Case 17-11722-BLS Doc 391 Filed 11/22/17 Page 1 Of
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Cinema Recognizing Making Intimacy Vincent Tajiri Even Hotter!
FEBRUARY 2020 SOUTH AFRICA THROW SEX & BACK CINEMA RECOGNIZING MAKING INTIMACY VINCENT TAJIRI EVEN HOTTER! WITHOUT Flaunt THE MASK CANDID WITH YOUR ORVILLE PECK SWAG STERLING K. BROWN SHOWS US THE HOW SCOOP ON SEX! OUR SEXPERT SHARES INTIMATE DETAILS Dee Cobb WWW.PLAYBOY.CO.ZA R45.00 20019 9 772517 959409 EVERY. ISSUE. EVER. The complete Playboy archive Instant access to every issue, article, story, and pictorial Playboy has ever published – only on iPlayboy.com. VISIT PLAYBOY.COM/ARCHIVE SOUTH AFRICA Editor-in-Chief Dirk Steenekamp Associate Editor Jason Fleetwood Graphic Designer Koketso Moganetsi Fashion Editor Lexie Robb Grooming Editor Greg Forbes Gaming Editor Andre Coetzer Tech Editor Peter Wolff Illustrations Toon53 Productions Motoring Editor John Page Senior Photo Editor Luba V Nel ADVERTISING SALES [email protected] for more information PHONE: +27 10 006 0051 MAIL: PO Box 71450, Bryanston, Johannesburg, South Africa, 2021 Ƶč%./0(++.ǫ(+'ć+1.35/""%!.'Čƫ*.++/0.!!0Ē+1.35/ǫ+1(!2. ČĂāĊā EMAIL: [email protected] WEB: www.playboy.co.za FACEBOOK: facebook.com/playboysouthafrica TWITTER: @PlayboyMagSA INSTAGRAM: playboymagsa PLAYBOY ENTERPRISES, INTERNATIONAL Hugh M. Hefner, FOUNDER U.S. PLAYBOY ǫ!* +$*Čƫ$%!"4!10%2!þ!. ƫ++,!.!"*!.Čƫ$%!"ƫ.!0%2!þ!. Michael Phillips, SVP, Digital Products James Rickman, Executive Editor PLAYBOY INTERNATIONAL PUBLISHING !!*0!(Čƫ$%!"ƫ+))!.%(þ!.Ē! +",!.0%+*/ Hazel Thomson, Senior Director, International Licensing PLAYBOY South Africa is published by DHS Media House in South Africa for South Africa. Material in this publication, including text and images, is protected by copyright. It may not be copied, reproduced, republished, posted, broadcast, or transmitted in any way without written consent of DHS Media House. -
Making Mandingo: Racial Archetypes, Pornography, and Black Male Subjectivity
Making Mandingo: Racial Archetypes, Pornography, and Black Male Subjectivity By Phillip Samuels © 2019 M.A., University of Kansas, 2007 B.A., Emporia State University, 2004 Submitted to the graduate degree program in Communication Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Dorothy Pennington Dr. Scott Harris Dr. Beth Innocenti Dr. Jeffery Jarman Dr. Randal Maurice Jelks _____________________________ Dr. Robert McDonald Date Defended: 6 December 2019 ii Acceptance Page Making Mandingo: Racial Archetypes, Pornography, and Black Male Subjectivity The dissertation committee for Phillip Samuels certifies that this is the approved version of the following dissertation: Chair: Dr. Dorthy Pennington Date Approved: iii Abstract Mandingo is a reference to a longstanding myth in American culture, that black men have an unquenchable desire for white woman. I will argue that Mandingo is an example of a racial archetype. Racial archetypes are specific images of a long-standing stereotypes. Mandingo is one such archetype. Mandingo conjures up an entire history of the rhetoric of miscegenation. For some it is the excitement of the big black cock (BBC) and crossing the color line, but for most blacks it invokes images of lynching, slavery, and police brutality brought on by the fear of black men while at the same time trafficking in a prurient landscape of American racial and sexual relations. Whether through words, pictures or movies, the Mandingo has become a dominant archetype in the pantheon of the African American experience. Charting the Mandingo emergence and articulation is critical project to discern how these rhetorical markers are part of a larger mythic narrative. -
ASD-Covert-Foreign-Money.Pdf
overt C Foreign Covert Money Financial loopholes exploited by AUGUST 2020 authoritarians to fund political interference in democracies AUTHORS: Josh Rudolph and Thomas Morley © 2020 The Alliance for Securing Democracy Please direct inquiries to The Alliance for Securing Democracy at The German Marshall Fund of the United States 1700 18th Street, NW Washington, DC 20009 T 1 202 683 2650 E [email protected] This publication can be downloaded for free at https://securingdemocracy.gmfus.org/covert-foreign-money/. The views expressed in GMF publications and commentary are the views of the authors alone. Cover and map design: Kenny Nguyen Formatting design: Rachael Worthington Alliance for Securing Democracy The Alliance for Securing Democracy (ASD), a bipartisan initiative housed at the German Marshall Fund of the United States, develops comprehensive strategies to deter, defend against, and raise the costs on authoritarian efforts to undermine and interfere in democratic institutions. ASD brings together experts on disinformation, malign finance, emerging technologies, elections integrity, economic coercion, and cybersecurity, as well as regional experts, to collaborate across traditional stovepipes and develop cross-cutting frame- works. Authors Josh Rudolph Fellow for Malign Finance Thomas Morley Research Assistant Contents Executive Summary �������������������������������������������������������������������������������������������������������������������� 1 Introduction and Methodology �������������������������������������������������������������������������������������������������� -
United States District Court Southern District of Florida Miami Division
Case 1:15-cv-23888-JEM Document 1 Entered on FLSD Docket 10/16/2015 Page 1 of 25 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF FLORIDA MIAMI DIVISION HUSHHUSH ENTERTAINMENT, INC., a California ) corporation d/b/a Hush Hush Entertainment, Hushpass.com ) and Interracialpass.com, ) ) Case No. Plaintiff, ) v. ) ) MINDGEEK USA, INC., a Delaware corporation, ) d/b/a PORNHUBPREMIUM.COM MINDGEEK USA, ) INC., a Delaware corporation, individually and doing ) business as MINDGEEK USA INC., a Delaware ) corporation, individually and d/b/a ) PORNHUBPREMIUM.COM; MG FREESITES, LTD, ) a Delaware corporation, individually and d/b/a ) PORNHUBPREMIUM.COM; MG BILLING US, a ) Delaware corporation, individually and d/b/a ) PORNHUBPREMIUM.COM; MG BILLING EU, ) a Delaware corporation, individually and d/b/a ) PORNHUBPREMIUM.COM; MG BILLING IRELAND, ) a Delaware corporation, individually and d/b/a ) PORNHUBPREMIUM.COM; LICENSING IP ) INTERNATIONAL S.A.R.L , a foreign corporation ) [DEMAND FOR JURY TRIAL] d/b/a PORNHUBPREMIUM.COM; FERAS ANTOON, ) an individual; and DOES 1- 50, ) ) Defendants. ) ________________________________________________) COMPLAINT FOR COPYRIGHT INFRINGEMENT, DAMAGES, AND INJUNCTIVE RELIEF Plaintiff HUSHHUSH ENTERTAINMENT, INC., a California corporation d/b/a Hush Hush Entertainment, Hushpass.com and Interracialpass.com, by and through its attorneys of record, hereby allege as follows: 1 Case 1:15-cv-23888-JEM Document 1 Entered on FLSD Docket 10/16/2015 Page 2 of 25 NATURE OF THE CASE 1. This is an action for violation of Plaintiff, HUSHHUSH ENTERTAINMENT’S intellectual property rights. HUSHHUSH ENTERTAINMENT owns certain adult entertainment content which has been properly registered with the United States Copyright Office. -
State of Michigan
4:12-cv-14442-GAD-MKM Doc # 12 Filed 01/07/13 Pg 1 of 28 Pg ID 101 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF MICHIGAN SOUTHERN DIVISION AF HOLDINGS LLC., ) Case No. 2:12-cv-14442 ) Hon. Gershwin A. Drain Plaintiff, ) vs. ) ) MATTHEW CICCONE, ) ) ) Defendants. JONATHAN W. TAPPAN (P-72195) BERNARD J. FUHS (P-69621) Attorney for Plaintiff Attorney for Defendant 2549 Somerset Blvd. #102 150 W. Jefferson, Ste. 200 Troy, MI 48084 Detroit, MI 48226 (415) 325-5900 (313) 225-7044 JOHN T. HERMANN (P-52858) Attorney for Intervening Party 2684 West Eleven Mile Road Berkley, MI 48072 (248) 591-9291 MOTION TO INTEVENE IN ORDER TO QUASH SUBPOENA OR ALTERNATIVELY FOR ISSUANCE OF A PROTECTIVE ORDER Movant whose IP address is 96.27.48.90 moves this court to intervene pursuant to Fed. R. Civ. P. 24(a)&(b) in order to quash the subpoena served upon their Internet Service Provider by Plaintiff, or in the alternative, for a protective order, for the reasons stated in the accompanying Brief In Support pursuant to Fed. R. Civ. P. 26(C)(1). Dated: January 7, 2013 s/ John T. Hermann JOHN T. HERMANN (P52858) Attorney for Intervening Party 2684 West Eleven Mile Road Berkley, MI 48072 (248) 591-9291 4:12-cv-14442-GAD-MKM Doc # 12 Filed 01/07/13 Pg 2 of 28 Pg ID 102 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF MICHIGAN SOUTHERN DIVISION AF HOLDINGS LLC., ) Case No. 2:12-cv-14442 ) Hon. Gershwin A. Drain Plaintiff, ) vs. ) ) MATTHEW CICCONE, ) ) ) Defendants. JONATHAN W. -
How Do We Think About Networks Under Post-Digital Conditions? What
How do we think about networks under post-digital conditions? What The next does this imply for transmediale festival, research? End to End (E2E), aims to deal with the pervasiveness of networks and their limits. It refers to Robert Filliou’s The Eternal Network (1983), pointing to the interconnectedness of everyday-life ac- tions across an emerging global world at that time. This is a good reminder that network cultures exist beyond the technical reality of network culture as we now know it despite our primary identification of networks with social media and planetary computation. By drawing on the legacies of critical and autonomous net- work cultures, transmediale 2020 aims to make the limits of Internet-based networks visible but also highlight alternatives. Is there a conceivable counter-power to networks? Which alternative technological models and cul- tural narratives are needed to construct the principles of end-to-end communi- cation anew? How might the critique of networks extend to non-west- ern contexts and reflect The once the limits in a global canonical perspective? model of central- ized, decentralized and distributed networks is in need of differentiation and more detail today. This means broadening the discussion of networks to other ecologies that would include non-human elements such as animals, energy, clouds, cli- mate, and so on. Moreover, despite this ever- lasting debate over networks and their poten- tial to rethink eco-socio-technical struc- tures, relatively little of this network thinking has permeated the artworld or re- search cultures. In this workshop we would like to explore this line of thinking and ask what it means to research networks, and more- over to think beyond the organizational logic of the academy to other forms of organizing knowledge production and distribution. -
Tariff Item / Numéro Tarifaire 9899.00.00 Obscenity and Hate Propaganda Obscénité Et Propagande Haineuse Quarterly List of Ad
Canada Border Agence des services Services Agency frontaliers du Canada Tariff Item / Numéro tarifaire 9899.00.00 Obscenity and Hate Propaganda Obscénité et propagande haineuse Quarterly List of Admissible and Prohibited Titles Liste trimestrielle des titres admissibles et prohibés April to June 2010 / Avril à juin 2010 Prepared by / Préparé par : Prohibited Importations Unit, HQ L’Unité des importations prohibées, AC Quarterly List of Admissible and Prohibited Titles Liste trimestrielle des titres admissibles et prohibés Tariff item 9899.00.00 Numéro tarifaire 9899.00.00 April 1st to June 30th, 2010 1er avril au 30 juin 2010 This report contains a list of titles reviewed by the Prohibited Le rapport ci-joint contient une liste des titres examinés par Importations Unit (PIU), Border Programs Directorate, at l’Unité des importations prohibées (l’UIP), Direction des Headquarters in Ottawa, during the period April 1st to programmes frontaliers, à l’Administration centrale à Ottawa, er June 30th, 2010. Titles for which a determination was entre le 1 avril et le 30 juin 2010. Les titres pour rendered in accordance with section 58 of the Customs Act, or lesquels une décision a été rendue conformément à re-determined as per sections 59 and 60 of the Customs Act, l’article 58 de la Loi sur les douanes ou pour lesquels une during the stated period are listed, along with the related révision a été faite conformément aux articles 59 et 60 de la decision. Titles are categorized by commodity and listed Loi sur les douanes, durant la période en question, sont alphabetically. Where applicable, additional bibliographical indiqués, ainsi que la décision connexe. -
The 2008 Federal Obscenity Conviction of Paul Little and What It Reveals About Obscenity Law and Prosecutions
The 2008 Federal Obscenity Conviction of Paul Little and What It Reveals About Obscenity Law and Prosecutions Robert D. Richards* and Clay Calvert** ABSTRACT This Article provides an inside perspective on the 2008 obscenity trial and conviction of veteran adult movie producer Paul Little, who is known in the adult industry as Max Hardcore. Little was sentenced by a federal judge to nearly four years in prison after a twelve-person jury in Tampa, Florida found him guilty of multiple counts of selling and distributing obscene content via the U.S. Mail and Internet. The Article centers around comments and remarks drawn from four exclusive interviews conducted in person by the authors with: (1) Jeffrey Douglas, the California-based attorney who represented and defended Paul Little in United States v. Little; (2) H. Louis Sirkin, the Ohio-based attorney who represented and defended the corporate entities controlled by Paul Little in United States v. Little; (3) Mark Kernes, Senior Editor of Adult Video News, a leading adult entertainment industry trade publication, and the journalist who covered the trial of Paul Little; and (4) Larry Flynt, the publisher of Hustler magazine and head of the LFP, Inc. adult entertainment * Distinguished Professor of Journalism & Law and Founding Co-Director of the Pennsylvania Center for the First Amendment, The Pennsylvania State University, University Park, PA. J.D., The American University, 1987; M.A., Communication, The Pennsylvania State University, 1984; B.A., Communication, The Pennsylvania State University, 1983. Member, State Bar of Pennsylvania. The authors thank Thomas Markey and Patrick Hanifin of The Pennsylvania State University for reviewing an early draft of this Article. -
The Second Digital Disruption: Streaming and the Dawn of Data- Driven Creativity
41816-nyu_94-6 Sheet No. 88 Side A 12/10/2019 14:44:50 \\jciprod01\productn\N\NYU\94-6\NYU603.txt unknown Seq: 1 6-DEC-19 15:23 THE SECOND DIGITAL DISRUPTION: STREAMING AND THE DAWN OF DATA- DRIVEN CREATIVITY KAL RAUSTIALA† & CHRISTOPHER JON SPRIGMAN‡ This Article explores how the explosive growth of online streaming is transforming the market for creative content. Two decades ago, the popularization of the internet led to what we refer to here as the first digital disruption: Napster, file-sharing, and the re-ordering of numerous content industries, from music to film to news. The advent of mass streaming has led us to a second digital disruption, one driven by the ability of streaming platforms to harvest massive amounts of data about con- sumer preferences and consumption patterns. Coupled to powerful computing, the data that firms like Netflix, Spotify, and Apple collect allows those firms to know what consumers want in incredible detail. This knowledge has long shaped adver- tising; now it is beginning to shape the content streaming firms purchase or even produce, a phenomenon we call “data-driven creativity.” This Article explores these phenomena across a range of firms and content industries. In particular, we take a close look at the firm that is perhaps farthest along in its use of data-driven crea- tivity. We show how MindGeek, the little-known parent company of Pornhub and a leader in the market for adult entertainment, has leveraged streaming data not only to organize and suggest content to consumers but even to shape creative deci- sions. -
Brief Submitted to ETHI
February 12, 2021 SUBMISSION TO HOUSE OF COMMONS ETHICS COMMITTEE Re: MindGeek study Prepared by Joyce Stigter, President of C.A.P.C.S. (Med. Hat) Society (Citizens of Alberta for Positive Community Standards) Dear Members of the Ethics Committee: Thank you for this opportunity to engage with you in protecting the privacy of young people and in submitting recommendations to that end. I am an educator (retired), parent of four adult children, and President of C.A.P.C.S. (Medicine Hat) Society. We are an incorporated society which has sought to bring awareness about the impact of pornography on society to our community for over 20 years now. We have worked with our municipal government, promoted speaking engagements, and offered support to local schools, churches, and the general public in their endeavours to equip families in our present online culture. We cannot overstate how important this conversation is. Children’s lives are at stake. You have heard testimony to that effect. I would submit that now is the time for strong and far-reaching action. I would also submit that MindGeek’s proposed improved safety and security policies are not enough, and may instead run counter to its own business model. The essence of pornography is domination and abuse. In my view, these characteristics are evident in MindGeek’s business practices in these three ways: Monopoly As a primary player in the free porn industry, MindGeek is able to exert significant market power over porn producers“…who find themselves fragmented and squeezed financially as they supply cheap, usually unbranded commodity videos to the big distributor networks.” 1 David Auerbach of Slate.com says it this way: “Even content producers that MindGeek owns have trouble getting their movies off MindGeek’s tube sites. -
Legacy of Lords: the New Federal Crackdown on the Adult Entertainment Industry's Age-Verification and Record-Keeping Requirements
UCLA UCLA Entertainment Law Review Title The Legacy of Lords: The New Federal Crackdown On the Adult Entertainment Industry's Age-Verification and Record-Keeping Requirements Permalink https://escholarship.org/uc/item/0xj116dt Journal UCLA Entertainment Law Review, 14(2) ISSN 1073-2896 Authors Richards, Robert D. Calvert, Clay Publication Date 2007 DOI 10.5070/LR8142027097 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Legacy of Lords: The New Federal Crackdown On the Adult Entertainment Industry's Age- Verification and Record-Keeping Requirements By Robert D. Richards* & Clay Calvert** I. INTRODUCTION ........................................... 156 II. METHODOLOGY AND PROCEDURES ...................... 168 III. THE INTERVIEWS ........................................ 169 A. Underage Performers in the Adult Industry .......... 169 B. Why Now? Motivating Forces Behind the §2257 Inspections ........................................... 174 C. The Effectiveness and Usefulness of Section §2257 ... 179 D. What Took Place at the Washington, D.C., Meeting w ith the FBI ......................................... 183 E. The Burdens and Steps of Complying With Section §2257 ................................................ 187 F. Privacy Concerns Raised by Section §2257 ........... 193 * Professor of Journalism & Law and Founding Co-Director of the Pennsylvania Center for the First Amendment at The Pennsylvania State University. B.A., 1983, M.A. 1984, Communication, The Pennsylvania State University; J.D., 1987, The American University. Member, State Bar of Pennsylvania. The authors gratefully thank the eight individuals inter- viewed for this article who took time out of their own busy schedules to meet with the authors; the authors also thank them for their trust of two members of the professoriate, a group not generally known to listen rationally to the views of people associated with the adult entertainment industry. -
Copyright Trolling, an Empirical Study
A5_SAG.DOCX (DO NOT DELETE) 2/9/2015 3:33 PM Copyright Trolling, An Empirical Study Matthew Sag ABSTRACT: This detailed empirical and doctrinal study of copyright trolling presents new data showing the astonishing rate of growth of multi-defendant John Doe litigation in United States district courts over the past decade. It also presents new evidence of the association between this form of litigation and allegations of infringement concerning pornographic films. Multi- defendant John Doe lawsuits have become the most common form of copyright litigation in several U.S. districts, and in districts such as the Northern District of Illinois, copyright litigation involving pornography accounts for more than half of new cases. This Article highlights a fundamental oversight in the literature on copyright trolls. Paralleling discussions in patent law, scholars addressing the troll issue in copyright have applied status-based definitions to determine who is, and is not, a troll. This Article argues that the definition should be conduct- based. Multi-defendant John Doe litigation should be considered copyright trolling whenever it is motivated by a desire to turn litigation into an independent revenue stream. Such litigation, when initiated with the aim of turning a profit in the courthouse as opposed to seeking compensation or deterring illegal activity, reflects a kind of systematic opportunism that fits squarely within the concept of litigation trolling. This Article shows that existing status-based definitions of copyright trolls do not account for what is now arguably the most prevalent form of trolling. In addition to these empirical and theoretical contributions, this Article shows how statutory damages and permissive joinder make multi-defendant John Doe litigation possible and why allegations of infringement concerning pornographic films are particularly well-suited to this model.