Illuminated Manuscript Reference, with a Selection of Books on the Art of the Middle Ages from a Private Collection
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Irish Authors Collections Guide 18 August 2020 English Literature Is One of the Two Greatest Strengths of the Rosenbach's Libr
Irish Authors Collections Guide 18 August 2020 English Literature is one of the two greatest strengths of the Rosenbach’s library collections (the other being American history). What we usually call English Literature is more precisely the English-language literature of Great Britain, Ireland, and surrounding islands. Some of the greatest writers in the English language have been Irish. Dr. Rosenbach certainly recognized this, and although we don't know that he had a special interest in Irish writers as such, it means that he did collect a number of them. His interest was chiefly in pre-20th-century literature, so apart from James Joyce there are few recent writers represented. Although they are not segregated by country of origin on the Rosenbach shelves, this guide highlights Irish authors as a particular sub-set of English-language authors. The guide is arranged in alphabetical order by author’s last name, and in the instances of James Joyce, Bram Stoker, and Oscar Wilde, the list is further broken down by collections category. Throughout this guide, all objects owned by Dr. Rosenbach are marked with an asterisk (*). Those marked with double (**) are part of Philip Rosenbach’s gift to the Foundation on January 12, 1953, consisting partly of objects from Dr. Rosenbach’s estate. This guide will be updated periodically to reflect new acquisitions and further cataloging of the Rosenbach collections. Objects acquired since 2014 are marked with a “+”. For further information on any item listed on this collections guide, please contact us at https://rosenbach.org/research/make-an-inquiry/. For information about on-site research, or to request an appointment to see specific materials, visit http://rosenbach.org/research/make-an- appointment/. -
Investigating Illuminated Manuscripts
Art A Day CHALLENGE: You are a Bright Light! Investigating Illuminated Manuscripts Washington County Museum of Fine Arts Stuff you’ll need: Materials are up to you! Read through the challenge and make your decision based on your idea! If it is a nice day, draw it in chalk on your driveway! Words to know: Illuminated Manuscript are hand-written books with painted decoration and can include gold or silver. The pages were made from animal skin and were made between 1100 and 1600. Monasteries were the first to create these books and pages. Historiated initials is an initial, an enlarged letter at the beginning of a paragraph or other section of text and can contain a picture. LOOK at this hand-made page from Book of Hours (1440s). Before the invention of the printing press, books were created by hand! Books that held great importance to people were often created with great details. These details often included gold and had detailed initial decorations, miniature illustrations, and extravagantly detailed borders. Sometimes the gold made the page look like it was glowing. People started calling them Illuminated Manuscripts. Illuminated means lit up and manuscript means writing. Usually, these books were made by monks that were educated, could read and write. People who could afford the books paid a lot of money to have the pages made just for them, this included: psalms, prayers, calendars of feast days, and prayers for the dead. The first letter on the page usually was the most decorated. We call this the historiated initial. It is usually larger than the other Unknown (French, ca. -
[Jargon Society]
OCCASIONAL LIST / BOSTON BOOK FAIR / NOV. 13-15, 2009 JAMES S. JAFFE RARE BOOKS 790 Madison Ave, Suite 605 New York, New York 10065 Tel 212-988-8042 Fax 212-988-8044 Email: [email protected] Please visit our website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers These and other books will be available in Booth 314. It is advisable to place any orders during the fair by calling us at 610-637-3531. All books and manuscripts are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. 1. ALGREN, Nelson. Somebody in Boots. 8vo, original terracotta cloth, dust jacket. N.Y.: The Vanguard Press, (1935). First edition of Algren’s rare first book which served as the genesis for A Walk on the Wild Side (1956). Signed by Algren on the title page and additionally inscribed by him at a later date (1978) on the front free endpaper: “For Christine and Robert Liska from Nelson Algren June 1978”. Algren has incorporated a drawing of a cat in his inscription. Nelson Ahlgren Abraham was born in Detroit in 1909, and later adopted a modified form of his Swedish grandfather’s name. He grew up in Chicago, and earned a B.A. in Journalism from the University of Illinois Urbana-Champaign in 1931. In 1933, he moved to Texas to find work, and began his literary career living in a derelict gas station. A short story, “So Help Me”, was accepted by Story magazine and led to an advance of $100.00 for his first book. -
Contemporary Islamic Graffiti: the New Illuminated Manuscript
Contemporary Islamic Graffiti: The New Illuminated Manuscript Click the following video link on contemporary Graffiti artist Mohammed Ali. Mohammed was invited to be a part of the Eid Festival at the Riksatern Theatre in Gothenburg Sweden, by the British Council in Seden. He painted a unique cube over a 2 day period outside of the museum, where he engages with the people around him while he paints. http://www.aerosolarabic.com/portfolio/mohammed-ali-in- sweden/ Overview The following lesson is part of a Visual Arts instructional unit exploring Graffiti as a visual art form expressing contemporary ideas of Islamic culture. Historically, Illuminated manuscripts (especially Illuminated Qur’ans) were instrumental in spreading ideas of Islam. The function, form and style development of Illuminated manuscripts correlated with the need to not only record and spread the revelations bestowed upon the prophet Muhammad, but also to signify the importance and reverence of the word of Allah. Contemporary Islamic Graffiti developed in response to a need to illuminate contemporary ideas of Islam in a visual platform that is not only visually captivating, but in the public sphere. Graffiti tends to challenge perceptions and hold a visual mirror up for society to reflect upon cultural practices and structures. Contemporary Islamic Graffiti artists Muhammed Ali and eL Seed are creating a platform for spreading contemporary ideas of Islam and challenging stereotypes and perceptions of Muslims and Islam as a monolithic religion. In this unit, students will first explore the visual art form of historic Illuminated Manuscripts and engage in critical analysis of at least one historic work. -
THE CLOISTERS ARCHIVES Collection No. 43 the Harry Bober
THE CLOISTERS ARCHIVES Collection No. 43 The Harry Bober Papers Processed 1995, 2013 The Cloisters Library The Metropolitan Museum of Art Ft. Tryon Park 99 Margaret Corbin Dr. New York, NY 10040 (212) 396-5365 [email protected] 0 TABLE OF CONTENTS PREFACE…….…………………………………………..……………….….…………………2 ADMINISTRATIVE INFORMATION…….……………….………….………………….……3 HARRY BOBER TIME LINE…….…………………………………………………….………4 HARRY BOBER BIBLIOGRAPHY…….…………………………………..…………….……5 SCOPE AND CONTENT NOTE…….………………………………………….………..……..8 SERIES DESCRIPTIONS…….………………………………………………………….…….10 CONTAINER LISTS Series I. Card Files…………….……………………………………………..……..13-30 Series II. Research Files………….……………………………………...…………31- 72 Series III. Publications ………….…………………………………………….…..73 Series IV. Slides………….……………………………………………..….………..74-77 Series V. Glass Plate Negatives………….…………………………………….………..78 Series VI. Negative Films………….………………………………………..………79-81 Series VII. Oversize Material………….……………………………….....……....…82-83 Series VIII. 1974 Messenger Lectures, Recordings (tapes and CDs) …………....…..…84 1 PREFACE In 1991, the papers of Harry Bober were donated to the Metropolitan Museum of Art by his sons, David and Jonathan Bober. The collection was delivered to the Medieval Department of the museum, where it was housed until its transfer to The Cloisters Archives during the summer of 1993. Funding for the first year of a two-year processing project was provided through the generosity of Shelby White and Leon Levy. The first year of the project to process the Harry Bober Papers began in August of 1994 and ended in August of 1995, conducted by Associate Archivist Elaine M. Stomber. Tasks completed within the first year included: rehousing the collection within appropriate archival folders and boxing systems; transferring original folder titles to new folders; conservation repair work to the deteriorating card file system; creating a container list to Bober's original filing system; transferring published material from research files; and preparing a preliminary finding aid to the collection. -
William Blake
Ken Sanders Rare Books E-List: William Blake (cover Illustration taken from #9) © Ken Sanders Rare Books 2018 1. Blake, William; David Bindman (General Editor). William Blake's Illuminated Books: Collected Edition. Jerusalem; Songs of Innocence and of Experience; The Early Illuminated Books; The Continental Prophecies; Milton a poem and the Final Illuminated Works; The Urizen Books (6 volumes). Princeton, NJ: Princeton University Press in conjunction with the William Blake Trust, 1991-1995. First Princeton University Press editions. Quarto [30 cm] Brown cloth over boards. There is a light splash stain, measuring 3 x 1", to the top edge of the text block of volume 1. Pp. 130-133 of volume 1 have minor underlining. A couple of the boards have shallow dings in the edges. In the illustrated dust jackets with mild edge wear, slight toning, and periodic small stains, including several burn stains. The dust jacket of volume 1 is a bit chipped at the edges. [54118] $750 An attractively produced collected edition in uniform format of all of Blake's Illuminated Books. These Illuminated Books reflect the heart of the British Romantic's artistic essence, exquisitely blending his masterworks of art and text. Blake had hoped that the Books would would be widely circulated, but this did not happen, with some existing solely as unique copies, or if printed, only in very small numbers. The scarcity of the Illuminated books was noted early on and numerous attempts were made to reproduce them. The most complete and faithful of these reproductions was produced by Trianon Press for the William Blake Trust. -
The Story of Abraham (Page from Heiligenleben)
TITLE: The Story of Abraham (page from Heiligenleben) ARTIST: Unknown DATE: 1496 SIZE: 10 x 6 ½ inches MEDIUM: Woodcut and Moveable Type ACQUISITION #: 2001.1.102 ADDITIONAL WORK IN COLLECTION BY ARTIST: No. VOCABULARY Illuminated Manuscript: a manuscript in which the text is supplemented with decoration such as initials, borders, and miniature illustrations. Woodblock print: technique for printing text, images, or patterns used. It is a block of wood engraved in relief which is used to print. Hagiography: The writing of the lives of saints. The word comes from the Greek “hagios” which means “holy” and “graphia” which means “writing.” The word literally means “holy writing.” CONTEXTUAL INFORMATION Just like books of gospels and biblical illuminated manuscripts, this page contains the detail and precision of other religious works. The literal meaning for “Heiligenleben” is “holy life.” This page, which tells the story of Abraham is an example of hagiography. This page is possibly a part of a hagiographic illuminated manuscript, such as Der SOURCES Heiligen Leben or The Lives of Saints, produced by a Dominican monastery in Nuremberg, Germany during the 1400s.This manuscript https://en.wikipedia.org/wiki/Movable_type was as large as a bible and provided readings over the course of a year http://education.asianart.org/explore-resources/background- information/ukiyo-e-woodblock-printing-process and included saints’ feast days as well. Many such illuminated https://www.inksaver.co.za/en/blog/History‐of‐printing‐part‐1‐ manuscripts were created simply to teach people about saints and/or woodblock‐printing.php https://www.degruyter.com/view/product/24901 martyrs. -
Illuminated Manuscripts Lisa Hudgins University of South Carolina - Columbia, [email protected]
University of South Carolina Scholar Commons Archaeology and Anthropology, South Carolina Faculty & Staff ubP lications Institute of 2007 Illuminated Manuscripts Lisa Hudgins University of South Carolina - Columbia, [email protected] Follow this and additional works at: https://scholarcommons.sc.edu/sciaa_staffpub Part of the Anthropology Commons Publication Info Published in The Oxford Encyclopedia of Maritime History, ed. John B. Hattendorf, Volume 2, 2007, pages 177-179. http://www.oup-usa.org © 2007 by Oxford University Press This Article is brought to you by the Archaeology and Anthropology, South Carolina Institute of at Scholar Commons. It has been accepted for inclusion in Faculty & Staff ubP lications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Illuminated Manuscripts 177 Illuminated Manuscripts The word "manuscript" can be literally translated as "written by hand." Books that were written or transcribed by hand were produced between the fifth and fifteenth centuries (dates determined by the limits of bibliographic tech nology). The earliest manuscripts developed with the THE OXFORD ENCYCLOPEDIA OF MARITIME HISTORY 178 Illuminated Manuscripts transition from the scroll to the rectangular book form around the fifth century C.E. The decline of handwritten books occurred with the development of movable type and. the subsequent growth of pri.nting, around. the 1450s, which coincided historically with the end of the medieval period. The phrase "illuminated manuscript" originally referred to a manuscript decorated with initial letters, borders, or miniature illustration in gold or silver. In modern usage, the term has come to mean any illustrated manuscript. Maritime subjects and images existed throughout the span of manuscript production, though the specific topics were dependent upon the nature of the illuminated work in which the images were found. -
Illuminated Manuscripts in an Illuminated Manuscript Text Is
Illuminated Manuscripts In an illuminated manuscript text is supplemented by the addition of decorated initials, borders (marginalia), and miniature illustrations. Page from the Book of Hours, ca. 1400 The book of hours, a devotional book popular in the later Middle Ages, is the most common type of surviving medieval illuminated manuscript. The major varieties and historic periods of illuminated manuscripts include Late Antique, Insular, Carolingian manuscripts, Ottonian manuscripts, Romanesque manuscripts, Gothic manuscripts, and Renaissance manuscripts. The earliest surviving illuminated manuscripts were produced in Italy and the Eastern Roman Empire ca. 400 - 600. Illuminated manuscripts increased during the Gothic Period, including many secular works of literature and educational texts. Early illuminated manuscripts were produced by masterful monks working in solitude; as demand increased, secular scribes were increasingly employed for this task. Illuminated Manuscripts became obsolete with the advent of printing. Illuminated Manuscript An illuminated manuscript is a manuscript in which the text is supplemented by the addition of decoration, such as decorated initials, borders (marginalia), and miniature illustrations. In the most strict definition of the term, an illuminated manuscript only refers to manuscripts decorated with gold or silver, but in both common usage and Source URL: https://www.boundless.com/art-history/gothic-art/english-gothic-art/illuminated-manuscripts/ Saylor URL: http://www.saylor.org/courses/arth401#3.1.2 Attributed to: Boundless www.saylor.org Page 1 of 2 modern scholarship, the term is now used to refer to any decorated or illustrated manuscript from the Western traditions. Vellum A type of parchment paper made from the skin of a lamb, baby goat, or calf. -
Decorative Style
mc NO 11 2018 mc NO 11 2018 manuscript cultures manuscript Hamburg | Centre for the Study of Manuscript Cultures ISSN 1867–9617 cultures Natural Sciences and Technology in Manuscript Analysis Technology Sciences and Natural ISSN 1867–9617 © SFB 950 ‘Manuskriptkulturen in Asien, Afrika und Europa’ Universität Hamburg Warburgstraße 26 www.manuscript-cultures.uni-hamburg.de D-20354 Hamburg N O 11 PUBLISHING INFORMATION | MANUSCRIPT CULTURES Publishing Information Editors Editorial Office Studies in Manuscript Cultures (SMC) Prof Dr Michael Friedrich Dr Irina Wandrey Universität Hamburg Universität Hamburg Ed. by Michael Friedrich, Harunaga Isaacson, and Jörg B. Quenzer Asien-Afrika-Institut Sonderforschungsbereich 950 Writing is one of the most important cultural techniques, Western) book, thus not only denying manuscripts their Edmund-Siemers-Allee 1/ Flügel Ost ‘Manuskriptkulturen in Asien, Afrika und Europa’ and writing has been handwriting throughout the greater part distinct status as carrier medium, but also neglecting the D-20146 Hamburg Warburgstraße 26 of human history, in some places even until very recently. rich heritage of Asian and African manuscript cultures from Tel. No.: +49 (0)40 42838 7127 D-20354 Hamburg Manuscripts are usually studied primarily for their contents, which, according to conservative estimates, more than ten Fax No.: +49 (0)40 42838 4899 Tel. No.: +49 (0)40 42838 9420 that is, for the texts, images and notation they carry, but they million specimens survive until today. [email protected] Fax No.: +49 (0)40 42838 4899 are also unique artefacts, the study of which can reveal how The series Studies in Manuscript Cultures (SMC) is they were produced and used. -
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VELLUM THROUGH THE AGES – TRANSCRIPTION. This segment, I think, could be entitled Vellum through the Ages. It ought to begin with what may seem like a startling statement that there were books long before there was printing. Most people think about books as printed objects, but we have always dealt with and been fascinated with illuminated and decorated manuscripts, the earlier the better. The more splendid the better in terms of their decoration. The earliest book that we have in inventory right now is a 13th century lectionary. It was produced in Lombardy. It's got 220 leaves, and it is a monster. It's 445 – Well, you can see how tall it is. 445 millimeters tall, 221 leaves. It's got lots of decorative initials. It's a liturgical book, a book that would have been used in an Ecclesiastical context. Finding single leaves from a book like this in today's marketplace happens from time to time, but to find a book this grand, basically intact – There are eight leaves missing, but 221 that are there – is a special kind of experience. The book later belonged to a 16th century humanist named Paolo Giovio, whose name is important, especially if you're interested in history and illustration. The oldest item in inventory now is leaf from the ninth century. We think it was probably done about 850. A time not far removed from a special moment in the Carolingian Renaissance. Charlemagne, in 1796, appointed Alcuin of York to be the supervisor of the scriptoria at Tours. In the scriptoria at Tours, he supervised what was basically the evolution of the Carolingian Minuscule. -
Treasures of the Anglo-Saxon Kingdoms
Treasures of the Anglo-Saxon Kingdoms Start date 18 January 2019 End date 20 January 2019 Venue Madingley Hall Madingley Cambridge Tutor Professor Edward James Course code 1819NRX013 Director of Academic Centres Sarah Ormrod For further information on this Head of Academic Centre Administration, Zara Kuckelhaus course, please contact [email protected], 01223 746204 To book See: www.ice.cam.ac.uk or telephone 01223 746262 Tutor biography Edward James is Emeritus Professor of Medieval History at University College Dublin. He has held Chairs of Medieval History at both Reading and UCD; before that he was in the Department of History at the University of York, where he directed the Centre for Medieval Studies between 1990 and 1995. He has held research professorships at Rutgers and Sydney. His DPhil from Oxford was in early medieval archaeology, and he has always emphasised the importance of archaeology for understanding the history of this period, and vice versa. He has published numerous articles on the archaeology and history of early medieval Europe, focussing on France. His first book was The Merovingian Archaeology of South-West Gaul (1977), which was followed by an edited book on Visigothic Spain (1980), The Origins of France (1982), The Franks (1988), Britain in the First Millennium (2000) and Europe’s Barbarians (2009). His translation of Gregory of Tours’ Life of the Fathers was the first book to appear in Liverpool University Press’s Texts in Translation series (1985); he is currently working on a book on Gregory of Tours. In another life he is a science fiction and fantasy fan.