James Brown Get on the Good Foot Mp3, Flac, Wma
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Funk & Soul Bass
Funk & Soul Bass 14 Transcriptions Transcribed by Ian ‘dodge’ Paterson DP002 Index 1) The Boss – James Brown 2) Fell In Love With A Boy – Joss Stone 3) What’s The Buzz – JCS soundtrack 4) For What It’s Worth – East Harlem Voices 5) Let’s Get It On – Marvin Gaye 6) Do Your Thing – Marion Gaines Singers 7) Cardova – The Meters 8) Rescue Me – Fontella Bass 9) In The Midnight Hour – Wilson Pickett 10) She Caught The Katy – Blues Brothers 11) People Say – The Meters 12) Son Of A Preacher Man – Dusty Springfield 13) Sittin’ On The Dock Of The Bay – Otis Redding 14) Cissy Strut – The Meters Thanks Many thanks to William Condra from Talkbass.com for taking the time to look over these transcriptions and offer invaluable corrections and advice. Thanks too must go to Nick Pride and Jamie McCredie for offering suggestions on chords / harmony and general encouragement / support. Disclaimer These transcriptions are my own personal work – they are not for sale / resale as this would breach copyright by the owners of the individual works. They are merely intended for personal study / educational purposes under the ‘fair dealing’ section of the current UK ‘Copyright, Designs and Patents Act 1988’. If you find them useful why not give a small donation to a charity of your choice? Any mistakes – let me know and I will correct them immediately. Enjoy playing them! Funk The Boss - James Brown q = ca. 99 From the album 'Black Caesar' (1973) (record about 1/4 tone flat) Bass by Fred Thomas 1 2 get down Fm7 ? 4 ‰ ‰ j j j j j j j j b 4 V V JV JV ‰ ≈œ™≈ ‰ ≈œ™≈ ‰ ≈œ™≈ ‰ ≈œ™≈ œ™ bœ™ œ™ bœ™ œ™ bœ™ œ™ bœ™ 6 ? j j j j j j j j b ‰ ≈ œ™ ≈ ‰ ≈ œ™ ≈ ‰ ≈ œ™ ≈ ‰ ≈ œ™ ≈ œ™ bœ™ œ™ bœ™ œ™ bœ™ œ™ bœ™ 10 ? j j j j j j j j b ‰ ≈ œ™ ≈ ‰ ≈ œ™ ≈ ‰ ≈ œ™ ≈ ‰ ≈ œ™ ≈ œ™ bœ™ œ™ bœ™ œ™ bœ™ œ™ bœ™ 14 ? j j j j j j j j b ‰ ≈ œ™ ≈ ‰ ≈ œ™ ≈ ‰ ≈ œ™ ≈ ‰ ≈ œ™ ≈ œ™ bœ™ œ™ bœ™ œ™ bœ™ œ™ bœ™ 18 ? j j j j j j j j b ‰ ≈ œ™ ≈ ‰ ≈ œ™ ≈ ‰ ≈ œ™ ≈ ‰ ≈ œ™ ≈ œ™ bœ™ œ™ bœ™ œ™ bœ™ œ™ bœ™ 22 ? j j j j j j j j b ‰ ≈ œ™ ≈ ‰ ≈ œ™ ≈ ‰ ≈ œ™ ≈ ‰ ≈ œ™ ≈ œ™ bœ™ œ™ bœ™ œ™ bœ™ œ™ bœ™ 26 ? j j b ‰ j ≈ œ ≈ ‰ j ≈ œ ≈ œ™ bœ™ ™ œ™ bœ™ ™ ww 30 Bb7 . -
The JB's These Are the JB's Mp3, Flac
The J.B.'s These Are The J.B.'s mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: These Are The J.B.'s Country: US Released: 2015 Style: Funk MP3 version RAR size: 1439 mb FLAC version RAR size: 1361 mb WMA version RAR size: 1960 mb Rating: 4.7 Votes: 880 Other Formats: APE VOX AC3 AA ASF MIDI VQF Tracklist Hide Credits These Are the JB's, Pts. 1 & 2 1 Written-By – Phelps Collins*, Clayton Isiah Gunnels*, Clyde Stubblefield, Darrell Jamison*, 4:45 Frank Clifford Waddy*, John W. Griggs*, Robert McCollough*, William Earl Collins 2 I’ll Ze 10:38 The Grunt, Pts. 1 & 2 Written-By – Phelps Collins*, Clayton Isiah Gunnels*, Clyde Stubblefield, Darrell Jamison*, 3 3:29 Frank Clifford Waddy*, James Brown, John W. Griggs*, Robert McCollough*, William Earl Collins Medley: When You Feel It Grunt If You Can 4 Written-By – Art Neville, Gene Redd*, George Porter Jr.*, James Brown, Jimi Hendrix, 12:57 Joseph Modeliste, Kool & The Gang, Leo Nocentelli Companies, etc. Recorded At – King Studios Recorded At – Starday Studios Phonographic Copyright (p) – Universal Records Copyright (c) – Universal Records Manufactured By – Universal Music Enterprises Credits Bass – William "Bootsy" Collins* Congas – Johnny Griggs Drums – Clyde Stubblefield (tracks: 1, 4 (the latter probably)), Frank "Kash" Waddy* (tracks: 2, 3, 4) Engineer [Original Sessions] – Ron Lenhoff Engineer [Restoration], Remastered By – Dave Cooley Flute, Baritone Saxophone – St. Clair Pinckney* (tracks: 1) Guitar – Phelps "Catfish" Collins* Organ – James Brown (tracks: 2) Piano – Bobby Byrd (tracks: 3) Producer [Original Sessions] – James Brown Reissue Producer – Eothen Alapatt Tenor Saxophone – Robert McCullough* Trumpet – Clayton "Chicken" Gunnels*, Darryl "Hasaan" Jamison* Notes Originally scheduled for release in July 1971 as King SLP 1126. -
Soul Top 1000
UUR 1: 14 april 9 uur JAAP 1000 Isley Brothers It’s Your Thing 999 Jacksons Enjoy Yourself 998 Eric Benet & Faith Evans Georgy Porgy 997 Delfonics Ready Or Not Here I Come 996 Janet Jackson What Have Your Done For Me Lately 995 Michelle David & The Gospel Sessions Love 994 Temptations Ain’t Too Proud To Beg 993 Alain Clark Blow Me Away 992 Patti Labelle & Michael McDonald On My Own 991 King Floyd Groove Me 990 Bill Withers Soul Shadows UUR 2: 14 april 10 uur NON-STOP 989 Michael Kiwanuka & Tom Misch Money 988 Gloria Jones Tainted Love 987 Toni Braxton He Wasn’t Man Enough 986 John Legend & The Roots Our Generation 985 Sister Sledge All American Girls 984 Jamiroquai Alright 983 Carl Carlton She’s A Bad Mama Jama 982 Sharon Jones & The Dap-Kings Better Things 981 Anita Baker You’re My Everything 980 Jon Batiste I Need You 979 Kool & The Gang Let’s Go Dancing 978 Lizz Wright My Heart 977 Bran van 3000 Astounded 976 Johnnie Taylor What About My Love UUR 3: 14 april 11 uur NON-STOP 975 Des’ree You Gotta Be 974 Craig David Fill Me In 973 Linda Lyndell What A Man 972 Giovanca How Does It Feel 971 Alexander O’ Neal Criticize 970 Marcus King Band Homesick 969 Joss Stone Don’t Cha Wanna Ride 1 968 Candi Staton He Called Me Baby 967 Jamiroquai Seven Days In Sunny June 966 D’Angelo Sugar Daddy 965 Bill Withers In The Name Of Love 964 Michael Kiwanuka One More Night 963 India Arie Can I Walk With You UUR 4: 14 april 12 uur NON-STOP 962 Anthony Hamilton Woo 961 Etta James Tell Mama 960 Erykah Badu Apple Tree 959 Stevie Wonder My Cherie Amour 958 DJ Shadow This Time (I’m Gonna Try It My Way) 957 Alicia Keys A Woman’s Worth 956 Billy Ocean Nights (Feel Like Gettin' Down) 955 Aretha Franklin One Step Ahead 954 Will Smith Men In Black 953 Ray Charles Hallelujah I Love Her So 952 John Legend This Time 951 Blu Cantrell Hit' m Up Style 950 Johnny Pate Shaft In Africa 949 Mary J. -
Hype Funk Score Avg. Hype Funk Score Funk Score Avg Funk Score Combined Funk 1 Flashlight
Barely Somewhat Extra Hella Response Hype Funk Avg. Hype Avg Funk Combined # answer options No Funky Funky Funky Funky Funky Da Bomb Count Score Funk Score Funk Score Score Funk 1 Flashlight - Parliament 0 0 0 2 0 5 14 21 108.00 5.14 136.00 6.48 11.62 Give Up The Funk (Tear the Roof Off the 2 Sucker) - Parliament 0 0 0 0 2 6 12 20 102.00 5.10 130.00 6.50 11.60 3 One Nation Under A Groove - Funcakelic 0 1 0 0 2 2 13 18 92.00 5.11 115.00 6.39 11.50 4 Atomic Dog - George Clinton 0 0 0 1 4 5 15 25 124.00 4.96 159.00 6.36 11.32 More Bounce To The Ounce - Zapp & 5 Roger 0 0 0 2 0 5 9 16 78.00 4.88 101.00 6.31 11.19 6 (Not Just) Knee Deep - Funkadelic 0 0 0 0 5 6 12 23 111.00 4.83 145.00 6.30 11.13 7 Mothership Connection - Parliament 0 0 0 0 3 6 8 17 81.00 4.76 107.00 6.29 11.06 8 Payback - James Brown 0 0 1 1 4 0 10 16 75.00 4.69 97.00 6.06 10.75 Get the Funk Out Ma Face - The Brothers 9 Johnson 0 0 0 1 4 4 8 17 78.00 4.59 104.00 6.12 10.71 10 Slide - Slave 0 0 0 1 1 6 5 13 59.00 4.54 80.00 6.15 10.69 11 Super Freak - Rick James 0 0 1 3 1 3 8 16 70.00 4.38 94.00 5.88 10.25 12 Pass the Peas - Fred Wesley and the JBs 0 0 1 1 2 2 5 11 47.00 4.27 64.00 5.82 10.09 13 The Jam - Graham Central Station 0 0 1 2 0 3 5 11 47.00 4.27 64.00 5.82 10.09 14 Jamaica Funk - Tom Browne 0 0 1 2 2 4 6 15 63.00 4.20 87.00 5.80 10.00 15 Fire - Ohio Players 0 0 0 2 7 3 7 19 79.00 4.16 110.00 5.79 9.95 16 Maggot Brain - Funkadelic 0 0 1 1 3 3 5 13 54.00 4.15 75.00 5.77 9.92 17 Dr. -
Drum Transcription Diggin on James Brown
Drum Transcription Diggin On James Brown Wang still earth erroneously while riverless Kim fumbles that densifier. Vesicular Bharat countersinks genuinely. pitapattedSometimes floridly. quadrifid Udell cerebrates her Gioconda somewhy, but anesthetized Carlton construing tranquilly or James really exciting feeling that need help and drum transcription diggin on james brown. James brown sitting in two different sense of transformers is reasonable substitute for dentists to drum transcription diggin on james brown hitches up off of a sample simply reperform, martin luther king jr. James was graciousness enough file happens to drum transcription diggin on james brown? Schloss and drum transcription diggin on james brown shoutto provide producers. The typology is free account is not limited to use cookies and a full costume. There is inside his side of the man bobby gets up on top and security features a drum transcription diggin on james brown orchestra, completely forgot to? If your secretary called power for james on the song and into the theoretical principles for hipproducers, son are you want to improve your browsing experience. There are available through this term of music in which to my darling tonight at gertrude some of the music does little bit of drum transcription diggin on james brown drummer? From listeners to drum transcription diggin on james brown was he got! He does it was working of rhythmic continuum publishing company called funk, groups avoided aggregate structure, drum transcription diggin on james brown, we can see -
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October 2006 Volume V, Issue VI www.boeing.com/frontiers LOOKING AHEAD Meet the Advanced Systems organization A SKILLED BUILD 16 of IDS, where Boeing employees are Determinant assembly helps 777 line developing new-technology solutions to support its defense, security, space and THAT FEELS BETTER 28 new market customers A look at Boeing’s wellness resources A QUALITY DECISION 34 Streamlined process aids Boeing, suppliers October 2006 Volume V, Issue VI ON THE COVER: The A160 Hummingbird. Photo by Bob Ferguson O T O BOB FERGUSON PH COVER STORY MOVING AHEAD 12 Employees in the Advanced Systems organization of Integrated Defense Systems—such as those working on the Orbital Express ASTRO demonstration satellite in Huntington Beach, Calif. (above)—are developing future capabilities to support defense, security and other customers. What’s in your wellness toolkit? Boeing offers employees wellness FEELING 28 “tools” from information to services to fitness opportunities. These re- FEATURE sources allow employees to focus on the wellness of themselves and their fam- BETTER ily members. That helps employees be more productive at work and at home. STORY BOEING FRONTIERS October 2006 3 October 2006 Volume V, Issue VI O T O The new 777 Accurate Floor Grid–Determinant T PH Assembly Process gives mechanics easier access R during assembly. It also requires significantly less CKHA 16 O space than the previous three-story tooling struc- L N ture used to build up 777 floor grids. IA R MA COMMERCIAL AIRPLANES INTEGRATED DEFENSE SYSTEMS Parts of a tool What’s the big idea Members of the Manufacturing Engineering team Boeing is developing a high-capacity miniature 16 in Everett, Wash., came up with an idea to improve 20 satellite. -
Funk Is Its Own Reward": an Analysis of Selected Lyrics In
ABSTRACT AFRICAN-AMERICAN STUDIES LACY, TRAVIS K. B.A. CALIFORNIA STATE UNIVERSITY DOMINGUEZ HILLS, 2000 "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s Advisor: Professor Daniel 0. Black Thesis dated July 2008 This research examined popular funk music as the social and political voice of African Americans during the era of the seventies. The objective of this research was to reveal the messages found in the lyrics as they commented on the climate of the times for African Americans of that era. A content analysis method was used to study the lyrics of popular funk music. This method allowed the researcher to scrutinize the lyrics in the context of their creation. When theories on the black vernacular and its historical roles found in African-American literature and music respectively were used in tandem with content analysis, it brought to light the voice of popular funk music of the seventies. This research will be useful in terms of using popular funk music as a tool to research the history of African Americans from the seventies to the present. The research herein concludes that popular funk music lyrics espoused the sentiments of the African-American community as it utilized a culturally familiar vernacular and prose to express the evolving sociopolitical themes amid the changing conditions of the seventies era. "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THEDEGREEOFMASTEROFARTS BY TRAVIS K. -
James Brown - Get on the Good Foot: a Dance Celebration October 25 10:29 2013 by Jermaine Rowe
BWW Reviews : James Brown - Get on the Good Foot: A Dance Celebration October 25 10:29 2013 by Jermaine Rowe "Give the people what they came for" James Brown said in reference to his shows, and it seemed that the Apollo set out to do just that on the opening night of "James Brown - Ge t on the Good Foot" dance celebration concert in Harlem. It was fitting that the concert opened with a welcome speech by Rev. Al Sharpton , given the historic relationship between the Apollo Theatre and James Brown . Sharpton reflected on his connection with Brown on the very stage that we were about to experience the evening's performance. The hour-long performance that followed showcased a variety of choreographers exploring the music of James Brown , danced by the Philadelphia Dance Company (PHILADANCO) and three (3) non-affiliated featured soloists. The show opened with a dynamic and exciting sound play with music and voice -overs of Brown that was effective in setting up the scene for the legacy that was being honored. The fault of the program, however, was that you ended up watching the first three choreographers before you realized that the show was not going to have breaks between each work. This made the flow seem unorganized and unclear. Despite this, "Too Funky," choreographed by Otis Sallid , saw a vibrant, young, and talented group of dancers let loose to the funky sounds of a well- arranged set of songs. The team did such a great job of setting up the excitement of the evening that I found myself a little disappointed by the lack of structure in Sallid's work. -
ALBUMS BARRY WHITE, "WHAT AM I GONNA DO with BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50S YOU" (Prod
DEDICATED TO THE NEEDS OF THE MUSIC RECORD INCUSTRY SLEEPERS ALBUMS BARRY WHITE, "WHAT AM I GONNA DO WITH BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50s YOU" (prod. by Barry White/Soul TO ME" (prod.by Baker,Harris, and'60schestnutsrevved up with Unitd. & Barry WhiteProd.)(Sa- Young/WMOT Prod. & BobbyEli) '70s savvy!Fast paced pleasers sat- Vette/January, BMI). In advance of (WMOT/Friday'sChild,BMI).The urate the Lennon/Spector produced set, his eagerly awaited fourth album, "Sideshow"men choosean up - which beats with fun fromstartto the White Knight of sensual soul tempo mood from their "Magic of finish. The entire album's boss, with the deliversatasteinsupersingles theBlue" album forarighteous niftiest nuggets being the Chuck Berry - fashion.He'sdoingmoregreat change of pace. Every ounce of their authored "You Can't Catch Me," Lee thingsinthe wake of currenthit bounce is weighted to provide them Dorsey's "Ya Ya" hit and "Be-Bop-A- string. 20th Century 2177. top pop and soul action. Atco 71::14. Lula." Apple SK -3419 (Capitol) (5.98). DIANA ROSS, "SORRY DOESN'T AILWAYS MAKE TAMIKO JONES, "TOUCH ME BABY (REACHING RETURN TO FOREVER FEATURING CHICK 1116111113FOICER IT RIGHT" (prod. by Michael Masser) OUT FOR YOUR LOVE)" (prod. by COREA, "NO MYSTERY." No whodunnits (Jobete,ASCAP;StoneDiamond, TamikoJones) (Bushka, ASCAP). here!This fabulous four man troupe BMI). Lyrical changes on the "Love Super song from JohnnyBristol's further establishes their barrier -break- Story" philosophy,country -tinged debut album helps the Jones gal ingcapabilitiesby transcending the with Masser-Holdridge arrange- to prove her solo power in an un- limitations of categorical classification ments, give Diana her first product deniably hit fashion. -
Planting the Church Nancy Chalmers FRANKLIN NELSON, Secretary DALE BJORK
\s «•«* Directory Baptist General Conference Official organ of the Baptist General Conference Letters relative to missionary matters and all contributions designated for missionary purposes should be addressed to MAY 4, 1970 VOL. 60, No. 9 BAPTIST GENERAL CONFERENCE 5750 N. Ashland Ave.. Chicago, 111. 60626 Tel. (Area Code 312) 275-3590 BOARD OF TRUSTEES WARREN R. MAGNUSON. General Secretary EDWARD J. HALES, Director of Stewardship In this issue: GEORGE S. MCNEILL, Assistant Director of Stewardship ROBERT E. NORSTROM. Director of Promotion 5. An Alternative to Revolution Roy Nelson CONFERENCE OFFICERS EDWARD O. NELSON. Moderator BERNARD A. TRAVAILLE. Vice Moderator 6. Christian Youth Centers . Gerald Osbron and Gus E. Tillman HOME MISSIONS GORDON H. ANDERSON. Secretary HARVEY R. HILL. Assistant to Secretary GEORGE A. E. SALSTRAND, 8. 'Teaching Them to Observe All Things' . Irwin C. Bjelland Church Capital Funds ROBERT L. HART. Director of Evangelism FOREIGN MISSIONS 10. Planting the Church Nancy Chalmers FRANKLIN NELSON, Secretary DALE BJORK. Administrative Assistant BIBLE SCHOOL/YOUTH 12, The Voice of Truth Fred G. Thomas LAWRENCE F. SWANSON, Secretary GUNNAR HOGLUND, Youth Director L. TED JOHNSON, 14. MAP: Supplier to Mission Hospitals Robert Burt Children's Work and Camping MEN'S WORK LLOYD MATTSON. Secretary 22. To the World with Love Truett J. Johnson WOMEN'S WORK DOROTHY DAHLMAN, Secretary MARY LOU REYCRAFT, Associate Secretary 25. All I Know Is Me, and That's Not Much . Robert E. Norstrom HARVEST PUBLICATIONS ORIEL L. HANSEN. Business Manager, Secretary DAVID OLSON. Editor, Christian Ed. Publications DONALD E. ANDERSON. Editor, THE STANDARD Mailing address—5750 N. Ashland Ave., Chicago, 111. -
The Famous Flames 2012.Pdf
roll abandon in the minds o f awkward teens everywhere. Guitarist Sonny Curtis had recorded with Holly and Allison on the unsuccessful Decca sessions, and after Holly’s death in 1959, Curtis returned to the group as lead singer- guitarist for a time. The ensuing decades would see him become a hugely successful songwriter, penning greats from “I Fought the Taw” (covered by the Bobby Fuller Four and the Clash, among others) to Keith Whitleys smash T m No Stranger to the Rain” (1987’s CM A Single of the Tear) to the theme from The Mary Tyler Moore Show. He still gigs on occasion with Mauldin and Allison, as a Cricket. THE FAMOUS FLAMES FROM TOpi||lSly Be$pett, Lloydliisylfewarth, Bp|i§>y Byrd, apd Ja m ^ Brown (from left), on The TA.M.I. 4^ihnny Terry, BennettTfyfiff, and Brown fwomleft), the Ap®fp® James Brown is forever linked with the sound and image Theatre, 1963. -4- of the Famous Flames vocal/dancing group. They backed him on record from 1956 through 1964» and supported him as sanctified during the week as they were on Sundays. Apart onstage and on the King Records label credits (whether they from a sideline venture running bootleg liquor from the sang on the recording or not) through 1968. He worked with a Carolinas into Georgia, they began playing secular gigs under rotating cast of Flames in the 1950s until settling on the most various aliases. famous trio in 1959, as the group became his security blanket, By 1955, the group was calling itself the Flames and sounding board, and launching pad. -
Michael Cerveris: an Idea of South
01-21 Cerveris:GP 1/13/12 11:21 AM Page 1 Saturday Evening, January 21, 2012, at 8:30 and 10:30 Michael Cerveris: An Idea of South Michael Cerveris , Vocals, Guitar, Banjo, Mandolin, and Washboard Shamarr Allen , Horn and Vocals Timothy Andres , Piano Jonathan Batiste , Piano, Vocals, and Harmonaboard Eric Bolivar , Drums Laura Cantrell , Vocals Gabriel Caplan , Guitar and Banjo Debbie Davis , Vocals and Ukelele Jon Graboff , Mandolin and Pedal Steel Kimberly Kaye , Vocals Craig Klein , Trombone and Vocals Alex McMurray , Guitar, Banjo, and Vocals Matt Perrine , Sousaphone and Bass Paul Sanchez , Vocals Lorenzo Wolff , Bass Linzay Young , Fiddle Eddy Zweibeck , Percussion and Harmonica This evening’s program is approximately 75 minutes long and will be performed without intermission. Major support for Lincoln Center’s American Songbook is provided by Fisher Brothers, In Memory of Richard L. Fisher; and Amy & Joseph Perella. Additional corporate support is provided by Bank of America Merrill Lynch. Wine generously donated by William Hill Estate Winery, Official Wine of Lincoln Center. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano Please make certain your cellular phone, pager, or watch alarm is switched off. The Allen Room, Frederick P. Rose Hall Home of Jazz at Lincoln Center 01-21 Cerveris:GP 1/13/12 11:21 AM Page 2 Lincoln Center Additional support for American Songbook is Upcoming American Songbook Events provided by The DuBose and Dorothy Heyward in The Allen Room : Memorial Fund, Logicworks, The Shubert Foundation, Jill and Irwin Cohen, The G & A Wednesday, February 1, at 8:30 Foundation, Inc., Great Performers Circle, Keren Ann Chairman’s Council, and Friends of Lincoln Center.