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Arabella Steinbacher TRACK INFORMATION ENGLISH DEUTSCH ACKNOWLEDGMENTS MORE Britten & Hindemith VIOLIN CONCERTOS ARABELLA STEINBACHER Rundfunk-Sinfonieorchester Berlin Vladimir Jurowski TRACK INFORMATION ENGLISH DEUTSCH ACKNOWLEDGMENTS MORE Benjamin Britten (1913 – 1976) Violin Concerto Op. 15 1 Moderato con moto 10. 17 2 Vivace – largamento – cadenza 9. 12 3 Passacaglia, Andante lento (un poco meno mosso) 15. 23 Paul Hindemith (1895 – 1963) Violin Concerto 4 Mässig bewegte Halbe 9. 56 5 Langsam 10. 03 ← ← 6 Lebhaft 10. 44 Total playing time: 65. 47 Arabella Steinbacher, Violin Rundfunk-Sinfonieorchester Berlin Conducted by Vladimir Jurowski Benjamin Britten (1913 – 1976) “Can be presented had actually taken the step. For the Concerto for Violin and Orchestra comes up against a “soloistic” as “decent”, declaring that it could violin, is an almost direct quote from in the brass, after which the clarinet that has proven brittle. A recourse “So far, it is without it took him a long time to realize that period of composition from the other almost all the changes indicated by the a slightly modified sonata form is in the solo violin, during which the Arabella Steinbacher Symphony Orchestra, Orchestre de Steinbacher records exclusively for artistic approach. Born in Moscow, Director of Glyndebourne Festival he also returned to Glyndebourne Opera Marek Janowski was Artistic Director Jakub Hrůša, Alondra de la Parra and For me as an artist, the violin concertos by Benjamin Britten and this concerto. During the recording sessions, I always kept a photo anywhere, with a clear “political witch-hunt” (Borris) against during the summer of 1939, completing ensemble – thus referring in an almost be “presented anywhere, with a clear Beethoven’s violin concerto. The entire again takes up the cantabile theme. to classicism, the demonstration of question my best piece” that was not the case. side of the Atlantic. Before publishing violinist for a new edition in the 1950’s introduced (as in Hindemith’s concerto) trombones – now appearing for the Violin Paris, Philadelphia Orchestra, San PENTATONE. he studied first at the conservatoire Opera. for the world premiere of Brett Dean’s of the RSB before him, from 2002 to Omer Meir Wellber, and in years past, Violin Concerto Op. 15 Paul Hindemith represent a great challenge. It is precisely their on me depicting them both at the rehearsals of Hindemith’s opera the composer, who had been branded it on July 24th. The composition of neo-Baroque style to the traditional conscience.” The première took place work is defined by a highly lyrical tone; Again, the violin seems to disappear timeless values, requisitioning all the the concerto, scheduled for November – he definitely wanted the extremely by a Spanish-sounding (as interpreted first time – intone the Passacaglia Francisco Symphony and Staatskapelle there. In 1990, he and his family moved “Hamlet”. 2015, leading it highly successfully in Andris Nelsons, Yannick Nézet-Séguin, 1 Moderato con moto 10. 17 juxtaposition that appeals so greatly to me, partly because Britten The Harmony of the World. The recording touches me deeply, as both conscience” by the Nazis as a “cultural bolshevist”, instrumental concertos was a recurring concerti grossi of the past. in Amsterdam on March 14, 1940, and truly dramatic accents are a rare find up in the very highest notes. In the more imperiously the primacy of the Benjamin Britten: Violin Concerto Britten had already begun composing 1939, Britten stated: “It seems a little difficult passages to remain exactly as by Brosa), latently threatening motif, theme. The intensifications become Arabella Steinbacher, recognized Dresden. As an official Ambassador of CARE, to Germany, where he completed his As a guest conductor he leads symphonic concerts and concertante Vasily Petrenko and Alain Altinoglu. 2 Vivace – largamento – cadenza 9. 12 and Hindemith completed their concertos at about the same have already passed away. I am delighted and honoured to have the had now reached its inglorious climax. theme throughout the life of the was given by violinist Friedrich Hellman, here. Instead, the soloist is given ample rondo-like finale movement, a unison solo instrument: the expression of a his Violin Concerto in November 1938, risky without me having heard Toni they were. based on a fourth interval in the increasingly acute, but there is no worldwide as one of today’s leading Arabella Steinbacher continually studies at the colleges of music in top orchestras in Europe and Vladimir Jurowski holds an honorary opera performances. Previous Chief 3 Passacaglia, Andante lento (un poco meno mosso) 15. 23 time. Both had a premonition in 1939 of the global conflagration opportunity of recording Hindemith’s Violin Concerto a few decades Paul Hindemith: Concerto for Violin After the première of Hindemith’s composer, who had studied the violin In contrast, in his violin concerto under conductor Willem Mengelberg. opportunity to display brilliant playing; fanfare in the orchestra strikes a pithy creature attempting to defy danger by Just as Paul Hindemith had left and he continued working on it during play it to engrave it, but I have written timpani, which is quickly replaced by a final validation. “So far it is without violinists, is known for her extensive She began playing the violin at the supports those in need. In December Dresden and Berlin. His international North America, incl. the Dresdner doctorate from the Royal College Conductors (incl. Sergiu Celibidache, Cooperation with Deutschlandradio Britten & which would be triggered by World War II, both left their native later. I imagine them listening to me, and I truly hope that they will like and Orchestra Mathis Symphony, conductor Wilhelm but was also a virtuoso performer on dating from 1939 Hindemith leans However, in the absence of Hindemith, simultaneously, the technical feats tone. Hindemith lays out the main whistling in the woods.” the German Reich and headed for the journey, finally completing the to him, asking him to be honest and Britten kept to the tradition of the lyrical main theme in the solo violin in question my best piece. It is rather repertoire. In addition to all the major age of three, and took up her studies 2011 she toured through Japan debut was at the Wexford festival Staatskapelle, the Gewandhaus of Music in London and boasts an Rolf Kleinert, Heinz Rögner and Rafael is extremely productive in regard to Paul Hindemith (1895 – 1963) country. And in my view, the concertos are absolutely bursting with what they hear. Furtwängler defended the composer a number of instruments. Throughout more towards the great concertos who was by now already in the USA, required of the soloist are enormously theme in the solo violin in an extremely Switzerland as a result of the national score on September 29, 1939 in Quebec, tell me what passages are ineffective “great” concerto in his highly complex the highest register. Subsequently, the serious, I’m afraid – but it has got some classical and romantic violin concertos, at the Munich Academy of Music with commemorating the tsunami in 1995, and the Royal Opera House Orchestra Leipzig, the Royal extensive discography with many Frühbeck de Burgos) all helped to albums. Outstanding examples of such Hindemith emotional turmoil, persisting precariousness, and latent despair. “It is as if the cottage were tailor- demonstratively in his article “The his various compositional stages he of the nineteenth century; one could the next stopover in his exile. demanding. However, expansive virtuosic manner – not before the socialist politics, so Benjamin Britten Canada. But it is Spanish rather than and what alterations he suggests. work, as did Hindemith in his violin rhythmically distinctive, tensely martial tunes in it!” Rather serious? With its she also performs those of Bartók, Berg, renowned professor Ana Chumachenco catastrophe of that same year. A Covent Garden in 1996. Concertgebouw Orchestra Amsterdam, prizewinning recordings. create a flexible body of sound sharing recordings include the concertante VIOLIN CONCERTOS Violin Concerto Before every recording, I naturally give a lot of thought to the made for us. One could not wish for Hindemith Case,” published in the wrote no less than 21 multifaceted, also say, towards the Beethovenian cantabile melodic phrases can also be second theme does the basic lyricism (1913-1976) turned his back on his American influences that can be heard Also I am hoping that he will finger concerto. It contains moments of counter-theme also gradually blends profundity, its “overcast,” even often Glazunov, Khatchaturian, Milhaud, at the age of nine. Arabella Steinbacher recording of this concert series titled the Boston and Cleveland Orchestras, in the changing circumstances of Wagner cycle (PENTATONE). 4 Mässig bewegte Halbe 9. 56 As much as I love both works, it was still quite exhausting to interpretation of the music. I already know more or less how I would more beautiful surroundings: a lovely newspapers – whereupon Minister of highly individualized concertos. These model, in which the soloist, as Arabella Steinbacher has a very found – for example in the main theme of the work return. And the concerto native England in 1939, gloomily in the Violin Concerto. Britten’s sojourn and bow the part for the edition almost unearthly beauty, with widely into the lyrical main theme, which tense tone, its constant fluctuation Schnittke, Shostakovich, Stravinsky, also names Ivry Gitlis as another “Arabella Steinbacher – Music
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