Yifat Bezalel SOUGHT CITY
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Spotlight 029 Phase Shift Judaism
Wordtrade.com| 1202 Raleigh Road 115| Chapel Hill NC 27517| USA ph 9195425719| fx 9198691643| www.wordtrade.com Spotlight 029 On the Question of the "Cessation of Prophecy" in Ancient Judaism by L. Stephen Cook [Texts and Studies in Ancient Judaism, Mohr Siebeck, Phase Shift Judaism 9783161509209] Jews and Christians in the First and Second Table of Contents Centuries: The Interbellum 70–132 CE edited by Joshua Schwartz and Peter J. Tomson [Compendia Hegel's Social Ethics: Religion, Conflict, and Rituals Rerum Iudaicarum Ad Novum Testamentum, Brill, of Reconciliation by Molly Farneth [Princeton 9789004349865] University Press, 9780691171906] The Cambridge History of Judaism: Volume 7, The After Hegel: German Philosophy, 1840–1900 by Early Modern World, 1500-1815 edited by Frederick C. Beiser [Princeton University Press, Jonathan Karp and Adam Sutcliffe 9780691163093] The Cambridge History of Judaism: Volume 8, The The World as Transmitting Medium: Theorie eines Modern World, 1815-2000 edited by Mitchell B. Meta-Mediums bei Alfred North Whitehead by Hart and Tony Michels [The Cambridge History of Matthias Götzelmann [Film - Medium - Diskurs, Judaism, Cambridge University Press, Königshausen & Neumann, 9783826064692] text 9780521769532] in German The Jewish Museum: History and Memory, Identity Sefer Yesirah and Its Contexts: Other Jewish Voices and Art from Vienna to the Bezalel National by Tzahi Weiss [Divinations: Rereading Late Museum, Jerusalem by Natalia Berger [Brill, Ancient Religion, University of Pennsylvania Press, 9789004353879] -
What's on in Tel Aviv /April
WHAT'S ON IN TEL AVIV / APRIL THINGSMONDAY TO DO FOR FREE: TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY OLD JAFFA TOUR GAMES FOR CHILDREN SARONA TOUR 1 2 3 Every Wednesday, 10AM Games and activities for children (ages Discover the history and heritage of Meeting point: Jaffa Clock Tower 3-6) Every Thursday, 4PM, Tel Aviv the restored colony INTERMEZZO SERIES SAHARA NIGHTS-2 ITALIAN JEWISH Admission: Based on tips City Hall. Admission: FREE Every Friday, 11AM of the Israel Philarmonic DESERT BLUES RENAISSANCE - Orchestra, 11AM JAFFA LOUNGE Meeting point: 34 Eliezer Kaplan. CONCERT EXHIBITION FROM OLD TEL AVIV TO THE Prokofiev, Tchaikovsky Barby Club Folk dancing, music & free spirit “WHITE CITY” TOUR Admission: FREE Mann Auditorium The Museum Of The Jewish Every Wednesday, 5:30PM Meeting WEST SIDE STORY People (Beit Hatfutsot) Every Saturday, 11AM, Meeting point: ELMGREEN & (English subtitles) >> EVERY DAY except point: Tourist Information Center Jaffa 46 Rothschild Blvd. Admission: FREE DRAGSET: Cameri Theatre for Sat. and Pesach Clock Tower. Admission: FREE Powerless Structures 2.4, 16.4, 23.4 - 9PM EXHIBITION >> Opening 1.4 Tel Aviv Museum of Art MONDAY TUESDAY WEDNESDAY THURSDAY 4 5 6 7 8 9 10 MR VERTIGO FRESH PAINT FAIR REGA ECHAD FAMILY ACTIVITIES CRAIG DAVID - Paul Auster >> 5.4-9.4 CULTURAL EVENT AT THE HATACHANA CONCERT COMPOUND (Play with English subtitles), Tel Aviv Port and City Hall and Enav Center Hangar 11 Gesher Theatre, 8PM Levant Fair of Culture, 7.30PM >> EVERY SATURDAY Tel Aviv Port AUSTRIAN FILM WEEK IGOR BUTMAN ANTIQUE MARKET AT ETHNIC GOSPEL 8.30PM Tel Aviv Cinematheque JAZZ BAND DIZENGOFF Enav Center of Culture >> 2.4-10.4 HaYahalom Theatre, 8.30PM >> EVERY TUE. -
Private/Corporate VII the Doron Sebbag Art Collection, ORS Ltd., Tel Aviv and the Daimler Art Collection, Stuttgart/Berlin
kat_privcorp_sebbagdaimkbfinal_kor02a_Layout 1 06.10.12 19:23 Seite 1 Daimler Art Collection Private/Corporate VII The Doron Sebbag Art Collection, ORS Ltd., Tel Aviv and the Daimler Art Collection, Stuttgart/Berlin October 17, 2012–April 1, 2013 Dalia Amotz, Ilit Azoulay, Mahmoud Bakhshi, Avner Ben-Gal, Amit Berlowitz, John Bock, Madeleine Boschan, Peter Buggenhout, Ofri Cnaani, Marlene Dumas, Günther Förg, Ori Gersht, Nan Goldin, Thomas Helbig, Damien Hirst, Andy Hope 1930, Sigalit Landau, Robert Longo, Robert Mapplethorpe, Ryan McGinley, Uri Nir, Hermann Nitsch, Doron Rabina, Michal Rovner, Michael Sayles, Dash Snow, Wolfgang Tillmans, Banks Violette, Maya Zack, Guy Zagursky Texte/Texts: Renate Wiehager, Tal Yahas u.a. kat_privcorp_sebbagdaimkbfinal_kor02a_Layout 1 06.10.12 19:23 Seite 2 V.L./F.L.: HERMANN NITSCH, ILIT AZOULAY, PETER BUGGENHOUT 2|3 kat_privcorp_sebbagdaimkbfinal_kor02a_Layout 1 06.10.12 19:23 Seite 3 Vorwort Die Ausstellungsreihe ›Private/Corporate‹, welche die Daimler Kunst Sammlung Doron Sebbag ist ein obsessiver, leidenschaftlicher Sammler, immer auf der seit 2002 in ein Gespräch bringt mit deutschen und internationalen Privatsamm- Suche – gemeinsam mit seiner Frau Adi Sebbag, die als Juristin in Tel Aviv lungen, hat uns über den Verlauf von rund zehn Jahren eine kleine Weltreise selbstständig ist – nach neuesten Entwicklungen in der Kunst. Basis dieser beschert: die Sammlungen unserer Gäste und Dialogpartner führten uns nach offenen, neugierigen Suche sind zunächst Begegnungen und Freundschaften New York (Sammlung Sonnabend, 2003), Neu Delhi (Sammlung Poddar, 2007), mit Künstler/innen und Sebbags vielfältige fördernde Aktivitäten in der zeitge- Buenos Aires (Sammlung Vergez, 2011) – und aktuell nach Tel Aviv! Über diese nössischen Kunst- und Museumsszene in Israel, aber natürlich auch Reisen zu Sammlungen, aber natürlich auch über unsere deutschen Sammlungspartner – internationalen Ausstellungen und Messen. -
MAYA ZACK Made to Measure Videos and Drawings
MAYA ZACK Made to Measure Videos and drawings from the project About Paper. Israeli Contemporary Art| curated by Giorgia Calò Maya Attoun, Hilla Ben Ari, Yifat Bezalel, Maya Zack, Etti Abergel, Yael Balaban, Ofri Cnaani Exhibition Opening: Monday, September 24th| 6 p.m. Galleria Marie-Laure Fleisch | Vicolo Sforza Cesarini 3A | Rome September 24th | November 17th 2012 On Monday, September 24th at 6 p.m., Galleria Marie-Laure Fleisch will open the third chapter of the project About Paper. Israeli Contemporary Art with a solo exhibition by Maya Zack entitled Made to Measure / videos and drawings. The gallery hosts an installation looking like a sort of office that has been filled with paperwork, metal shelves and cardboard boxes, in order to partly recreate the setting that appears in the video Black and White Rule (2011), screened inside the installation itself. Maya Zack explores the relationship between video and drawing, which are often used in her works, giving her visual language a twofold function: in the video, the drawings are the practical tools used by the characters to measure things, and take the form of equations, archive images and diagrams. At the same time, the drawings on paper of various sizes exhibited in the gallery are meant to complete and extend the plot of the video, which therefore becomes both the signified and the signifier. The perceptual distortion that blurs reality and representation is also emphasized by the exhibition of works on paper, which depict full-scale characters while they are measuring and examining the things that surround them. Their way of mapping and redefining space, in an almost obsessive fashion, causes a feeling of suspense in the spectator – an atmosphere that also pervades the video itself, which plays on the idea of a narrative pause that coincides with a moment of tension, in which characters once again perform very definite gestures. -
Maya Zack, Counterlight, 2016. Video Still, Video Con Sonoro, 23'30
Maya Zack, Counterlight, 2016. Video still, Video con sonoro, 23’30’’. Courtesy MLF | Marie-Laure Fleisch e l’artista MLF | Marie-Laure Fleisch è lieta di annunciare Counterlight, seconda personale di Maya Zack in galleria dopo quella del 2012, in cui viene presentato l’ultimo video realizzato quest’anno dall’artista, a conclusione ideale della trilogia iniziata con Mother Economy (2007) e Black and White Rule (2011). Ad accompagnarlo, una serie di disegni e collage. La ricerca di Maya Zack si sviluppa attraverso diversi medium quali il video, l’installazione, il disegno, la fotografia, la scultura, ed esplora tematiche legate alla memoria e al suo carattere fragile ed elusivo, al tempo e alla storia. Attraverso un’indagine ad ampio spettro che si interseca con citazioni artistiche e cinematografiche e riferimenti storici, Maya mette in scena una personale interpretazione della realtà nel tentativo di ricostruirla, ordinarla e controllarla. Il risultato è una narrazione complessa che dona al suo lavoro un linguaggio riconoscibile e distintivo. Le protagoniste femminili della trilogia di video compiono azioni solitarie, scandite da un ritmo incalzante e apparentemente fine a se stesse, nel tentativo di misurare e classificare la realtà registrandola ossessivamente. A livello visivo i video sono ambientati in archivi e spazi interni o domestici, dominati dalla presenza di fogli e carte, dissezionati con una precisione quasi scientifica. Le azioni, volte a catturare e decodificare la realtà, ricostruiscono nella coscienza dello spettatore l’immagine del presente e del passato attraverso una nuova articolazione della memoria. Il video Counterlight, che dà il titolo alla mostra a Roma, è stato presentato per la prima volta al Tel Aviv Museum of Art lo scorso aprile ed è incentrato sulla figura del poeta Paul Celan, la cui opera è una testimonianza unica della sofferenza e dell’orrore vissuti, che ha dato adito a una complessa discussione riguardo la rappresentazione della memoria. -
Maya Zack CV
Alon Segev Maya Zack Born 1976, Israel Lives and works in Tel Aviv Education 2013 MA Tel Aviv University, Faculty of the Arts, The Interdisciplinary Arts Program 2000 Kunsthochschule Berlin-Weissensee, Student Exchange Program 2000 BFA Bezalel, Academy of Art and Design, Fine Art Department, Jerusalem. Magna Cum Laude Alon Segev Opening Hours 7 HaManoa St. Mon — Thur 10.00-18.00 Tel Aviv 6816831 Fri 10.00-13.00 (+972)-3-6090769 www.alonsegev.com Alon Segev Solo Exhibitions 2017 Memory Trilogy. MLF – Marie Laure Fleisch Gallery, Brussels, Belgium 2016 Darkness is as Light, Alon Segev gallery, Tel-Aviv Maya Zack: Memory Trilogy. MLF- Marie Laure Fleisch Gallery, Brussels, Belgium Counterlight, Galleria MLF, Rome, Italy Counterlight, Tel Aviv Museum of Art 2014 Outlined Absence, Manifesta 10's parallel projects, Taiga Space, St. Petersburg The Mystical Shabbat, Alon Segev Gallery, Tel-Aviv 2013 The Shabbat Room, a permanent installation at the Jewish Museum, Vienna Maya Zack: Videos, at Moving Image Art fair, London 2012 Made to Measure, Marie-Laire Fleish Gallery, Rome, Italy 2011 Living Room, The Jewish Museum, New York, U.S.A Camera Obscura, Natalie Seroussi Gallery, Paris 2010 Mother Economy: Video and Drawings, CUC Gallery, Berlin Living Room, Alon Segev Gallery, Tel Aviv Black and White Rule: Open Set, Yaffo 23, Bezalel Gallery Jerusalem 2009 Reading Room, Bialik House Museum, Tel Aviv Alon Segev Opening Hours 7 HaManoa St. Mon — Thur 10.00-18.00 Tel Aviv 6816831 Fri 10.00-13.00 (+972)-3-6090769 www.alonsegev.com Alon Segev 2008 Mother Economy, The Jewish Museum, Media Center Gallery, New York Nalbishech Salmat Beton Vamelet, Be’eri gallery, Kibbutz Be’eri, Israel 2005 Videos + Drawings, Alon Gallery, Ramat Hasharon, Israel 2004 Concrete and Cement, Noga Gallery, Tel Aviv (with Raya Bruckenthal) Mockument, Alon Gallery, Ramat Hasharon 2002 The Baron E.T. -
FALLING in LINE Maya Attoun | Hilla Ben Ari
FALLING IN LINE Maya Attoun | Hilla Ben Ari A cura di Giorgia Calò Inaugurazione mostra: mercoledì 14 dicembre 2011, ore 18.00 Galleria Marie-Laure Fleisch | Vicolo Sforza Cesarini 3A | Roma Dal 14 dicembre 2011 al 25 febbraio 2012 Mercoledì 14 dicembre 2011, la galleria Marie-Laure Fleisch presenta per la prima volta in Italia il lavoro di due artiste israeliane, Maya Attoun e Hilla Ben Ari, con la mostra Falling in Line. Questa è la prima di quattro mostre previste in galleria nell’arco di un anno (dicembre 2011 – dicembre 2012), il cui progetto complessivo, dal titolo About Paper. Israeli Contemporary Art, curato da Giorgia Calò, vedrà la partecipazione di Hilla Ben Ari, Maya Attoun, Yifat Bezalel, Maya Zack, Etty Abergel, Yael Balaban e Ofri Cnaani. Sono sette artiste di generazioni diverse che lavorano su tematiche eterogenee, il cui trait d’union è la carta declinata secondo le proprie indagini personali, nella realizzazione di installazioni site specific. Le artiste affrontano questioni differenti che vanno dalla meta-comunicazione alle ricerche intorno alla vulnerabilità femminile, dalla rappresentazione di una dimensione illusoria fortemente estetica alla raffigurazione di luoghi epici, dalla presenza/assenza dell’uomo alla natura effimera della memoria. Come si evince dal titolo della mostra, Falling in Line, gli elementi lineari caratterizzano i procedimenti visivi di Maya Attoun e Hilla Ben Ari, dando vita ad un’installazione condivisa e unica e innescando una relazione tra i rispettivi lavori e lo spazio che li ospita. L’effetto combinato delle linee che si intrecciano e attraversano griglie e tessiture a zig zag reali e immaginarie, da luogo a movimenti discontinui che portano ad una voluta tensione tra un senso razionale dell’ordine e al contempo una direzione più introspettiva e casuale. -
Nextbook: Object Lessons
NEXTBOOK.ORG 08.15.08 Object Lessons Maya Zack’s singular take on home economics BY SARA IVRY In Mother Economy, a nineteen-minute video by Israeli artist Maya Zack, an unnamed woman walks around a World War II–era German apartment meticulously taking notes and measurements that seem to make sense only to her. She traces household objects on the floor—cigarette ash, pocket change—or finds them—a ring, torn stockings—scattered about, and what seem like the mundane contents of a regular apartment immediately become part of a complicated scene, the significance of which viewers can only guess at. Does anyone else live there? Are they coming home? Who is this woman? What is her history? We can only hypothesize answers based on our own—often erroneous—preconceptions. Zack, who is thirty-two, studied art at the Bezalel Academy of Arts and Design in Jerusalem. She lives in Tel Aviv and teaches at Tel Aviv University. Her work has been exhibited at the Israel Museum, the Tel Aviv Museum of Art, the Artneuland Gallery in Berlin, and elsewhere. Zack co-wrote and co-produced Mother Economy with Yitzchak Roth; earlier this year it took Germany’s Celeste Art Prize and is on view at the Jewish Museum1 in New York through October 23. How do you explain this film to viewers? It’s about the calculus of every day life, of objects, of emotions, of spaces, of relationships inside a family, things that we usually don’t consider quantifiable. The mother in the film is a feminine figure, we don’t know whether it’s the mother or the maid or it’s one of the daughters, but we expect this woman to be compassionate and endlessly loving.