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Against Expression?: Avant-Garde Aesthetics in Satie's" Parade"
Against Expression?: Avant-garde Aesthetics in Satie’s Parade A thesis submitted to the Division of Graduate Studies and Research of the University of Cincinnati In partial fulfillment of the requirements for the degree of MASTER OF MUSIC In the division of Composition, Musicology, and Theory of the College-Conservatory of Music 2020 By Carissa Pitkin Cox 1705 Manchester Street Richland, WA 99352 [email protected] B.A. Whitman College, 2005 M.M. The Boston Conservatory, 2007 Committee Chair: Dr. Jonathan Kregor, Ph.D. Abstract The 1918 ballet, Parade, and its music by Erik Satie is a fascinating, and historically significant example of the avant-garde, yet it has not received full attention in the field of musicology. This thesis will provide a study of Parade and the avant-garde, and specifically discuss the ways in which the avant-garde creates a dialectic between the expressiveness of the artwork and the listener’s emotional response. Because it explores the traditional boundaries of art, the avant-garde often resides outside the normal vein of aesthetic theoretical inquiry. However, expression theories can be effectively used to elucidate the aesthetics at play in Parade as well as the implications for expressability present in this avant-garde work. The expression theory of Jenefer Robinson allows for the distinction between expression and evocation (emotions evoked in the listener), and between the composer’s aesthetical goal and the listener’s reaction to an artwork. This has an ideal application in avant-garde works, because it is here that these two categories manifest themselves as so grossly disparate. -
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Background artwork: SPECIAL COLLECTIONS UCHICAGO LIBRARY Kaplan and Fridkin, Agit No. 2 MUSIC THEATER ART MUSIC THEATER LECTURE / CLASS MUSIC MUSIC MUSIC / FILM LECTURE / CLASS MUSIC University of Chicago Presents University Theater/Theater and Performance Studies The University of Chicago Library Symphony Center Presents Goodman Theatre University of Chicago Presents Roosevelt University Rockefeller Chapel University of Chicago Presents TOKYO STRING QUARTET THEATER 24 PLAY SERIES: GULAG ART Orchestra Series CHEKHOv’S THE SEAGULL LECTURE / DEmoNSTRATioN PAciFicA QUARTET: 19TH ANNUAL SILENT FiLM LECTURE / DEmoNSTRATioN BY MARiiNskY ORCHESTRA FRIDAY, OCTOBER 1, 2010 A CLOUD WITH TROUSERS THROUGH DECEMBER 2010 OCTOber 16 – NOVEMBER 14, 2010 BY PACIFICA QUARTET SHOSTAKOVICH CYCLE WITH ORGAN AccomPANimENT: MAsumi RosTAD, VioLA, AND (FORMERLY KIROV ORCHESTRA) Mandel Hall, 1131 East 57th Street SATURDAY, OCTOBER 2, 2010, 8 PM The Joseph Regenstein Library, 170 North Dearborn Street SATURDAY, OCTOBER 16, 2 PM SUNDAY OCTOBER 17, 2010, 2 AND 7 PM AELITA: QUEEN OF MARS AMY BRIGGS, PIANO th nd chicagopresents.uchicago.edu, 773.702.8068 First Floor Theater, Reynolds Club, 1100 East 57 Street, 2 Floor Reading Room Valery Gergiev, conductor Goodmantheatre.org, 312.443.3800 Fulton Recital Hall, 1010 East 59th Street SUNDAY OCTOBER 31, 2010, 2 AND 7 PM Jay Warren, organ SATURDAY, OCTOBER 30, 2 PM 5706 South University Avenue Lib.uchicago.edu Denis Matsuev, piano Chicagopresents.uchicago.edu, 773.702.8068 FRIDAY, OCTOBER 29, 2010, 8 PM Fulton Recital Hall, 1010 East 59th Street Mozart: Quartet in C Major, K. 575 As imperialist Russia was falling apart, playwright Anton SUNDAY JANUARY 30, 2011, 2 AND 7 PM ut.uchicago.edu TUESDAY, OCTOBER 12, 2010, 8 PM Rockefeller Chapel, 5850 South Woodlawn Avenue Chicagopresents.uchicago.edu, 773.702.8068 Lera Auerbach: Quartet No. -
Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive -
October Newsnet
October 2018 • v. 57, n. 5 NewsNet News of the Association for Slavic, East European, and Eurasian Studies Celebrating ASEEES: Reflections on the 1980s Ellen Mickiewicz, Duke University As we celebrate the 70th anniversary of our organization’s new and different system? What were we to make of the founding and the 50th Convention, we take time to reflect stops and starts, the halting changes of direction, and on our history through the eyes of four AAASS/ASEEES the obvious internal disagreements among the Soviet Past Presidents. Union’s political elite? Gorbachev’s program of reform, perestroika, sparked a good deal of disagreement in the AAASS brought into one professional organization West about what exactly it entailed, and if the Soviet scholars and policy makers working on issues related to leader had eventual democracy in mind or just limited the Soviet Union and beyond, including the then-Soviet- production improvements or a step-wise change that got dominated countries of Eastern, Central and South out of hand and roared ahead once controls were loosened. Europe. We were (and continue to be) affiliated and The Red Army withdrew from Afghanistan, and Soviet unaffiliated scholars, policy makers, media practitioners television for the first time characterized the conflict as and critics, and more. We included all relevant disciplines a “war” instead of a foreign aid mission to build schools. and added emerging ones. I became president in 1988, Television news had not showed the war and even was during turbulent years inside our organization and in the prohibited from letting the black smoke of bombs be world. -
Autumn 2012 Catalogue:1 20/4/12 10:28 Page 1
Autumn 12 Cat. Cover multiple bags:1 16/4/12 12:19 Page 1 YaleBooks www.yalebooks.co.uk twitter.com/yalebooks yalebooks.wordpress.com Yale facebook.com/yalebooks autumn & winter 2012 Yale autumn & winter 2012 Autumn 2012 Cat. Inside Cover:1 20/4/12 10:23 Page 1 Yale sales representatives and overseas agents Great Britain Central Europe China, Hong Kong Scotland and the North Ewa Ledóchowicz & The Philippines Peter Hodgkiss PO Box 8 Ed Summerson 16 The Gardens 05-520 Konstancin-Jeziorna Asia Publishers Services Ltd Whitley Bay NE25 8BG Poland Units B & D Tel. 0191 281 7838 Tel. (+48) 22 754 17 64 17/F Gee Chang Hong Centre Mobile ’phone 07803 012 461 Fax. (+48) 22 756 45 72 65 Wong Chuk Hang Road e-mail: [email protected] Mobile ’phone (+48) 606 488 122 Aberdeen e-mail: [email protected] Hong Kong North West England, inc. Staffordshire Tel. (+852) 2553 9289/9280 Sally Sharp Australia, New Zealand, Fax. (+852) 2554 2912 53 Southway Fiji & Papua New Guinea e-mail: [email protected] Eldwick, Bingley Inbooks West Yorkshire BD16 3DT Locked Bag 535 Singapore, Thailand, Vietnam, Tel. 01274 511 536 Frenchs Forest Cambodia, Indonesia & Brunei Mobile ’phone 07803 008 218 NSW 2086 APD Singapore Ptd Ltd e-mail: [email protected] Australia 52 Genting Lane #06-05 Tel: (+61) 2 8988 5082 Ruby Land Complex 1 South Wales, South and South West Fax: (+61) 2 8988 5090 Singapore 349560 England, inc. South London e-mail: [email protected] Tel. (+65) 6749 3551 Josh Houston Fax. -
The Bolshoi Meets Bolshevism: Moving Bodies and Body Politics, 1917-1934
THE BOLSHOI MEETS BOLSHEVISM: MOVING BODIES AND BODY POLITICS, 1917-1934 By Douglas M. Priest A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of History – Doctor of Philosophy 2016 ABSTRACT THE BOLSHOI MEETS BOLSHEVISM: MOVING BODIES AND BODY POLITICS, 1917- 1934 By Douglas M. Priest Following the Russian Revolution in 1917, the historically aristocratic Bolshoi Ballet came face to face with Bolshevik politics for the first time. Examining the collision of this institution and its art with socialist politics through the analysis of archival documents, published material, and ballets themselves, this dissertation explains ballet’s persisting allure and cultural power in the early Soviet Union. The resulting negotiation of aesthetic and political values that played out in a discourse of and about bodies on the Bolshoi Theater’s stage and inside the studios of the Bolshoi’s Ballet School reveals Bolshevik uncertainty about the role of high culture in their new society and helped to define the contentious relationship between old and new in the 1920s. Furthermore, the most hostile attack on ballet coming from socialists, anti- formalism, paradoxically provided a rhetorical shield for classical ballet by silencing formalist critiques. Thus, the collision resulted not in one side “winning,” but rather in a contested environment in which dancers embodied both tradition and revolution. Finally, the persistence of classical ballet in the 1920s, particularly at the Ballet School, allowed for the Bolshoi Ballet’s eventual ascendancy to world-renowned ballet company following the second World War. This work illuminates the Bolshoi Ballet’s artistic work from 1917 to 1934, its place and importance in the context of early Soviet culture, and the art form’s cultural power in the Soviet Union. -
Art Exhibitions Between 1920S and 1930S, Reflected in the Avant- Garde Magazine UNU
Învăţământ, Cercetare, Creaţie Vol. 7 No. 1 - 2021 171 Art Exhibitions between 1920s and 1930s, Reflected in the Avant- garde Magazine UNU Cristina GELAN1 Abstract: In the first decades of the twentieth century, when the trend of emancipation of Romanian culture - literature, but also art, under the influence of traditionalist direction and synchronization with European ideas became increasingly evident, the avant-garde movement proposed a series of aesthetic programs, aiming to impose a new vision, both in literature and in art. In this sense, the magazines founded during this period had a major role, even if many of them appeared for relatively short periods of time. Among them, there is the magazine UNU, a publication that appeared in Dorohoi, between April and December 1928, and later, between January 1929 and December 1932, in Bucharest. The magazine had declared itself surrealist and promoted the experiences of avant-garde events. Key-words: Romanian art; avant-garde; new art; UNU; surrealism 1. Introduction In the context of the first decades of the twentieth century, in which the trend of emancipation of Romanian culture - literature, but also art, under the influence of traditionalist direction and synchronization with European ideas became increasingly obvious, the avant- garde movement proposed a series of aesthetic programs, aiming to impose a new vision, both in literature and in art. In this sense, the magazines founded during this period had a major role, even if many of them appeared for relatively short periods of time. Among them, there is the magazine UNU, a publication that appeared in Dorohoi, between April and December 1928, and later, between January 1929 and December 1932, in Bucharest. -
Balint Juhasz Doctoral School of History, Pázmány Péter Catholic University
VI International Forum for Doctoral Candidates in East European Art History, Berlin, 3rd May 2019, organized by the Chair of East European Art History, Humboldt University Berlin Balint Juhasz Doctoral School of History, Pázmány Péter Catholic University The Italian trend of the Interwar Hungarian Neoclassicism Art in Transylvania Subject and main question of the PHD Project The Trianon Treaty of 4 June 1920 led to the break-up of certain regions from the Austro-Hungarian Empire and the birth of new nations. Before World War I, Hungarian artists from Transylvania were studying in Munich and Paris. Tightening the boundaries and breaking away from the motherland led to the creation of a new part of the country. In Transylvania, at the beginning of the 1920s, the only colony of artists at European level existed in Nagybánya (Baia Mare), where not only Hungarians but also Romanian and German students could learn. On the other hand, the artschool of Kolozsvár (Cluj) founded in 1925 and then relocated to Timisoara was an alternative solution. Aurel Ciupe, a Romanian artist who teached there, had a greater insight into European developments. Paris remained the most important station for Romanian artists in Bucharest and Transylvania. Nevertheless, some German artists like Max Hermann Maxy and Fritz Kimm preferred Berlin for retraining. By contrast, in the 1920s and 1930s, Italy underwent through a major transformation. Already in 1917 and 1918, many members of the Italian artistic generation, who survived the horrors of the war, forgot the lively optimism and radicalism of futurism. Leading figures as Giorgio de Chirico, Mario Sironi, and Felice Casorati have chosen the spirituality of Valori Plastici and Novecento. -
Ballet, Culture and Elite in the Soviet Union on Agrippina Vaganova’S Ideas, Teaching Methods, and Legacy
Ballet, culture and elite in the Soviet Union On Agrippina Vaganova’s Ideas, Teaching Methods, and Legacy Magdalena L. Midtgaard Magdalena Midtgaard VT 2016 Examensarbete, 15 hp Master program, Idéhistoria 120 hp Balett, kultur och elit i Sovjetunionen Om Agrippina Vaganovas idéer, undervisningsmetoder och arv Magdalena Midtgaard vt. 2016 Abstract. Balettutbildning har varit auktoritär och elitistisk i århundraden. Med utgångspunkt i Agrippina Vaganova och hennes metodiska systematisering av balettundervisning diskuteras frågor om elit, lärande och tradition inom balettundervisning. Vaganova var en länk mellan tsartidens Ryssland och det nya Sovjet och bidrog aktivt till att balett som konstform, trots sin aristokratiska bakgrund, fördes vidare och blev en viktig kulturpolitiskt aktivitet i Sovjet. Med underlag i texter av Bourdieu och Said diskuteras elit, kulturellt kapital och elitutbildning för att förklara några av de politiska och samhällsmässiga mekanismer som bidragit till balettens unika position i Sovjet. För att placera Vaganova som pedagog i förhållande till balettundervisning och balett genom tiden, presenteras korta informativa kapitel om baletthistoria, och utveckling och spridning av Vaganovas metod, både i Sovjet/Ryssland och i andra länder. Key words: Classical ballet, Vaganova, ballet education, elite education, cultural politics in the Soviet Union My sincere thanks to Sharon Clark Chang for proof reading and correcting my English, and to Louise Midtgaard and Sofia Linnea Berglund for valuable thoughts on Vaganova and ballet pedagogy and education in general. 2 Contents 1. Introduction p. 5 1.1 Sources and method p. 6 1.2 Theoretical perspectives on elite culture p. 7 2. Background p. 8 2.1 A short history of ballet p. -
ROTES ANTIQUARIAT Katalog Frühjahr 2011 Kunst Und Literatur Titel-Nr
ROTES ANTIQUARIAT Katalog Frühjahr 2011 Kunst und Literatur Titel-Nr. 7 Inhaltsverzeichnis KUNST – Dokumentationen, illustrierte Bücher und graphische Folgen 3 Dadaismus, Futurismus und Surrealismus 6 Expressionismus 24 Fotografie 42 Konstruktivismus/ Funktionalismus 45 Sowjetische Propaganda 68 Der Sturm 70 Verismus 71 Einzelblätter 74 LITERATUR 90 EXIL 114 Wir sind jederzeit am Ankauf ganzer Sammlungen und einzelner Publikationen und Graphiken interessiert. Katalogbearbeitung: Friedrich Haufe Kataloggestaltung: Markéta Cramer von Laue Fotografie: Lara Siggel Übersetzungen: Constanze Hager u.a. Orders from the USA: [email protected] Bestellungen bitte an: Rotes Antiquariat und Galerie C. Bartsch Knesebeckstr. 13/14, 10623 Berlin-Charlottenburg Tel. 030-37 59 12 51, Fax 030-31 99 85 51 [email protected] Mitglied im Bankverbindung: Member of Christian Bartsch Postbank Berlin, Konto-Nr. 777 844 102 Deutsche Bank, Konto-Nr. 135 687 200 Für unsere Schweizer Kunden Christian Bartsch, Konto 91-392193-5, PostFinance Schweiz Steuer-Nummer 34/217/58303 USt-ID 196559745 Katalog Frühjahr 2011 Kunst und Literatur Seite 5 Kunst I KUNST DOKUMENTATIONEN,ILLUSTRIERTE BÜCHER UND GRAPHISCHE FOLGEN 1. Abstraction, Création, Art non figurativ. 1932. Heft 1 (von 5). (Paris). 1932. 48 S. Mit zahlr. Abb. 4°, Orig.-Umschlag. (Bestell-Nr. KNE10061) 800,- € Original-Ausgabe. - "Abstraction-Création" vereinte die beiden Gruppen "Cercle et Carré" und die aus ihr hervorgegangene, vor allem durch van Doesburg initiierte Abspaltung "Art concret"; die Zusammenfügung -
Lista Proiectelor Organizate De Reprezentanțele ICR Din Străinătate În Luna Aprilie 2017
Lista proiectelor organizate de reprezentanțele ICR din străinătate în luna aprilie 2017 Institutul Cultural Român de la Beijing 12, 18 aprilie / Conferința „Cultura României descoperită de studenții chinezi“ a avut loc în data de 12 aprilie, la Academia de Arte din Beijing și apoi în data de 18 aprilie, la Universitatea de Studii Străine din Beijing, la solicitarea celor două instituții de învățământ. Conferințele au fost susținute de directorul ICR Beijing, Constantin Lupeanu, în limba chineză. Prima prelegere a avut ca temă „România – dezvoltarea artelor plastice în România și grafica românească“, iar cea de-a doua „România – limbă, cultură și civilizație“, fiecare temă fiind aleasă în funcție de profilul instituției unde a avut loc. Proiectul a fost organizat în colaborare cu Academia de Arte din Beijing și cu Universitatea de Studii Străine din Beijing. 16 aprilie – 3 mai / Participarea artistului Vlad Basarab la la Bienala Internațională de Ceramică de la Gyeonggi, Coreea de Sud la 4th Hong Guang Zi Qi International Ceramic Art Festival“, la Kai Hong Tang Art Museum din Yixing, provincia Jiangsu, China (desfășurată în perioada 15 – 28 aprilie 2017) și la evenimentele conexe organizate în cadrul celor două expoziții. Vlad Basarab a prezentat portul tradițional românesc în cadrul ceremoniei de deschidere a expoziției internaționale de ceramică, a susținut o prelegere în fața studenților de la Institutul de Tehnologie din Wuxi, China (Wuxi Institute of Technology), în data de 27 aprilie, a realizat artist talk-uri în cadrul Centrului Mondial de Ceramică din Icheon, Coreea de Sud (Icheon World Ceramic Center), în perioada 29-30 aprilie. În cadrul Bienalei Internaționale de Ceramică de la Gyeonggi, Coreea de Sud, artistul Vlad Basarab a participat cu filmul Arheologia Memoriei – Instalație. -
Caiete Diplomatice Anul II, 2014, Nr
Institutul Diplomatic Rom ân Caiete Diplomatice Anul II, 2014, nr. 2 DIN SUMAR: ♦ Relaţiile bilaterale România-Israel (1948-1959) ♦ Jurnalul de călătorie al arhiducelui Rudolf de Habsburg în Transilvania ♦ Situaţia emigraţiei române din S.U.A. şi Canada ♦ Recenzii şi note de lectură www.idr.ro ISSN 2392 – 618X ISSN-L 2392 – 618X INSTITUTUL DIPLOMATIC ROMÂN CAIETE DIPLOMATICE Anul II, 2014, Nr. 2 COMITETUL DE REDAC ŢIE : Mioara ANTON, Bogdan ANTONIU, Ovidiu BOZGAN (redactor şef), Lauren ţiu CONSTANTINIU, Alin CIUPAL Ă, Antal LUKÁCS (redactor şef adjunct), Andrei ŞIPERCO, Delia VOICU (responsabil de num ăr). A mai colaborat la apari ţia acestui num ăr: Constantin CONSTANTINESCU. © Institutul Diplomatic Român Reproducerea integral ă sau par ţial ă a textelor publicate în revista „Caiete Diplomatice”, fără acordul Institutului Diplomatic Român, este interzis ă. Responsabilitatea asupra con ţinutului textelor publicate şi respectarea principiilor eticii profesionale revin în exclusivitate autorilor. 3 SUMAR STUDII Florin C. STAN , Rela ţiile bilaterale România-Israel (1948-1959). O cronologie....................................................................................................................... 5 Iulian TOADER , Participarea României la consult ările preliminare pentru C.S.C.E. şi M.B.F.R. (noiembrie 1972-iunie 1973).......................................................... 44 SURSE DE ISTORIE DIPLOMATIC Ă Antal LUKACS , Jurnalul de c ălătorie al arhiducelui Rudolf de Habsburg în Transilvania (comitatul Hunedoara) din anul 1882........................................................