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Frisco Dwindles to Two Franklin Ave^ Brooklyn; No «Overt ASTOR HOTEL (Time« Square)
1951 Chicago. December 14, 1951 NEWS-FEATURES DOWN BEAT 11 LOPA (Chicago and Much) no cuvar or minimum). Roy Kral’« piano and vocal« blending with Jackie Cain’s voice and Ken SWINGIN' THE GOLDEN GATE ny Buchanan*« bam for a welcome and unique sound and sight. On The Town DE LISA (5521 S. State) no minimum or eovor). A big bright show which often S' ' — ------------------------------------------------------- features the singing of Joo Williams and NEW YORK always the band of drummer Red Saunders. Number Of Jazz Clubs In HOTSPOTS trio—Frank Cerrehia on guitar. Norman Mondav morning breakfast shows draw un piano, and Justin Arndt on base. •elebritiea. THE ALBtKl (13» E. 36«h| PImUi Cy LITTLE CLUB (70 S. 55th). Sonny Walter after 10 p.». every night but Mon* Kendis trio, with Lionel Meth soloing at 1111 CLUB (1111 W. Bryn Mawr; no day, pint the Johnny Smith trio. piano. minimum or cover). Johnny Lane’s Dixie DINE AND DANCE erew, with Benny Woodworth, trampet) BEDFORD REST (Eastern Parkway and Lane, clarinet; George Winn, trombone and Frisco Dwindles To Two Franklin ave^ Brooklyn; no «overt ASTOR HOTEL (Time« Square). Ted euphonium; Roy Wasson, piano, and Hey- minimum). Semi-organised jam ECMioni Huston's band in Columbia room from 10 Hey Humphrey, drums. By RALPH J. GLEASON Sunday. p.m. Broadway eoektail lounge now open, 113 CLUB (113 E. 47th) no cover or San Francisco—The small jazz combos may be all over the CAFE SOCIETY (2 Sheridan Square). where you can dance to Alan Holmes’ minimum). Friis Jones, formerly of Pitts Claude Hopkina quartet playa for dancing. -
The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr. -
Guide to the Milt Gabler Papers
Guide to the Milt Gabler Papers NMAH.AC.0849 Paula Larich and Matthew Friedman 2004 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 2 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 2 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Personal Correspondence, 1945-1993..................................................... 5 Series 2: Writings, 1938 - 1991............................................................................... 7 Series 3: Music Manuscripts and Sheet Music,, 1927-1981.................................. 10 Series 4: Personal Financial and Legal Records, 1947-2000............................... -
VIDO MUSSO Discography Thanks to Daniel Gugolz, Bob Sunenblick and Leo T
VIDO MUSSO Discography Thanks to Daniel Gugolz, Bob Sunenblick and Leo T. Sullivan for Research Assistance Vido Musso, tenor saxophone on all tracks: Benny Goodman (cl) and His Orchestra: Pee Wee Erwin, Sterling Rose, Gordon Griffin, tpts; Red Ballard, Murray McEachern, trbs; Hymie Schertzer, Bill DePew, as; Dick Clark, Arthur Rollini, ts; Jess Stacy, pno; Alan Reuss, gtr; Harry Goodman, sb; Gene Krupa, dms; Fletcher Henderson, arr*; Jimmy Mundy, arr**; Helen Ward, vcl*** Hollywood, CA, August 21, 1936 97748-1 St. Louis Blues* Victor 25411 97750-1 Love Me or Leave Me* Victor 25406 97751-2 Bugle Call Rag Victor LP LPM-10022 Teddy Wilson (pno) and His Orchestra: Gordon Griffin, tpt; Benny Goodman, cl*; Alan Reuss, gtr; Harry Goodman, sb; Gene Krupa, dms; Lionel Hampton, vibes; Helen Ward (as Vera Lane), vcl**; Red Harper, vcl*** Los Angeles, August 24, 1936 LA-1158-A You Came To My Rescue*/** Brunswick 7739 LA-1159-A Here's Love In Your Eyes*/** - LA-1160-A You Turned The Tables On Me*** Brunswick 7736 LA-1161-A Sing, Baby, Sing*** - Benny Goodman (cl/as#) and His Orchestra: Gordon Griffin, Zeke Zarchy, Ziggy Elman, tpts; Red Ballard, Murray McEachern, trbs; Hymie Schertzer, Bill DePew, as; Arthur Rollini, ts; Jess Stacy, pno; Alan Reuss, gtr; Harry Goodman, sb; Gene Krupa, dms; Fletcher Henderson, arr*; Jimmy Mundy, arr**; Helen Ward, vcl*** New York City, October 7, 1936 0798-1 When a Lady Meets a Gentleman Down South*** Victor 25434 0799-1 You're Giving Me a Song and Dance*** - 02101-1 Organ Grinder's Swing Victor 25442 02102-1 Peter -
Chronological Discography
Chronological Discography arranger g guitar as alto saxophone 0 pipe organ bb brass bass (sousaphone/tuba) p piano bj banjo ss soprano saxophone bs baritone saxophone t trumpet c comet tb trombone cl clarinet ts tenor saxophone d drums v vocals db double bass vib vibraphone dir director vn violin f flute This chronological list contains most known releases on which Danny Barker plays and sings. Titles are given as they appear on the record labels. Where possible, the first issue number is given, but the complexity of subsequent reissues is such that these are not shown. In preparing the list much use has been made of the works cited in the acknowledgment section as well as Stagg and Crump: New Orleans: the Revival (Dublin, 1973). 1931 Ward Pinkett (t, v); Albert Nicholas (cO; Jack Russin (p); Danny ]une9 NewYork Barker(g);Joe Watts (db); Sam Weiss (d) Dave's Harlem Highlights 95337-1 Everything is okey-dokey (WP:v) Bluebird B-6144 Dave Nelson (1, v); Clarence Brereton (t); Melvin Herbert/Harry 95338-1 I'm on a see-saw (WP:v) Bluebird B-6130 Brown (t); Wilbur de Paris (tb); Buster Bailey (cl, as); Glyn Paque (cl, 95339-1 Red sails in the sunset (WP:v) Bluebird B-6131 as); Charles Frazier (ts); Wtryman Caroer (ts, f); Sam Allen (p); 95340-1 Tender is the night (WP:v) Bluebird B-6131 •Danny Barker (bj); Simon Marrero (bb); Gerald Hobson (iii 95341-1 I'mpaintingthetownred 69905-1 Somebody stole my gal Timely Tunes C-1587 (to hide a heart that's blue) Bluebird B-6130 69906-1 Rockin' Chair Timely Tunes C-1576 95342-1 Tap Room Special (Panama) Bluebird B-6193 69907-2 Loveless Love Timely Tunes C-1577 69908-2 St. -
Harold MABERN: Teo MACERO
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Harold MABERN: "Workin' And Wailin'" Virgil Jones -tp,flh; George Coleman -ts; Harold Mabern -p; Buster Williams -b; Leo Morris -d; recorded June 30, 1969 in New York Leo Morris aka Idris Muhammad 101615 A TIME FOR LOVE 4.54 Prest PR7687 101616 WALTZING WESTWARD 9.26 --- 101617 I CAN'T UNDERSTAND WHAT I SEE IN YOU 8.33 --- 101618 STROZIER'S MODE 7.58 --- 101619 BLUES FOR PHINEAS 5.11 --- "Greasy Kid Stuff" Lee Morgan -tp; Hubert Laws -fl,ts; Harold Mabern -p; Boogaloo Joe Jones -g; Buster Williams -b; Idriss Muhammad -d; recorded January 26, 1970 in New York 101620 I WANT YOU BACK 5.30 Prest PR7764 101621 GREASY KID STUFF 8.23 --- 101622 ALEX THE GREAT 7.20 --- 101623 XKE 6.52 --- 101624 JOHN NEELY - BEAUTIFUL PEOPLE 8.33 --- 101625 I HAVEN'T GOT ANYTHING BETTER TO DO 6.04 --- "Remy Martin's New Years Special" James Moody Trio: Harold Mabern -p; Todd Coleman -b; Edward Gladden -d; recorded December 31, 1984 in Sweet Basil, New York it's the rhythm section of James Moody Quartet 99565 YOU DON'T KNOW WHAT LOVE IS 13.59 Aircheck 99566 THERE'S NO GREEATER LOVE 10.14 --- 99567 ALL BLUES 11.54 --- 99568 STRIKE UP THE BAND 13.05 --- "Lookin' On The Bright Side" Harold Mabern -p; Christian McBride -b; Jack DeJohnette -d; recorded February and March 1993 in New York 87461 LOOK ON THE BRIGHT SIDE 5.37 DIW 614 87462 MOMENT'S NOTICE 5.25 --- 87463 BIG TIME COOPER 8.04 --- 87464 AU PRIVAVE -
Ii H. Ragtime – the Dave Willmorth/Maple Leaf Club Archive
II H. RAGTIME – THE DAVE WILLMORTH/MAPLE LEAF CLUB ARCHIVE It is seldom that a single musical archive could be described as “definitive,” but this collection of musical materials devoted to, and documenting, the rediscovery, re- examination, and renewal of classic American ragtime in the period of roughly the 1960s to the 1990s is a monument to the enthusiasm and sustained interest of a group of researchers, including Dave Willmorth, associated with the Maple Leaf Club of Los Angeles. The archive, consisting of more than 800 cassettes and nearly 300 reel to reel tapes, includes examples of the playing of younger ragtime performers, as well as performances by the older generation of performers and interpreters. There is extensive presentation of the music of the last surviving major ragtime composer, Joseph Lamb, as well as newly composed rags by dozens of writers, from obscure beginners to established classical artists like William Bolcom. To extend the range of the material there are examples of earlier related recordings by jazz artists like Jelly Roll Morton. The archive is an incomparable resource for anyone interested not only in ragtime, but in American popular culture itself. A partial list of artists represented: Joseph Lamb, Eubie Blake, James P. Johnson, Fats Waller, Earl Hines, Jimmy Yancey, Albert Ammons, Meade Lux Lewis, Itzak Perlman, Andre Previn, Jean Pierre Rampal, William Bolcomb, Brun Campbell, Trebor Tichenor, David Thomas Roberts, John Arpin, Max Morath, Knocky Parker, Bob Darch, Frank French, Joshua Rifkin, John Arpin. Also in the archive are recordings of most of the major ragtime festivals in the 1970s to 1990s, including the major festival at Sedalia, Missouri, and the important Toronto festival. -
NBEJB Bios July 2018
New Black Eagle Jazz Band Bios Billy Novick – Leader, Alto Sax, Clarinet, Vocals Billy has been a member of the Black Eagles since 1986 and became the leader of the band in 2018. In addition to playing with the band, he has had his own whirlwind career in music for over 45 years as a performing artist, studio musician, arranger and composer. As a performer, he has impressed audiences throughout North America, Europe and Asia with his soulful, lyrical jazz clarinet and sax. His musical collaboration with guitar wizard Guy Van Duser has resulted in frequent appearances on the Prairie Home Companion radio show and a feature-length interview on NPR’s “All Things Considered.”He has recorded seventeen albums under his own name, and, as a studio musician, has been featured as a sideman on more than 250 recordings and over 150 film and television soundtracks. His many film credits as arranger or composer include Eight Men Out, Music of the Heart, and The Opposite of Sex . Novick’s jug band adaptation of Peter and the Wolf , with Dave Van Ronk narrating, premiered in New York’s Lincoln Center. He has composed extensively for modern dance, and his two full-length ballet scores,The Great Gatsby and The Sun Also Rises, debuted at the Kennedy Center to sold-out houses and rave reviews. Stan Vincent – Trombone The sole “original” member of the band at this point, Stan put together his first jazz band as a junior high school student and took lessons from the principal trombonist of the Boston Symphony. -
Bobby HACKETT
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Bobby HACKETT: Bobby Hackett -co; George Brunies -tb; Pee Wee Russell -cl,ts; Bernie Billings -ts; Dave Bowman - p; Eddie Condon -g; Clyde Newcomb -b; Johnny Blowers -d; Lola Bard -vo; recorded February 16, 1938 in New York 57864 YOU, YOU AND ESPECIALLY YOU 2.57 M754-1 Voc/Okeh 4142 57865 IF DREAMS COME TRUE 2.52 M755-1 Voc/Okeh 4047 57866 THAT DA-DA STRAIN 2.44 M757-1 Voc/Okeh 4142 57867 AT THE JAZZ BAND BALL 2.34 M756-1 Voc/Okeh 4047 "The Saturday Night Swing Club is On The Air" Bobby Hackett -co; Brad Gowans -vtb; Pee Wee Russell -cl; Ernie Caceres -bs; Dave Bowman -p; Eddie Condon -g; Clyde Newcomb -b; George Wettling -d; recorded June 25, 1938 in Broadcast, New York 70029 AT THE JAZZ BAND BALL 3.06 Fanfare LP17-117 Bobby Hackett -co; Brad Gowans -vtb,as; Pee Wee Russell -cl; Ernie Caceres -bs; Dave Bowman - p; Eddie Condon -g; Clyde Newcomb -b; Andy Picard -d; Linda Keene -vo; recorded November 04, 1938 in New York 57860 GHOST OF A CHANCE 2.55 M917-1 Voc/Okeh 4499 57861 POOR BUTTERFLY 2.22 M918-1 --- 57862 BLUE AND DISILLUSIONED 2.25 M916-1 Voc/Okeh 4565 57863 DOIN' THE NEW LOW-DOWN 2.29 M919-1 --- "Bobby Hackett and his Rhythm Cats" Bobby Hackett -co; Brad Gowans -vtb; Pee Wee Russell -cl; Ernie Caceres -bs; Dave Bowman -p; Andy Picard -d; recorded December 21, 1938 in New York 68471 SKELETON JANGLE 2.29 IAJRC-LP1 Bobby Hackett -co; Sterling Bose, Jack Thompson -tp; -
Ernesto Caceres “Ernie”
1 The BARITONESAX of ERNESTO CACERES “ERNIE” Solographers: Jan Evensmo with Arne Bryn and Ola Rønnow Last update: Oct. 7, 2020 2 Born: Rockport, Texas, Nov. 22, 1911 Died: San Antonio, Texas, Jan. 10, 1971 Introduction: The day I heard Ernie Caceres play “Body And Soul” with Eddie Condon, I realized that he was one of the best baritonesax players ever in the swing tradition , regardless of colour. Incredible how such a good musician can be almost forgotten! During the year 1944 he made more beautiful soli on his instrument than most challengers do in a lifetime! Early history: Clarinet from an early age, also studied guitar and saxophone. Worked with local bands from 1928, then worked with the “family” trio. Long spell with brother Emilio’s small band including residencies in Detroit and New York. Joined Bobby Hackett in summer of 1938, played tenorsax in Jack Teagarden’s band from February 1939. Briefly in big band led by Bob Zurke, then with Glenn Miller from February 1940 until summer of 1942. With Johnny Long’s band from March 1943, with Benny Goodman in October 1943. Joined Tommy Dorsey in December 1943. Worked with Benny Goodman and Woody Herman in 1944, U.S. Army service from spring 1945. Took part in many recordings with Eddie Condon alumni during the 1940s and 1950s (ref. John Chilton). Message: I am very sorry I did not realize how fine a clarinet player EC was! When you below find reference to ‘have EC’ it means baritonesax only. However, he may play beautiful clarinet soli, not noted. -
Collection of Jazz Articles
1 Table of Contents Adams, Dolly 3 Albert, Don 6 Alexis, Richard 12 Allen, Red 14 Almerico, Tony 16 Anderson, Andy 27 Bailey, Buster 38 Barbarin, Paul 39 Barnes, “Polo” 43 Barrett, Emma 48 Barth, George 49 Bauduc, Ray 50 Bechet, Sidney 65 Bechet, Leonard 69 Bigard, Barney 70 Bocage, Peter 53 Boswell, Sisters 84 Boswell, Connie 88 Bouchon, Lester 94 Braud, Wellman 96 Brown, Tom 97 Brownlee, Norman 102 Brunies, Abbie 104 Brunies, George 106 Burke, Ray 116 Casimir, John 140 Christian, Emile 142 1 2 Christian, Frank 144 Clark, Red 145 Collins, Lee 146 Charles, Hypolite 148 Cordilla, Charles 155 Cottrell, Louis 160 Cuny, Frank 162 Davis, Peter 164 DeKemel, Sam 168 DeDroit, Paul 171 DeDroit, John 176 Dejan, Harold 183 Dodds, “Baby” 215 Desvigne, Sidney 218 Dutrey, Sam 220 Edwards, Eddie 230 Foster, “Chinee” 233 Foster, “Papa” 234 Four New Orleans Clarinets 237 Arodin, Sidney 239 Fazola, Irving 241 Hall, Edmond 242 Burke, Ray 243 Frazier, “Cie” 245 French, “Papa” 256 Dolly Adams 2 3 Dolly‟s parents were Louis Douroux and Olivia Manetta Douroux. It was a musical family on both sides. Louis Douroux was a trumpet player. His brother Lawrence played trumpet and piano and brother Irving played trumpet and trombone. Placide recalled that Irving was also an arranger and practiced six hours a day. “He was one of the smoothest trombone players that ever lived. He played on the Steamer Capitol with Fats Pichon‟s Band.” Olivia played violin, cornet and piano. Dolly‟s uncle, Manuel Manetta, played and taught just about every instrument known to man. -
Sn ¨Ü8ô,Nidyúäw
120741bk Bechet4 11/12/04 11:14 PM Page 8 The Naxos Historical labels aim to make available the greatest recordings of the history of recorded music, in the best and truest sound that contemporary technology can provide. To achieve this aim, Naxos has engaged a number of respected restorers who have the dedication, skill and experience to produce restorations that have set new standards in the field of historical recordings. Also available in the Naxos Jazz Legends series 8.120699* 8.120700* 8.120735* 8.120743* 8.120744* 8.120760 * Not available in the USA NAXOS RADIO Over 50 Channels of Classical Music • Jazz, Folk/World, Nostalgia www.naxosradio.com Accessible Anywhere, Anytime • Near-CD Quality 120741bk Bechet4 11/12/04 11:13 PM Page 2 SIDNEY BECHET Personnel Vol.4 Tracks 1-2: SIDNEY BECHET AND HIS NEW Tracks 14-16: SIDNEY BECHET with HUMPHREY ‘House Party’ Original Recordings 1943-1952 ORLEANS FEETWARMERS. Sidney Bechet, LYTTLETON & HIS BAND. Sidney Bechet, soprano sax; Vic Dickenson, trombone; Don soprano sax; Humphrey Lyttelton, trumpet; Donaldson, piano; Wilson Myers, bass; Wilbur Keith Christie, trombone; Wally Fawkes, Sidney Bechet had such a direct and passionate appeared on records opposite Louis Armstrong Kirk, drums clarinet; George Webb, piano; Buddy Wallis, tone on the soprano-sax that he was both loved and backing blues singers, in addition to having Tracks 3-4: MEZZROW-BECHET SEPTET. banjo; John Wright, bass; Bernard Seward, and detested by various listeners. Both Duke an unrecorded stint with Duke Ellington’s early Sidney Bechet, soprano sax; Hot Lips Page, drums; Duke Of Iron, vocals on ‘Box Car Shorty’ Ellington and John Coltrane considered him orchestra.