Who Needs Thomas Pynchon? the Role of a Post- Foundational, Reader Response Author Lauren Kersey Regis University
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The Crying of Lot 49” (And How Not To)
1 FLESHING OEDIPA OUT How to Read “The Crying of Lot 49” (and How Not To) The Crying of Lot 49 is Thomas Pynchon’s shortest book, and some of its flaws probably result from its compactness. The jokey names, for instance, a feature of all of his books, can annoy some readers more here; I think it is really the sketchiness of the structure that grates—though less obtrusively to an average reader’s consciousness, perhaps, so that the names are what seem to cause the annoyance. The book’s shortness is probably what, with Pynchonian irony, attracts a certain type of reader who is less than prepared to contend with anything but the surface. The problem that Pynchon did not quite solve (though he is in my opinion too hard on himself in his retrospective comment1) is that while the book needed to be concise and is in fact the right length, the patented Pynchonian unraveling of the plot was harder to achieve in so short a space. The reader can become, like the protagonist, Oedipa Maas, “saturated” (177—all references to the first edition), overwhelmed by detail. Among other lapses, the concision leads to several clunky topic sentences (“Things then did not delay in turning curious” [44]). The introduction of an (imaginary?) postal service that has maintained itself for centuries in a shadowy parallel existence outside official history, is especially clumsy, and evokes sentences rankly amateurish, for example: “So began, for Oedipa, the languid, sinister blooming of The Tristero” (54; I will use this spelling throughout, not Trystero). -
Philip Roth's Confessional Narrators: the Growth of Consciousness
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1979 Philip Roth's Confessional Narrators: The Growth of Consciousness. Alexander George Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation George, Alexander, "Philip Roth's Confessional Narrators: The Growth of Consciousness." (1979). Dissertations. 1823. https://ecommons.luc.edu/luc_diss/1823 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1979 Alexander George PHILIP ROTH'S CONFESSIONAL NARRATORS: THE GROWTH OF' CONSCIOUSNESS by Alexander George A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 1979 ACKNOWLEDGE~£NTS It is a singular pleasure to acknowledge the many debts of gratitude incurred in the writing of this dissertation. My warmest thanks go to my Director, Dr. Thomas Gorman, not only for his wise counsel and practical guidance, but espec~ally for his steadfast encouragement. I am also deeply indebted to Dr. Paul Messbarger for his careful reading and helpful criticism of each chapter as it was written. Thanks also must go to Father Gene Phillips, S.J., for the benefit of his time and consideration. I am also deeply grateful for the all-important moral support given me by my family and friends, especially Dr. -
The Proliferation of the Grotesque in Four Novels of Nelson Algren
THE PROLIFERATION OF THE GROTESQUE IN FOUR NOVELS OF NELSON ALGREN by Barry Hamilton Maxwell B.A., University of Toronto, 1976 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department ot English ~- I - Barry Hamilton Maxwell 1986 SIMON FRASER UNIVERSITY August 1986 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL NAME : Barry Hamilton Maxwell DEGREE: M.A. English TITLE OF THESIS: The Pro1 iferation of the Grotesque in Four Novels of Nel son A1 gren Examining Committee: Chai rman: Dr. Chin Banerjee Dr. Jerry Zaslove Senior Supervisor - Dr. Evan Alderson External Examiner Associate Professor, Centre for the Arts Date Approved: August 6, 1986 I l~cr'ct~ygr.<~nl lu Sinnri TI-~J.;~;University tile right to lend my t Ire., i6,, pr oJcc t .or ~~ti!r\Jc~tlcr,!;;ry (Ilw tit lc! of which is shown below) to uwr '. 01 thc Simon Frasor Univer-tiity Libr-ary, and to make partial or singlc copic:; orrly for such users or. in rcsponse to a reqclest from the , l i brtlry of rllly other i111i vitl.5 i ty, Or c:! her- educational i r\.;t i tu't ion, on its own t~l1.31f or for- ono of i.ts uwr s. I furthor agroe that permissior~ for niir l tipl c copy i rig of ,111i r; wl~r'k for .;c:tr~l;rr.l y purpose; may be grdnted hy ri,cs oi tiI of i Ittuli I t ir; ~lntlc:r-(;io~dtt\at' copy in<) 01. -
The American Dream in the Crying of Lot 49
Filología y Lingüística xvnm» 39-44, 1992 PYNCHON'S PARABLE: THE AMERICAN DREAM IN THE CRYING OF LOT 49 Kari Meyers Skredsvig ABSTRACT Although the innovative style of Thomas Pynchon's The Crying 01 Lot 49 is both the delight and the despair of its readers, its impact derives from the mythopeic content and historical contexto In this short novel, Pynchon joins !he ranks of U.S. writers who explore individual and national identity in terms of social mythology. The American Dream is an integral people called upon to live in perfect, timeless componentof the history, literature, and lives of harmony with God and nature. the people of the United States. Not only has it The perpetration of this national covenant greatly influenced the politics, economic and depended upon their ability to avoid the parasitic socialprogress, and cultural values of the country, complexity of historical institutions, thus giving it has also shaped the spiritual and psychological rise to the insistence upon individual rights and development of both individuals and the responsibilities which is the basis not only for Americancomrnunity as a whole.' For over three American democracy, but also for the propagation hundred years, the American Dream has been of the American Dream. defined,revised, analyzed, and interpreted in as Throughout the following generations, the many ways as the number of people who American people have maintained their self- undertake the task. It has survived political righteous belief in the uniqueness of their nation manipulation,historical explanation, and literary and its inhabitants. In the twentieth century, interpretation,and remains an essential element of however, the dream has been secularized. -
Book Chapter Reference
Book Chapter Alterity MADSEN, Deborah Lea Abstract Thomas Pynchon's engagement with alterity is thematized psychologically through paranoia, schizophrenia, and narcissism; politically through systems of control that attempt to destroy otherness; economically through monopolistic transnational corporations and cartels that supplant national governments; scientifically through determinism and theories of entropy; aesthetically through film and photography, storytelling and the “routinization” of language. Pynchon thematizes these various aspects of culture as the effort to substitute the randomness of nature with a perfectly controlled, and controllable, version of reality: what, in Gravity's Rainbow, Pointsman describes as “a rather strictly defined, clinical version of truth.” This chapter considers how Pynchon's work has represented and complicated, by variously undermining and legitimating, contested understandings of identity and alterity. Pynchon's narrative engagement with liberal humanist ideas of essentialized identities gives rise to much of his narratological innovation and complexity, particularly when his exploration of ontological identity categories [...] Reference MADSEN, Deborah Lea. Alterity. In: Dalsgaard, I. ; Herman, L. & McHale, B. The Cambridge Companion to Thomas Pynchon. Cambridge : Cambridge University Press, 2012. p. 212 Available at: http://archive-ouverte.unige.ch/unige:92078 Disclaimer: layout of this document may differ from the published version. 1 / 1 “Alterity,” in The Cambridge Companion to Thomas Pynchon, -
The Archetypal Significance of John Cheever's
THE ARCHETYPAL SIGNIFICANCE OF JOHN CHEEVER’S “THE SWIMMER” by Mary Reagan, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Literature May 2015 Committee Members: Allan R. Chavkin, Chair Paul N. Cohen Nancy Grayson COPYRIGHT by Mary Reagan 2015 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94- 553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of the material for financial gain without the author’s express is not allowed. Duplication Permission As the copyright holder of this work I, Mary Reagan, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. DEDICATION This thesis is dedicated to the late Lawrence D. Stewart, PhD, who introduced me to the beauty and value of great literature as an undergraduate student. ACKNOWLEDGEMENTS I wish to thank the members of my thesis committee, Allan Chavkin, Paul Cohen, and Nancy Grayson, for their invaluable insight and encouragement. I also wish to express my utmost appreciation to Emily Walhout at the Houghton Library, Harvard University, and Anne Woodrum at the Goldfarb Library, Brandeis University, for assisting me in my archival research. Finally, I wish to thank my professors at Texas State University for their substantial contribution in making my graduate study such a memorable and meaningful experience. -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays. -
A Spatial Reading of Pynchon's California Trilogy
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Archivio della ricerca- Università di Roma La Sapienza “The Map is Not the Territory”: A Spatial Reading of Pynchon’s California Trilogy Department of European, American and Intercultural Studies Ph.D. Program in English-language Literatures Candidate: Ali Dehdarirad Supervisor: Prof. Giorgio Mariani Anno Accademico 2019-2020 Contents Acknowledgements iii Abbreviations iv Introduction 1 Chapter One The Crying of Lot 49 9 1. Introduction: 1.1. From the Fifties to the Sixties: A Critical Moment of Change 1.2. In the Midst of a Long Decade: The American Sixties after Kennedy 14 1.3. The Counterculture as Socio-cultural Reaction to the Politics of the Sixties 18 1.4. The Sixties in Pynchon’s Works 22 2. Inside The Crying of Lot 49: Toward a Geocritical Understanding 28 SECTION 1 30 2.1. The Spatial Dimension in Pynchon’s Early Life and Career 2.2. From Pynchon’s San Narciso to California’s Orange County 34 2.2.1. Creating San Narciso: Understanding the “postmetropolitan transition” 35 2.2.2. A Historical Analogy between San Narciso and Orange County 39 2.2.3. Reading Pynchon’s San Narciso through Geocritical Lenses: Understanding The Crying of Lot 49’s Narrative Structure through Fictional and Political Spaces 41 SECTION 2 45 2.3. An Analysis of Thirdspace in Pynchon’s Fiction 2.3.1. An Attempt at Reading Pynchon’s San Narciso through Thirdspace: The Search for an Alternative Reality in The Crying of Lot 49 47 Chapter Two Vineland 54 1. -
The Crying of Lot 49 and the Parody of Detective Fiction
Pobrane z czasopisma New Horizons in English Studies http://newhorizons.umcs.pl Data: 28/07/2021 12:52:36 New Horizons in English Studies 2/2017 LITERATURE • Borys Róg UNIVERSITY OF ZIELONA GÓRA [email protected] The Crying of Lot 49 and the Parody of Detective Fiction Abstract: The Crying of Lot 49, recognized as an important example of postmodern fiction, is a novella by an American author Thomas Pynchon. It follows the story of Oedipa Maas, who encounters a possible underground conspiracy related to postal services. Its themes and structural properties suggest affinities with a detective story genre, although there are crucial differences which actually mark the novel as a par- ody of the genre. In my article I want to analyze two elements which contribute to the parodic nature of The Crying of Lot 49. One is the wide use of various cultural references to the popular culture, history, American society etc.; they are usually satirized by the author as to what contributes to the overall sense of a parody. The second contributesUMCS directly to the reversed structure of a detective fiction; the use of en- tropy as the plot device distorts the unraveling mystery in the novel. Moreover, the reading of the novel as a parody in terms of the characteristics listed above justifies its reputation as a postmodern text. Keywords: Pynchon, Postmodernism, parody, detective fiction Harold Bloom, a noted American literary critic, included Thomas Pynchon in a group of four contemporary American writers (along with Don DeLillo, Phillip Roth and Cormac McCarthy) who deserve special praise for their writings (Bloom 2003). -
The Postmodern Self in Thomas Pynchon's the Crying of Lot 49
AKADEMIN FÖR UTBILDNING OCH EKONOMI Avdelningen för humaniora The Postmodern self in Thomas Pynchon's the Crying of Lot 49 Dismantling the unified self by a combination of postmodern philosophy and close reading Andreas Signell 2015-16 Uppsats, Grundnivå (Studentarbete övrigt) 15 hp Engelska med ämnesdidaktisk inriktning (61-90) Ämneslärarprogrammet med inriktning mot arbete i gymnasieskolan 0030 Uppsats Handledare: Iulian Cananau, PhD Examinator: Marko Modiano, docent Abstract This essay is about identity and the self in Thomas Pynchon's critically acclaimed masterpiece The Crying of Lot 49. Through a combination of postmodern philosophy and close reading, it examines instances of postmodernist representations of identity in the novel. The essay argues that Pynchon is dismantling the idea of a unified self and instead argues for and presents a postmodern take on identity in its place. Questions asked by the essay are: in what ways does Pynchon criticize the idea of a unified self? What alternatives to this notion does Pynchon present? The essay is split into six chapters, an introductory section followed by a background on Thomas Pynchon and the novel. This is followed by an in-depth look into postmodernism, and Ludwig Wittgenstein's importance for it, as well as the basic concepts of his philosophy. This is followed by the main analysis in which a myriad of segments and quotations from the novel are looked at. Lastly, this is followed by a summarizing conclusion. The essay assumes a postmodernist approach of not being a definitive answer; rather it is one voice among many in the community of Pynchon interpreters. -
The Crying of Lot 49 by Thomas Pynchon
The Crying of Lot 49 by Thomas Pynchon The highly original satire about Oedipa Maas, a woman who finds herself enmeshed in a worldwide conspiracy, meets some extremely interesting characters, and attains a not inconsiderable amount of self-knowledge. Why you'll like it: Postmodern, stylistically complex, dark humor. About the Author: Thomas Pynchon was born in Glen Cove, New York on May 8, 1937. In 1959 he graduated with a B.A. in English from Cornell, where he had taken Vladimir Nabokov's famous course in modern literature after studying engineering physics and serving in the U.S. Navy for two years. Pynchon won the Faulkner First Novel Award for V. in 1963, and in The Crying of Lot 49 (1966), again his symbolism and commentary on the United States and human isolation have been praised as intricate and masterly, though some reviewers found it to be maddeningly dense. Pynchon has also written numerous essays, reviews, and introductions, plus the fictional works Slow Learner, Vineland, Mason & Dixon, Against the Day, and Inherent Vice. His title Bleeding Edge made The New York Times Best Seller List for 2013. He is famous for his reclusive nature, although he has made several animated appearances on The Simpsons television series. Questions for Discussion 1. Oedipa's search for The Tristero takes her through several labyrinths--the search itself, several buildings, night-time San Francisco, the Los Angeles freeway system. To what extent are we aware of the layout and purpose of each labyrinth? Is Oedipa's progress through each determined by her own choices? What does she discover in each? 2. -
Metafictional Reading Strategies in the Crying of Lot 49 and One Hundred Years of Solitude
Clemson University TigerPrints All Theses Theses 5-2009 Ambiguity and Apocalypse: Metafictional Reading Strategies in The rC ying of Lot 49 and One Hundred Years of Solitude David Foltz Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the English Language and Literature Commons Recommended Citation Foltz, David, "Ambiguity and Apocalypse: Metafictional Reading Strategies in The rC ying of Lot 49 and One Hundred Years of Solitude" (2009). All Theses. 599. https://tigerprints.clemson.edu/all_theses/599 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. AMBIGUITY AND APOCALYPSE: METAFICTIONAL READING STRATEGIES IN THE CRYING OF LOT 49 AND ONE HUNDRED YEARS OF SOLITUDE A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts English by David Charles Foltz May 2009 Accepted by: Dr. Cameron Bushnell, Committee Chair Dr. Michael LeMahieu Keith Morris ABSTRACT Thomas Pynchon’s The Crying of Lot 49 and Gabriel García Márquez’s One Hundred Years of Solitude posit reading strategies linked by similar methodologies and complementary conclusions. The exposition in the following chapters examines the novels’ methodologies on three levels—the utilization of historical background, the Principle of Uncertainty, and apocalyptic endings—to establish a basis for the novels’ shared perspective on narrative and, by default, approaches to engaging narrative. This thesis argues that the novels demonstrate that as uncertainty increases within narrative the potential for meaning increases, and the converse—as uncertainty decreases, the potential for meaning decreases.