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National Folk Song and Dance Ensemble Mazowsze 2021-10-04, 08:48
National Folk Song and Dance Ensemble Mazowsze https://www.mazowsze.waw.pl/en/news/666,Report-from-the-Family-Picnic-with-Mazowsze.html 2021-10-04, 08:48 Report from the Family Picnic with Mazowsze - thank you that you were with us! The open-air picnic with Mazowsze at Karolin, introducing the summer, is already over. The ensemble presented several shows for to the audience – concerts of various kinds of music: folk, classical, pop, and film music, for example from James Bond movies and Pirates of the Caribbean. The audience saw Mazowsze's soloists, choir, and orchestra, but also several guests. Among them, there were the renowned opera and operetta singers Dorota Laskowiecka and Adam Sobierajski, who sang for example “O mio babbino caro” from the opera Gianni Schicchi, “Nessun dorma” from Turandot, and the operetta fan favorite duet of Silva and Edwin from the operetta Die Csárdásfürstin [The Csardas Princess or The Riviera Girl]. The young, internationally renowned and awarded bass-baritone Łukasz Karauda, also presented opera repertoire on the stage. The singer, who has recently also become Mazowsze's soloist, sang “The Toreador Song” from Georges Bizet's opera Carmen. The concerts were conducted by Jacek Boniecki, Wojciech Gwiszcz, and Klemens Starybrat. It was a very special opportunity to listen to them, as each of them creates his own particular sound with the ensemble's orchestra. Mazowsze however, is not only music and singing – there is also dancing, performed by the ensemble's ballet. The program included pieces that allowed the dancers to show their versatility. There were the Polish national and regional dances Mazowsze is famous for, but also the classic tango (solo by Kamila Borowska and Adam Czechlewski) and waltz (solo by Dorota Rak and Marcos De Lima).Mazowsze 's performance wasn't the only occasion to see dance: there were also presentations prepared by the participants of the “Dancing with Mazowsze” workshops, and the performance prepared by the Folk Dance Ensemble “Pruszkowiacy”. -
Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608
Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608 This finding aid was produced using ArchivesSpace on June 11, 2018. English Describing Archives: A Content Standard Walter P. Reuther Library 5401 Cass Avenue Detroit, MI 48202 URL: https://reuther.wayne.edu Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608 Table of Contents Summary Information .................................................................................................................................... 3 History ............................................................................................................................................................ 4 Scope and Content ......................................................................................................................................... 4 Arrangement ................................................................................................................................................... 6 Administrative Information ............................................................................................................................ 6 Related Materials ........................................................................................................................................... 7 Controlled Access Headings .......................................................................................................................... 7 Collection Inventory ...................................................................................................................................... -
The Use of the Polish Folk Music Elements and the Fantasy Elements in the Polish Fantasy on Original Themes In
THE USE OF THE POLISH FOLK MUSIC ELEMENTS AND THE FANTASY ELEMENTS IN THE POLISH FANTASY ON ORIGINAL THEMES IN G-SHARP MINOR FOR PIANO AND ORCHESTRA OPUS 19 BY IGNACY JAN PADEREWSKI Yun Jung Choi, B.A., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2007 APPROVED: Adam Wodnicki, Major Professor Jeffrey Snider, Minor Professor Joseph Banowetz, Committee Member Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Choi, Yun Jung, The Use of the Polish Folk Music Elements and the Fantasy Elements in the Polish Fantasy on Original Themes in G-sharp Minor for Piano and Orchestra, Opus 19 by Ignacy Jan Paderewski. Doctor of Musical Arts (Performance), May 2007, 105 pp., 5 tables, 65 examples, references, 97 titles. The primary purpose of this study is to address performance issues in the Polish Fantasy, Op. 19, by examining characteristics of Polish folk dances and how they are incorporated in this unique work by Paderewski. The study includes a comprehensive history of the fantasy in order to understand how Paderewski used various codified generic aspects of the solo piano fantasy, as well as those of the one-movement concerto introduced by nineteenth-century composers such as Weber and Liszt. Given that the Polish Fantasy, Op. 19, as well as most of Paderewski’s compositions, have been performed more frequently in the last twenty years, an analysis of the combination of the three characteristic aspects of the Polish Fantasy, Op.19 - Polish folk music, the generic rhetoric of a fantasy and the one- movement concerto - would aid scholars and performers alike in better understanding the composition’s engagement with various traditions and how best to make decisions about those traditions when approaching the work in a concert setting. -
Marco Polo – the Label of Discovery
Marco Polo – The Label of Discovery Doubt was expressed by his contemporaries as to the truth of Marco Polo’s account of his years at the court of the Mongol Emperor of China. For some he was known as a man of a million lies, and one recent scholar has plausibly suggested that the account of his travels was a fiction inspired by a family dispute. There is, though, no doubt about the musical treasures daily uncovered by the Marco Polo record label. To paraphrase Marco Polo himself: All people who wish to know the varied music of men and the peculiarities of the various regions of the world, buy these recordings and listen with open ears. The original concept of the Marco Polo label was to bring to listeners unknown compositions by well-known composers. There was, at the same time, an ambition to bring the East to the West. Since then there have been many changes in public taste and in the availability of recorded music. Composers once little known are now easily available in recordings. Marco Polo, in consequence, has set out on further adventures of discovery and exploration. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again. In addition to pioneering recordings of the operas of Franz Schreker, Der ferne Klang (The Distant Sound), Die Gezeichneten (The Marked Ones) and Die Flammen (The Flames), were three operas by Wagner’s son, Siegfried. Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich and Schwarzschwanenreich (The Kingdom of the Black Swan) explore a mysterious medieval world of German legend in a musical language more akin to that of his teacher Humperdinck than to that of his father. -
Northern Junket, Index
CTT3 I —•\ I •—I I I N D E I I X Digitized by the Internet Archive in 2011 with funding from Boston Library Consortium Member Libraries http://www.archive.org/details/northernjunketinOOpage I ND O NORTHERN JUNKI VOLUME 1. - NUMBER 1. THROUGH VOLUME 14.- NUMBER 9 APRIL 1949. THROUGH JULY 1984. RALPH PAGE - EDITOR AND PUBLISHER. INDEX Compiled and Published by Roger Knox INDEX TO NORTHERN JUNKET COPYRIGHT 1985 by Roger C. Knox Roger C. Knox 702 North Tioga Street Ithaca, NY 14850 TO THE MEMORY OF RALPH PAGE THIS WORK IS RESPECTFULLY AND AFFECTIONATELY DEDICATED "He was a very special human being." (Dave Fuller) "It was a sad day for the dance world when he passed on. He left thousands of friends, and probably hundreds of his-taught Contra-callers who will perpetuate his memory for some time to come." (Beverly B. Wilder Jr.) "All who knew him have suffered a great loss." (Lannie McQuaide) "About very few can it be truly said that 'He was a legend in his own time,' but Ralph certainly was and is such a legend. The world of dance is a richer place because he was here." (Ed Butenhof) ACKNOWLEDGEMENTS There is a danger when one starts naming those who helped in a task that someone may have been left off the "Honor Roll." To avoid that problem 1 wish to thank everyone who gave me any encouragement, advice, orders for the Index, or anything else one can imagine. I wish specifically to thank several people who played an important role in this endeavor and I will risk the wrath of someone I may have missed but who will nevertheless live in my heart forever. -
Have We Got a Season for You!
2010-2011 PREVIEW (cont.) Select from our fixed series packages below: ORDER FORM E 2 A . ORG G M O A T N D E 2 S A FIXED SERIES PACKAGES UMASS FINE ARTS CENTER . IT ORG G O M Please indicate seating preference on the chart below O PAI A M Select the same number of seats to package of choice and save 25%. P T HERST . PROFIT N D S S M (Discount already figured into price.) . IT O PLEASE INDICATE LOCATION PREFERENCE BELOW A PER U 2010-2011 PREVIEW PAI M P NON HERST . CONCERT HALL SERIES PRICE QUANTITY TOTAL PROFIT S M PRICE A PRICE B PRICE C Date . A PER Dance Package U SEC SEC SEC SEC SEC SEC MEZZ MEZZ MEZZ BAL BAL 10/6 Tyler Tyler by Yasuko Yakoshi, Bowker A: $93.75 NON 1 2 3 4 5 6 1 2 3 1 2 11/2 Lar Lubovitch Dance Company, CH B: $75.00 2/1 Pilobolus, CH BOWKER AUDITORIUM 3/10 Philadanco, CH PRICE A PRICE C Orchestra/Balcony Orchestra/Loges Jazz Package Center Balcony Sides 10/7 Lionel Loueke Trio, Bowker A Only: 10/19 Chucho Valdes, CH $82.50 1/25 Charles Lloyd & his New Quartet, Bowker 3/26 We Four: Tribute to John Coltrane, Bowker OW! Venue Seating Map Classical Package 11/8 Venice Baroque Orchestra: American Seasons Project, CH A: $78.75 Have We got a 12/2 Cantus & Theater Latté-Da, CH W B: $67.50 3/6 St. Louis Symphony Orchestra, CH Season For You! Family Package 11/5 Shangri-La Chinese Acrobats, CH A: $97.50 1/27 Balé Folclórico da Bahia, CH B: $78.75 3/22 Cirque Mechanics Boomtown, CH 4/6 Mariachi los Camperos, CH World Music Package 10/13 Hugh Masekela, Bowker A: $82.50 11/12 Mary Black, CH B: $76.50 Example 3/2 Acoustic Africa, -
1 Box 12 Abbot, John M. La Coralie Polka Schottisch. Composed for And
Box 12 Abbot, John M. La Coralie polka schottisch. Composed for and respectfully dedicated to Miss Kate E. Stoutenburg. For solo piano. New York: J. E. Gould and Co., 1851. Abbot, John M. La reve d’amour. For solo piano. New York: William Hall & Son, 1858. 3 copies. L’Aboyar. La coquetterie polka facile. For solo piano. Boston: Oliver Ditson, 1853. Adam, Adolphe. Duke of Reichstadt’s waltz. For solo piano. New York: James L. Hewitt & Co., [s.d.]. Adam, Adolphe. Duke of Reichstadt’s waltz. For solo piano. Boston: C. Bradlee, [s.d.].. Adam, A. Hungarian flag dance. Danced by forty-eight Danseuses Viennoises at the principal theatres in Europe and the United States. For solo piano. Arranged by Edward L. White. Boston: Stephen W. Marsh, 1847. Adams, A.M. La petite surprise! For solo piano. New York: W. Dubois, [s.d.]. Adams, G. Molly put the kettle on. For solo piano. Boston: Oliver Ditson, [s.d.]. Adams, G. Scotch air. With variations as performed by Miss. R. Brown on the harp at the Boston Concerts. For solo piano or harp. New York: William Hall & Son, [s.d.]. Adams, G. Scotch air. With variations as performed by Miss R. Brown on the harp at the Boston Concerts. For solo piano or harp. New York: Firth, Hall, and Pond, [between 1846 and 1847]. Adams, J.B. Sunbeam polka. For solo piano. Boston: Oliver Ditson, 1853. Adams, J. Willard. Dream life polka. Composed and most respectfully dedicated to the Ladies of Fredericksburg, PA. For solo piano. New York: Firth, Pond, and Co., 1852. -
FOLK DANCER/ONLINE INDEX Vol. 1 No.1 (Summer 1969) to Vol. 51 No
FOLK DANCER/ONLINE INDEX Vol. 1 No.1 (Summer 1969) to Vol. 51 No. 5 (December 2020), inclusive Written by Karen Bennett. Not indexed: most editorials and like content written by editors while they hold that position; most letters, ads, cartoons, coming events, and photographs; and social announcements, sometimes made in a column whose title varied a lot, including “Hiers Ek Wiers,” “Tidbits,” “From the Grapevine” and “The Back Page”). Not all content was attributed (especially that of Walter Bye and Karen Bennett while they were editors), and reports by OFDA executives aren’t listed under their names, so this combination index/bibliography doesn’t include under a person’s name everything they wrote. Abbreviations used: ''AGM'' stands for Annual General Meeting, "bio" for biography, “fd” for folk dance, IFD for international folk dance,“info.” for information, "J/J/A" for June/July/August, and "OFDC" for Ontario Folk Dance Camp, and “IFDC” for the International Folk Dance Club, University of Toronto. The newsletter title has been variously OFDA, OFDA Newsletter, Ontario Folk Dance Association Newsletter, Ontario Folk Dance Association Magazine, Ontario Folkdancer, Ontario FolkDancer, Folk Dancer: The Magazine of World Dance and Culture, and Folk Dancer Online: The Magazine of World Dance and Culture. A Alaska: --folk dance cruise, Oct. 15/90 --visit by Ruth Hyde, J/J/A 85 Acadia, see French Canada Albania: Adams, Coby: obituary, J/J/A 86 --dance descriptions: Leši, Oct. 76; Valle Adamczyk, Helena: Jarnana, Jan. 15/96 (p. 8) --“Macedonian Celebration in Hamilton, 27 --dance words:Valle Jarnana, Jan. 15/96 (p. -
Singing in ‘The Peg’: the Dynamics of Winnipeg Singing Cultures During the 20Th Century
Singing in ‘The Peg’: The Dynamics of Winnipeg Singing Cultures During the 20th Century Muriel Louise Smith Doctor of Philosophy University of York Music September 2015 This thesis is dedicated to my parents, William Moore (1910-1982) Ann Moore (1916-2011) who inspired, demanded excellence, and loved me. 2 Abstract The research begins by establishing Winnipeg, as a city comprised of many different European immigrant communities where the dominant British-Canadian culture reflected the Canadian national consciousness of the early 20th century. After an outline of early musical life in the city, four case studies demonstrate how the solo vocal and choral culture in Winnipeg represents a realization of the constitutive, continuously forming and mutable relationships between peoples of differing identities. In all of these case studies, I investigate how this culture has been shaped by social and political actions through transnational connections over the 20th century. The first two case studies are underpinned by the theories of cultural capital and gender. The first focuses on the Women’s Musical Club of Winnipeg (1900-1920s), an elite group of Brito-Canadian women who shaped the reception of high art singing among their peers primarily through their American connections. The second investigates the Men’s Musical Club of Winnipeg (1920s-1950s), a dynamic group of businessmen and musicians who sought to reinforce Brito-Canadian cultural supremacy by developing a choral culture and establishing a music competition festival based on British models and enforced by British musical associations. The third and fourth case studies are examined through the lens of diaspora and identity, underpinned by social capital. -
©2017 Renata J. Pasternak-Mazur ALL RIGHTS RESERVED
©2017 Renata J. Pasternak-Mazur ALL RIGHTS RESERVED SILENCING POLO: CONTROVERSIAL MUSIC IN POST-SOCIALIST POLAND By RENATA JANINA PASTERNAK-MAZUR A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Music Written under the direction of Andrew Kirkman And approved by _____________________________________ _____________________________________ _____________________________________ _____________________________________ New Brunswick, New Jersey January 2017 ABSTRACT OF THE DISSERTATION Silencing Polo: Controversial Music in Post-Socialist Poland by RENATA JANINA PASTERNAK-MAZUR Dissertation Director: Andrew Kirkman Although, with the turn in the discipline since the 1980s, musicologists no longer assume their role to be that of arbiters of “good music”, the instruction of Boethius – “Look to the highest of the heights of heaven” – has continued to motivate musicological inquiry. By contrast, music which is popular but perceived as “bad” has generated surprisingly little interest. This dissertation looks at Polish post-socialist music through the lenses of musical phenomena that came to prominence after socialism collapsed but which are perceived as controversial, undesired, shameful, and even dangerous. They run the gamut from the perceived nadir of popular music to some works of the most renowned contemporary classical composers that are associated with the suffix -polo, an expression -
Dorathi Bock Pierre Dance Collection, 1929-1996
http://oac.cdlib.org/findaid/ark:/13030/c8pc33q9 No online items Finding Aid for the Dorathi Bock Pierre dance collection, 1929-1996 Processed by Megan Hahn Fraser and Jesse Erickson, March 2012, with assistance from Lindsay Chaney, May 2013; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ ©2013 The Regents of the University of California. All rights reserved. Finding Aid for the Dorathi Bock 1937 1 Pierre dance collection, 1929-1996 Descriptive Summary Title: Dorathi Bock Pierre dance collection Date (inclusive): 1929-1996 Collection number: 1937 Creator: Pierre, Dorathi Bock. Extent: 27 linear ft.(67 boxes) Abstract: Collection of photographs, performance programs, publicity information, and clippings related to dance, gathered by Dorathi Bock Pierre, a dance writer and publicist. Language: Finding aid is written in English. Language of the Material: Materials are in English. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. -
The Polish Folk Ensembles of Winnipeg: Shaped by Atlantic Cultural Currents
The Polish Folk Ensembles of Winnipeg: Shaped by Atlantic Cultural Currents MURIEL SMITH Abstract: Two Polish folk ensembles of Winnipeg share ancestral roots and a similar purpose as purveyors of Polish Canadian culture, yet they are disparate in their approach; one centres on maintaining an authentic heritage, the other on relevance. By examining their entwined histories, I propose that processes of globalization involving the transfer of information, ideas and cultural perspectives across multiple generations and numerous transatlantic Polish migrations have reformulated and re-signified the expressive practices of these two groups. This study contributes to musicological research considering transatlantic cultural flows between ancestral homelands and the Americas. 145-77. 40 (1): Résumé : Deux groupes folkloriques polonais de Winnipeg partagent les mêmes racines ancestrales et ont le même objectif, être les pourvoyeurs d’une culture canado-polonaise. Et cependant, ils ont une approche MUSICultures radicalement différente : l’un privilégie la conservation d’un patrimoine authentique, l’autre celui de la pertinence. En examinant leurs histoires entremêlées, j’émets l’hypothèse que le processus de mondialisation qui implique les transferts d’informations, d’idées et de perspectives culturelles à travers des générations multiples et de nombreuses migrations transatlantiques, ont reformulé et conféré un nouveau sens aux pratiques expressives de ces deux groupes. Cette étude contribue à la recherche en musicologie qui examine les flux culturels transatlantiques entre les patries ancestrales et les Amériques. This article has accompanying videos on our YouTube channel. You can find them on the playlist for MUSICultures volume 40, issue 1, available here: bit.ly/MUSICultures-40-1.