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Correlations Between Creativity In
1 ARTISTIC SCIENTISTS AND SCIENTIFIC ARTISTS: THE LINK BETWEEN POLYMATHY AND CREATIVITY ROBERT AND MICHELE ROOT-BERNSTEIN, 517-336-8444; [email protected] [Near final draft for Root-Bernstein, Robert and Root-Bernstein, Michele. (2004). “Artistic Scientists and Scientific Artists: The Link Between Polymathy and Creativity,” in Robert Sternberg, Elena Grigorenko and Jerome Singer, (Eds.). Creativity: From Potential to Realization (Washington D.C.: American Psychological Association, 2004), pp. 127-151.] The literature comparing artistic and scientific creativity is sparse, perhaps because it is assumed that the arts and sciences are so different as to attract different types of minds who work in very different ways. As C. P. Snow wrote in his famous essay, The Two Cultures, artists and intellectuals stand at one pole and scientists at the other: “Between the two a gulf of mutual incomprehension -- sometimes ... hostility and dislike, but most of all lack of understanding... Their attitudes are so different that, even on the level of emotion, they can't find much common ground." (Snow, 1964, 4) Our purpose here is to argue that Snow's oft-repeated opinion has little substantive basis. Without denying that the products of the arts and sciences are different in both aspect and purpose, we nonetheless find that the processes used by artists and scientists to forge innovations are extremely similar. In fact, an unexpected proportion of scientists are amateur and sometimes even professional artists, and vice versa. Contrary to Snow’s two-cultures thesis, the arts and sciences are part of one, common creative culture largely composed of polymathic individuals. -
BOWLS BERETS BANGLES FROCKS PRINTS PLATES Media Release
MEDIA RELEASE: ISSUED ON 5 February 2018 BOWLS BERETS BANGLES FROCKS PRINTS PLATES An art and fashion collaboration by Bruce and Flora McLean 2 – 28 March Private View 5.30 – 7.00, Live presentation 7.30, Friday 9 March Sponsored by Vantage Premier Bruce McLean graduated from Glasgow school of art in 60’s. He studied under Anthony Caro at St Martins and went on to become one of the leading figures in conceptual art in 60’s Great Britain. Bruce rebelled against the more formal academicism of his teachers, abandoning conventional studio production for his own distinctive sculpture and performance art. Creating sculptures with rubbish, water and impermanent materials as well as using his body to impersonate sculptures by others, Bruce lead the development of Conceptual Art in Britain. Bruce’s fearless artistic experimentation whilst poking fun at the establishment has continued through his varied career in the arts and enabled many artistic collaborations incuding architecture, education and theatre. At 27 Bruce was given a retrospective exhibition at the Tate Gallery London, which he candidly programmed to run for one day only and titled ‘King for a Day’. Bruce was Head of Painting at The Slade School of Art and also taught at Maidstone College of Art where he established Nice Style, aka ‘The World’s First Pose Band’ as well as a number of collaborative performances (Academic Board,1975; Sorry! A Minimal Musical in Parts, 1977; The Masterwork; Award Winning Fishknife, 1979). His witty interpretations confronted the pretentiousness of the art world and wider social issues such as institutional politics and bureaucracy. -
CONTENTS May/June 2010
R A D I C A L P H I L O S O P H Y a journal of socialist and feminist philosophy 161 CONTENTS MAY/JUNE 2010 Editorial collective COMMentARY Claudia Aradau, Matthew Charles, The Myth of Preparedness David Cunningham, Howard Feather, Peter Hallward, Esther Leslie, Stewart Claudia Aradau................................................................................................ 2 Martin, Mark Neocleous, Peter Osborne, Stella Sandford, Chris Wilbert ArtICLes Contributors Claudia Aradau is Lecturer in International What is – or What is Not – Contemporary French Philosophy, Today? Studies at the Open University and author of Éric Alliez ......................................................................................................... 9 Rethinking Trafficking in Women: Politics Out of Security (Palgrave, 2008). Reading Schmitt Geopolitically: Nomos, Territory and Großraum Éric Alliez is Professor of Contemporary Stuart Elden .................................................................................................. 18 French Philosophy in the Centre for Research in Modern European Philosophy, Middlesex Marx’s Eurocentrism: Postcolonial Studies and Marx Scholarship University. ‘Body without Image’, his piece on Kolja Lindner ................................................................................................. 27 Ernesto Neto’s Leviathan Toth, appeared in RP 156 (July/August 2009). Stuart Elden is a Professor of Political COMMenT Geography at Durham University. His most recent book is Terror and Territory: The Spatial -
PART IV CATALOGUES of Exhibitions,734 Sales,735 and Bibliographies
972 “William Blake and His Circle” PART IV CATALOGUES of Exhibitions,734 Sales,735 and Bibliographies 1780 The Exhibition of the Royal Academy, M.DCC.LXXX. The Twelfth (1780) <BB> B. Anon. "Catalogue of Paintings Exhibited at the Rooms of the Royal Academy", Library of the Fine Arts, III (1832), 345-358 (1780) <Toronto>. In 1780, the Blake entry is reported as "W Blake.--315. Death of Earl Goodwin" (p. 353). REVIEW Candid [i.e., George Cumberland], Morning Chronicle and London Advertiser, 27 May 1780 (includes a criticism of “the death of earl Goodwin, by Mr. Blake”) <BB #1336> 734 Some exhibitions apparently were not accompanied by catalogues and are known only through press-notices of them. 735 See G.E. Bentley, Jr, Sale Catalogues of Blake’s Works 1791-2013 put online on 21 Aug 2013 [http://library.vicu.utoronto.ca/collections/special collections/bentley blake collection/in]. It includes sales of contemporary copies of Blake’s books and manuscripts, his watercolours and drawings, and books (including his separate prints) with commercial engravings. After 2012, I do not report sale catalogues which offer unremarkable copies of books with Blake's commercial engravings or Blake's separate commercial prints. 972 973 “William Blake and His Circle” 1784 The Exhibition of the Royal Academy, M.DCC.LXXXIV. The Sixteenth (London: Printed by T. Cadell, Printer to the Royal Academy) <BB> Blake exhibited “A breach in a city, the morning after a battle” and “War unchained by an angel, Fire, Pestilence, and Famine following”. REVIEW referring to Blake Anon., "The Exhibition. Sculpture and Drawing", Morning Chronicle and London Advertiser, Thursday 27 May 1784, p. -
THE NAKED APE By
THE NAKED APE by Desmond Morris A Bantam Book / published by arrangement with Jonathan Cape Ltd. PRINTING HISTORY Jonathan Cape edition published October 1967 Serialized in THE SUNDAY MIRROR October 1967 Literary Guild edition published April 1969 Transrvorld Publishers edition published May 1969 Bantam edition published January 1969 2nd printing ...... January 1969 3rd printing ...... January 1969 4th printing ...... February 1969 5th printing ...... June1969 6th printing ...... August 1969 7th printing ...... October 1969 8th printing ...... October 1970 All rights reserved. Copyright (C 1967 by Desmond Morris. This book may not be reproduced in whole or in part, by mitneograph or any other means, without permission. For information address: Jonathan Cape Ltd., 30 Bedford Square, London Idi.C.1, England. Bantam Books are published in Canada by Bantam Books of Canada Ltd., registered user of the trademarks con silting of the word Bantam and the portrayal of a bantam. PRINTED IN CANADA Bantam Books of Canada Ltd. 888 DuPont Street, Toronto .9, Ontario CONTENTS INTRODUCTION, 9 ORIGINS, 13 SEX, 45 REARING, 91 EXPLORATION, 113 FIGHTING, 128 FEEDING, 164 COMFORT, 174 ANIMALS, 189 APPENDIX: LITERATURE, 212 BIBLIOGRAPHY, 215 ACKNOWLEDGMENTS This book is intended for a general audience and authorities have therefore not been quoted in the text. To do so would have broken the flow of words and is a practice suitable only for a more technical work. But many brilliantly original papers and books have been referred to during the assembly of this volume and it would be wrong to present it without acknowledging their valuable assistance. At the end of the book I have included a chapter-by-chapter appendix relating the topics discussed to the major authorities concerned. -
Ackland Art Museum Press Release for She Who Tells a Story 2019
The Ackland Art Museum Shines Spotlight on Art of the Middle East and North Africa with Two Events: Exhibition “She Who Tells a Story: Women Photographers from Iran and the Arab World” and Installation of Recently Acquired Islamic Art FOR IMMEDIATE RELEASE (Chapel Hill, N.C. — Aug 14, 2019) –– The Ackland Art Museum at the University of North Carolina at Chapel Hill shines a spotlight on art of the Middle East and North Africa with an exhibition of contemporary photography by women artists and an installation of recent acquisitions of Islamic art. The exhibition “She Who Tells a Story: Women Photographers from Iran and the Arab World,” is on view from Friday, Sept. 20 through Sunday, Dec. 1, 2019. The Ackland’s new acquisitions of Islamic Art will be on view in a separate installation from Friday, Sept. 13, 2019 through Sunday, Feb. 2, 2020. "She Who Tells a Story: Women Photographers from Iran and the Arab World" brings together the vital pioneering work of 12 leading artists, ranging in genre from portraiture to documentary: Jananne Al-Ani, Boushra Almutawakel, Gohar Dashti, Rana El Nemr, Lalla Essaydi, Shadi Ghadirian, Tanya Habjouqa, Rula Halawani, Nermine Hammam, Rania Matar, Shirin Neshat, and Newsha Tavakolian. During this critical time for Iran and the Arab world, as national and personal identities are being dismantled and rebuilt, contemporary photography reflects the complexities of unprecedented change. One of the most significant trends to emerge is the work of women photographers, whose remarkable and provocative images provide insights into new cultural landscapes, questioning tradition and challenging perceptions of Middle Eastern and Arab identity. -
Hat Makers with Attitude - Nytimes.Com
Hat Makers With Attitude - NYTimes.com HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Log In Register Now Help Search All NYTimes.com WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS FASHION & STYLE DINING & WINE HOME & GARDEN WEDDINGS/CELEBRATIONS T MAGAZINE Millinery Madness: Hat Makers With Attitude Log in to see what your friends are sharing Log In With Facebook on nytimes.com. Privacy Policy | What’s This? What’s Popular Now Backlash by the With Extra Bay: Tech Riches Anchovies, Alter a City Deluxe Whale Watching Morgan White, Derek John, Justin Smith Hat-makers with attitude: Piers Atkinson, House of Flora and J Smith Esq. By ROBB YOUNG Published: October 3, 2011 They are not the sort of hat makers whose idea of topping off an outfit RECOMMEND involves a charming little cloche or a cozy beret. Some are hell-raising TWITTER provocateurs while others are more like cheeky jesters full of LINKEDIN merrymaking and mischief. A few are die-hard design intellectuals, SIGN IN TO E-MAIL and at least one literally blurs the boundaries between hats and the PRINT hair that they cover. But one thing that unites this motley crew of SINGLE PAGE modern milliners is that “restraint” and “simplicity” are not part of their vocabularies. REPRINTS SHARE “To borrow a phrase from the stylist The Collection: A Fashion Simon Foxton, ‘There’s nothing worse App for the iPad A one-stop than a jaunty trilby,”’ says Fred Butler, destination for an exuberant British accessories Times fashion coverage and the designer who got her big break when latest from the Lady Gaga’s stylist, Nicola Formichetti, commissioned the runways. -
Studio International Magazine: Tales from Peter Townsend’S Editorial Papers 1965-1975
Studio International magazine: Tales from Peter Townsend’s editorial papers 1965-1975 Joanna Melvin 49015858 2013 Declaration of authorship I, Joanna Melvin certify that the worK presented in this thesis is my own. Where information has been derived from other sources, I confirm that this is indicated in the thesis. i Tales from Studio International Magazine: Peter Townsend’s editorial papers, 1965-1975 When Peter Townsend was appointed editor of Studio International in November 1965 it was the longest running British art magazine, founded 1893 as The Studio by Charles Holme with editor Gleeson White. Townsend’s predecessor, GS Whittet adopted the additional International in 1964, devised to stimulate advertising. The change facilitated Townsend’s reinvention of the radical policies of its founder as a magazine for artists with an international outlooK. His decision to appoint an International Advisory Committee as well as a London based Advisory Board show this commitment. Townsend’s editorial in January 1966 declares the magazine’s aim, ‘not to ape’ its ancestor, but ‘rediscover its liveliness.’ He emphasised magazine’s geographical position, poised between Europe and the US, susceptible to the influences of both and wholly committed to neither, it would be alert to what the artists themselves wanted. Townsend’s policy pioneered the magazine’s presentation of new experimental practices and art-for-the-page as well as the magazine as an alternative exhibition site and specially designed artist’s covers. The thesis gives centre stage to a British perspective on international and transatlantic dialogues from 1965-1975, presenting case studies to show the importance of the magazine’s influence achieved through Townsend’s policy of devolving responsibility to artists and Key assistant editors, Charles Harrison, John McEwen, and contributing editor Barbara Reise. -
Photography and Cinema
Photography and Cinema David Campany Photography and Cinema EXPOSURES is a series of books on photography designed to explore the rich history of the medium from thematic perspectives. Each title presents a striking collection of approximately80 images and an engaging, accessible text that offers intriguing insights into a specific theme or subject. Series editors: Mark Haworth-Booth and Peter Hamilton Also published Photography and Australia Helen Ennis Photography and Spirit John Harvey Photography and Cinema David Campany reaktion books For Polly Published by Reaktion Books Ltd 33 Great Sutton Street London ec1v 0dx www.reaktionbooks.co.uk First published 2008 Copyright © David Campany 2008 All rights reserved No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. Printed and bound in China by C&C Offset Printing Co., Ltd British Library Cataloguing in Publication Data Campany, David Photography and cinema. – (Exposures) 1. Photography – History 2. Motion pictures – History I. Title 770.9 isbn–13: 978 1 86189 351 2 Contents Introduction 7 one Stillness 22 two Paper Cinema 60 three Photography in Film 94 four Art and the Film Still 119 Afterword 146 References 148 Select Bibliography 154 Acknowledgements 156 Photo Acknowledgements 157 Index 158 ‘ . everything starts in the middle . ’ Graham Lee, 1967 Introduction Opening Movement On 11 June 1895 the French Congress of Photographic Societies (Congrès des sociétés photographiques de France) was gathered in Lyon. Photography had been in existence for about sixty years, but cinema was a new inven- tion. -
Primate Aesthetics
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses July 2016 Primate Aesthetics Chelsea L. Sams University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Art Practice Commons, Fine Arts Commons, Interdisciplinary Arts and Media Commons, and the Other Animal Sciences Commons Recommended Citation Sams, Chelsea L., "Primate Aesthetics" (2016). Masters Theses. 375. https://doi.org/10.7275/8547766 https://scholarworks.umass.edu/masters_theses_2/375 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. PRIMATE AESTHETICS A Thesis Presented by CHELSEA LYNN SAMS Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of MASTER OF FINE ARTS May 2016 Department of Art PRIMATE AESTHETICS A Thesis Presented by CHELSEA LYNN SAMS Approved as to style and content by: ___________________________________ Robin Mandel, Chair ___________________________________ Melinda Novak, Member ___________________________________ Jenny Vogel, Member ___________________________________ Alexis Kuhr, Department Chair Department of Art DEDICATION For Christopher. ACKNOWLEDGMENTS I am truly indebted to my committee: Robin Mandel, for his patient guidance and for lending me his Tacita Dean book; to Melinda Novak for taking a chance on an artist, and fostering my embedded practice; and to Jenny Vogel for introducing me to the medium of performance lecture. To the longsuffering technicians Mikaël Petraccia, Dan Wessman, and Bob Woo for giving me excellent advice, and tolerating question after question. -
Feminists, Freedom Fighters and Daughters - a Discourse Analysis of the United States Media’S Portrayal of the Kurdish Female Fighters in Syria
Lund University FKVK02 Social Sciences Faculty Spring 2020 Peace and Conflict Studies Thesis Advisor: Maria Småberg Feminists, Freedom Fighters and Daughters - A Discourse Analysis of the United States Media’s Portrayal of the Kurdish Female Fighters in Syria Sophie Hogevall Antal tecken: 69 658 Abstract The purpose of this study is to examine how the US media has portrayed the Kurdish female fighters in Syria. Since the battle of Kobane the fighters of the Women’s Protection Units (YPJ) have been sensationalised and received immense attention in western news media. Previous research has shown that female combatants are portrayed differently than their male counterparts, and this assumption is the foundation for the research on the representations of the YPJ. Thirteen articles from ten different newspapers in the United States were analysed through a Critical Discourse Analysis which was complemented by a framework developed by Brigitte L. Nacos. The research shows that the Female Kurdish fighters are depicted through gendered stereotypes and that there are similarities in their portrayal and depiction of illegitimate political actors. The female fighters are presented as feminists, brave, and rational while framed through their physical appearances and family connections. The analysis also reveals that there is a particular focus on the YPJ members age as well as a recurring theme in US media of trying to separate the Kurdish female fighters from the traditional western image of a Muslim woman. Keywords: Discourse analysis, Gender, Islamic State, Kurdish female fighters, Media framing, Syria, YPJ Table of contents List of Abbreviations 1. Introduction .........................................................................................................................1 1.1 Research Purpose and Question.……….……………………………………….…2 1.2 Background…………………………………………………………………….….3 1.2.1 YPJ………………………………………………………………………3 1.2.2 U.S. -
Book Reviews Publications by Thames & Hudson Are Reviewed Across a Variety of Subject Areas and from Practical to Theoretical Study
A wide range of Art and Design Book Reviews publications by Thames & Hudson are reviewed across a variety of subject areas and from practical to theoretical study. Art and Design Book Reviews Art and Design – Thames & Hudson The art and design books reviewed in this document have been carefully selected as being suitable for use as either textbooks or teaching resources. Each of them is well worth taking a look at for possible inclusion in the art and design section of your learning resources centre or in your own teaching support materials library. Review commentaries have been provided by the publishers. Sections Index 1. Accessories 2. Animation 3. Architecture 4. Art and Design: History and Theory 5. Art and Design: Monographs and Retrospectives 6. Ceramics 7. Drawing and Painting 8. Fashion 9. Graphics 10. Photography 11. Printmaking 12. Product Design 13. Sculpture 14. Textiles 15. World Art 1 Accessories Fashion Design Course: Accessories Jane Schaffer and Sue Saunders 258 pages with glossary and index Fully illustrated and photographed ISBN: 978 0500 290347 Paperback £16.95 This information-packed book introduces design students to an important segment of the fashion industry, focusing on the growing market sector that encompasses accessories and footwear. The authors present a detailed overview of their subject, examining both the creative and technical aspects of accessory design, presentation, and marketing. They discuss basic principles and techniques of research, design, and development, translate the industry's specialist terminology into terms students and outsiders can understand, and describe tools of the trade. 2 Animation The Complete Digital Animation Course The Principles, Practice and Techniques of Successful Digital Animation - Andy Wyatt 144 pages with glossary, resources and index.