DOCSLIB.ORG

F All 2021 Thame S & Hudson

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
F All 2021 Thame S & Hudson Fall 2021 Thames & Hudson 2/9/21 12:10 PM Thames & Hudson Fall 2021 ISBN: 978-0-500-98417-8 THcat_F21_cvr.indd 1 Index 20th Century Indian Art, 71 Gregory, Rob, 70 Photography, 16 Grovier, Kelly, 9 Photomontage, 33 Ades, Dawn, 33, 35 Guillerat, Nicolas, 47 Pickard, Joe, 51 Allen-Johnstone, Claire, 23 Gura, Judith, 25 Plant Clinic, The, 55 American Geography, 48 Pollock, Naomi, 62 Ancient Rome, 47 Hanbury-Tenison, Robin, 68 Powell, Aubrey, 41 Anna Spiro, 57 Harlots, 43 Powell, Richard J., 31 Art Day by Day, 12 Harrison, Amanda, 8 Pretorius, Sophie, 8 Art in California, 29 Harrison, Martin, 8 Prodger, Phillip, 49 Artisan Design, 25 Haus, Stefan, 8 Artists’ Film, 30 Hawkins, Vikki, 46 Railways, 24 Haye, Amy de la, 36 Richards, Mary, 81 Balaram, Rakhee, 71 Heijnen, Marcel, 20 Rytter, Louise, 50 Bate, David, 16 Helen Levitt, 18 Bell, Amber Creswell, 61 Herbert, Susan, 21 Salisbury, Martin, 15 Benton, Janetta Rebold, 17 History of Music for Children, A , SAOTA, 72 Benton, Michael J., 3 81 Scheid, John, 47 Big Book of Belonging, The, 77 Hockney, David, 27 Schmuckli, Claudia, 11 Bindman, David, 34 Hogarth, 34 Schweitzer, David, 81 Black, Matt, 48 Hollis, Richard, 32 Selzer, Adam, 45 Black Art, 31 How to Understand Art, 17 Shaw, Garry J., 5 Black Artists Shaping the World, 79 Shop Cats of China, 20 Blake, Rose, 81 Jackson, Sharna, 79 Silk, 23 Bradbury, Dominic, 73 Johnson, Alex, 12 Sister Who Ate Her Brothers, Brûlé, Tyler, 51 Judy Chicago, 11 The, 83 Buchman, Lorne M., 13 Sorkin, Jenni, 11, 29 Bucklow, Christopher, 8 Keegan, Janna, 11 Souza, Adam de, 83 Kent, Rachel, 65 Spiro, Anna, 57 Calver, Amelia, 52 Koudounaris, Paul, 44 Spring Cannot Be Cancelled, Campbell, Jen, 83 27 Campbell, Thomas P., 11 Lafuente, Ana Cabrera, 23 Still Life, 61 Distributed by W. W. Norton & Company, Inc. Cats Galore Encore, 21 Levitt, Helen, 18 Sudo, Reiko, 62 500 Fifth Avenue, New York, New York 10110 Celtic Myths That Shape the Way Li, Pi, 59 Sumner, Edmund, 70 We Think, The, 4 Light Space Life, 72 Symbols of the Occult, 7 Telephone: 212-354-3763 Fax: 212-398-1252 Chadwick, Whitney, 10 Lipps, Andrea, 39 Email: [email protected] Chaline, Eric, 7 Lister, Kate, 43 Taylor, Matthew, 67 thamesandhudsonusa.com Chevrier, Jean-François, 18 Lives of Lee Miller, The, 19 Through the Prism, 41 Chicago, Judy, 11 Lives of the Surrealists, The, 69 Tim Walker, 63 Order Department Chinese Art Since 1970, 59 Todd Saunders, 73 Telephone: 800-233-4830 Fax: 800-458-6515 Chong, Doryun, 58 M+ Collections: Highlights, 58 Total War, 46 Chromatopia, 56 Ma, Lesley, 58 Tuck, Andrew, 51 Customer Service Department Clements, Kate, 46 MacMillan, Margaret, 46 Twigger, Robert, 68 Coles, David, 56 Make to Know, 13 800-233-4830 Contemporary House India, 70 Manco¨, Debra N., 22 V&A Sourcebook of Pattern & Cornish, Paul, 46 Mason, Anna, 53 Ornament, The, 52 Special Sales Department Curtis, David, 30 McQueen, Steve, 30 Valkoinen, Christopher, 24 [email protected] Memento Mori, 44 Verinder, Erin Lovell, 55 Dalí, 35 Mendes, Valerie, 36 In Canada, please contact Penguin Random House Canada Dante Gabriel Rossetti, 22 Miller, Lesley Ellis, 23 Walker, Tim, 63 Telephone: 888-523-9292 Fax: 888-562-9924 Dave-Mukherji, Parul, 71 Miroslav Šašek, 15 Whitley, Zoé, 79 Davies, Hugh, 8 Mitter, Partha, 71 Whores & Hackabouts, 43 Email: [email protected] Devlin, Es, 39 Modern Explorers, The, 68 William Morris, 53 Dinosaurs, The, 3 Monocle Book of Entrepreneurs, The, Williams, Mark, 4 Prices given are subject to change. Doug Aitken, 65 51 Williamson, Paul, 74 Copyright © 2020 by Thames & Hudson Inc. Do We Have to Work?, 67 Morris, Desmond, 69 Women Artists and the Surrealist ISBN: 978-0-500-98417-8 Muir, Robin, 63 Movement, 10 Egyptian Mythology, 5 Murder Maps USA, 45 World According to Alexander Front: Cressida Campbell, Nasturtiums, 2002. Es Devlin, 39 McQueen, The, 50 Unique woodblock print, 58.4 x 60 cm Nicholls, Bob, 3 Wyvern Collection, The, 74 Fashion Since 1900, 36 NUNO, 62 Courtesy of the artist. Photo by Greg Weight Francis Bacon: Shadows, 8 Yao, Pauline J., 58 Collection of the Art Gallery of New South Wales On the Line, 9 Yokoyama, Ikko, 58 Back: Marcel Heijnen, Falling Up, 2018. Gayford, Martin, 27 Design translation: BTDnyc Graphic Design in the Twentieth Penrose, Antony, 19 Zommer, Yuval, 77 Design, composition, and layouts: Joe Lops Century, 32 Photographic Portrait, The, 49 Printed in the USA 57 THcat_F21_cvr.indd 2 2/9/21 12:10 PM FALL 2021 FALL Trade 2 Children’s 75 Backlist Highlights 84 Index 89 T&HCat_F21_Full_final.indd 1 2/8/21 5:12 PM September 2 T&HCat_F21_Full_final.indd 2 2/8/21 5:12 PM September The world’s leading paleontologist takes us on a visual tour of the latest dinosaur science, illustrated with accurate and stunning paleoart. “This gorgeous book belongs on the bookshelves of any science enthusiast, and any movie director or television producer looking to bring dinosaurs to the screen.” —Steve Brusatte, professor at the University of Edinburgh and bestselling author of The Rise and Fall of the Dinosaurs Praise for Michael J. Benton’s Dinosaurs Rediscovered: “Benton’s prose is a model of science writing . energetic . illustrative . alive to the reader’s curiosity.” —New York Review of Books “A fascinating story, and Mr. Benton tells it both expertly and entertainingly.” — Wall Street Journal Dinosaurs are not what you thought they were— or at least, they didn’t look The Dinosaurs like you thought they did. Here, world- leading paleontologist Michael J. Benton brings us a new visual guide to the world of the dinosaurs, showing New Visions of how rapid advances in technology and amazing new fossil fi nds have a Lost World changed the way we see these extinct beasts forever. Stunning, brand- new illustrations by paleoartist Bob Nicholls display the latest and most Michael J. Benton exciting scientifi c discoveries in vibrant color. FromSinosauropteryx , the Illustrations by Bob Nicholls fi rst dinosaur to have its color patterns identifi ed— a ginger- and- white striped tail and a “bandit mask”— by Benton’s team at the University of Bristol to recent research on the surprising mixed feathers and scales ALSO BY MICHAEL J. BENTON of Kulindadromeus, this is one of the fi rst books to include cutting- edge Dinosaurs Rediscovered: scientifi c research in paleontology. The Scientifi c Revolution Each chapter focuses on a particular extinct species, featuring a in Paleontology specially commissioned illustration by Bob Nicholls that brings to life the $16.95 paperback latest scientifi c breakthroughs, with accompanying text exploring how ISBN 978- 0- 500- 29553- 3 paleontologists have determined new details, such as the patterns on skin and the colors of feathers of animals that lived millions of years ago. This visual compendium surprises and challenges everything you thought you knew about what dinosaurs looked like and how they lived. Michael J. Benton is a professor of vertebrate paleontology and head of the world- leading Palaeobiology Research Group at the University of Bristol. He has written more than fi fty books, including Dinosaurs Rediscovered and When Life Nearly Died. Bob Nicholls is one of ISBN 978-0-500-05219-8 the world’s leading paleoartists. His work is regularly used to illustrate the latest discoveries 73/8̋ × 93/4̋ in both science journals and the general press. 100 color illustrations 256 pages NATURAL HISTORY $39.95 hardcover (CAN. $53.95) 3 T&HCat_F21_Full_final.indd 3 2/8/21 5:12 PM September A fresh and revealing look at the stories at the heart of Celtic mythology, exploring their cultural impact throughout history up to the present day. “This is simply the best concise work on its subject, for a student or general reader, yet published. The author is not only expert in the original texts but has a profound understanding of how they have been used ever since: and so why they matter.” —Ronald Hutton, author of The Witch and Pagan Britain and professor of history, University of Bristol The Celtic Myths That Shape the Way We Think explores a fascinating The Celtic question: how do myths that were deeply embedded in the customs and beliefs of their original culture fi nd themselves retold and reinterpreted Myths That across the world, centuries or even millennia later? Focusing on the Shape the Way myths that have had the greatest cultural impact, Mark Williams reveals the lasting infl uence of Celtic mythology, from medieval literature to the We Think modern fantasy genre. An elegantly written retelling, Williams captures the splendor of the original myths while also delving deeper into the history of Mark Williams their meanings, off ering readers an intelligent and engaging take on these powerful stories. Beautiful illustrations of the artworks these myths have inspired ALSO OF INTEREST over the centuries are presented in a color plates section and in black and white within the text. Ten chapters recount the myths and explore The Celtic Myths: A Guide to the Ancient Gods the lasting infl uence of legendary fi gures, including King Arthur, the and Legends Celtic fi gure who paradoxically became the archetypal English national $24.95 hardcover hero; the Irish and Scottish hero Finn MacCool, who as “Fingal” caught ISBN 978- 0- 500- 25209- 3 the imagination of Napoleon Bonaparte, Johann Wolfgang von Goethe, and Felix Mendelssohn; and the Welsh mythical fi gure Blodeuwedd, magically created from fl owers of the oak, who inspired W. B. Yeats. Williams’s mythological expertise and captivating writing style make this volume essential reading for anyone seeking a greater appreciation of the myths that have shaped our artistic and literary canons and continue to ISBN 978-0-500-25236-9 inspire today.
Load more

Recommended publications
  • Correlations Between Creativity In
    1 ARTISTIC SCIENTISTS AND SCIENTIFIC ARTISTS: THE LINK BETWEEN POLYMATHY AND CREATIVITY ROBERT AND MICHELE ROOT-BERNSTEIN, 517-336-8444; [email protected] [Near final draft for Root-Bernstein, Robert and Root-Bernstein, Michele. (2004). “Artistic Scientists and Scientific Artists: The Link Between Polymathy and Creativity,” in Robert Sternberg, Elena Grigorenko and Jerome Singer, (Eds.). Creativity: From Potential to Realization (Washington D.C.: American Psychological Association, 2004), pp. 127-151.] The literature comparing artistic and scientific creativity is sparse, perhaps because it is assumed that the arts and sciences are so different as to attract different types of minds who work in very different ways. As C. P. Snow wrote in his famous essay, The Two Cultures, artists and intellectuals stand at one pole and scientists at the other: “Between the two a gulf of mutual incomprehension -- sometimes ... hostility and dislike, but most of all lack of understanding... Their attitudes are so different that, even on the level of emotion, they can't find much common ground." (Snow, 1964, 4) Our purpose here is to argue that Snow's oft-repeated opinion has little substantive basis. Without denying that the products of the arts and sciences are different in both aspect and purpose, we nonetheless find that the processes used by artists and scientists to forge innovations are extremely similar. In fact, an unexpected proportion of scientists are amateur and sometimes even professional artists, and vice versa. Contrary to Snow’s two-cultures thesis, the arts and sciences are part of one, common creative culture largely composed of polymathic individuals.
    [Show full text]
  • BOWLS BERETS BANGLES FROCKS PRINTS PLATES Media Release
    MEDIA RELEASE: ISSUED ON 5 February 2018 BOWLS BERETS BANGLES FROCKS PRINTS PLATES An art and fashion collaboration by Bruce and Flora McLean 2 – 28 March Private View 5.30 – 7.00, Live presentation 7.30, Friday 9 March Sponsored by Vantage Premier Bruce McLean graduated from Glasgow school of art in 60’s. He studied under Anthony Caro at St Martins and went on to become one of the leading figures in conceptual art in 60’s Great Britain. Bruce rebelled against the more formal academicism of his teachers, abandoning conventional studio production for his own distinctive sculpture and performance art. Creating sculptures with rubbish, water and impermanent materials as well as using his body to impersonate sculptures by others, Bruce lead the development of Conceptual Art in Britain. Bruce’s fearless artistic experimentation whilst poking fun at the establishment has continued through his varied career in the arts and enabled many artistic collaborations incuding architecture, education and theatre. At 27 Bruce was given a retrospective exhibition at the Tate Gallery London, which he candidly programmed to run for one day only and titled ‘King for a Day’. Bruce was Head of Painting at The Slade School of Art and also taught at Maidstone College of Art where he established Nice Style, aka ‘The World’s First Pose Band’ as well as a number of collaborative performances (Academic Board,1975; Sorry! A Minimal Musical in Parts, 1977; The Masterwork; Award Winning Fishknife, 1979). His witty interpretations confronted the pretentiousness of the art world and wider social issues such as institutional politics and bureaucracy.
    [Show full text]
  • CONTENTS May/June 2010
    R A D I C A L P H I L O S O P H Y a journal of socialist and feminist philosophy 161 CONTENTS MAY/JUNE 2010 Editorial collective COMMentARY Claudia Aradau, Matthew Charles, The Myth of Preparedness David Cunningham, Howard Feather, Peter Hallward, Esther Leslie, Stewart Claudia Aradau................................................................................................ 2 Martin, Mark Neocleous, Peter Osborne, Stella Sandford, Chris Wilbert ArtICLes Contributors Claudia Aradau is Lecturer in International What is – or What is Not – Contemporary French Philosophy, Today? Studies at the Open University and author of Éric Alliez ......................................................................................................... 9 Rethinking Trafficking in Women: Politics Out of Security (Palgrave, 2008). Reading Schmitt Geopolitically: Nomos, Territory and Großraum Éric Alliez is Professor of Contemporary Stuart Elden .................................................................................................. 18 French Philosophy in the Centre for Research in Modern European Philosophy, Middlesex Marx’s Eurocentrism: Postcolonial Studies and Marx Scholarship University. ‘Body without Image’, his piece on Kolja Lindner ................................................................................................. 27 Ernesto Neto’s Leviathan Toth, appeared in RP 156 (July/August 2009). Stuart Elden is a Professor of Political COMMenT Geography at Durham University. His most recent book is Terror and Territory: The Spatial
    [Show full text]
  • PART IV CATALOGUES of Exhibitions,734 Sales,735 and Bibliographies
    972 “William Blake and His Circle” PART IV CATALOGUES of Exhibitions,734 Sales,735 and Bibliographies 1780 The Exhibition of the Royal Academy, M.DCC.LXXX. The Twelfth (1780) <BB> B. Anon. "Catalogue of Paintings Exhibited at the Rooms of the Royal Academy", Library of the Fine Arts, III (1832), 345-358 (1780) <Toronto>. In 1780, the Blake entry is reported as "W Blake.--315. Death of Earl Goodwin" (p. 353). REVIEW Candid [i.e., George Cumberland], Morning Chronicle and London Advertiser, 27 May 1780 (includes a criticism of “the death of earl Goodwin, by Mr. Blake”) <BB #1336> 734 Some exhibitions apparently were not accompanied by catalogues and are known only through press-notices of them. 735 See G.E. Bentley, Jr, Sale Catalogues of Blake’s Works 1791-2013 put online on 21 Aug 2013 [http://library.vicu.utoronto.ca/collections/special collections/bentley blake collection/in]. It includes sales of contemporary copies of Blake’s books and manuscripts, his watercolours and drawings, and books (including his separate prints) with commercial engravings. After 2012, I do not report sale catalogues which offer unremarkable copies of books with Blake's commercial engravings or Blake's separate commercial prints. 972 973 “William Blake and His Circle” 1784 The Exhibition of the Royal Academy, M.DCC.LXXXIV. The Sixteenth (London: Printed by T. Cadell, Printer to the Royal Academy) <BB> Blake exhibited “A breach in a city, the morning after a battle” and “War unchained by an angel, Fire, Pestilence, and Famine following”. REVIEW referring to Blake Anon., "The Exhibition. Sculpture and Drawing", Morning Chronicle and London Advertiser, Thursday 27 May 1784, p.
    [Show full text]
  • THE NAKED APE By
    THE NAKED APE by Desmond Morris A Bantam Book / published by arrangement with Jonathan Cape Ltd. PRINTING HISTORY Jonathan Cape edition published October 1967 Serialized in THE SUNDAY MIRROR October 1967 Literary Guild edition published April 1969 Transrvorld Publishers edition published May 1969 Bantam edition published January 1969 2nd printing ...... January 1969 3rd printing ...... January 1969 4th printing ...... February 1969 5th printing ...... June1969 6th printing ...... August 1969 7th printing ...... October 1969 8th printing ...... October 1970 All rights reserved. Copyright (C 1967 by Desmond Morris. This book may not be reproduced in whole or in part, by mitneograph or any other means, without permission. For information address: Jonathan Cape Ltd., 30 Bedford Square, London Idi.C.1, England. Bantam Books are published in Canada by Bantam Books of Canada Ltd., registered user of the trademarks con silting of the word Bantam and the portrayal of a bantam. PRINTED IN CANADA Bantam Books of Canada Ltd. 888 DuPont Street, Toronto .9, Ontario CONTENTS INTRODUCTION, 9 ORIGINS, 13 SEX, 45 REARING, 91 EXPLORATION, 113 FIGHTING, 128 FEEDING, 164 COMFORT, 174 ANIMALS, 189 APPENDIX: LITERATURE, 212 BIBLIOGRAPHY, 215 ACKNOWLEDGMENTS This book is intended for a general audience and authorities have therefore not been quoted in the text. To do so would have broken the flow of words and is a practice suitable only for a more technical work. But many brilliantly original papers and books have been referred to during the assembly of this volume and it would be wrong to present it without acknowledging their valuable assistance. At the end of the book I have included a chapter-by-chapter appendix relating the topics discussed to the major authorities concerned.
    [Show full text]
  • Ackland Art Museum Press Release for She Who Tells a Story 2019
    The Ackland Art Museum Shines Spotlight on Art of the Middle East and North Africa with Two Events: Exhibition “She Who Tells a Story: Women Photographers from Iran and the Arab World” and Installation of Recently Acquired Islamic Art FOR IMMEDIATE RELEASE (Chapel Hill, N.C. — Aug 14, 2019) –– The Ackland Art Museum at the University of North Carolina at Chapel Hill shines a spotlight on art of the Middle East and North Africa with an exhibition of contemporary photography by women artists and an installation of recent acquisitions of Islamic art. The exhibition “She Who Tells a Story: Women Photographers from Iran and the Arab World,” is on view from Friday, Sept. 20 through Sunday, Dec. 1, 2019. The Ackland’s new acquisitions of Islamic Art will be on view in a separate installation from Friday, Sept. 13, 2019 through Sunday, Feb. 2, 2020. "She Who Tells a Story: Women Photographers from Iran and the Arab World" brings together the vital pioneering work of 12 leading artists, ranging in genre from portraiture to documentary: Jananne Al-Ani, Boushra Almutawakel, Gohar Dashti, Rana El Nemr, Lalla Essaydi, Shadi Ghadirian, Tanya Habjouqa, Rula Halawani, Nermine Hammam, Rania Matar, Shirin Neshat, and Newsha Tavakolian. During this critical time for Iran and the Arab world, as national and personal identities are being dismantled and rebuilt, contemporary photography reflects the complexities of unprecedented change. One of the most significant trends to emerge is the work of women photographers, whose remarkable and provocative images provide insights into new cultural landscapes, questioning tradition and challenging perceptions of Middle Eastern and Arab identity.
    [Show full text]
  • Hat Makers with Attitude - Nytimes.Com
    Hat Makers With Attitude - NYTimes.com HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Log In Register Now Help Search All NYTimes.com WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS FASHION & STYLE DINING & WINE HOME & GARDEN WEDDINGS/CELEBRATIONS T MAGAZINE Millinery Madness: Hat Makers With Attitude Log in to see what your friends are sharing Log In With Facebook on nytimes.com. Privacy Policy | What’s This? What’s Popular Now Backlash by the With Extra Bay: Tech Riches Anchovies, Alter a City Deluxe Whale Watching Morgan White, Derek John, Justin Smith Hat-makers with attitude: Piers Atkinson, House of Flora and J Smith Esq. By ROBB YOUNG Published: October 3, 2011 They are not the sort of hat makers whose idea of topping off an outfit RECOMMEND involves a charming little cloche or a cozy beret. Some are hell-raising TWITTER provocateurs while others are more like cheeky jesters full of LINKEDIN merrymaking and mischief. A few are die-hard design intellectuals, SIGN IN TO E-MAIL and at least one literally blurs the boundaries between hats and the PRINT hair that they cover. But one thing that unites this motley crew of SINGLE PAGE modern milliners is that “restraint” and “simplicity” are not part of their vocabularies. REPRINTS SHARE “To borrow a phrase from the stylist The Collection: A Fashion Simon Foxton, ‘There’s nothing worse App for the iPad A one-stop than a jaunty trilby,”’ says Fred Butler, destination for an exuberant British accessories Times fashion coverage and the designer who got her big break when latest from the Lady Gaga’s stylist, Nicola Formichetti, commissioned the runways.
    [Show full text]
  • Studio International Magazine: Tales from Peter Townsend’S Editorial Papers 1965-1975
    Studio International magazine: Tales from Peter Townsend’s editorial papers 1965-1975 Joanna Melvin 49015858 2013 Declaration of authorship I, Joanna Melvin certify that the worK presented in this thesis is my own. Where information has been derived from other sources, I confirm that this is indicated in the thesis. i Tales from Studio International Magazine: Peter Townsend’s editorial papers, 1965-1975 When Peter Townsend was appointed editor of Studio International in November 1965 it was the longest running British art magazine, founded 1893 as The Studio by Charles Holme with editor Gleeson White. Townsend’s predecessor, GS Whittet adopted the additional International in 1964, devised to stimulate advertising. The change facilitated Townsend’s reinvention of the radical policies of its founder as a magazine for artists with an international outlooK. His decision to appoint an International Advisory Committee as well as a London based Advisory Board show this commitment. Townsend’s editorial in January 1966 declares the magazine’s aim, ‘not to ape’ its ancestor, but ‘rediscover its liveliness.’ He emphasised magazine’s geographical position, poised between Europe and the US, susceptible to the influences of both and wholly committed to neither, it would be alert to what the artists themselves wanted. Townsend’s policy pioneered the magazine’s presentation of new experimental practices and art-for-the-page as well as the magazine as an alternative exhibition site and specially designed artist’s covers. The thesis gives centre stage to a British perspective on international and transatlantic dialogues from 1965-1975, presenting case studies to show the importance of the magazine’s influence achieved through Townsend’s policy of devolving responsibility to artists and Key assistant editors, Charles Harrison, John McEwen, and contributing editor Barbara Reise.
    [Show full text]
  • Photography and Cinema
    Photography and Cinema David Campany Photography and Cinema EXPOSURES is a series of books on photography designed to explore the rich history of the medium from thematic perspectives. Each title presents a striking collection of approximately80 images and an engaging, accessible text that offers intriguing insights into a specific theme or subject. Series editors: Mark Haworth-Booth and Peter Hamilton Also published Photography and Australia Helen Ennis Photography and Spirit John Harvey Photography and Cinema David Campany reaktion books For Polly Published by Reaktion Books Ltd 33 Great Sutton Street London ec1v 0dx www.reaktionbooks.co.uk First published 2008 Copyright © David Campany 2008 All rights reserved No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. Printed and bound in China by C&C Offset Printing Co., Ltd British Library Cataloguing in Publication Data Campany, David Photography and cinema. – (Exposures) 1. Photography – History 2. Motion pictures – History I. Title 770.9 isbn–13: 978 1 86189 351 2 Contents Introduction 7 one Stillness 22 two Paper Cinema 60 three Photography in Film 94 four Art and the Film Still 119 Afterword 146 References 148 Select Bibliography 154 Acknowledgements 156 Photo Acknowledgements 157 Index 158 ‘ . everything starts in the middle . ’ Graham Lee, 1967 Introduction Opening Movement On 11 June 1895 the French Congress of Photographic Societies (Congrès des sociétés photographiques de France) was gathered in Lyon. Photography had been in existence for about sixty years, but cinema was a new inven- tion.
    [Show full text]
  • Primate Aesthetics
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses July 2016 Primate Aesthetics Chelsea L. Sams University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Art Practice Commons, Fine Arts Commons, Interdisciplinary Arts and Media Commons, and the Other Animal Sciences Commons Recommended Citation Sams, Chelsea L., "Primate Aesthetics" (2016). Masters Theses. 375. https://doi.org/10.7275/8547766 https://scholarworks.umass.edu/masters_theses_2/375 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. PRIMATE AESTHETICS A Thesis Presented by CHELSEA LYNN SAMS Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of MASTER OF FINE ARTS May 2016 Department of Art PRIMATE AESTHETICS A Thesis Presented by CHELSEA LYNN SAMS Approved as to style and content by: ___________________________________ Robin Mandel, Chair ___________________________________ Melinda Novak, Member ___________________________________ Jenny Vogel, Member ___________________________________ Alexis Kuhr, Department Chair Department of Art DEDICATION For Christopher. ACKNOWLEDGMENTS I am truly indebted to my committee: Robin Mandel, for his patient guidance and for lending me his Tacita Dean book; to Melinda Novak for taking a chance on an artist, and fostering my embedded practice; and to Jenny Vogel for introducing me to the medium of performance lecture. To the long­suffering technicians Mikaël Petraccia, Dan Wessman, and Bob Woo for giving me excellent advice, and tolerating question after question.
    [Show full text]
  • Feminists, Freedom Fighters and Daughters - a Discourse Analysis of the United States Media’S Portrayal of the Kurdish Female Fighters in Syria
    Lund University FKVK02 Social Sciences Faculty Spring 2020 Peace and Conflict Studies Thesis Advisor: Maria Småberg Feminists, Freedom Fighters and Daughters - A Discourse Analysis of the United States Media’s Portrayal of the Kurdish Female Fighters in Syria Sophie Hogevall Antal tecken: 69 658 Abstract The purpose of this study is to examine how the US media has portrayed the Kurdish female fighters in Syria. Since the battle of Kobane the fighters of the Women’s Protection Units (YPJ) have been sensationalised and received immense attention in western news media. Previous research has shown that female combatants are portrayed differently than their male counterparts, and this assumption is the foundation for the research on the representations of the YPJ. Thirteen articles from ten different newspapers in the United States were analysed through a Critical Discourse Analysis which was complemented by a framework developed by Brigitte L. Nacos. The research shows that the Female Kurdish fighters are depicted through gendered stereotypes and that there are similarities in their portrayal and depiction of illegitimate political actors. The female fighters are presented as feminists, brave, and rational while framed through their physical appearances and family connections. The analysis also reveals that there is a particular focus on the YPJ members age as well as a recurring theme in US media of trying to separate the Kurdish female fighters from the traditional western image of a Muslim woman. Keywords: Discourse analysis, Gender, Islamic State, Kurdish female fighters, Media framing, Syria, YPJ Table of contents List of Abbreviations 1. Introduction .........................................................................................................................1 1.1 Research Purpose and Question.……….……………………………………….…2 1.2 Background…………………………………………………………………….….3 1.2.1 YPJ………………………………………………………………………3 1.2.2 U.S.
    [Show full text]
  • Book Reviews Publications by Thames & Hudson Are Reviewed Across a Variety of Subject Areas and from Practical to Theoretical Study
    A wide range of Art and Design Book Reviews publications by Thames & Hudson are reviewed across a variety of subject areas and from practical to theoretical study. Art and Design Book Reviews Art and Design – Thames & Hudson The art and design books reviewed in this document have been carefully selected as being suitable for use as either textbooks or teaching resources. Each of them is well worth taking a look at for possible inclusion in the art and design section of your learning resources centre or in your own teaching support materials library. Review commentaries have been provided by the publishers. Sections Index 1. Accessories 2. Animation 3. Architecture 4. Art and Design: History and Theory 5. Art and Design: Monographs and Retrospectives 6. Ceramics 7. Drawing and Painting 8. Fashion 9. Graphics 10. Photography 11. Printmaking 12. Product Design 13. Sculpture 14. Textiles 15. World Art 1 Accessories Fashion Design Course: Accessories Jane Schaffer and Sue Saunders 258 pages with glossary and index Fully illustrated and photographed ISBN: 978 0500 290347 Paperback £16.95 This information-packed book introduces design students to an important segment of the fashion industry, focusing on the growing market sector that encompasses accessories and footwear. The authors present a detailed overview of their subject, examining both the creative and technical aspects of accessory design, presentation, and marketing. They discuss basic principles and techniques of research, design, and development, translate the industry's specialist terminology into terms students and outsiders can understand, and describe tools of the trade. 2 Animation The Complete Digital Animation Course The Principles, Practice and Techniques of Successful Digital Animation - Andy Wyatt 144 pages with glossary, resources and index.
    [Show full text]