DOCSLIB.ORG

Leaving Neverland, but Not Litigation | Page 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Leaving Neverland, but Not Litigation | Page 1 Leaving Neverland, But Not Litigation | Page 1 Leaving Neverland, But Not Litigation By: Jack Greiner on March 6, 2019 on graydon.law Earlier this week, HBO aired the documentary “Leaving Neverland.” The film is a four hour examination of allegations by Wade Robson and James Safechuck. Both claim they were molested by Michael Jackson in the early 90’s. If the two men are telling the truth, Jackson was a monster. If they are lying they have done grave and unwarranted damage Jackson’s legacy. Suffice it to say, this is the type of production that tends to lead to litigation. And indeed, “Leaving Neverland” has. But there’s been no libel suit. And there is a simple reason for that. Dead people, or more accurately, their estates, can’t sue for libel. The law says that a people’s interest in their reputation dies with them. And it’s not uncommon for film makers (and I’m not talking about documentaries here) to take some liberties with dead characters in film bios. Given that Michael Jackson died almost 10 years ago, “Leaving Neverland” wasn’t likely to draw a libel suit no matter what it said about Jackson. But that isn’t the end of the story. Michael Jackson’s estate has sued HBO for a breach of contract (contracts, unlike reputational interests survive death). And the claim is based on a license agreement that HBO entered in 1992, to obtain the rights to broadcast a live concert from Jackson’s “Dangerous” tour in Bucharest. Included as an exhibit to the that agreement was a covenant whereby HBO agreed not to “make any disparaging remarks concerning [Jackson] . or do any act that may harm or disparage or cause to lower in esteem the reputation or pubic image of [Jackson] . .” In addition to seeking relief for the alleged breach of contract, the lawsuit is also trying to compel an arbitration provision. If successful, the case would be resolved in arbitration, rather than in a trial. There are some really fascinating elements in the suit: 1. Does the estate take on more than it needs? The complaint contains 90 numbered paragraphs. And most of them detail why the Documentary is false, why Safechuck and Robson are liars, and why the filmmaker is biased. Technically, because the contract breach is for “disparagement” the truth or falsity of what was said isn’t at Leaving Neverland, But Not Litigation | Page 1 Printed from: https://graydon.law/leaving-neverland-but-not-litigation/ Copyright © 2021 Graydon Head & Ritchey LLP. All Rights Reserved. Leaving Neverland, But Not Litigation | Page 2 issue. Disparagement is the legal equivalent of “if you can’t say something nice, don’t say anything.” But the estate lawyers seem to be treating the case like a defamation case – where falsity is a necessary element. I’m guessing this results from the realization that winning on disparagement alone would be a pyrrhic victory. “Even if it was true, you shouldn’t have said it” is a lot less compelling than “you’re a liar!” 2. Is the complaint a little over the top? I’m kind of old school, but it seems like it to me. There are several paragraphs laying out allegations about the struggles of the cable industry and then conclusions that HBO was so desperate for content, they ran the documentary essentially without concern for its accuracy. Complaints are supposed to contain a “short and plain statement of the claim.” Here that would be, HBO agreed to not disparage Jackson and this documentary does just that. Conclusory allegations about HBO’s motivation – in a breach of contract case – are irrelevant. But I’ve seen this trend more and more recently. The complaint is as much a press release as a legal pleading. Maybe more so. 3. Will the arbitration be public? Typically arbitrations are private affairs. They are not open to the public as a civil trial would be. That is part of the reason parties include an arbitration provision in the contract in the first place. But in the complaint, the Jackson estate anticipates the potential blow back about trying to shroud the proceeding in secrecy, and requests HBO to agree to conduct the arbitration in a public proceeding. That is an interesting ploy, and one I’ve never seen before. 4. Is timing everything? I was telling a non-lawyer friend about this case the other day and they asked a pretty common sense question – how long does the non- disparagement clause last? Typically, contracts have defined terms. And courts won’t enforce a contract that purports to last forever. So what is the term here? That is less than clear. The contract itself is a license agreement that allowed HBO to show one time only, a Jackson concert. The non-disparagement clause is contained in Exhibit I to the license agreement. That exhibit primarily deals with the use of confidential information. And as to the use of any confidential information, Exhibit I sets out a time frame wherein HBO is prohibited from using or disclosing the confidential information – specifically “during or after HBO’s contract or HBO’s relationship with Licensor and/or Performer.” But the non-disparagement provision is in a totally separate paragraph farther down in the contract. And it has no such time frame stipulated. That could be a big problem for the estate. And the license agreement itself doesn’t provide any real time frame, since it really only concerns the one time broadcast. There isn’t a “term” there. The legal effect of the ambiguity surrounding the term of the agreement is the kind of issue that can get a complaint dismissed right out of the gate. If so, the estate may not the Leaving Neverland, But Not Litigation | Page 2 Printed from: https://graydon.law/leaving-neverland-but-not-litigation/ Copyright © 2021 Graydon Head & Ritchey LLP. All Rights Reserved. Leaving Neverland, But Not Litigation | Page 3 opportunity to prove its claims about the alleged falsities in the film. That would seem like a loss. Leaving Neverland, But Not Litigation | Page 3 Printed from: https://graydon.law/leaving-neverland-but-not-litigation/ Copyright © 2021 Graydon Head & Ritchey LLP. All Rights Reserved..
Load more

Recommended publications
  • Peter Pan Jr - Full Synopsis Peter Pan and the Other Inhabitants of Neverland Open the Show by Introducing the Audience to Their World ("Neverland")
    Peter Pan Jr - Full Synopsis Peter Pan and the other inhabitants of Neverland open the show by introducing the audience to their world ("Neverland"). Meanwhile, in the Darling Nursery ("Prologue"), ​ ​ ​ ​ Wendy, Michael, and John are playing before bed as Mrs.Darling and Mr.Darling get ready to go out. Nana, the family dog, and Liza encourage the children to go to bed. Before leaving, Mrs. Darling sings a lullaby with the children to say goodnight ("Tender Shepherd"). As soon as the parents have gone, Peter follows Tinker Bell into the room, searching for Peter’s shadow. Wendy is awakened by the commotion and quickly befriends the mysterious visitor. The Darling children soon set off to Neverland with Peter, travelling the only way possible ("I’m Flying"). ​ ​ Back in Neverland, the Pirates search for the Lost Boys ("Pirate March"). After ​ ​ discovering the Lost Boys’ underground home, Captain Hook and his first mate Smee devise a plan ("Hook’s Tango"), but is chased away by the Crocodile. The Lost Boys ​ ​ remain in peril as the Brave Girls, led by Tiger Lily, arrive on the scene ("Brave Girl ​ Dance"). Peter and the Darlings reach Neverland, frightening the Brave Girls. Finally ​ safe, the Lost Boys celebrate the arrival of their new “mother” ("Wendy"). Captain ​ ​ Hook’s first attempt to poison the Lost Boys is thwarted by their new guardian, and the pirates must devise a new plan ("Hook’s Tarantella"). ​ ​ The next day, the Lost Boys learn a lesson from Peter, their “father” ("I Won’t Grow ​ Up"). When they discover that the pirates have captured Tiger Lily, the Lost Boys help ​ to free her.
    [Show full text]
  • Disney Junior Jake and the Never Land Pirates Magical Story Pdf, Epub, Ebook
    DISNEY JUNIOR JAKE AND THE NEVER LAND PIRATES MAGICAL STORY PDF, EPUB, EBOOK none | none | 30 Nov 2012 | Parragon Book Service Ltd | 9781781860366 | English | Bath, United Kingdom Disney Junior Jake and the Never Land Pirates Magical Story PDF Book We know that parent engagement in the media their young children consume can have a very important benefit in terms of learning as well as become a gateway for conversations with children around the storylines and themes that are presented. The series has received generally mixed reviews. Categories :. Jake and the Neverland Pirates Playsets. The launch of Disney Junior in the U. We create the underscore. No Preference. It is a television destination enjoyable for children and parents alike, including older children and siblings already engaged in our content, who we want to feel included in Disney Junior. In Disney Junior will debut as a hour basic cable and satellite channel in the U. PJ Masks Action Figures. A review in Variety called it "part video game, part interactive cartoon, part advertisement for 'Peter Pan' merchandise". Yo ho! Sofia is whisked off to the castle, where she learns what it means to be a real princess, discovering empowering lessons about kindness, forgiveness, generosity, courage and self-respect. All Auction Buy It Now. In this episode, the Princess's rainbow wand has run out of power. Disney Junior. Since forums and fan pages first started buzzing about the new Disney Junior brand, questions have been plentiful and answers not as much. Buying Format see all. Many episodes showcase Jake being a huge fan of Peter Pan.
    [Show full text]
  • For Immediate Release First Night of 2019 Creative Arts
    FOR IMMEDIATE RELEASE FIRST NIGHT OF 2019 CREATIVE ARTS EMMY® WINNERS ANNOUNCED (Los Angeles, Calif. – Sept. 14, 2019) The Television Academy tonight presented the first of its two 2019 Creative Arts Emmy® Awards ceremonies honoring outstanding artistic and technical achievement in television at the Microsoft Theater in Los Angeles. The ceremony, which kicked-off the 71st Emmys, awarded many talented artists and craftspeople in categories including reality, variety special, documentary, animated program and short form animation, choreography for variety or reality program, and interactive program. This year’s first Creative Arts Awards, executive produced by Bob Bain, featured presenters from television’s top shows including Will Arnett (BoJack Horseman), Marsha Stephanie Blake (When They See Us), Roy Choi and Jon Favreau (The Chef Show), Terry Crews (America’s Got Talent), Jeff Goldblum (The World According to Jeff Goldblum), Seth Green (Robot Chicken), Diane Guerrero (Orange Is the New Black), Derek Hough (World of Dance), Marie Kondo (Tidying Up With Marie Kondo), Nick Kroll (Big Mouth) and Wanda Sykes (Wanda Sykes: Not Normal). FXX will broadcast the awards on Saturday, Sept. 21 at 8:00 PM ET/PT. Press Contacts: Stephanie Goodell breakwhitelight (for the Television Academy) [email protected], (818) 462-1150 For more information please visit emmys.com. TELEVISION ACADEMY 71ST CREATIVE ARTS EMMY AWARDS – SATURDAY The awards, as tabulated by the independent accounting firm of Ernst & Young LLP, were distributed as follows: Program Individual Total Netflix 3 12 15 National Geographic 1 7 8 CNN 3 2 5 NBC 1 4 5 FOX 1 3 4 HBO 2 2 4 YouTube 1 3 4 CBS 1 2 3 VH1 0 3 3 ABC 1 0 1 Apple Music 1 0 1 CW 0 1 1 FX Networks 0 1 1 Oculus Store 1 0 1 Twitch 1 0 1 A complete list of all awards presented tonight is attached.
    [Show full text]
  • The Fear of Adulthood in John Green's Paper Towns and J. M. Barrie's
    Stephen F. Austin State University SFA ScholarWorks English 502: Research Methods English 12-8-2014 Running Away to Neverland: The Fear of Adulthood in John Green’s Paper Towns and J. M. Barrie’s Peter Pan Teri Klauser Stephen F Austin State University, [email protected] Follow this and additional works at: https://scholarworks.sfasu.edu/english_research_methods Part of the Other English Language and Literature Commons Tell us how this article helped you. Repository Citation Klauser, Teri, "Running Away to Neverland: The Fear of Adulthood in John Green’s Paper Towns and J. M. Barrie’s Peter Pan" (2014). English 502: Research Methods. 6. https://scholarworks.sfasu.edu/english_research_methods/6 This Article is brought to you for free and open access by the English at SFA ScholarWorks. It has been accepted for inclusion in English 502: Research Methods by an authorized administrator of SFA ScholarWorks. For more information, please contact [email protected]. Klauser / Fear of Adulthood / 1 Running Away to Neverland: The Fear of Adulthood in John Green’s Paper Towns and J. M. Barrie’s Peter Pan In the prologue of John Green’s young adult novel, Paper Towns, Margo Roth Spiegelman and Quintin Jacobsen discover a dead man’s body in the park as children. While Quintin flinches away, Margo seems keenly aware of it, as she physically steps towards it. After returning home, Margo visits Quintin outside his window, speaking intently about her investigation of the dead man. Yet, while Margo is interested in discovery, Quintin is not. He wants to just forget the entire matter, at his mother’s suggestion.
    [Show full text]
  • Finding Neverland Coverpage
    Discussion guide developed by Heartland Truly Moving Pictures to accompany Finding Neverland, a Truly Moving Picture Award-winning lm. A Truly Moving Picture Award winner is a lm that unlocks the vast potential of the human spirit and enables us to view stories that display courage, integrity and hope, taking entertainment to a higher level. www.TrulyMovingPictures.org One Film Can Heartland Truly Moving Pictures, a non-prot organization, recognizes and honors lms and lmmakers whose work explores the human journey by expressing hope and respect for the positive values of life. We believe that one lm can move us to laughter, to tears, or to make a dierence. Finding Neverland is a movie that demonstrates that One Film Can. Synopsis Award winners Johnny Depp, Kate Winslet, Dustin Homan and Julie Christie star in this magical tale about one of the world’s greatest storytellers and the people who inspired his masterwork, Peter Pan! Well-known playwrite James M. Barrie (Depp) nds his career at a crossroads when his latest pay ops and doubters question his future. Then by chance he met a widow (Winslet) and her four adventurous boys. Together they form a friendship that ignites the imagination needed to produce Barrie’s greatest work! An enchanting big-screen treat with an acclaimed cast of stars, Finding Neverland has been hailed as one of the year’s best motion pictures. 1 To die will be an awfully big adventure. Peter Pan James Matthew (J.M.) Barrie’s life was impacted by death. The eects of these tragedies on Barrie seem to permeate his tale, Peter Pan, also known as The Boy Who Would Never Grow Up.
    [Show full text]
  • Obsessive Love and Nostalgia for Neverland: the Dark Side Of
    University of North Georgia Nighthawks Open Institutional Repository Department of English Capstone Abstracts Department of English Spring 2016 Obsessive Love and Nostalgia for Neverland: The Dark Side of Fantasy Fiction in John Logan's Peter and Alice Jansen Castleberry University of North Georgia, [email protected] Follow this and additional works at: http://digitalcommons.northgeorgia.edu/eng_capstone Part of the English Language and Literature Commons Recommended Citation Castleberry, Jansen, "Obsessive Love and Nostalgia for Neverland: The aD rk Side of Fantasy Fiction in John Logan's Peter and Alice" (2016). Department of English Capstone Abstracts. 6. http://digitalcommons.northgeorgia.edu/eng_capstone/6 This Article is brought to you for free and open access by the Department of English at Nighthawks Open Institutional Repository. It has been accepted for inclusion in Department of English Capstone Abstracts by an authorized administrator of Nighthawks Open Institutional Repository. Jansen Castleberry Fall 2015 Abstract Obsessive Love and Nostalgia for Neverland: The Dark Side of Fantasy Fiction in John Logan’s Peter and Alice John Logan’s play Peter and Alice explores the relationships of the people behind Peter Pan and Alice in Wonderland. Peter Llewelyn Davies and Alice Hargreaves meet in a bookshop and reminisce about the authors and fictional characters that helped develop their identities. All characters in the play, J.M. Barrie, Lewis Carroll, Peter Pan, and Alice in Wonderland help expose dark secrets about Peter and Alice while helping them connect to one another. Throughout his play, Logan shows the reality and repercussions of fantasy fiction. Peter and Alice illustrates how the biographical backgrounds of Peter and Alice have woven together with Peter Pan and Alice in Wonderland to create a darker legacy for once lighthearted children’s stories.
    [Show full text]
  • Peter Pan Peter Pan Is a Children’S Novel by J
    Peter Pan Peter Pan is a children’s novel by J. M. Barrie. It follows the adventures of the Darling children and Peter Pan, a boy who never grows up. Peter Pan flies into Wendy Darling’s room and convinces her and her brothers to come to Neverland with him and his fairy, Tinker Bell. In Neverland, Peter and the Darlings live with the lost boys, with Wendy acting as the boys’ mother. They also battle Captain Hook and his pirate crew. The Darlings return to London, where their parents adopt the lost boys. Peter remains in Neverland, but returns to take Wendy’s daughter on an adventure. J. M. Barrie’s classic work Peter Pan (1904) tells the story of the Darling children’s journey to the magical islands of Neverland with Peter Pan, an adventurous young boy who refuses to grow up. The omniscient narrator—who addresses the audience in the first person—introduces the Darling family, which includes Mr. and Mrs. Darling; their three children, Wendy, John, and Michael; and a dog named Nana. The family resides in London, where the children share a nursery. In the present, Wendy tells Mrs. Darling about a boy named Peter Pan, who visits her dreams from a place called Neverland. After the children go to sleep, Peter Pan unexpectedly enters through their bedroom window, startling Mrs. Darling. When Mr. and Mrs. Darling leave the house to attend a nearby dinner party, Peter returns with his fairy, Tinker Bell. Wendy awakes and helps Peter attach his shadow to his body. Peter tells Wendy that he has no parents and that he refuses to ever become an adult; he lives in Neverland with a group of abandoned children who refer to themselves as “the lost boys.” Intrigued with Neverland, Wendy asks him about fairies, which reminds Peter that he accidentally trapped Tinker Bell inside a closed drawer.
    [Show full text]
  • Peter Pan Flame.Indd
    Women’s Health CLINIC OCTOBER 2015 SEASON | YEAR A NEWSLETTER DEDICATED TO GROUPS, ORGANIZATIONS AND FRIENDS OF THE FIRESIDE THEATRE So Come With Me Where Dreams Are Born! I WAS SIX YEARS OLD. I HAD ALREADY SEEN MY FIRST BROADWAY MUSICAL (THE MUSIC MAN) AND I WAS SINGING IN TALENT SHOWS. I WAS ALSO A VORACIOUS READER AND I LIVED A GOOD PORTION OF MY LIFE IN FRONT OF THE TV WATCHING DISNEY FILMS, AND OLD MOVIES. I WAS TOTALLY CAUGHT UP IN MAGICAL ADVENTURES. Then a couple of days after my sixth As much as I love this show it is nearly birthday, NBC broadcast a live version of unbelievable to me that in my five decade a current Broadway hit musical and I fell theatrical career I have never worked on in love with that show – a love I’ve kept to a production of it. this very day. The show was PETER PAN starring Mary Martin. Well that will no longer be true when I get to direct The Fireside’s fabulous new NBC broadcast it regularly after that production of PETER PAN in February in 1960, 1963, 1966, 1973, 1989, and of 2016! I am so excited to finally bring 1991. I watched every broadcast and to life this timeless tale of Lost Boys, even though I grew into in my 20’s Pirates, Indians, and that magical place and my 30’s I never lost that feeling of called Neverland. The music is tuneful “The music is tuneful and happy, enchantment and wonder. I have since and happy, the dancing is high-spirited, the dancing is high-spirited, the seen the Broadway revivals starring the costumes are fanciful, and the costumes are fanciful, and the Sandy Duncan and Cathy Rigby and I escapades of Peter, Wendy, Tiger Lily, escapades of Peter, Wendy, Tiger have DVD’s of the original Mary Martin and the notorious Captain Hook are filled Lily, and the notorious Captain telecasts and the Cathy Rigby revival.
    [Show full text]
  • Peter Pan: Adapted Novel Lexile Approx: 610L-800L
    Peter Pan: Adapted Novel Lexile Approx: 610L-800L This Adapted Literature resource is available through the Project IMPACT: Inclusion Made Practical for ALL Children and Teachers CFDA #84.326M The text and graphics are adapted from the original source. These resources are provided for teachers to help students with severe disabilities participate in the general curriculum. Please limit the use and distribution of these materials accordingly Table of Contents Chapter Title Page 1 Famous Last Words 1 2 Now, Peter! Now! 7 3 Come Away, Come Away 13 4 The Darling Children Learn to Fly 20 5 The Island Comes True 26 6a The Little House 30 6b Continued 35 7 The Home Under the Ground 39 8 Something Worse than the Night 46 9 The Never Bird 53 10 The Happy Home 60 i Table of Contents Con’t Chapter Title Page 11 Wendy’s Story 66 12 Extremely Happy Hook 73 13 Do You Believe in Fairies? 79 14 The Pirate Ship 84 15a “Hook or me this time” 90 15b Continued 94 15c Continued 99 16a The Return Home 106 16b Continued 111 17 Wendy Grew Up 116 i i Chapter 1 Famous Last Words All children grow up. All except one. The Darlings were a family that lived in England. Wendy was the oldest child, and she had two younger brothers- John and Michael. Mrs. Darling stayed home with the kids. Mr. Darling went to work, but he was only average at his job so he did not earn much money. 1 Adapted: Classic Start: Peter Pan The Darlings were poor.
    [Show full text]
  • Corbin Kids Summer Camps 2018
    Camp questions? 509-625-6677 Corbin Kids Fine Arts & Craft Summer Camps 2018 * Camps held at Let’s Get Sewing! Studio, 8707 N. Wall St., 509-217-7049. SUMMER 2018 corbin Weeklykids Fine Arts & Craft Camps camps AGES 3-5 & 6-11 CORBIN ART CENTER | 507 W 7TH AVE, SPOKANE, WA PRESCHOOL SPECIALTY HALF-DAY CAMPS, AGES 3 – 5 Dress for a mess. AGES Jun 11-15 Jun 18-22 Jun 25-29 Jul 2-3 Jul 9-13 Jul 16-20 Jul 23-27 Jul 30-Aug 3 Aug 6-10 Aug 13-17 3-5 June 11-15 June 25-29 9:00AM - KIDS SUPERVISED LUNCH 39667 39669 39671 39678 39680 39682 39684 39686 39688 39690 Jungle Jammin’ Enchanted Theatre Camp NEW 11:30AM Jungle Rainforest Enchanted Little Surf & Sea Fairies, Trolls Ladybugs & Island Blast Off Into Best of for Ages 3-5 | 11:30 AM-12:30 PM Jammin’ Theatre Picassos! Slugs! Space! Summer, Adventure! Safari! & Gnomes in Explorer! 1 week | Ages 3-5 Join us on a jungle-tastic 1 week | Ages 3-5 Introduce your child to the For students registered in morning Camp the Garden! Pre-School adventure & expedition! We’ll move & sound like world of drama & imagination. Enter the worlds Style! and afternoon sessions: please lions, exotic birds, monkeys, elephants & more. of favorite fairytale & nursery rhyme stories; learn send a lunch with your child’s name 11:30AM - 39619 39620 39621 39622 39623 39624 39625 39626 39627 39628 Listen to jungle stories, craft animal art projects & the basics of performing, creating new fairytale on it, and plan for a fun-filled day.
    [Show full text]
  • Masaryk University
    MASARYK UNIVERSITY FACULTY OF EDUCATION Department of English Language and Literature THE INFLUENCE OF TIME AND HISTORICAL EVENTS ON THE STORY OF PETER PAN IN FILMS Bachelor Thesis Brno 2018 Supervisor Author Mgr. Barbora Kašpárková Eva Nešporová Declaration I hereby declare that I worked on the following thesis on my own and that I used only the sources listed in the bibliography. Prohlášení Prohlašuji, že jsem závěrečnou bakalářskou práci vypracovala samostatně, s využitím pouze citovaných literárních zdrojů, dalších informací a zdrojů v souladu s Disciplinárním řádem pro studenty Pedagogické fakulty Masarykovy university a se zákonem č. 121/2000 Sb. o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů (autorský zákon), ve znění pozdějších předpisů. V Brně dne 30.3. 2018 ..................................... Eva Nešporová Acknowledgment I would like to express my gratitude to my supervisor Mgr. Barbora Kašpárková for the useful comments and guidance that she provided through the writing process of this thesis. Abstract This bachelor thesis focuses on the story of Peter Pan, also known as “a boy who would not grow up”, and on changes that appeared during the past hundred years. The thesis analyzes three different films that were made in the past seventy years and compares them with the original story called Peter Pan by James Matthew Barrie, first published in the year 1911. The analytic part consists of Peter Pan, directed in 1953 by the Walt Disney Company, Peter Pan by Paul John Hogen, directed in 2003, and Pan by Joe Wright, the latest film made, from 2015. The analysis focuses mainly on the issue of racism and feminism that appeared in the adaptations.
    [Show full text]
  • Neverland Donation Tier Seating
    Neverland Ball APRIL 10, 2021 5 PM SIERRA NEVADA'S BIG ROOM FOR AVAILABILITY, PLEASE VISIT: WWW.NEVERLANDBALL.COM NEVERLAND - SEATS 24 Host Sponsor: recognition on all marketing materials, website, social media and prominent display at the Ball. Full page recognition in program book. Includes 24 tickets to the Ball and seating in our VIP section with private wait staff and dessert for all guests. Availability: 1 $ 5 0 0 0 . 0 0 THE PETER PAN - SEATS 12 Silent Auction Sponsor: recognition on all marketing materials, website, social media and prominent display at the Ball. Full page recognition in program book. Includes 12 tickets to the Ball and reserved seating our VIP section. Availability: 1 $ 3 0 0 0 . 0 0 THE TINKER BELL - SEATS 8 Entertainment Sponsor: recognition on all marketing materials, website, social media and name recognition on stage. Full page recognition in program book. Includes 8 tickets to the Ball and reserved seating in our VIP section. Availability: 2 $ 2 5 0 0 . 0 0 THE MERMAID LAGOON - SEATS 8 Bar Sponsor: recognition on all marketing materials, website, social media and name recognition at the bar. Full page recognition in program book. Includes 8 tickets to the Ball and reserved seating in our VIP section. Availability: 1 $ 2 0 0 0 . 0 0 PIXIE LAND - SEATS 6 Hors d'oeuvres Sponsor: recognition on all marketing materials, website, social media and name recognition at the bar. Includes 6 tickets to the Ball and reserved seating in our VIP section. Availability: 3 $ 1 0 0 0 . 0 0 THE DARLINGS - SEATS 6 Table Sponsor: Listed in program.
    [Show full text]