panic at the disco pretty odd album download Panic At The Disco - Pretty Odd (2008) 01. We’re So Starving 02. 03. She’s a Handsome Woman 04. Do You Know What I’m Seeing? 05. That Green Gentlemen 06. I Have Friends in Holy Spaces 07. Northern Downpour 08. When the Day Met the Night 09. Pas de Cheval 10. The Piano Knows Something I Don’t Know 11. Behind the Sea 12. Folkin’ Around 13. She Had the World 14. From a Mountain in the Middle of the Cabins 15. Mad as Rabbits. Avenged Sevenfold, sometimes abbreviated to A7X, is a hard rock, and formerly metalcore band from Huntington Beach, California. Labels: Warner Brothers Records and Hopeless Records. Band members: M. Shadows (1999-Present) (Matthew Charles Sanders) — Lead Vocals, Synyster Gates (2001-Present) (Brian Elwin Haner, Jr.) — Lead Guitars, Back up Vocals, Zacky Vengeance (1999-Present) (Zachary Johnathan Baker) — Rhythm Guitars, Back up Vocals, Johnny Christ (2002-Present) (Johnathan Lewis Seward) — Bass (not to be confused with John Christ of Danzig), The Rev "The Reverend Tholomew Plague" (1999-Present) (Jimmy Owen Sullivan) — Drums, Back up Vocals. Former band members: Justin Sane (1999-2001) — Bass guitar (not to be confused with Justin Sane of Anti-Flag), Daemon Ash (2001-2002) — Bass guitar. Slipknot. Slipknot is a nine-piece nu metal band from Des Moines, Iowa. Aside from their real names, members of the band are also referred to by numbers 0 through 8. Slipknot is currently one of the more popular musical groups of the Contemporary music scene, with their extreme music and violent stage performances. Their albums and home videos have achieved Platinum-sales status, with Grammy nods in the Best Heavy Metal and Best Hard Rock categories for songs from all four of their albums. The band is also well-known for its peculiar image: the members wear matching uniforms (some of which have UPC barcodes printed on the them) and each has a unique mask. Members: 0 Sid Wilson - Turntables, 1 Joey Jordison - Drums, 2 Paul Gray - Bass guitar, 3 Chris Fehn - Percussion, 4 James Root - Guitar, 5 Craig "133" Jones - Sampler, 6 Shawn "Clown" Crahan - Percussion, 7 Mick Thomson - Guitar, 8 Corey Taylor - Vocals. Former members: Anders Colsefini, Greg "Cuddles" Welts, Josh "Gnar" Brainard, Brandon Darner, Donnie Steele, Quan "Meld" Nong. My Chemical Romance (often shortened to MCR or My Chem)[6] is an American rock quintet that formed in 2001. The current members of the band are Gerard Way, Mikey Way, Frank Iero, Ray Toro and Bob Bryar. Shortly after forming, the band signed to Eyeball Records and released their debut album I Brought You My Bullets, You Brought Me Your Love in 2002. They signed with Reprise Records the next year and released their major label debut Three Cheers for Sweet Revenge in 2004. The album was a commercial success, selling over one million copies. The band followed this success with 2006's The Black Parade, featuring their hit singles, "Welcome to the Black Parade", "Famous Last Words", "I Don't Love You", and "Teenagers". The band also filmed a live DVD in Mexico City, which was released on July 1, 2008. Band members: Gerard Way - vocals, Ray Toro - lead guitar, vocals, Frank Iero - rhythm guitar, vocals (2002 - present), Mikey Way - bass guitar, Bob Bryar - drums, percussion (2004 - present). Former members: Matt Pelissier - drums (2001 - 2004) . The members of Fall Out Boy are Patrick Stump (vocals & guitar), Peter Wentz (bass), Andrew Hurley (drums) and Joseph Trohman (guitar). It was mostly luck and maybe destiny that brought these four musicians together. Each had played for different hardcore underground bands in the Chicago area during the late 1990s. Almost concurrently the groups that Wentz, Trohman and Hurley were playing for disbanded. Wertz (previously front man for Arma Angelus) and Trohman knew each other from playing together in a previous band and in 2000 decided to do a little jamming and have some fun, they needed a drummer and invited Hurley to join in (Hurley had played for the well known band Racetraitor). [They actually hooked up in Wilmette, which is a suburb of Chicago.] Soon afterwards, they invited Patrick Stump to add vocals to the group after meeting at a Borders book store. The group had a unique pop-punk sound which had some elements of emo mixed in. They just played for the fun of it. [Note: They did not have a name until their second gig. When the audience asked for their names, they could not reply and one of the audience members shouted out “Fall Out Boy.” The name has stuck ever since. Pretty. Odd. Tempting as it may be, don't read the dropping of the exclamation point from Panic at the Disco's name as a sign that the emo quartet is in a rush to be taken seriously. Don't even take their blatant aping of Sgt. Pepper's on Pretty. Odd as indication that Panic at the Disco wants to be taken seriously. There doesn't seem to be a serious bone within the bodies of any of the four members, but the wondrous thing about Pretty. Odd is that it's impossible to discern what silliness is intentional and what is accidental, the product of a band discovering long after their 2005 debut A Fever You Can't Sweat Out turned into a hit. There's a startling naïveté to PATD's sudden immersion in symphonic psychedelic pop; the band is either too young or dumb to not realize that they're putting together familiar elements wrong, or that they shouldn't be attempting the baroque ballads and vaudeville shuffles that pepper this album. but they're smart enough to send-up the opening of Pepper's, twisting the Beatles' declaration that they were now Sgt. Pepper's Lonely Hearts Club Band around, claiming that they're they same band they always were. Of course this is a bald-faced lie, as the only clear remnants from PATD's debut are the overly complicated song titles and fussy lyrics, but few will complain as the group retain their theatrical ridiculousness while unveiling a newfound panache for pop, all derived from their desire to pattern themselves after the Beatles. Panic at the Disco are hardly the first modern rock band to slavishly follow the example of their peers -- My Chemical Romance copied every one of Queen's exaggerated moves for The Black Parade, while the Killers treated Sam's Town as if it was a Springsteen coloring book -- but PATD's clueless, audacious thievery of the Beatles pays back far greater dividends, partially because stealing from the Fab Four guarantees an emphasis on melody over style, but also because PATD shows far more humor than MCR or the Killers. That humor -- and it's possible to laugh at and laugh along with the band in equal measure here -- makes Pretty. Odd a giddy absurdity, as Panic at the Disco is determined to have it both ways: to make grand, pompous music while retaining their identity as pranksters. The album is so out of control, it's hard to tell whether the group planned Pretty. Odd to be a kaleidoscopic mess, or if occurred by happenstance, but that raggedness will appeal to the teens who loved A Fever You Can't Sweat Out, but this bafflingly blurred Brit-pop could hook in older listeners, too, either through its genuine tunefulness or through pop junkies who will marvel at how "Folkin' Around" comes startlingly close to re-creating the sound of the Byrds circa Sweetheart of the Rodeo, or how "Do You Know What I'm Seeing" is equal parts Morrissey parody and homage. It all adds up to a pretty and odd record and it erases no suspicions that the band aren't quite sure of what they're doing, but the glorious thing about Pretty. Odd is that the album works in spite of this. or perhaps because of it. Either way, this is a deliriously jumbled, left-field delight. Pretty. Odd. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £11.99. Tempting as it may be, don't read the dropping of the exclamation point from Panic at the Disco's name as a sign that the emo quartet is in a rush to be taken seriously. Don't even take their blatant aping of Sgt. Pepper's on Pretty. Odd as indication that Panic at the Disco wants to be taken seriously. There doesn't seem to be a serious bone within the bodies of any of the four members, but the wondrous thing about Pretty. Odd is that it's impossible to discern what silliness is intentional and what is accidental, the product of a band discovering the Beatles long after their 2005 debut A Fever You Can't Sweat Out turned into a hit. There's a startling naïveté to PATD's sudden immersion in symphonic psychedelic pop; the band is either too young or dumb to not realize that they're putting together familiar elements wrong, or that they shouldn't be attempting the baroque ballads and vaudeville shuffles that pepper this album. but they're smart enough to send-up the opening of Pepper's, twisting the Beatles' declaration that they were now Sgt. Pepper's Lonely Hearts Club Band around, claiming that they're they same band they always were. Of course this is a bald-faced lie, as the only clear remnants from PATD's debut are the overly complicated song titles and fussy lyrics, but few will complain as the group retain their theatrical ridiculousness while unveiling a newfound panache for pop, all derived from their desire to pattern themselves after the Beatles. Panic at the Disco are hardly the first modern rock band to slavishly follow the example of their peers -- My Chemical Romance copied every one of Queen's exaggerated moves for The Black Parade, while the Killers treated Sam's Town as if it was a Springsteen coloring book -- but PATD's clueless, audacious thievery of the Beatles pays back far greater dividends, partially because stealing from the Fab Four guarantees an emphasis on melody over style, but also because PATD shows far more humor than MCR or the Killers. That humor -- and it's possible to laugh at and laugh along with the band in equal measure here -- makes Pretty. Odd a giddy absurdity, as Panic at the Disco is determined to have it both ways: to make grand, pompous music while retaining their identity as pranksters. The album is so out of control, it's hard to tell whether the group planned Pretty. Odd to be a kaleidoscopic mess, or if occurred by happenstance, but that raggedness will appeal to the teens who loved A Fever You Can't Sweat Out, but this bafflingly blurred Brit-pop could hook in older listeners, too, either through its genuine tunefulness or through pop junkies who will marvel at how "Folkin' Around" comes startlingly close to re-creating the sound of the Byrds circa Sweetheart of the Rodeo, or how "Do You Know What I'm Seeing" is equal parts Morrissey parody and homage. It all adds up to a pretty and odd record and it erases no suspicions that the band aren't quite sure of what they're doing, but the glorious thing about Pretty. Odd is that the album works in spite of this. or perhaps because of it. Either way, this is a deliriously jumbled, left-field delight. © Stephen Thomas Erlewine /TiVo. Panic! at the Disco US Career Album Sales. As Panic! at the Disco’s newly released sixth studio album ‘’ celebrates its first month of release, it’s time for an update on the record to date pure sales for the band’s past material. Debut offering ‘A Fever You Can’t Sweat Out’ (2005) remains their best selling album to date, now standing at 2.22 million pure. It sold another 1,000 copies sold in the week ending July 12. The group’s third studio album, ‘Vices & Virtues’ (2011), sold another 750 in the week ending July 12. Initially released to mixed reception, ‘Virtues’ debuted with 56,000 and had sold 194,000 copies by January 2016. In the past two and a half years it has more than doubled this total, now standing at 418,000 . ‘Too Weird to Live, Too Rare to Die!’, which debuted at #2 on the Billboard 200 with 84,000 sold, has now sold 591,000 copies. ‘’ (2016), which became the group’s first Billboard 200 #1 album with a career best sales week of 169,000 pure, is now up to 755,000 copies. Meanwhile, their latest album ‘Pray for the Wicked’ cracks 180,000 with another 12,000 sold in the week ending July 12. Unfortunately, the group’s sophomore album ‘Pretty. Odd.’ (2008) can’t be officially updated. It has sold 422,000 as of early 2011. Altogether, Panic! at the Disco’s six studio albums have sold a combined 4.6 million pure copies in the United States. That number ticks up slightly when live albums, compilations and extended plays are included. Panic At The Disco* ​– Pretty. Odd. Anyone know if these run outs belong to the 2008 original pressing or this 2017 repress? Side B the last character is the letter I not L or the number 1 for clarification. tesslynescholz. Panic At The Disco - Pretty Odd (first pressing or not?) Matrix run outs- Side A 148945E1/E. Side B 148945E2/I. Anyone know if these run outs belong to this 2008 pressing or the 2017 repress? Side B the last character is the letter I not L or the number 1 for clarification.