Aluminium Nights : the KITCHEN's BIRTHDAY
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New Masters at the Brooklyn Academy of Music
- NEW MASTERSAT THE BROOKLYNACADEMY OF MUSIC News Contact: Ellen Lampert/212.636.4123 FOR IMMEDIATE RELEASE December 13, 1982 Contacts: Ellen Lampert Susan Spier (212) 636-4123 Glenn Branca will present the world premiere of his SYMPHONY NO. 3 (Gloria) at the Brooklyn Academy of Music, January 13-16 as part of BAM's NEXT WAVE series. Performances in the Helen Owen Carey Playhouse will be Thursday through Saturday evenings (January 13-15) at 8:00pm and Sunday (January 16) at 2:00pm. SYMPHONY NO. 3 (Gloria) will continue Branca's use of home-made instruments, as exhibited in the electric stringed instruments he used in SYMPHONY No. 2 at St. Mark's Church last year. For SYMPHONY NO. 3, Branca has designed keyboard instruments which have been built by David Quinlan, a professional builder of harpsichords and folk instruments. The sixteen musicians for SYMPHONY No. 3 include Branca himself plus Jeffrey Glenn, Lee Ranaldo, Thurston Moore, Barbara Ess, David Quinlan, Craig Bromberg, and Stephen Wischerth on drums. Branca, tagged an "art-rocker" for his new music/rock experimentation, formed an experimental rock quintet with Jeffrey Lohn in 1977, called the Theoretical Girls. His next group was called The Static, a guitar-based trio, with which he moved from rock clubs to performances in alternative art spaces such as The Performing Garage. Known for the theatricality of his performances, Branca has toured throughout the U.S. and Eu rope with The Glenn Branca Group, a,,,J li.::!LO,dcd l'NO d;i.:.urns ·for 9;-j f<.eccrds, 'Lesson No. -
Meet Me by the Pleroma
MEET ME BY THE PLEROMA Thesis Submitted in partial fulfillment of the requirements for the Degree of Master of Fine Arts in Electronic Music and Recording Media Mills College, May, 2009 By Charles Johnson Approved by: _______________________ Chris Brown Director of Thesis ________________________ Fred Frith Head, Music Department _________________________ Sandra C. Greer Provost and Dean of the Faculty Reading Committee: _______________________ James Fei _______________________ Pauline Oliveros Contents: 1. Introduction………………………………………………………….…..6 2. Development Process……………………………………………………9 2.1 Preliminary Work……..…………………….……………………….9 2.2 Materials…………..…………………….…………………….……15 2.3 The Form..…………………….……………………...……………..20 3. Context Within My Work………….……………………...……………21 4. Context Within My Interests…………………………………………....23 4.1 Musical Interests………………………..…………………………..23 4.2 The Sonic Other……….………………………..…………………..25 4.3 Philosophical, Social, Political…………………..………………….27 4.4 About the Title……….………………………..…………………….32 5. Concept…….………………………..…………………….…………….36 5.1 Why Difference Tones?………………….………………….………36 5.2 Considerations for the Performers……….………………….………37 5.3 Considerations for the Audience……….………………….………..38 6. Signal Flow Performance……….………………………….……………41 6.1 Staging……………………..…………………….…………………..41 6.2 Comments on Performance.…………………….…………………...42 6.3 Audience Reaction.………..…………………….…………………..43 7. Appendix A. Score to Meet me by the pleroma …………………………47 8. Appendix B. Technical details…………………………………………...50 9. Bibliography……………………………………………………………..54 -
KUNM 89.9 FM L February 2010
P KUNM 89.9 FM l February 2010 89.9 ALBUQUERQUE l 88.7 SOCORRO l 89.9 SANTA FE l 90.9 TAOS l 90.5 CIMARRON/EAGLE NEST 91.9 ESPANOLA l 91.9 LAS VEGAS l 91.9 NAGEEZI l 90.5 CUBA KUNM celebrates Black History Month! Alfre Woodard hosts Can Do: Stories of Black Visionaries, Seekers, and Entrepreneurs, and Iyah Music Host Anthony “Ijah” Umi speaks with Activist/Comedian/Philosopher Dick Gregory on The Spoken Word Hour. Details on Page 11. KUNM Operations Staff Elaine Baumgartel...............................................................................Reporter KUNM Radio Board Carol Boss.....................................................................Membership Relations Tristan Clum...............................................................Interim Program Director UNM Faculty Representatives: Briana Cristo..........................................................Vista Youth Radio Assistant Dorothy Baca Matthew Finch ...........................................................................Music Director John Scariano Roman Garcia .......................................................Interim Production Director UNM Staff Representative: Sarah Gustavus..................................................................................Reporter Mary Jacintha Rachel Kaub ....................................................................Operations Manager Elected Community Reps: Jonathan Longcore..............................................................IT Support Analyst Graham Sharman Linda Morris .........................................................Senior -
2015 Full Program (PDF)
2015 Women in Dance Leadership Conference! ! October 29 - November 1, 2015! ! Manship Theatre, Baton Rouge, Louisiana, USA! ! Conference Director - Sandra Shih Parks WOMEN IN DANCE LEADERSHIP CONFERENCE 10/29/2015 - 11/1/2015 "1 Women in Dance Leadership Conference ! Mission Statement ! ! To investigate, explore, and reflect on women’s leadership by representing innovative and multicultural dance work to celebrate, develop, and promote women’s leadership in dance making, dance related fields, and other! male-dominated professions.! Conference Overview! ! DATE MORNING AFTERNOON EVENING Thursday 10/29/2015 !Registration/Check In! !Reception! Opening Talk -! Kim Jones/Yin Mei Karole Armitage and guests Performance Friday 10/30/2015 Speech - Susan Foster! Panel Discussions! Selected ! ! Choreographers’ Speech - Ann Dils !Master Classes! Concert Paper Presentations Saturday 10/31/2015 Speech - Dima Ghawi! Panel Discussions! ODC Dance Company ! ! ! Performance Speech - Meredith Master Classes! Warner! ! ! Ambassadors of Women Master Classes in Dance Showcase Sunday 11/1/2015 Master Class THODOS Dance Chicago Performance ! ! ! ! WOMEN IN DANCE LEADERSHIP CONFERENCE 10/29/2015 - 11/1/2015 "2 October 29th 2015! !Location 12 - 4 PM 4:30 PM - 6 PM 6 PM - 7:30 PM 8 PM - 9:30 PM !Main Theatre Kim Jones, Yin Mei ! and guests ! performance ! !Hartley/Vey ! Opening Talk by! !Studio Theatre Karole Armitage !Harley/Vey! !Workshop Theatre !Josef Sternberg ! Conference Room Jones Walker Foyer Registration! ! Conference Check In Reception Program Information! -
Drone Music from Wikipedia, the Free Encyclopedia
Drone music From Wikipedia, the free encyclopedia Drone music Stylistic origins Indian classical music Experimental music[1] Minimalist music[2] 1960s experimental rock[3] Typical instruments Electronic musical instruments,guitars, string instruments, electronic postproduction equipment Mainstream popularity Low, mainly in ambient, metaland electronic music fanbases Fusion genres Drone metal (alias Drone doom) Drone music is a minimalist musical style[2] that emphasizes the use of sustained or repeated sounds, notes, or tone-clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece compared to other musics. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism".[4] Drone music[5][6] is also known as drone-based music,[7] drone ambient[8] or ambient drone,[9] dronescape[10] or the modern alias dronology,[11] and often simply as drone. Explorers of drone music since the 1960s have included Theater of Eternal Music (aka The Dream Syndicate: La Monte Young, Marian Zazeela, Tony Conrad, Angus Maclise, John Cale, et al.), Charlemagne Palestine, Eliane Radigue, Philip Glass, Kraftwerk, Klaus Schulze, Tangerine Dream, Sonic Youth,Band of Susans, The Velvet Underground, Robert Fripp & Brian Eno, Steven Wilson, Phill Niblock, Michael Waller, David First, Kyle Bobby Dunn, Robert Rich, Steve Roach, Earth, Rhys Chatham, Coil, If Thousands, John Cage, Labradford, Lawrence Chandler, Stars of the Lid, Lattice, -
Some Notes on John Zorn's Cobra
Some Notes on John Zorn’s Cobra Author(s): JOHN BRACKETT Source: American Music, Vol. 28, No. 1 (Spring 2010), pp. 44-75 Published by: University of Illinois Press Stable URL: http://www.jstor.org/stable/10.5406/americanmusic.28.1.0044 . Accessed: 10/12/2013 15:16 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Illinois Press is collaborating with JSTOR to digitize, preserve and extend access to American Music. http://www.jstor.org This content downloaded from 198.40.30.166 on Tue, 10 Dec 2013 15:16:53 PM All use subject to JSTOR Terms and Conditions JOHN BRACKETT Some Notes on John Zorn’s Cobra The year 2009 marks the twenty-fifth anniversary of John Zorn’s cele- brated game piece for improvisers, Cobra. Without a doubt, Cobra is Zorn’s most popular and well-known composition and one that has enjoyed remarkable success and innumerable performances all over the world since its premiere in late 1984 at the New York City club, Roulette. Some noteworthy performances of Cobra include those played by a group of jazz journalists and critics, an all-women performance, and a hip-hop ver- sion as well!1 At the same time, Cobra is routinely played by students in colleges and universities all over the world, ensuring that the work will continue to grow and evolve in the years to come. -
Lionel Popkin: There Is an Elephant in This Dance
LIONEL POPKIN: THERE IS AN ELEPHANT IN THIS DANCE MAY 20–22, 2010 | 8:30 PM MAY 23, 2010 | 3:00 PM presented by REDCAT Roy and Edna Disney/CalArts Theater California Institute of the Arts LIONEL POPKIN: THERE IS AN ELEPHANT IN THIS DANCE Choreography: Lionel Popkin (in collaboration with the performers) Performers: Carolyn Hall, Ishmael Houston-Jones, Peggy Piacenza, and Lionel Popkin Original Music: Robert Een Music Performance: Robert Een, Hearn Gadbois, and Valecia Phillips Costumes: Jean Landry Original Lighting Design: Kathy Kaufmann Lighting Director and Production Supervisor: Chris Kuhl Production Assistant: Heather Coker Video: Kyle Ruddick and Cari Ann Shim Sham* There Is An Elephant In This Dance is made possible, in part with funds from the 2008-2009 Danspace Project Commissioning Initiative with support from the Jerome Foundation. Additional support has been provided by the Roy and Edna Disney/Cal Arts Theater (REDCAT), the Department of World Arts & Cultures at UCLA, the Council on Research, and the Djerassi Artsists Residency Program. This performance is also supported by the Alma Hawkins Memorial Fund from the Department of World Arts and Cultures at UCLA Additional support from and very special thanks to Sonali Agarwal, Karl Anderson, Eric Berger, Noellie Bordelet, Mary and Bob Buckley, Anne Duncan, LoMa Familar, Dan Froot, Allyson Green, Rachel Gross, Victoria Marks, Nusha Martynuk, Carter McAdams, Bill and Prema Popkin, Alex Purves, Mim Rosen, Keith and Carol Smart, Jonathan and Judy Stein, James Sturm, James Wahlin, Eden Wurmfeld, and Orlando. Lionel Popkin is a member of Pentacle (DanceWorks, Inc.), a non-profit service organization for the performing arts. -
Program Notes
Advance Program Notes Crash Ensemble Wednesday, March 25, 2015, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. Crash Ensemble Donnacha Dennehy: Turn (arrangement for Crash Ensemble 2015) Dan Truman: Marbles (2015) world premiere Intermission Eric Lyon: Dualities (2015) world premiere Michael Gordon: Dry (2013) U.S. premiere Musicians Conductor Anna Cashell, violin Alan Pierson Lisa Dowdall, viola Kate Ellis, cello Production Malachy Robinson, double bass Susan Doyle, flute Adrian Hart, production manager and electronics Deirdre O’Leary, clarinet/bass clarinet Valerie Francis , front of house sound engineer Roddy O’Keeffe, trombone Alex Petcu, percussion Management Isabelle O’Connell, piano John Godfrey, electric guitar Kate Ellis, artistic director Donnacha Dennehy, artistic partner Neva Elliott, CEO Jonathan Pearson, tour/concerts manager Program Notes TURN (2013-14; arrangement for Crash Ensemble, 2015; U.S. premiere) DONNACHA DENNEHY This intricate, detailed piece is one of the most overtly melodic of my purely instrumental works in years. Gently lunging melodies combine to produce a bustling tapestry of sound. Turn literally turns over its phrases, varying upon each repetition. Once I decided to dedicate this piece to my mother, an inveterate knitter, it struck me: that’s exactly what a turn is in knitting, a reworking on top of an already established stitched pattern! On a larger level Turn pushes towards build-ups that end each time with a literal turn in direction. This in a major way constitutes the modus operandi of the piece. -
Open Systems in Dialogue OPEN SYSTEMS 2005 Festival for Avant
Open Systems in Dialogue OPEN SYSTEMS 2005 Festival for avant-garde music, performance and sound art 17 - 20 November 2005 · Bochum I Dortmund I Essen I Herne New approaches, new goals, extension of the artistic space: From 17 – 20 November 2005 interdisciplinary integration of musical encounters will set the tone in the German cities Bochum, Dortmund, Essen and Herne. OPEN SYSTEMS, the festival for avant-garde music, performance and sound art in Germany’s Ruhr-area, promotes encounters between artists from different fields with the aim of developing and realizing ideas in a creative environment. Amongst the highlights of the fifteen concerts are performances by ARTO LINDSAY, the ARDITTI QUARTET, the pioneers of net music THE HUB, Tortoise guitarist JEFF PARKER, as well as world premières of works by the blind composer MOONDOG. Dance performances, video installations, lectures, the club lounge and a school project round off the programme. OPEN SYSTEMS stands for stylistic enrichment as well as exciting musical encounters. Collaboration with NOVEMBER MUSIC, the Belgian-Dutch festival for currently happening music, which contributes to five of the concerts on the programme, the Luxemburg Society for Contemporary Music (LGNM) and the WDR Studio Acoustic Art will intensify international networking of artists. The OPEN SYSTEMS festival acts as an artistic laboratory, as a platform for new ideas and approaches: OPEN SYSTEMS – the name refers to systems which interact with others. “Whether acoustic or electronic, improvised or composed, classical or popular, Western or non-European – the festival shows us music which is thriving and very now, and presents it using dialogue and contrast. -
BAM Presents Brazilian Superstar Marisa Monte in Concert, May 1 & 2
BAM presents Brazilian superstar Marisa Monte in concert, May 1 & 2 SAMBA NOISE Marisa Monte With special guests Arto Lindsay, Seu Jorge, and more TBA BAM Howard Gilman Opera House (30 Lafayette Ave) May 1 & 2 at 8pm Tickets start at $35 April 8, 2015/Brooklyn, NY—Renowned Brazilian singer/songwriter Marisa Monte makes her BAM debut with two nights of contemporary Brazilian popular music in a show specifically conceived for the BAM Howard Gilman Opera House. The performances feature Monte’s hand-picked band and guest artists. Praised by The New York Times as possessing “one of the most exquisite voices in Brazilian music,” Marisa Monte has been the benchmark for excellence among female singers in Brazil since she burst upon the scene in 1987. As she approaches the 30-year mark of her career, she still commands the same admiration and prestige that greeted her stunning debut. Her 12 CDs and seven DVDs have sold over 10 million copies worldwide and garnered 11 Latin Grammy Award nominations (winning four) and eight Video Music Brazil awards. For her BAM debut, she will perform with artists that are closely associated with her, including American producer/composer Arto Lindsay, Brazilian singer/songwriter/actor Seu Jorge, and others to be announced. About the Artists Born in Rio de Janeiro, the home of samba, Marisa Monte honed her singing skills with operatic training in in Italy. Her work embraces the traditions of MPB (música popular brasileira) and samba within a pop format that is modern and sophisticated. Aside from being a talented composer—she recorded her own work starting with her second album, Mais (EMI-Odeon, 1991), produced by Arto Lindsay—Monte is considered one of the most versatile performers in Brazil. -
Battles Around New Music in New York in the Seventies
Presenting the New: Battles around New Music in New York in the Seventies A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Joshua David Jurkovskis Plocher IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY David Grayson, Adviser December 2012 © Joshua David Jurkovskis Plocher 2012 i Acknowledgements One of the best things about reaching the end of this process is the opportunity to publicly thank the people who have helped to make it happen. More than any other individual, thanks must go to my wife, who has had to put up with more of my rambling than anybody, and has graciously given me half of every weekend for the last several years to keep working. Thank you, too, to my adviser, David Grayson, whose steady support in a shifting institutional environment has been invaluable. To the rest of my committee: Sumanth Gopinath, Kelley Harness, and Richard Leppert, for their advice and willingness to jump back in on this project after every life-inflicted gap. Thanks also to my mother and to my kids, for different reasons. Thanks to the staff at the New York Public Library (the one on 5th Ave. with the lions) for helping me track down the SoHo Weekly News microfilm when it had apparently vanished, and to the professional staff at the New York Public Library for Performing Arts at Lincoln Center, and to the Fales Special Collections staff at Bobst Library at New York University. Special thanks to the much smaller archival operation at the Kitchen, where I was assisted at various times by John Migliore and Samara Davis. -
THE ARMITAGE BALLET • MEREDITH MONK an ARTIST and HER MUSIC BROOKLYN ACADEMY of MUSIC Harvey Lichtenstein, President and Executive Producer
~'f& •. & OF MUSIC THE ARMITAGE BALLET • MEREDITH MONK AN ARTIST AND HER MUSIC BROOKLYN ACADEMY OF MUSIC Harvey Lichtenstein, President and Executive Producer BAM Carey Playhouse November 20-22, 1987 presents MEREDITH MONK AN ARTIST AND HER MUSIC with ALLISON EASTER WAYNE HANKIN ROBERTEEN NAAZ HOSSEINI CHING GONZALEZ NICKY PARAISO ANDREA GOODMAN NURIT TILLES and guest artist BOBBY McFERRIN Music Composed by Lighting Designed by MEREDITH MONK· TONY GIOVANNETTI Costumes Designed by 1echnical Director Stage Manager YOSHIO YABARA DAVID MooDEY PEGGY GOULD Sound 1echnician Costume Assistant DAVE MESCHTER ANNEMARIE HOLLANDER Meredith Monk: An Artist And Her Music is presented in association with THE HOUSE FOUNDATION FOR THE AIUS, INC. The music events of the NEXT WAVE Festival are made possible, in part, with a grant from the MARY FLAGLER CARY CHARITABLE TRUST BROOKLYN ACADEMY OF MUSIC E i ;II-----,FEIS;~AL·1 SPONSORED BY PHILIP MORRIS COMPANIES INC. The 1987 NEXT WAVE Festival is sponsored by PllILIPMORRISCOMPANIES INC. The NEXT WAVE Production and Touring Fund and Festival are supported by: the NATIONAL ENDOWMENT FORTIlE AKfS, TIlEROCKEFELLER FOUNDATION, TIlEFORD FOUNDATION, TIlE ELEANOR NAYWR DANA CHARITABLE TRUST, PEW CHARITABLE TRUSTS, the BOOI'II FERRIS FOUNDATION, TIlE IlENRYLuCEFOUNDATlON, INC., theAT&if FOUNDATION, TIlEHOWARD GILMAN FOUNDATION, TIlEWILLIAM AND FIDRA HEWLEITFOUNDATlON, theMARY FLAGLER CARY CHARITAl'LETRUST, TllEHINDUJAFOUNDATlON, TIlEEDUCATIONAL FOUNDATION OFAMERICA, the MORGAN GUARANTY TRUST coMPANY, ROBERI' w. WILSON, 'DIEREFJ)FOUNDATION INC., theEMMA A. SIIEAFERCHARITABLE TRUST, SCHLUMBERGER, YVES SAINT LAURENT INTERNATIONAL, andtheNEW lQRK STATE COUNCD.. ON TIlE AR1K Additional funds for the NEXT WAVE Festival are provided by: TIlEBEST PRODUcm FOUNDATION, C~OLA ENTEKI'AINMENT, INC., MEET TIlECOMPOSER, INC., the CIGNA CORPORATION, TIlEWILLIAM AND MARY GREVE FOUNDATION, INC., the SAMUEL I.