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Museum Archivist
Newsletter of the Museum Archives Section Museum Archivist WINTER 2014 Volume 24 Issue 2 From the Co-Chairs Hello, and Happy New Year to everyone! more. In fact, we have adopted the follow- Although we may be in the frozen depths ing words by Benjamin Franklin that cap- of winter throughout much of the US, rest ture our inspiration and summarize our assured that your Museum Archives Sec- goals for the Museum Archives Section this tion (MAS) Co-Chairs, Jennie Thomas and year: “Tell me and I forget. Teach me and I Heidi Abbey, have been busy not only remember. Involve me and I learn.” We reminiscing about the warm weather in are going to try to put these words into New Orleans during the 2013 annual practice. meeting, but also brainstorming ideas to facilitate participation from and communi- MAS Priorities for 2014 cation among our members. When we We will focus on three priorities for the began drafting our update for the newslet- rest of the year, and all of them will benefit ter, we were reminded of numerous con- from your involvement and feedback. We cerns raised by section members last Au- intend to: 1) improve communication tools gust. There was an overwhelming interest and information sharing, which will center in the value of talking to each other, collabo- around results from a spring 2014 survey rating more, and strengthening involvement of MAS members; 2) investigate the feasi- to make our section truly reflective of the bility and logistics of live streaming our diverse institutional and cultural heritage August 2014 annual meeting in Washing- Image by Lisa Longfellow. -
The Phillips Collection Exhibition History, 1999–2021
Exhibition History, 1999–2021 Exhibition History, 1999–2021 THE PHILLIPS COLLECTION EXHIBITION HISTORY, 1999–2021 The Phillips Collection presented the following exhibitions for which it served as either an organizer or a presenting venue. * Indicates a corresponding catalogue 23, 2000. Organizing institution: The TPC.2000.6* 12, 2002. Organizing institution: 1999 Phillips Collection. William Scharf: Paintings, 1984–2000. Smith College Museum of Art, November 18, 2000–July 2, 2001. Northampton, MA. TPC.1999.1 Organizing institution: The Phillips Photographs from the Collection of 2000 Collection. Traveled to The Frederick TPC.2002.2 Dr. and Mrs. Joseph D. Lichtenberg. R. Weisman Museum of Art, Malibu, John Walker. February 16–August 4, January 12–April 25, 1999. Organizing TPC.2000.1* CA, October 20–December 15, 2001. 2002. Organizing institution: The institution: The Phillips Collection. Honoré Daumier. February 19–May Phillips Collection. 14, 2000. Organizing institutions: TPC.1999.2 The Phillips Collection, The National 2001 TPC.2002.3 An Adventurous Spirit: Calder at The Gallery of Canada, and Réunion des Howard Hodgkin. May 18–July 18, 2002. Phillips Collection. January 23–June Musées Nationaux, Paris. Traveled to 2 TPC.2001.1* Organizing institution: The Phillips 8, 1999. Organizing institutions: The additional venues. Wayne Thiebaud: A Paintings Collection. Phillips Collection and The Calder Retrospective. February 10–April 29, TPC.2000.2* Foundation. 2001. Organizing institution: Fine TPC.2002.4* An Irish Vision: Works by Tony O’Malley. Arts Museums of San Francisco, CA. Edward Weston: Photography and TPC.1999.3 April 8–July 9, 2000. Organizing Traveled to 3 additional venues. Modernism. June 1–August 18, 2002. -
Around Town 2015 Annual Conference & Meeting Saturday, May 9 – Tuesday, May 12 in & Around, NYC
2015 NEW YORK Association of Art Museum Curators 14th Annual Conference & Meeting May 9 – 12, 2015 Around Town 2015 Annual Conference & Meeting Saturday, May 9 – Tuesday, May 12 In & Around, NYC In addition to the more well known spots, such as The Metropolitan Museum of Art, Museum of Modern Art, , Smithsonian Design Museum, Hewitt, Solomon R. Guggenheim Museum, The Frick Collection, The Morgan Library and Museum, New-York Historical Society, and the Whitney Museum of American Art, here is a list of some other points of interest in the five boroughs and Newark, New Jersey area. Museums: Manhattan Asia Society 725 Park Avenue New York, NY 10021 (212) 288-6400 http://asiasociety.org/new-york Across the Fields of arts, business, culture, education, and policy, the Society provides insight and promotes mutual understanding among peoples, leaders and institutions oF Asia and United States in a global context. Bard Graduate Center Gallery 18 West 86th Street New York, NY 10024 (212) 501-3023 http://www.bgc.bard.edu/ Bard Graduate Center Gallery exhibitions explore new ways oF thinking about decorative arts, design history, and material culture. The Cloisters Museum and Garden 99 Margaret Corbin Drive, Fort Tyron Park New York, NY 10040 (212) 923-3700 http://www.metmuseum.org/visit/visit-the-cloisters The Cloisters museum and gardens is a branch oF the Metropolitan Museum oF Art devoted to the art and architecture oF medieval Europe and was assembled From architectural elements, both domestic and religious, that largely date from the twelfth through fifteenth century. El Museo del Barrio 1230 FiFth Avenue New York, NY 10029 (212) 831-7272 http://www.elmuseo.org/ El Museo del Barrio is New York’s leading Latino cultural institution and welcomes visitors of all backgrounds to discover the artistic landscape of Puerto Rican, Caribbean, and Latin American cultures. -
WATERFRONT REDEVELOPMENT at SOUTH STREET SEAPORT: WHERE WATER and LAND, COLLABORATION and PLANNING CONVERGE Kathryn Anne Lorico Tipora Fordham University
Fordham University Masthead Logo DigitalResearch@Fordham Urban Studies Masters Theses Urban Studies August 2012 WATERFRONT REDEVELOPMENT AT SOUTH STREET SEAPORT: WHERE WATER AND LAND, COLLABORATION AND PLANNING CONVERGE Kathryn Anne Lorico Tipora Fordham University Follow this and additional works at: https://fordham.bepress.com/urban_studies_masters Recommended Citation Tipora, Kathryn Anne Lorico, "WATERFRONT REDEVELOPMENT AT SOUTH STREET SEAPORT: WHERE WATER AND LAND, COLLABORATION AND PLANNING CONVERGE" (2012). Urban Studies Masters Theses. 2. https://fordham.bepress.com/urban_studies_masters/2 This is brought to you for free and open access by the Urban Studies at DigitalResearch@Fordham. It has been accepted for inclusion in Urban Studies Masters Theses by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. WATERFRONT REDEVELOPMENT AT SOUTH STREET SEAPORT: WHERE WATER AND LAND, COLLABORATION AND PLANNING CONVERGE BY Kathryn Anne Lorico Tipora BA, University of Richmond, 2007 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN URBAN STUDIES AT FORDHAM UNIVERSITY NEW YORK MAY 2012 TABLE OF CONTENTS LIST OF FIGURES ........................................................................................... iii INTRODUCTION ............................................................................................... 1 BACKGROUND AND DEFINITIONS ................................................................... 6 LITERATURE REVIEW -
Please Scroll Down for Article
This article was downloaded by: [Sternberger, Paul] On: 26 February 2009 Access details: Access Details: [subscription number 909051291] Publisher Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Photographies Publication details, including instructions for authors and subscription information: http://www.informaworld.com/smpp/title~content=t778749997 ME, MYSELF AND INDIA Paul Sternberger Online Publication Date: 01 March 2009 To cite this Article Sternberger, Paul(2009)'ME, MYSELF AND INDIA',Photographies,2:1,37 — 58 To link to this Article: DOI: 10.1080/17540760802696971 URL: http://dx.doi.org/10.1080/17540760802696971 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.informaworld.com/terms-and-conditions-of-access.pdf This article may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. Paul Sternberger ME, MYSELF AND INDIA Contemporary Indian photography and the diasporic experience Recent Indian photographers have used their medium to reveal, interpret, and influence the multifaceted nature of Indian identity and cross-cultural experiences in India and abroad. -
Eighteen Major New York Area Museums Participate in Instagram Swap
EIGHTEEN MAJOR NEW YORK AREA MUSEUMS PARTICIPATE IN INSTAGRAM SWAP THE FRICK COLLECTION PAIRS WITH NEW-YORK HISTORICAL SOCIETY In a first-of-its-kind collaboration, eighteen major New York City area institutions have joined forces to celebrate their unique collections and spaces on Instagram. All day today, February 2, the museums will post photos from this exciting project. Each participating museum paired with a sister institution, then set out to take photographs at that institution, capturing objects and moments that resonated with their own collections, exhibitions, and themes. As anticipated, each organization’s unique focus offers a new perspective on their partner museum. Throughout the day, the Frick will showcase its recent visit to the New-York Historical Society on its Instagram feed using the hashtag #MuseumInstaSwap. Posts will emphasize the connections between the two museums and libraries, both cultural landmarks in New York and both beloved for highlighting the city’s rich history. The public is encouraged to follow and interact to discover what each museum’s Instagram staffer discovered in the other’s space. A complete list of participating museums follows: American Museum of Natural History @AMNH The Museum of Modern Art @themuseumofmodernart Intrepid Sea, Air & Space Museum @intrepidmuseum Cooper Hewitt, Smithsonian Design Museum @cooperhewitt Museum of the City of New York @MuseumofCityNY New Museum @newmuseum 1 The Museum of Arts and Design @madmuseum Whitney Museum of American Art @whitneymuseum The Frick Collection -
New Museum Elects New Members to Its Board of Trustees, Joining Four Other Board Members Appointed Over the Past Year
PRESS CONTACTS Paul Jackson, Communications Director Nora Landes, Press Associate [email protected] 212.219.1222 x209 Andrea Schwan, Andrea Schwan Inc. 917.371.5023 [email protected] FOR IMMEDIATE RELEASE March 10, 2020 NEW MUSEUM ELECTS NEW MEMBERS TO ITS BOARD OF TRUSTEES, JOINING FOUR OTHER BOARD MEMBERS APPOINTED OVER THE PAST YEAR New York, NY… Lisa Phillips, Toby Devan Lewis Director of the New Museum, and James Keith Brown, President, announced today the appointment of four new members elected to the New Museum’s Board of Trustees: Patricia Blanchet, Füsun EczacıbaŞı, Tommie Pegues, and Jamie Singer. They join four other new members who became trustees over the past year including Evan Chow, Randi Levine, Matt Mullenweg, and Marcus Weldon. “We are thrilled that these outstanding individuals committed to our mission are joining the New Museum Board,” said New Museum Board President, JK Brown. “Their diverse backgrounds across generations and geographies will bring new perspectives to the Museum for the future ahead at an important time of change,” said Lisa Phillips, Toby Devan Lewis Director. Patricia Blanchet has a long history of engagement with black arts and culture, as a maker, administrator, and patron, particularly of the visual arts, dance, theater, film, music, and photography. A longstanding collector of African American art, she currently serves on the Acquisition Committee of the Studio Museum in Harlem, and on the boards of the Newport Festivals Foundation and the NY African Film Festival. Previously she was the Program Director at NYU’s Institute of African American Affairs as well as the Director of Development at the Museum for African Art when it was the neighbor of the New Museum on Broadway. -
Onassis Usa and the New Museum's New Inc Announce the Launch of Onx Studio, with Two Dozen Artists and Producers Working in Extended Reality
ONASSIS USA AND THE NEW MUSEUM'S NEW INC ANNOUNCE THE LAUNCH OF ONX STUDIO, WITH TWO DOZEN ARTISTS AND PRODUCERS WORKING IN EXTENDED REALITY New York, NY...Onassis USA and the New Museum’s NEW INC are pleased to announce the launch of ONX Studio—the Onassis, NEW INC Extended Reality Studio—with two dozen artists and producers working in extended reality (XR), for a year-long term to develop significant works for the public realm. ONX Studio distinguishes itself as a hybrid space where work is both created and presented. It functions as an accelerator, a subsidized production studio and workspace, and an exhibition gallery located in the Onassis Gallery of Olympic Tower in Midtown Manhattan. Each year the studio space will transform into an extended reality gallery for a month-long showcase featuring ONX artists. The first showcase is planned for later in 2021. ONX is a two-year pilot program and steered by NEW INC’s Cofounder Karen Wong and Director Stephanie Pereira, and the Onassis Foundation’s Head of Digital and Innovation Prodromos Tsiavos. ONX Studio will be in close dialogue with NEW INC (New York City) and Onassis Lab (Athens), the Onassis Foundation’s cross-disciplinary incubator that seeks to support innovation and disruption across disciplines. The three entities will support each other through curated conversations, skill sharing, and collaborative projects with a goal of creating an ecosystem that connects extended reality artists in the US and Europe and beyond. ONX Studio’s first international event will take place on December 18th, “Bodies in Space: Extended Realities in Live Performance,” in which three extended reality artists—Sarah Rothberg, Theo Triantafyllidis, and Lu Yang—will be in conversation with Janet Wong, Associate Artistic Director at New York Live Arts. -
New York Pass Attractions
Free entry to the following attractions with the New York Pass Top attractions Big Bus New York Hop-On-Hop-Off Bus Tour Empire State Building Top of the Rock Observatory 9/11 Memorial & Museum Madame Tussauds New York Statue of Liberty – Ferry Ticket American Museum of Natural History 9/11 Tribute Center & Audio Tour Circle Line Sightseeing Cruises (Choose 1 of 5): Best of New York Intrepid Sea, Air & Space Museum Local New York Favourite National Geographic Encounter: Ocean Odyssey - NEW in 2019 The Downtown Experience: Virtual Reality Bus Tour Bryant Park - Ice Skating (General Admission) Luna Park at Coney Island - 24 Ride Wristband Deno's Wonder Wheel Harlem Gospel Tour (Sunday or Wednesday Service) Central Park TV & Movie Sites Walking Tour When Harry Met Seinfeld Bus Tour High Line-Chelsea-Meatpacking Tour The MET: Cloisters The Cathedral of St. John the Divine Brooklyn Botanic Garden Staten Island Yankees Game New York Botanical Garden Harlem Bike Rentals Staten Island Zoo Snug Harbor Botanical Garden in Staten Island The Color Factory - NEW in 2019 Surrey Rental on Governors Island DreamWorks Trolls The Experience - NEW in 2019 LEGOLAND® Discovery Center, Westchester New York City Museums Museum of Modern Art (MoMA) Metropolitan Museum of Art (The MET) The Met: Breuer Solomon R. Guggenheim Museum Whitney Museum of American Art Museum of Sex Museum of the City of New York New York Historical Society Museum Cooper Hewitt, Smithsonian Design Museum Museum of Arts and Design International Center of Photography Museum New Museum Museum of American Finance Fraunces Tavern South Street Seaport Museum Brooklyn Museum of Art MoMA PS1 New York Transit Museum El Museo del Barrio - NEW in 2019 Museum of Jewish Heritage – A Living Memorial to the Holocaust Museum of Chinese in America - NEW in 2019 Museum at Eldridge St. -
Programs & Exhibitions
PROGRAMS & EXHIBITIONS Winter/Spring 2020 To purchase tickets by phone call (212) 485-9268 letter | exhibitions | calendar | programs | family | membership | general information Dear Friends, Until recently, American democracy wasn’t up for debate—it was simply fundamental to our way of life. But things have changed, don’t you agree? According to a recent survey, less than a third of Americans born after 1980 consider it essential to live in a democracy. Here at New-York Historical, our outlook is nonpartisan Buck Ennis, Crain’s New York Business and our audiences represent the entire political spectrum. But there is one thing we all agree on: living in a democracy is essential indeed. The exhibitions and public programs you find in the following pages bear witness to this view, speaking to the importance of our democratic principles and the American institutions that carry them out. A spectacular new exhibition on the history of women’s suffrage in our Joyce B. Cowin Women’s History Gallery this spring sheds new light on the movements that led to the ratification of the 19th Amendment to the Constitution 100 years ago; a major exhibition on Bill Graham, a refugee from Nazi Germany who brought us the Grateful Dead, Jefferson Airplane, Jimi Hendrix, and many other staples of rock & roll, stresses our proud democratic tradition of welcoming immigrants and refugees; and, as part of a unique New-York Historical–Asia Society collaboration during Asia Society’s inaugural Triennial, an exhibition of extraordinary works from both institutions will be accompanied by a new site-specific performance by drummer/composer Susie Ibarra in our Patricia D. -
Climate Changing: on Artists, Institutions, and the Social Environment
i CLIMATE CHANGING CLIMATE WHY CAN’T YOU TELL ME SCORE WHAT YOU NEED Somewhere our body needs party favors attending sick and resting temperatures times hot unevens twice I ask myself all the time too ward draw pop left under right Just try and squeeze me. Pause. What would you do? Fall down off my feet and try waking tired ex muses Like, you either know I can and work on it with me Or know I can’t and wouldn’t want your baby to go through what I have to go through Over prepared for three nights. Over it all scared for three nights. Tell me the unwell of never been better. Are we still good? Are we still good? TABLE OF CONTENTS Director’s Foreword 4 Johanna Burton A Climate for Changing 6 Lucy I. Zimmerman On Chris Burden’s Wexner Castle 10 Lucy I. Zimmerman Notes on Chris Burden’s Through the Night Softly 15 Pope.L WE LEFT THEM NOTHING 17 Demian DinéYazhi´ Untitled 21 Jibade-Khalil Huffman Scores 1, 3, 13, 23, 27, 50 Park McArthur and Constantina Zavitsanos Questioning Access 25 Advisory Committee Roundtable Discussion Artists in the Exhibition 29 Acknowledgments 47 3 BLANKET (STATEMENT) SCORE Why can’t you just tell me what you need DIRECTOR’S FOREWORD 4 Johanna Burton, Executive Director Opening in the first month of 2021 (or at least set to committee’s roundtable discussion further explores, open then at the time of this writing), Climate Changing: the exhibition intends not to inventory nor propose On Artists, Institutions, and the Social Environment solutions for these considerable challenges, but rather comes at a time of great uncertainty for cultural or- to provide artists a forum for bringing the issues into ganizations. -
Jewish Museums - a Multi-Cultural Destination Sharing Jewish Art and Traditions with a Diverse Audience Jennifer B
Seton Hall University eRepository @ Seton Hall Seton Hall University Dissertations and Theses Seton Hall University Dissertations and Theses (ETDs) 12-2008 Jewish Museums - a Multi-Cultural Destination Sharing Jewish Art and Traditions With a Diverse Audience Jennifer B. Markovitz Seton Hall University Follow this and additional works at: https://scholarship.shu.edu/dissertations Part of the Jewish Studies Commons, Museum Studies Commons, and the Religion Commons Recommended Citation Markovitz, Jennifer B., "Jewish Museums - a Multi-Cultural Destination Sharing Jewish Art and Traditions With a Diverse Audience" (2008). Seton Hall University Dissertations and Theses (ETDs). 2398. https://scholarship.shu.edu/dissertations/2398 Jewish Museums - A Multi-Cultural Destination Sharing Jewish Art and Traditions with a Diverse Audience By Jennifer B. Markovitz Dr. Susan K. Leshnoff, Advisor Submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS IN MUSEUM PROFESSIONS Seton Hall University December 2008 Abstract As American society becomes more diverse, issues of ethnic self· consciousness are increasingly prevalent. This can be witnessed by the national expansion and development of ethnic museums. At least twenty-five museums representing different ethnicities are located in New York City alone. These museums reach out to their own constituency as a celebration of heritage and culture. In an effort to educate others and foster a greater understanding and appreciation of their culture, they also reach out to a diverse multi-cultural audience. Following suit, Jewish museums attract a diverse audience representing a variety of religions and ethnicities. Jewish Museums - A Multi-Cultural Destination explores how this audience is reached through exhibition and education initiatives.