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Conservation Science W. Aust. 8 (3) : 345–366 (2013) Wader numbers and distribution on Eighty Mile Beach, north-west Australia: baseline counts for the period 1981–2003 CLIVE MINTON 1, MICHAEL CONNOR 2, DAVID PRICE 3, ROSALIND JESSOP 4, PETER COLLINS 5, HUMPHREY SITTERS 6, CHRIS HASSELL 7, GRANT PEARSON 8, DANNY ROGERS 9 1 165 Dalgetty Road Beaumaris, Victoria 3193 2 19 Pamela Grove Lower Templestowe, Victoria 3107 [email protected] 3 8 Scattor View Bridford, Exeter, Devon EX6 7JF, UK 4 Phillip Island Nature Park, PO Box 97 Cowes, Victoria 3922 5 214 Doveton Crescent Soldiers Hill, Ballarat, Victoria 3350 6 Higher Wyndcliffe Barline, Beer, Seaton, Devon EX12 3LP, UK 7 PO Box 3089 Broome, Western Australia 6725 8 Western Australian Department of Parks and Wildlife, PO Box 51 Wanneroo, Western Australia 6065 9 340 Ninks Road St Andrews, Victoria 3761 ABSTRACT This paper analyses ground counts and aerial surveys of high-tide wader roosts conducted over the 23-year period from 1981 to 2003, at Eighty Mile Beach, north-west Australia. It provides a baseline data set with which later count data can be compared. Over the study period, Eighty Mile Beach held a maximum of around 470,000 waders in any given year. This represented around 20% of the total number of migratory waders visiting Australia each year and around 6% of the total East Asian – Australasian Flyway migratory wader population. The most numerous species were great knot (169,000), bar-tailed godwit (110,000), greater sand plover (65,000) and oriental plover (58,000). -
Artistic Representations of the Sea and Coast: Implications for Sustainability
Landscapes: the Journal of the International Centre for Landscape and Language Volume 4 Issue 2 Sustainabilia Article 28 January 2011 Artistic Representations of the Sea and Coast: Implications For Sustainability Laura Stocker Curtin University Sustainability Policy (CUSP) Institute Deborah Kennedy Curtin University Sustainability Policy (CUSP) Institute Follow this and additional works at: https://ro.ecu.edu.au/landscapes Part of the Creative Writing Commons Recommended Citation Stocker, L., & Kennedy, D. (2011). Artistic Representations of the Sea and Coast: Implications For Sustainability. Landscapes: the Journal of the International Centre for Landscape and Language, 4(2). Retrieved from https://ro.ecu.edu.au/landscapes/vol4/iss2/28 This Article (refereed) is posted at Research Online. https://ro.ecu.edu.au/landscapes/vol4/iss2/28 Stocker and Kennedy: Artistic Representations of the Sea and Coast: Implications For S Edith Cowan University School of Communications and Arts Centre for Research in Entertainment, Arts, Technology, Education & Communications The International Centre for Landscape and Language Landscapes ISSN 1448-0778 ARTISTIC REPRESENTATIONS OF THE SEA AND COAST: IMPLICATIONS FOR SUSTAINABILITY Laura Stocker and Deborah Kennedy Curtin University Sustainability Policy (CUSP) Institute 3 Pakenham Street, Fremantle, 6160 Corresponding author: Laura Stocker email: [email protected] ABSTRACT: This article explores artistic representations of Australian seas and coasts, and the power of art to sustain seas and coasts. Research into artworks at the National Gallery of Australia was supplemented with a study of other local public and private works. A number of substantive themes emerged in viewing the paintings; the sea and coast has been represented as: sea country, sovereign territory, sublime spaces, a Romantic space of yearning, a psychological journey, a literal journey, a site of social and political comment, social places, ecological places and a site for industry. -
Ecology and Conservation of Australia's Shorebirds
Ecology and Conservation of Australia’s Shorebirds Robert Scott Clemens B.S. Wildlife Biology M.S. Natural Resources A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2016 School of Biological Sciences 1 Abstract Global biodiversity continues to decline rapidly, and addressing this situation requires an understanding of both the problems and the solutions. This understanding is urgently required for animals occupying wetlands, among the most threatened of all habitats globally. In this thesis I focus on the ecology and conservation of shorebirds, a group comprising many threatened and declining species dependent on wetlands throughout much of their annual cycle. I focus on threats operating within Australia, where wetland loss and degradation continues due to human activity. Non-migratory shorebird species that travel widely across Australia’s inland wetlands have been reported as declining in eastern Australia, but a national assessment is lacking. Migratory shorebird species that visit Australia from breeding grounds overseas appear to be declining most due to factors beyond Australia’s borders, but it is not clear if threats located in Australia are exacerbating these declines. I make the most of the rich data available on shorebirds in Australia to address these knowledge gaps, in the hopes of better targeting shorebird conservation actions in Australia. In chapter one I introduce the importance of conserving migratory and highly mobile species. I then review how pulses in resource availability such as those exemplified by Australia’s ephemeral wetlands impact wildlife populations. I also provide an overview of shorebird conservation in Australia. These introductions provide the theoretical underpinning for the work presented later, and highlight the challenges inherent in understanding where and when highly mobile species such as shorebirds have been impacted. -
Bird Migrations and the International Economics of Species Conservation{
The Australian Journal of Agricultural and Resource Economics, 44:1, pp. 31^54 Bird migrations and the international economics of species conservation{ Harry Clarke* The conservation economics of protecting bird species which migrate across national boundaries is examined. A case for adopting a global view of the implications of national conservation e¡orts and for negotiating e¤cient inter- national conservation agreements is emphasised. The roles of cost constraints, strategic policy substitutabilities/complementarities, policy reactivity and altern- ative conservation objectives are analysed. 1. Introduction This article analyses the conservation economics of international bird migrations. The objective is to present national conservation tasks in a strategic setting where policy interactions between nations help determine conservation outcomes. Understanding these interactions can lead to the design of more e¡ective, national conservation policies. Many resource economists are unaware of the conservation issues arising with species migration. A second section therefore provides background information on migratory birds, the international migratory species agree- ments that Australia is signatory to and some examples of bird migrations. This provides context for subsequent discussion. A third section examines the policy design problem. Individual countries are assumed to have speci¢c national preferences for migratory bird conservation although conservation outcomes depend upon the joint conservation e¡orts by di¡erent nations along a migration corridor. There are two aspects to this jointness. First, there are strategic substitutabilities and complementarities between the e¡ects of { Harry Clarke, Department of Economics and Finance, La Trobe University, Bundoora, Victoria, Australia. * I thank Mike Carter, Rohan Clarke, Peter Lansley and Clive Minton for ornithological advice. -
John Hobbs Medal 2000: Citation 10.1071/MU00914
Publishing Emu Volume 100, 2000 © Birds Australia 2000 All enquiries and manuscripts should be directed to Emu CSIRO Publishing PO Box 1139 (150 Oxford St) Collingwood, Vic. 3066, Australia Telephone: 61 3 9662 7622 Fax: 61 3 9662 7611 Email: [email protected] Published by CSIRO Publishing for the Royal Australasian Ornithologists Union www.publish.csiro.au/journals/emu John Hobbs Medal 2000: Citation 10.1071/MU00914 CLIVE DUDLEY THOMAS MINTON MA PhD Clive Minton, an outstanding amatuer ornithologist to the area in 1981, which established its status as the with an international reputation, was awarded the John third most important area for waders in the world. Since Hobbs Medal for 2000 at the Annual General Meeting then Clive has organised 18 North-West Australia on 28 May 2000. Born on 7 October 1934, he first be- Wader Expeditions to Broome, Eighty-Mile Beach and came interested in studying, trapping, and banding Port Hedland. These attract participants and trainees birds at Oundle School, UK, from 1947–1953. He com- from around the world and in 1998 over 120 people pleted a PhD in Metallurgy at Cambridge University from 16 countries participated over a 13-week period. (1953–1960) but spent his spare time studying migra- Clive was also instrumental in the establishment of the tory waders on the Wash, becoming the founding Chair- Broome Bird Observatory by Birds Australia (then the man of the Wash Wader Ringing Group, a position he RAOU). in 1988. held until 1978. Together with Eric Ennion, Clive intro- The knowledge gained from the expeditions to duced the use of mist nets and rocket nets to catch north-west Australia has led to many international waders and was associated with the development of advances including: the declaration of Roebuck Bay, cannon nets, introduced in 1967. -
Australasian Wader Studies Group a Special Interest Group of Birdlife Australia
Australasian Wader Studies Group A special interest group of BirdLife Australia NORTH-WEST AUSTRALIA WADER and TERN EXPEDITION 2022 MONDAY 14 February to SUNDAY 6 March 2022. JOINT LEADERS Rosalind Jessop, Robert Bush Prue Wright +61 427 521 857 +61 404 805 558 +61-404 002 745 [email protected] [email protected] [email protected] Tegan Douglas +61 402 457 403 [email protected] Other Contacts Broome contact Broome Bird Observatory Grace Maglio+61 411 301 276 011 61 8 9193 5600 [email protected] (international) [email protected] AWSG 2021 NW Australia Wader & Tern Expedition 1 Australasian Wader Studies Group North-west Australia Wader & Tern Expedition 2022 MONDAY 14 February to SUNDAY 6 March 2022. Background The AWSG was formed in 1981 as a special interest group of BirdLife Australia. Its objectives are: To monitor wader populations through a program of counting and banding to collect data on changes on a local, national and international basis. To study the migrations of waders through a program of counting, banding, colour flagging and collecting of biometric data. To instigate and encourage other scientific studies of waders such as feeding and breeding studies. To communicate the results of these studies to a wide audience through the Stilt, the Tattler, other journals, the Internet, the media, conferences and lectures. To formulate and promote policies for the conservation of waders and their habitat, and to make available information to local and national governmental conservation bodies and organisations to encourage and assist them in pursuing this objective. To encourage and promote the involvement of a large band of amateurs, as well as professionals, to achieve these objectives North-west Australia was “discovered” to be one of the prime locations in the world for wading birds during the first RAOU (BirdLife Australia) “Expedition” there in August/September 1981. -
2018 Geelong Contemporary Art Prize Saturday 9 June to Sunday 19 August 2018 Geelong Gallery Free Entry—Open Daily 10Am to 5Pm
media release Media contact: Miranda Brown | T: 03 9419 0931 | E: [email protected] 2018 Geelong contemporary art prize Saturday 9 June to Sunday 19 August 2018 Geelong Gallery Free entry—Open daily 10am to 5pm Official announcement: Friday 8 June, 6.00pm for 6.30pm The recipient of the $30,000 acquisitive 2018 Geelong Andrew Browne contemporary art prize will be announced on the evening The awakening 2017 of Friday 8 June. To reserve a media pass contact: oil on linen Miranda at [email protected] Courtesy of the artist and Tolarno Galleries, Melbourne Geelong Gallery is delighted to announce that 36 works by leading and emerging Australian artists have been shortlisted for the 2018 Geelong contemporary art prize. Showcasing the best of contemporary Australian painting practice, this $30,000 acquisitive award and biennial exhibition will feature works by Natasha Bieniek, Seth Birchall, Amber Boardman, Andrew Browne, Jon Campbell, Nancy Constandelia, Yvette Coppersmith, Ann Debono, Troy Emery, Emily Ferretti, Patrick Francis, Nyarapayi Giles, Peter Graham, Camille Hannah, Katherine Hattam, Euan Heng, Gregory Hodge, Carissa Karamarko, Madeleine Kelly, Mason Kimber, Anna Kristensen, Darren McDonald, Laith McGregor, Fiona McMonagle, Amanda Marburg, Sam Martin, Tully Moore, Jan Murray, Louise Paramor, Sally Ross, Huseyin Sami, Andrew Taylor, Kate Tucker, Sharon West, Bradd Westmoreland and Alice Wormald. Selected from over 550 entries from around the country, the 36 shortlisted works for the 2018 Geelong contemporary Fiona McMonagle art prize reveal the diversity of contemporary painting practice Princess 2017 oil on linen in Australia. This year’s exhibition will include paintings by Courtesy of the artist and Sophie Gannon Gallery, some of the nation’s most talented established and younger Melbourne generation artists working across a broad range of subjects, genres and stylistic approaches such as landscape, the built environment, portraiture, still-life, social commentary, and abstraction. -
Victoria Government Gazette by Authority of Victorian Government Printer
Victoria Government Gazette By Authority of Victorian Government Printer No. G 50 Thursday 9 December 2004 www.gazette.vic.gov.au GENERAL 3314 G 50 9 December 2004 Victoria Government Gazette TABLE OF PROVISIONS Private Advertisements Unclaimed Moneys Dissolution of Partnerships Austrim Nylex Limited 3329 Alliant Energy Finance Holdings 3316 Birdsey, Dedman Bartlett, solicitors 3321 Alliant Energy Finance 3316 McCarthy & Associates, solicitors 3321 Butchers on the Block 3316 Mitchell, McKenzie & Co., solicitors 3321 La Face Beauty Clinic 3316 Nylex (New Zealand) Limited 3322 West Heidelberg Collision Centre 3316 Nylex Limited 3323 Estates of Deceased Persons Peter Parkes Real Estate 3336 Basile & Co. Pty Ltd 3316 Richard Horseman Pty Ltd 3337 Bruce M. Cook & Associates 3317 Roccisano Real Estate 3337 De Kever Spaulding 3317 Royston Cahir & Martin 3338 Duffy & Simon 3317 White Cleland, solicitors 3338 Dwyer Mahon & Robertson 3317 Proclamations 3339 E. P. Johnson & Davies 3317 Government and Outer Budget Sector Engel & Partners Pty 3317 Agencies Notices 3341 FeatherbyÕs 3318 Orders in Council 3358 G. W. P. Aarons & Co. 3318 Acts: Garden & Green 3318 Administrative Arrangements; Harris & Chambers 3318 Constitution Act Amendment; J. R. & A. Hoban 3318 Parliamentary Committees; James Taylor & Co. 3319 Project Development and Maddocks 3319 Construction Management; Mills Oakley 3319 Road Safety; Pearce Webster & Dugdales 3319 Victorian Plantations Rennick & Gaynor 3320 Corporation T. J. Mulvany & Co. 3320 Verhoeven & Curtain 3320 White Cleland -
RAOU Fellow: Citation 10.1071/MU98034
Publishing Emu Volume 98, 1998 © Birds Australia 1998 All enquiries and manuscripts should be directed to Emu CSIRO Publishing PO Box 1139 (150 Oxford St) Collingwood, Vic. 3066, Australia Telephone: 61 3 9662 7622 Fax: 61 3 9662 7611 Email: [email protected] Published by CSIRO Publishing for the Royal Australasian Ornithologists Union www.publish.csiro.au/journals/emu RAOU Fellow: Citation 10.1071/MU98034 CLIVE MINTON MA, Ph.D. Clive Minton has always been fascinated by birds and is an outstanding amateur ornithologist with an interna- tional reputation. He was born 7 October 1934 in Eng- land. At Oundle School from 1947–1953 he first be- came interested in trapping and banding birds. From 1953 to 1960 he was at Cambridge University where he completed his degree in Natural Sciences and PhD in Metallurgy. It was there that he became interested in the migratory waders in the Wash, and he became the founder Chairman of the Wash Wader Ringing Group which is still the largest wader banding group in the world. Clive introduced the use of rocket nets, which in turn were supplanted by cannon nets in 1967. He also took part in many other studies of birds in Britain, espe- cially Mute Swans. His business career was with Imperial Metal Indus- tries Ltd., and in 1978 he was sent to Australia as Man- aging Director of IMI Australia, where he turned an ailing business into a very profitable one. Not surpris- ingly, he at once took up his long-term interest in waders and formed the Victorian Wader Study Group, revitalising local activities by the introduction of (and more recently had coloured flags attached to their cannon-netting. -
Friends of Australia
Friends of Australia Friends of Australia is Tourism Australia’s global ambassador network that recognises bright and influential opinion leaders who share a passion for Australia. Friends of Australia OUR GLOBAL AMBASSADOR Friends of Australia CHRIS HEMSWORTH ACTOR Based in Byron Bay, Australia Chris Hemsworth is an Chris Hemsworth was born in It was Hemsworth’s role as Thor in Los Angeles to beachside town, Byron Australian actor well known Melbourne and saw quite a bit of the Marvel Cinematic Universe which Bay, Australia, famous for its pristine for portraying comic book hero the Australian country in his youth, thrust him to worldwide prominence beaches and surf culture. moving with his family including in 2011. He has reprised the character Thor in the Marvel Cinematic brothers Liam and Luke, to the five times and starred amongst a Chris Hemsworth was appointed as Universe franchise. Northern Territory before settling top tier cast of actors which has only Tourism Australia’s global ambassador down on Phillip Island, south furthered his presence in the world of in 2015. Chris was appointed as he of Melbourne. Hollywood stars. is passionate about Australia and provides an authentic Australian voice Hemsworth followed in the footsteps Hemsworth has also appeared to help tell the country’s story globally. of other famous Aussies like Heath in a number of other Hollywood Ledger, Isla Fisher, Simon Baker and films including Snow White and the Naomi Watts by becoming a regular Huntsman (2012), Red Dawn (2012), on the soap opera Home and Away Rush (2013) In the Heart of the Sea (2004-2007), whilst also competing (2015) and Ghostbusters (2016). -
The Commercial Gallery
THE COMMERCIAL ANNA KRISTENSEN b. 1983, Sydney lives Sydney EDUCATION 2009 Master of Fine Arts (research), College of Fine Arts, University of New South Wales, Sydney Visiting student Universität der Künste, Berlin, Germany, 2007, class of Anette Haas 2005 Bachelor of Fine Arts (First Class Honours), College of Fine Arts, University of New South Wales, Sydney TEACHING 2009 - present Sessional academic staff, Art and Design, University of New South Wales Art and Design, Sydney SELECTED RESIDENCIES 2017 OMI International Arts Centre, Ghent, New York (USA) 2014 Artspace Studio Residency, Sydney (AU) 2013 Australia Council for the Arts Greene Street Studio Residency, New York (USA) Bemis Center for Contemporary Arts studio residency, Omaha (USA) Bundanon Trust Artist in Residence, Freedman Studio, Bundanon (AU) 2011 Bundanon Trust Artist in Residence, Fern Studio, Bundanon (AU) 2009 Art Gallery of NSW Denise Hickey studio residency, Cité Internationale des Arts, Paris (FR) Bundanon Trust Artist in Residence, Freedman Studio, Bundanon (AU) SOLO EXHIBITIONS 2016 Cover, The Commercial Gallery, Sydney 2014 Indian Chamber, Wollongong Art Gallery, Wollongong Render, Gallery 9, Sydney 2012 Paintings and Sculptures (two person exhibition with Anna John), OK Gallery, Perth 2011 Mise en Abyme, Kalimanrawlins, Melbourne Indian Chamber, Bathurst Regional Art Gallery, Bathurst Indian Chamber, Shepparton Art Museum, Shepparton Chamber, Gallery 9, Sydney 2008 Seeing Things, Master of Fine Arts exhibition, COFA space, College of Fine Arts, University of -
The Commercial
THE COMMERCIAL ANNA KRISTENSEN b. 1983, Sydney lives New York EDUCATION 2009 Master of Fine Arts (research), College of Fine Arts, University of New South Wales, Sydney 2007 Visiting student Universität der Künste, class of Anette Haas, Berlin 2005 Bachelor of Fine Arts (First Class Honours), College of Fine Arts, University of New South Wales, Sydney TEACHING 2019 - present Adjunct Professor (Painting), Department of Arts, Culture and Media, Rutgers University, Newark, New Jersey (US) 2009 - 2016 Sessional lecturer (Art and Design), UNSW Art & Design, University of New South Wales, Sydney SELECTED RESIDENCIES 2019 Vermont Studio Center Fellowship, Vermont (US) MASS MoCA, North Adams, Massachusetts (US) 2017 OMI International Arts Centre, Ghent, New York (US) 2014 Artspace Studio Residency, Sydney (AU) 2013 Australia Council for the Arts Greene Street Studio Residency, New York (US) Bemis Center for Contemporary Arts studio residency, Omaha (US) Bundanon Trust Artist in Residence, Freedman Studio, Bundanon (AU) 2011 Bundanon Trust Artist in Residence, Fern Studio, Bundanon (AU) 2009 Art Gallery of NSW Denise Hickey studio residency, Cité Internationale des Arts, Paris (FR) Bundanon Trust Artist in Residence, Freedman Studio, Bundanon (AU) SOLO EXHIBITIONS 2020 [As yet untitled], The Commercial, Sydney [forthcoming] [As yet untitled] (two-person exhibition with Avantika Bawa), Ditch Projects, Oregon (US) [forthcoming] 2016 Cover, The Commercial, Sydney 2014 Indian Chamber, Wollongong Art Gallery, Wollongong Render, Gallery 9, Sydney 2012