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National Law University, Delhi Sector-14, Dwarka New Delhi-110078
NATIONAL LAW UNIVERSITY, DELHI SECTOR-14, DWARKA NEW DELHI-110078 All India Law Entrance Test-2014, B.A.LL.B.(Hons.) - Results ROLL NUMBER WISE Sr.No. Roll No. Name of the Candidate Name of Father/Mother/ Guardian DoB Gender Category Marks 1 50001 AABHAS GUGNANI AJESH GUGNANI 09/04/1996 M GENERAL 60 2 50002 AABHINAV TYAGI PRADEEP KUMAR 13/03/1997 M GENERAL 80 3 50003 AADITYA ANAND ASHOK KUMAR 12/02/1996 M GENERAL 71 4 50004 AADITYA RANBIR SAHGAL RAKESH SAHGAL 15/10/1995 M GENERAL 81 5 50005 AAHAT GUPTA ARVIND GUPTA 29/01/1996 F GENERAL 79 6 50006 AAKANKSHA AMIT MEHTA 26/11/1995 F GENERAL 68 7 50007 AAKANKSHA AGGARWAL ANIL AGGARWAL 20/06/1995 F GENERAL 82 8 50008 AAKANKSHA BARWAL RAMESH CHAND 13/06/1996 F ST 60 9 50009 AAKANKSHA CHOPRA SANJEEV CHOPRA 13/02/1995 F GENERAL 68 10 50010 AAKANKSHA JAIN AMIT JAIN 14/05/1996 F GENERAL 62 11 50011 AAKANKSHA KHURANA VIKAS KHURANA 08/10/1996 F GENERAL 77 12 50012 AAKANKSHA VERMA MANOJ KUMAR VERMA 12/02/1995 F GENERAL 62 13 50013 AAKANSHA VERMA SUNIL KUMAR VERMA 01/10/1996 F GENERAL 68 14 50014 AAKASH BHARDWAJ SHYAM DUTT BHARDWAJ 14/07/1995 M GENERAL 56 15 50015 AAKASH DEEP ANAND BALVINDER KUMAR ANAND 31/08/1996 M GENERAL 46 16 50016 AAKASH DEEP SINGH TANWARSATYAVIR SINGH TANWAR 19/03/1994 M PWD 48 17 50018 AAKASHDEEP SINGH RODA SURAJ PAL SINGH 09/09/1996 M GENERAL 53 18 50019 AAKRITI ARORA ATUL ARORA 26/02/1996 F GENERAL 69 19 50020 AAKRITI ARYA SUNDEEP ARYA 02/01/1996 F GENERAL 28 20 50021 AAKRITI JALOTA ATUL JALOTA 10/07/1995 F GENERAL 83 21 50022 AAKRITI SHARMA JYOTI SHARMA 17/12/1995 F GENERAL -
Answered On:08.03.2002 Income of Film Personalities P.D
GOVERNMENT OF INDIA FINANCE LOK SABHA UNSTARRED QUESTION NO:1400 ANSWERED ON:08.03.2002 INCOME OF FILM PERSONALITIES P.D. ELANGOVAN Will the Minister of FINANCE be pleased to state: (a) whether the Government have any proper documentation on the income earned by the film personalities in the country; (b) if so, the details thereof; and (c) the list of film personalities who have paid income tax to the tune of Rs.10 lakhs or above in the last three years and the total income generated through the income-tax paid by them to the Government? Answer MINISTER OF STATE IN THE MINISTRY OF FINANCE (SHRI GINGEE N. RAMACHANDRAN) (a)&(b):Yes Sir, the returns of income filed by assessees with the Department are indicative of the income earned by them. Documentations are available in the form of returns and various registers kept by the assessing officers. (c): The list of film personalities who have paid income tax to the tune of Rs.10 lakhs or above in the last three years is enclosed as per the Annexure. The total income generated through the income-tax paid by them is Rs.94.60 crore. ANNEXURE S.No. Name of the Assessee 1. Aishwarya Rai 2. Amitabh Bachchan 3. Jaya Bachchan 4. Abhishek Bachchan 5. Amrishlal Puri 6. Salman Khan 7 Rani Mukherji 8. Shahrukh Khan 9. Yash Johar 10. Karishma Kapoor 11. Madhuri Dixit 12. Anu Malik 13. David Dhawan 14. Bharat Shah 15. Abhijeet Bhattacharya 16. Alka Yagnik 17. Anand Bakshi 18. Anupam Kher 19. Archana Puran Singh 20. -
Network Science: a Case of Bollywood
KADİR HAS UNIVERSITY GRADUATE SCHOOL OF SCIENCE AND ENGINEERING PROGRAM OF MANAGEMENT INFORMATION SYSTEMS NETWORK SCIENCE: A CASE OF BOLLYWOOD BAHAR YILMAZ MASTER’S THESIS ISTANBUL, JUNE, 2018 BAHAR YILMAZ M.S. Thesis 2018 Student’s Full Name Ph.D. (or M.S. or M.A.) Thesis 2011 NETWORK SCIENCE: A CASE OF BOLLYWOOD BAHAR YILMAZ MASTER’S THESIS Submitted to the Graduate School of Science and Engineering of Kadir Has University in partial fulfillment of the requirements for the degree of Master’s in the Program of Management Information Systems ISTANBUL, JUNE, 2018 TABLE OF CONTENTS ABSTRACT ...................................................................................................................... i ÖZET ................................................................................................................................ ii ACKNOWLEDGEMENTS ........................................................................................... iii DEDICATION ................................................................................................................ iv LIST OF TABLES .......................................................................................................... v LIST OF FIGURES ....................................................................................................... vi 1. INTRODUCTION ....................................................................................................... 1 2. LITERATURE REVIEW AND FRAMEWORK .................................................... 2 2.1 Bollywood -
1St Filmfare Awards 1953
FILMFARE NOMINEES AND WINNER FILMFARE NOMINEES AND WINNER................................................................................ 1 1st Filmfare Awards 1953.......................................................................................................... 3 2nd Filmfare Awards 1954......................................................................................................... 3 3rd Filmfare Awards 1955 ......................................................................................................... 4 4th Filmfare Awards 1956.......................................................................................................... 5 5th Filmfare Awards 1957.......................................................................................................... 6 6th Filmfare Awards 1958.......................................................................................................... 7 7th Filmfare Awards 1959.......................................................................................................... 9 8th Filmfare Awards 1960........................................................................................................ 11 9th Filmfare Awards 1961........................................................................................................ 13 10th Filmfare Awards 1962...................................................................................................... 15 11st Filmfare Awards 1963..................................................................................................... -
Gulshan Grover ̘͙” ˪…˶€ (Ìž'í'ˆìœ¼ë¡Œ)
Gulshan Grover ì˜í ™” 명부 (작품으로) Swarg Jaisaa Ghar https://ko.listvote.com/lists/film/movies/swarg-jaisaa-ghar-7653863/actors Parwane https://ko.listvote.com/lists/film/movies/parwane-7141390/actors Souten: The Other Woman https://ko.listvote.com/lists/film/movies/souten%3A-the-other-woman-7565257/actors Gunda Gardi https://ko.listvote.com/lists/film/movies/gunda-gardi-5618554/actors Zor Lagaa Ke...Haiya! https://ko.listvote.com/lists/film/movies/zor-lagaa-ke...haiya%21-8074291/actors Hum Paanch https://ko.listvote.com/lists/film/movies/hum-paanch-94922/actors Phool Aur Angaar https://ko.listvote.com/lists/film/movies/phool-aur-angaar-7187332/actors Mogul https://ko.listvote.com/lists/film/movies/mogul-30603116/actors Yaariyan https://ko.listvote.com/lists/film/movies/yaariyan-8046331/actors American Daylight https://ko.listvote.com/lists/film/movies/american-daylight-4743585/actors Avtaar https://ko.listvote.com/lists/film/movies/avtaar-4829530/actors Yes Boss https://ko.listvote.com/lists/film/movies/yes-boss-1423563/actors https://ko.listvote.com/lists/film/movies/sachch%C3%A9-k%C3%A1-bol-b%C3%A1l%C3%A1- Sachché Ká Bol-Bálá 7396686/actors The Man from Kathmandu https://ko.listvote.com/lists/film/movies/the-man-from-kathmandu-56437451/actors Virsa https://ko.listvote.com/lists/film/movies/virsa-7934893/actors Earth https://ko.listvote.com/lists/film/movies/earth-2561440/actors Phir Kabhi https://ko.listvote.com/lists/film/movies/phir-kabhi-7186434/actors Sooper Se Ooper https://ko.listvote.com/lists/film/movies/sooper-se-ooper-7562720/actors -
Gendered Representations in Contemporary Popular Hindi Cinema: Femininity and Female Sexuality in Films by Pooja Bhatt and Karan Johar
GENDERED REPRESENTATIONS IN CONTEMPORARY POPULAR HINDI CINEMA: FEMININITY AND FEMALE SEXUALITY IN FILMS BY POOJA BHATT AND KARAN JOHAR NISHA RAMLUTCHMAN Dissertation submitted in partial fulfilment of the requirements for the degree Masters of Arts (Gender Studies) in the Faculty of Humanities, Development and Social Sciences University of KwaZulu-Natal (Howard College Campus) Supervisor: Professor Vasu Reddy June 2006 DECLARATION I hereby declare that this dissertation, unless otherwise indicated in the text, is my own original work. This research has also not been submitted to any other institution for degree purposes. Name: Nisha Ramlutchman Student Number: 991238913 Date: 2~ Signature: ABSTRACT This dissertation focuses on a textual analysis of the representation of femininity and female sexuality in popular Hindi cinema. Popular Hindi cinema has been a major point of reference for Indian culture in the last century, and will undoubtedly persist in the 21 st century. To an extent, Hindi cinema has shaped and reflected the burgeoning transformation of a 'traditional India' to a 'modern India'. (I use the term modern to reflect the impact the west has had on Indian society, and how this impact in turn is reflected on screen). Issues surrounding gender and sexuality tend to be avoided, if not subverted in Hindi cinema. More specifically, issues surrounding femininity and female sexuality in Hindi cinema is either not recognised or 'mis-recognised' on screen. Feminist studies, in relation to film, have taken up these issues, to a large extent in the west (cf. Hollows, 2000; Kaplan, 2000; Macdonald, 1995). Chatterji (1998) maintains that the interest of feminists in film began as a general concern for the under representation and mis-representation of women in cinema. -
Media 07Jun21 SU
India Equity Research Media June 18, 2021 Mediascope SECTOR UPDATE After the break: Blockbuster show The multiplex industry bore significant and direct brunt of the pandemic. Fear of the virus compelled state regulations as well as consumers to turn unfavourable for the industry. Although the second covid wave has derailed recovery, we expect strong recovery to commence soon with starting of unlock, pick up in vaccination drives and opening up of international markets. In this report: a) we look at global markets to evaluate how fast footfalls resumed post unlock; and b) how regional films fared during Unlock 1 in India, to get a better sense of how the industry recovery will look like in FY22-23. Eastern markets: Good response despite stringent caps The Japanese and South Korean markets can be a good comparison to India’s industry as they have a strong local language film industry co-existing with demand for Hollywood movies. Both these markets saw many films that pulled in heavy crowds at theatres despite operating under occupancy caps and strict rules. These movies did not entail much discounting in ticket prices, which is a strong positive sign. Apart from local language films, Hollywood blockbusters like F9 have also garnered strong support. The quick bounce-back of these markets is another strong positive sign. Western markets: Strong bounce-back Western markets are important to look at because most big budget Bollywood films earn a significant part of revenue from them. US and European markets have clocked strong recovery after theatres reopened this summer. In Europe, while in France a bunch of local language films drove up collections post reopening, Hollywood blockbusters evinced strong response in UK. -
5 March-2020.Qxd
C M C M Y B Y B RNI No: JKENG/2012/47637 Email: [email protected] POSTAL REGD NO- JK/485/2016-18 Internet Edition www.truthprevail.com Truth Prevail Epaper: epaper.truthprevail.com India face England, Australia play South Africa on ICC T20 Women's World Cup semifinals 3 5 12 First ever Khelo India-Winter Public outreach programmes of Advisors, Lt. Governor reviews roadmap for Games to begin from March 07 Secretaries have proved a farce : Harsh expansion of Dairy Sector VOL: 9 Issue: 57 JAMMU AND KASHMIR, THURSDAy , MARCH 05, 2020 DAILy PAGES 12 Rs. 2/- Inside 'Tweet after 7 months': Netizens react as Inside India reports 29 coronavirus cases; all social media ban lifted in J-K 47 absentee Jammu, March 4 : As fixed line internet in the extended from time to time. employees ban on social media platforms Union Territory till March 17. The internet facility was international passengers to be screened was removed after seven Earlier, only access to snapped across Jammu and suspended in Uri New Delhi, March 4 : Kejriwal said they would not positive coronavirus cases in ed to universally screen pas - months in Jammu and Kashmir on August 5 last BARAMULLA, The number of coronavirus celebrate the festival of a matter of three days. Earlier, sengers from all countries Kashmir on year, the day Centre abro - MARCH 4 : Sub Divisional cases in India has risen to 29, colours or hold any Holi there were three confirmed instead of the 12 currently Wednesday, netizens gated the special status to Magistrate, Uri, Reyaz including 16 Italians touring covered. -
CATALOGO FILM.Pdf
DVD Poster Genere - Anno - Paese Lingua Cast Sceneggiatura Invent. COLL. Regia Titolo Trailer Durata Marina Golbahari Arif V.O. pashtu Lungometraggio Herati Zubaida Sahar Afghanistan Siddiq Barmak sott. italiano 2003 Siddiq Barmak DO 10147 af1 Osama Khwaja Nader dop. italiano 83 min Hamida Refah Syngué sabour, Afghanistan Golshifteh Farahani V.O. pharsi Lungometraggio Atiq Rahimi Francia pierre de patience Hamid Djavadan Atiq Rahimi sott. italiano 2012 Jean-Claude af2 Massi Mrowat Germania Come pietra dop. italiano 102 min Carrière Hassina Burgan UK paziente Waad Mohammed V.O. arabo Lungometraggio Wadjda Reem Abdullah Haifaa Al- Arabia Saudita Haifaa Al-Mansour sott. italiano 2012 19071 ksa1 Abdullrahman Al Mansour La bicicletta verde dop. italiano 98 min Gohani | V.O. Documentario Austria Michael Michael Glawogger multilingua sott 2005 12522 a1 Workingman's Death Glawogger Germania italiano 122 min Mirjana Karanovic Lungometraggio Zrinka Cvitesic Bosnia Na putu V.O. bosniaco 2005 Jasna Beri Jasmila Žbanić 12577 bih1 Jasmila Zbanic sott. italiano Erzegovina Il sentiero 96 min Leon Lucev Mirvad Kuric Yosif Sarchadzhiev Georgi Danailov Lungometraggio Rusi Chanev Vreme na nasilie da un racconto Bulgaria Ludmil Staikov dop. italiano 1988 Ivan Krystev 12496 bg1 di Anton In nome della fede 288 min Anya Pencheva Donchev Valter Toski Sana Alaoui Marzia Tedeschi Rachid Benhadj Algeria Italia Lungometraggio El khoubz el hafi David Halevim da un racconto Francia Rachid Benhadj dop. italiano 2005 DO 10195 dz1 Karim Benhadj di Mohammed Il pane nudo 96 min Marocco Rachid Benhadj Choukri Ahmed El Kouriachi Kim Thida Le papier ne peut Documentario Kim Phirom Cambogia V.O. khmer 2007 Kim Sarcth Rithy Panh DO 10382 misc1 Rithy Panh pas envelopper la sott. -
Janhvi Kapoor
Sep 2020 Rs.50 01 09 2020 Everyone is amazing in Everyone is amazing in their own capacity their own capacity AMITABH AMITABH BACHCHAN BACHCHAN People are mistaking Destiny will give you freedom of speech for your due freedom to abuse AMIT SADH SONAKSHI SINHA Many star kids are nowhere today Destiny will give you Why Talent Always BIPASHA yourBASU due Wins AMIT SADH RADHIKA APTE Many star kids are Bollywood Formula nowhere today Films Do Not Require Talented Actors BIPASHA BASU NAWAZUDDIN SIDDIQUI JANHVI I am much more KAPOORcomfortable going and I actuallyI am enjoy much the entiremore processcomfortable of auditioning going and I actually enjoy the entireJANHVI process of KAPOORauditioning September 2020 | Global Movie Global Movie | September 2020 Editor SEEMA PIMPLEY Co - Editor Faisal Saif Consulting - Editor Lipika Varma International Correspondent Carlyta Mouhini Special Correspondent Aahana Web & Graphic Designer Nasreen Qazi Celeb Columnist & Photo Journalist - Shrisheel Feature News Writers Sandeep Hattangady Akshita Pawar Mohan Ayyer Marketing Team Greta Margreat Tanty Roniec Vats Monish Nawani Photographer Indrajeet Aurangabadkar Advertising Sales + 09322993982 + 022 65241705 Corporate Office Media Mag International 1st Floor, 123 Aram Nagar-1 fishery institute Road, 7 Bunglows, Andheri (west), Mumbai - 400061, India Phone : +91 (22) 65241705, 26375924 Email : [email protected] Website : www.globalmovie.in Printed Published & Owned by Seema Pimpley Printed at Triton Arts 44 -Paras industrial Estate, Near Kachpada telephone Exchange, kanchpada, Malad (W), Mumbai-400064 Seema Pimpley Editor & Publisher COVER STORY COVER anhvi JKapoor Acknowledges Her Privileged Background: Have Been Lucky In Way I’ve Been Treated September 2020 | Global Movie At present, Bollywood is seeing the resurgence of outsiders vs insiders debate and talks about nepotism in the Hindi film industry have been raking up. -
From Commodity to Costume : Productive Consumption in the Making of Bollywood Film Looks Clare M
Journal of Material Culture http://mcu.sagepub.com/ From Commodity to Costume : Productive Consumption in the Making of Bollywood Film Looks Clare M. Wilkinson-Weber Journal of Material Culture 2010 15: 3 DOI: 10.1177/1359183510355227 The online version of this article can be found at: http://mcu.sagepub.com/content/15/1/3 Published by: http://www.sagepublications.com Additional services and information for Journal of Material Culture can be found at: Email Alerts: http://mcu.sagepub.com/cgi/alerts Subscriptions: http://mcu.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://mcu.sagepub.com/content/15/1/3.refs.html >> Version of Record - Mar 22, 2010 What is This? Downloaded from mcu.sagepub.com at WASHINGTON STATE UNIV/SPOKANE on October 25, 2011 FROM COMMODITY TO COSTUME Productive Consumption in the Making of Bollywood Film Looks ◆ CLARE M. WILKINSON-WEBER Washington State University, Vancouver, USA Abstract As scholarly interest in consumption has risen, little attention has been paid to productive consumption, or the acquisition and use of commodities within production processes. Since the shift toward neo-liberal economic policies in India in the early 1990s, commoditized, branded clothing has multiplied in the marketplace, and is increasingly featured in films. Selecting and inserting these clothes into film costume production draws on some of the same discriminations that producers employ in their guise as consumers. Dress designers’ fluency with brands and fashion solidifies their professional standing but costume production is a field of social practice that includes many actors who do not share the same dispositions toward consumption as designers. -
'Leila': Terrifying, Mesmerising Vision of Future
B-8 | Friday, June 21, 2019 BOLLYWOOD www.WeeklyVoice.com ‘Leila’: Terrifying, Mesmerising Vision Of Future Film: “Leila” on Netlix; Cast: for her missing daughter. Her face more than the fear of the corrod- Huma Qureshi, Siddharth, Rahul caught in tight close-ups displays ing spirit of radicalism that has Khanna, Seema Biswas and Arif enormous fortitude and hope in seeped into a social fabric. It’s Zakaria; Directors: Deepa Meh- the midst of abject despair. This isthe story of racial segregation ta, Shanker Raman and Pawan Huma’s moment of resurrection. and cultural nihilism told in a de- Kumar; Rating: **** In the second episode, she be- ceptively calm tone with a brutal friends a female street urchin with force and feral persuasiveness. In the beginning there is the whom she wades through heaps It is amazing how well Huma swimming pool. A splashy sym- of garbage to escape a seeming- holds the plot together, going bol of the upper crust’s afluence ly dangerous government agent from grieving mother to cunning that is rapidly making the poor, Bhanu (Siddharth) who, predict- survivor in the midst of religious, poorer. ably, seems to harbour a soft cor- cultural and political chaos. Deepa Mehta’s disturbingly ner for the woman he’s supposed “Leila” makes us think grimly devastating dystopian drama be- to capture and probably kill. about the future. Bleak and scary gins with a happy family: mother, Scene from the Huma Qureshi starrer ‘Leila’ Siddharth, habitually reliable as it may be, there is still hope in father, child splashing in the pool.