al R E P O Rt 20 15
    Nordisk Film & TV Fond Årsrapport 2015 Nordisk Film & TV Fond Annual Report 2015 Nordisk Film & TV Fond Nordisk Film & TV Fond Årsrapport 2015 Annual Report 2015 04 06 08 Om Nordisk Film & TV Fond Appetitten opprettholdes! Fiksjon About Nordisk Film & TV Fond Keeping up the appetite! Fiction Table of ContentsTable 10 12 14 Dokumentar Barn & unge Distribusjon Documentary Children & Youth Distribution Innhold/ 16 20 22 Nordiske kinotall Nordic Genre Boost Nordiske Talenter Nordic Cinema Figures Nordic Genre Boost Nordic Talents 24 28 34/38 Nordisk Råds Filmpris Året 2015 Resultat, balanse og Nordic Council Film Prize The Year 2015 noteopplysninger Profit and Loss, Balance and Note Info 42 2015 Støttede prosjekter Funded Projects PAGE 3 PAGE SIDE 3 Throughout 2015, Nordisk Film & TV Fond has operated in accordance with the guidelines established in 1995, revised in 2000, 2005, 2010, and 2015. In addition, the Board has issued the following directions for the operations of the Fund: GENERAL: The Fund shall be an organization which on an independent basis stimulates the Nordic film and TV industry to develop quality film and TV products for a broad Nordic market. In these domains, the Fund shall spearhead initiatives which Nordisk Film & TV Fond har i 2015 basert sin drift på de may receive broad, positive support from the Nordic film retningslinjene som ble vedtatt i 1995, og revidert i 2000, and TV community. 2005, 2010 og 2015. Utover dette har styret pekt ut følgende retning for Fondets drift: PRODUCTION SUPPORT: The Fund shall demand a high standard of the projects GENERELT: which receive funding, both regarding screenplays, artistic Fondet skal være en organisasjon, som på selvstendig expression, production conditions, distribution options grunnlag stimulerer den nordiske film- og TV-industrien til å and box office potential.
    [Show full text]
  • Berlin /Filmart 2020
    BERLIN /FILMART 2020 HOPE HOPE 4-5 DO NOT HESITATE 22-23 MONTY AND THE STREET PARTY 6-7 NINJABABY 24-25 LINE-UP CHARTER 8-9 A TASTE OF HUNGER 26-27 MORTAL 10-11 MY FATHER MARIANNE 28-29 THE TUNNEL 12-13 RIDERS OF JUSTICE 30-31 BREAKING SURFACE 14-15 THE NORTH SEA 32-33 THE CROSSING 16-17 THE MARCO EFFECT 34-35 ANOTHER ROUND 18-19 RECENT TITLES 36-37 SCREENING SCHEDULE 38 BETRAYED 20-21 CONTACTS 39 INDEX PANORAMA HOPE - Directed by Maria Sødahl Following a successful world premiere in the Discovery Section at Toronto International Film Festival, HOPE now makes its European debut on one of the most prestigious festival scenes in the world; the Berlinale. Selected for the Panorama Section, European audiences will get the chance to see the second feature by Maria Sødahl which has taken international as well as local critics by storm. Based on Sødahl’s own personal story and featuring actress Andrea Bræin Hovig (AN AFFAIR, 2018) and award-winning actor Stellan Skarsgård (CHERNOBYL, 2019; NYMPHOMANIAC, 2013; MELANCHOLIA, 2011), this heartrending drama takes us on a beautiful journey through the many aspects of life, love and the fear of losing. Sødahl had her breakthrough with her debut film LIMBO (2010), which won several awards and was highly acknowledged at international film festivals. What happens with love when a woman in the middle of her life gets three months left to live? Anja (43) lives with Tomas (59) in a large family of biological children and stepchildren. For years, the couple PRESS SCREENING have grown independent of each other.
    [Show full text]