Diamond Rings I Just Me Album
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
At Niagara College Campus) Enjoy Grassroots Hockey Without the Ice! 905-734-1040 • Jack & Jill (Adult Co-Ed) St
Do conservatives Journalism meets art Caught ya looking! Put your message here fear sex? Contact Niagara News Advertising [email protected] Page 11 Pages 14 – 15 905-735-2211 ext 7748 NIAGARA NEWS FREE NOVEMBER 7, 2003 VOL. 34 ISSUE 4 Veteran’s Lest we forget ... Fewer can pay story of survival tuition costs By SHANNON ARNOLD alistic expectations on parents for Staff Writer monetary support. When parents in WW2 The shutters are closing on the choose not to contribute financial- By ANDREA ST. PIERRE window of equal opportunity for ly, students are left to shoulder the Staff Writer students considering post-sec- difference. Alexander “Sandy” Sinclair sat ondary education. Other evidence revealed by the back in a white, cushioned arm- A study released by Statistics study shows some students are chair and began his story of sur- Canada on Oct. 3 states that switching from university to col- vival during the Second World War. mounting tuition costs are result- lege. A differentiation in the fee Sinclair, a warm, hospitable ing in a two-tiered educational structure of programs and institu- man with snow-white hair and system, in which the upper-class tions was also found. experience shining in his blue remain unaffected and lower- and Zhao says, “Previously, there eyes, hung my jacket and offered middle-class students are faced was not much of a spread in the me a drink. with limited choices and tuition levels across institutions. “I’d like to have a beer. I usual- resources. Now what we’re seeing is a much ly like to have one,” said Sinclair, John Zhao, spokesperson for the bigger spread, with equal access as he ventured into the kitchen. -
The Water Tower Vol. 9 Issue 3
volume 9 - issue 1 - tuesday, february 1, 2011 - uvm, burlington, vt uvm.edu/~watertwr - thewatertower.tumblr.com Stories abound in the rich history of Not enough to make use of this room all stars of UVM see it differently. I mean the decision made by the UVM Board of Waterman. My mom has told me stories time, that’s for sure.) This menas that it’s people who are responsible for bars staying Trustees. The swarming UVM cops will of the convenient “Waterman couch” that like a real life room of requirement. in business Sunday through Wednesday. wait outside in fear of being accused of once was – where students could sleep off So how do UVMers take advantage? The ones who may or may not have put harassment for barging into the girls’ a hangover or a long night raging at the Stressed out underclassmen gaze at the off graduating on time for reasons related room, so the protesters even have enough Cyber Café, while being just a hallway box with hope for a better living situation. to partying. For these people The OP time to draw up their next plan of attack. away from their classes. These glory Perhaps this gift could be their lovely and Finnegan’s are too mainstream. They All other uses aside, what are people days are long gone, though. The head living space – a home away from home see the Waterman Box as a sort of indie really going to use the Box for most? In the custodian at Waterman has remarked of that provides solitude and escape from champagne room: a quiet, clean spot for end, we need to accept that our heads are the dramatic decline in lavatory usage roommate stress. -
Junior Boys B.B.C. English Info
The white noise backdrop of modern life means that without some fine-tuning on our part, even established and progressive artists can become elusive on occasion. But since musical creativity involves a healthy drive to self-determination and often a keen collaborative spirit, out of earshot doesn’t necessarily mean out of action. Certainly not in the case of Junior Boys, who’ve readied a new album, Big Black Coat - due for release on 5 February 2016. A strikingly energised and intuitively dynamic set that reconnects them to their techno roots without sacrificing their soulful pop nous or riding a revivalist wave, it’s also shaped by what Jeremy Greenspan and Matt Didemus have been doing in the five years since their last release. The Hamilton, Ontario duo have racked up four albums since they formed in 1999, including their 2004 debut Last Exit and 2006’s So This Is Goodbye, two rapturous – and rapturously received – records that were as poignant as they were impeccably produced, and prefigured Album: ‘Big Black Coat’ the digital R&B so beloved of many an artist in the last few years. Two albums followed, the Cat No: Slang50089 Format: CD / LP / Digital last in 2011, by which time high expectation had begun to leach the fun from making records. Release: 05.02.2016 Label: City Slang The years since then have been filled with nourishing independent pursuits. Greenspan released two solo singles and a collaborative EP on Jiaolong, the label run by his old friend and fellow Hamiltonian Dan Snaith (aka Caribou, Daphni – Greenspan also mixed several TRACKLISTING songs from Swim). -
Multiculturalism and the De-Politicization of Blackness in Canada: the Case of Flow 93.5 Fm
MULTICULTURALISM AND THE DE-POLITICIZATION OF BLACKNESS IN CANADA: THE CASE OF FLOW 93.5 FM by Kisrene McKenzie A thesis submitted in conformity with the requirements for the degree of Master of Arts Department of Sociology and Equity Studies in Education Ontario Institute for Studies in Education of the University of Toronto © Copyright by Kisrene McKenzie 2009 MULTICULTURALISM AND THE DE-POLITICIZATION OF BLACKNESS IN CANADA: THE CASE OF FLOW 93.5 FM Master of Arts 2009 Kisrene McKenzie Department of Sociology and Equity Studies in Education University of Toronto Abstract This thesis presents a case study of Canada‟s first Black owned radio station, FLOW 93.5 FM, to demonstrate how official multiculturalism, in its formulation and implementation, negates Canada‟s history of slavery and racial inequality. As a response to diversity, multiculturalism shifts the focus away from racial inequality to cultural difference. Consequently, Black self-determination is unauthorized. By investigating FLOW‟s radio license applications, programming and advertisements, this thesis reveals just how the vision of a Black focus radio station dissolved in order to fit the practical and ideological framework of multiculturalism so that Blackness could be easily commodified. This thesis concludes that FLOW is not a Black radio station but instead is a multicultural radio station – one that specifically markets a de-politicized Blackness. As a result, multiculturalism poses serious consequences for imagining and engaging with Blackness as a politics that may address the needs of Black communities in Canada. ii ACKNOWLEDGEMENTS I extend my deepest gratitude to my thesis supervisor, Dr. Sherene Razack, for her guidance, constant support, encouragement and initial interest in my thesis topic. -
February 2016
CTM 2016|NEW GEOGRAPHIES Dienstag 09.02.2016 Tür 20 Uhr, Start 21 Uhr AUSVERKAUFT! Freitag 19.02.2016 Start 24 Uhr Innervisions Donnerstag 25.02.2016 Tür 20 Uhr, Start 21 Uhr AUSVERKAUFT! FEBRUAR 2016 Berghain Panorama Bar Berghain Dienstag 02.02.2016 Tür 21 Uhr, Start 22 Uhr Dienstag 02.02.2016 – Donnerstag 04.02.2016 CTM 2016 Tortoise LIVE LIVE uncanny valley Junior Boys LIVE city slang Jacob Korn Berghain > AGF:poemproducer Aïsha Devi & Tianzhuo Chen feat. Beio Berghain SUPPORT: Sam Prekop, Blondie Brownie SUPPORT: Jessy Lanza hyperdub Âme innervisions Joy Orbison hinge finger Stefan Goldmann macro group A Iancu Dumitrescu & Ana-Maria Avram with Marija Bozinovska Jones aka MBJ Wetware with J.G. Biberkopf Jens Balzer & Tortoise DJ Team Marcin Pietruczewski Richtig gelesen: Dies ist eine Innervisions-Nacht, auch wenn mit Âme heute streng genommen nur Nach über vier Jahren sind Junior Boys aus Kanada endlich wieder live im Lande. Big Black Coat Hyperion Ensemble feat. Stephen O'Malley Jlin Narlei KABLAM Ganz einfach gesagt machen Tortoise seit beinahe 25 Jahren Musik, die sich jeglicher Beschrei- ein Kernkünstler des Berliner Labels spielen wird. Das Zauberwort heißt hier wieder einmal Kura- heißt das neue Album und erscheint im Februar auf City Slang. Der typische Junior Boys-Sound, Thug Entrancer LIVE AV Visionist feat. Kevin Bray LIVE AV Le1F Lena Willikens Marcin Pietruczewski bung entzieht. Zwar wurde das in Chicago beheimatete Instrumental-Quintett im Laufe ihrer bis tion, was bedeudet, dass das Programm in enger Absprache mit Innervisions zusammengestellt irgendwo zwischen R&B, Techno und Popmusik, klingt so üppig und unmittelbar wie schon seit Marija Bozinovska Jones aka MBJ Wetware with J.G. -
E T .S
$5.50 (U.S.), $6.50 (CAN.), £4.50 (U.K.) IN MUSIC NEWS 908 Jonatha 1r8XNCCVR *** * * *** 3 -DIGIT 0675 000 1GEE4EM740M0990744 002 BI MAR 2396 1 03 Brooke MONTY GREENLY 3740 ELM AVE APT A .+.r_ REACH, CA 90807 -3402 Tells Her Story On Blue Thumb SEE PAGE 7 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT AUGUST 12, 1995 ADVERT I-.f MENTS Marsalis To Trumpet Music Magnatone's Shelby Lynne Holly Cole Fundamentals On PBS Series `Restless' For Radio Success BY JIM MACNIE tional broadcast, the program will be BY DEBORAH EVANS PRICE on Vince Gill's tour this fall. made available on home video by Sony and TERRI HORAK Such stints aren't surprising, con- Clarinets have wings, hulls change Classical Film & Video beginning sidering that Lynne's recording ca- shape, and batons are magic wands. Sept. 19. In addition, an accompanying NASHVILLE -Ask anyone in the reer began when legendary Nashville Almost anything book written by country music in- producer Billy seems possible in Marsalis and pub- dustry to name Sherrill paired Wynton Marsalis' lished by Norton some of the most her with George latest project, will be packaged impressive vocal- Jones for her first "Marsalis On Mu- with a music CD ists in the genre, single in 1988. sic." that illustrates the and Magnatone Further, Willie The celebrated program's plat- recording artist Nelson is a fan jazz trumpeter, forms. Shelby Lynne will and supporter along with quite a The show was surface regularly. who frequently in- few teammates, conceived by the Recent proof of vites her to his has formalized his trumpeter and Lynne's most -fa- Texas studio, long- standing hob- produced by vored- singer sta- where they have by of teaching in a Emmy- winners tus includes guest recorded a trea- ON TOUR: four -part series WYNTON MARSALIS Peter Gelb and appearances on al- SHELBY LYNNE sure trove of un- NEW YORK 8/16 scheduled to begin Pat Jaffe of PBS bums from Faith released songs. -
The History of Rock Music: the 2000S
The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Intellectuals (These are excerpts from my book "A History of Rock and Dance Music") As it is often the case with rock genres, "post-rock" had become a term encompassing more than one style, and sometimes simply differentiating the non-song format from the song format. There were three main schools: the "ebbing and flowing" style of post-rock (as in God Speed You Black Emperor and Mogwai), the brainy jazz-influenced style of post-rock (Tortoise), and the original style of post-rock, that was simply a form of non-linear instrumental music (Slint, Don Caballero). Prog-rock, by comparison, tended to be more exuberant (if not bombastic) and more about the technical skills of the musicians. Ambient, noise, glitch and world music all contributed to further confuse the tongue of post-rock. Post-rock in Chicago TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Aesthetically speaking, being "post" something was the artistic manifesto of many in the 2000s. It was basically a generalization of post-modernism: not only pushing the boundaries of existing styles, but reinventing, reinterpreting, recontextualizing them and, ultimately, dismantling them. Chicago's school of post-rock was still alive and kicking in the 2000s, although its focus and scope was rapidly shifting towards the digital soundscape. -
Hot Panda / Suuns / Humans / Ache Records / Tony Dallas / Russell Leng / Philanthropy
FREE! NOVEMBER 2010 // SUPPORTING Vancouver’s independent music communty for over 25 years HOT PANDA / SUUNS / HUMANS / ACHE RECORDS / TONY DALLAS / RUSSELL LENG / PHILANTHROPY CiTR FUNDRIVE! 1 EDITOR editor’s note Jordie Yow ART DIRECTOR Dear Discorder: we are hoping that you will be able to give back to CiTR. Lindsey Hampton November is a special month for non-profits. Despite Discorder doesn’t exist without you, our readers, and PRODUCTION MANAGER the ads you see gracing our pages, that is what we are—a we will continue to provide quality interviews with Debby Reis non-profit. Our magazine exists because of a gracious grant Vancouver’s musicians, an eye to the scene we all belong from our publisher, CiTR. That grant covers the costs that to, and unique artwork to photography to accompany it all! COPY EDITORS we cannot make up with ads. Please give generously, but every little bit helps. Donations Sarah Berman, Steve Louie, Andrew November is a special month for non-profits. It is on our behalf to CiTR will count towards continuing and “Over the Shoulder” Kai-Yin viewed for a variety of reasons as the key month for improving upon the already impressive quality and quantity MacKenzie, Debby Reis fundraising. It is the month when people seek to make of coverage that we provide to inform you, our dedicated AD MANAGER charitable donations for tax purposes, and on an emotional reader, of the important musical and cultural shifts that Maegan Thomas level, it is the time when people are in a more charitable happen in Vancouver’s scene. -
Komplette Ausgabe Als
REMAGAZIN 1B 5730 F Postvertriebsstück - Entgelt bezahlt TRUST Juni/Juli 93 PARIS PBLOODSTARW Ê t ë f t i " ' • SOJAKOMPLEX § CLOCKHAMMERMk SMNHKMNHMHMHIÌ #20/3-90 u.a, Hard Ons, Doughboys, Dickies, Exel, Gorilla Bisquits, Haywire und Hiermit bestelle ich: 4-farb Umschlag von Fabi 0 #7 0 #13 0 #14 0 #15 0 #16 #21/1-90 u.a. Mudhoney, Bitch Magnet, 0 #17 0 #18 0 #19 0 #20 0 #21 Verbal Abuse, All, Wrecking Crew, Arm, 0 #22 0 #23 0 #25 0 #26 0 #27 Underdog, Kurdistan, Amp Rep Rec. 0 #28 0 #29 0 #30 0#31 0 #32 0 #33 0 #34 0 #35 ACHTUNG! Es gibt wieder einige #22/3-90 Wieder da! u.a. Noise 0 #36 0 #37 0 #38 0 #39 0 #40 Neuerungen aus unserem Lager zu Annoys, Cateran, Sink, Lazy 0 Photomagazin 0US 0D berichten. (mit "Wieder da" Cowgirls, VD, Chemical People, gekennzeichnet). Einige der älteren Poll (bitte ankreuzen) TRUST 'S sind nur noch in #23/5-90 u.a. D.I., Flower Leperds, Urge, begrenzten Stückzahlen erhältlich, Hell's Kitchen, Trottel, Stengte Dorer, Name: bitte immer Ersatztitel angeben. Zodiac (sorry, keine Exemplare mehr mit der Die Hefte 1-6, 8-12 und 24 sind Haywire/NoNoYesNo 7”!!) restlos ausverkauft. Straße: Folgende Hefte sind (zum Teil in #25/11-90 u.a. Jane's Addiction, Do or Die, sehr geringen Stückzahlen, deshalb Celebrity Skin, Alice Donut, L 7, Babes in PLZ, Ort Ersatztitel angeben) noch zu haben. Toyland, Evil Horde, Bored Ein Heft kostet 5.- DM, bitte #26/2-91 u.a. -
2011 Long List Press Release
POLARIS MUSIC PRIZE ANNOUNCES THE 2011 LONG LIST. Toronto, ON (June 16, 2011) The Polaris Music Prize Long List was revealed today by Steve Jordan, Prize Founder and Executive Director, at a press conference held at the Drake Hotel in Toronto earlier today. This is the sixth year of the prize, which awards $30,000 to the best Canadian alBum, judged solely on artistic merit, without regard to genre or record sales. The Long List consists of the top 40 full-length Canadian records released from June 1, 2010 to May 31, 2011, according to a vote by the 227 memBers of the Polaris Music Prize jury. The jury consists of music journalists, broadcasters and Bloggers from across Canada. No music industry personnel with direct financial relationships with artists vote for Polaris. “An unprecedented numBer of jury memBers agonized over paring their ballots down to five choices. In our view their careful consideration has culminated in the best Long List in our history,” said Jordan. Jordan also announced that the Long List is being presented by Recordings Arts Collecting Society, a division of ACTRA. “The Polaris Music Prize is an important event for Canadian recording artists and is one of the few awards where the winner is chosen based solely on artistic merit,” said Ferne Downey, ACTRA National President. “ACTRA RACS is thrilled to come on board to sponsor this year’s Long List and celeBrate the best music our country has to offer.” The Polaris Jury will now vote to reduce the Long List to the 10 title Short List which will be revealed July 6 at the Drake Hotel in Toronto on a live broadcast on SIRIUS Satellite Radio Canada’s channel 152 and CBC Radio 3. -
Great Aunt Idas
October 2006 That motownphilly magazine from CITR 101.9 FM GREAT AUNT IDAS BRIAN JONESTOWN SHINDIG ffi »MASSACRE VIG09IAIV3S ROCK YOURBODY WORLDS 3 ^? OWN ADVENTIJRESTENCILLINGO PANURGE MIXTAPE MIXED APE$ •_% CITR LIMITED EDITION APPAREL_2 I 3510VUVM SNV3CAMT FIS HSlffil HAVEN E svuiiim NiaaiHiiu1 ISLANDS we art? BESNARD LAKES Wmm VANGAALEN WITH GUEST LEEROY STAGGER „. , LADVHAWK CALIFONE /ftU.A6ES\ I GENERAL J V^ISSHJN/ CATFISH HAVEN (FROM CHICAGO) SATURDAY NOVEMBER 4 my!gay!husband! UBC SUB BALLROOM TICKETS AT ZULU, SCRATCH, ._-_,*„. SATURDAY OCTOBER 21 RED CAT, THE OUTPOST (UBC) EVWrl THE COLUMBIA (303 COLOMBIA ST) DECEMBER 10 FRIDAY £. K© CROATIAN OCTOBER 20 CULTURAL CENTRE w w w.sea Ied w i thakisspresents Srt®cwS>@9t the Gentle Art of Editing ALLOWEEN CAME EARLY FOR ME this year. I them and cleanse their bodies of Bad Grammar OCTOBER'2006 H usually fail to plan my hallowed alter-ego Thetans. When everyone has been properly until the last minute, and then join the hordes purged, we'll all fly on a great shining spaceship in a frenzied rush down to Dressew in search of to a Linguistic Utopia and five forever and never be Editor something even mildly original. But this year I wrong or semantically ambiguous DAVID RAVENSBERGEN opted for a new approach, and laid my plans way Assistant Editor The Gentle Art of Editing 3 back in the early days of summer. I decided to dress What are the highlights of this issue? MARLO CARPENTER 1 David Ravensbergen . Art Director up as a Volunteer Coordinator, complete with my I love the Great Aunt Ida piece. -
34827105.Pdf
A Welcome Welcome to the 20th annual SummerWorks Theatre Festival. Toronto’s Indie Theatre and Arts Festival. Over the past three years, SummerWorks has evolved from an indie-theatre festival to an indie-arts festival. I believe that it’s important to continue to explore the necessity and relevance of the theatrical form: how can it contribute, reflect and parallel the world we’re living in? I became interested in what happens to the form when directly paralleled with other forms. Call it a social experi- ment, if you will – a laboratory on relevance and learning. Where do our forms intersect, and how can we use this to our advantage? We’ve been really excited by the results of this evolution, and this year’s Festival continues to build on these principles. Our Theatre line-up is very exciting. The work is strong, diverse, and brave. We also welcome four very impressive shows from outside Ontario in our National Series. See them all if you can. You won’t be disappointed. What are the ingredients that enable certain musicians to fill rooms and create that rare, emotional electricity? There are some obvious answers like: alcohol and rowdy behaviour – but there are also layers to this question that are connected to the visceral nature of the form. This year’s Music Series is the best yet. I hope you’ll take it in. The new Performance Bar brings three different art forms together on the same stage nightly over the course of the Festival. The glue? The National Theatre of the World.