Merola Opera Program: Schwabacher Summer Concert
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San Francisco Boys Chorus
PROGRAM: SAN FRANCISCO BOYS CHORUS Sunday, December 15, 2013 / 2:30 PM / BING Concert HALL SAN FRANCISCO BOYS CHORUS ARTISTS PROGRAM San Francisco Boys Chorus The program will be selected from the following: Ian Robertson, artistic director Intermediate Chorus Margaret Nomura Clark, Gloria Nancy Hill Cobb associate artistic director Laudate pueri Dominum, op. 39, no. 2 Felix Mendelssohn Ríu, Ríu, Chíu Linda Spevacek Intermediate Chorus Margaret Nomura Clark, director O Nata Lux Patti Drennan Robert Lee, accompanist Tomorrow Shall Be My Dancing Day John Rutter Concert Chorus and Graduate Chorale Concert Chorus and Graduate Chorale Ian Robertson and Margaret Nomura Clark, Cantata BWV 182, Chorus: So lasset uns gehen Johann Sebastian Bach directors Sancta Maria Mater Dei, K 273 W. A. Mozart Charles Calhoun, accompanist Personent hodie, Piae Cantiones, 1582 arr. Alice Parker A la puerta del cielo (At the Gate of Heaven) arr. Sally K. Albrecht SFBC Bellringers A New Year Carol Benjamin Britten David Knight, director Lone Dog Britten King Herod and the Cock Britten Alleluia David Conte Silent Night arr. Ian Robertson Sleigh Bells Christopher Dedrick All Choruses Go Where I Send Thee Paul Caldwell and Sean Ivory On with the Snow arr. Douglas Wagner (Sleigh Ride, Winter Wonderland, Let It Snow!) Sing for the Holidays, carols arr. Robertson This Christmastide (Jessye’s Carol) Donald Fraser Al Shlosha Allan Naplan SFBC Bellringers The Little Drummer Boy Simeone/Davis/Onerati, arr. Daniel Hermany Away in a Manger Traditional, arr. Alan Lohr PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn off all phones, pagers, and watch alarms, and unwrap all lozenges prior to the performance. -
Augusta Tabor
AUGUSTA TABOR When: 1833-1895 Where: Born in Maine, moved to Kansas, and then to Colorado Why Important: Augusta successfully ran businesses, owned real estate, and carefully managed her money at a time when few women were allowed to be involved in financial and business matters. Augusta Tabor. Studio portrait of (probably) Augusta Louise Tabor, in a dress with lace and a straw hat. Between 1840 and 1850? Denver Public Library, Western History Collection. Call Number: X-21988. Augusta’s Leadville house. View of the Horace and Augusta Tabor home, at 116 East 5th (Fifth) Street, in Leadville, (Lake County), Colorado; shows a frame house with a bay window and bargeboard. 1955. Denver Public Library, Western History Collection. Call Number: X-21996. Mrs. H. A. W. Tabor. A.E. Rinehart, Denver, Colo. Studio portrait of Augusta Louise Tabor, wearing a lace shawl, earrings, and ringlets. Between 1880 and 1890? Denver Public Library, Western History Collection. Call Number: X-21992. AUGUSTA TABOR Augusta Louise Pierce was born March 29, 1833 in Maine. She met Horace Tabor, a stone-cutter her father hired to work in his quarry. They got married on January 31, 1857. The couple moved to a small town in Kansas and worked as farmers. In 1859, Horace, Augusta, and their son, Maxey, moved to Colorado. Horace hoped to make money mining for gold. Augusta earned money cooking and doing laundry for the miners. They moved again to Oro City and started a grocery store where Augusta worked. Horace was doing well mining. However, Horace wanted to make more money and moved the family to Leadville. -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
Eun Sun Kim Appointed Music Director of San Francisco Opera
EUN SUN KIM APPOINTED MUSIC DIRECTOR OF SAN FRANCISCO OPERA Eun Sun Kim at the War Memorial Opera House ©Marc Olivier Le Blanc/San Francisco Opera “… a company debut of astonishing vibrancy and assurance …” —Joshua Kosman, San Francisco Chronicle “… a major star of La Traviata [with Houston Grand Opera] was Eun Sun Kim … who led the performance with great sensitivity and flexibility …” —James R. Oestreich, The New York Times SAN FRANCISCO, CA (December 5, 2019) — Eun Sun Kim has been appointed the Caroline H. Hume Music Director of San Francisco Opera (SFO), effective August 1, 2021. The appointment was announced today by SFO General Director Matthew Shilvock at the War Memorial Opera House. 1 Ms. Kim will become the fourth music director in the history of San Francisco Opera, leading the orchestra, chorus and music staff, and working with General Director Matthew Shilvock; Managing Director: Artistic Gregory Henkel and other members of the Company on repertoire and casting. She will be a key member of the creative leadership, helping to shape the artistic direction of the Company’s second century, working closely with the young artist programs and bringing great opera to Bay Area audiences. The announcement comes after an inclusive search process led by Mr. Shilvock and Mr. Henkel in which feedback was invited and shared from all parts of the organization. Effective immediately, Ms. Kim is Music Director Designate, in which role she will participate in the planning of future seasons and in orchestral auditions. She will conduct the Company’s new production of Beethoven’s Fidelio that will be a part of the opening weekend of the 2020–21 Season. -
28Apr2004p2.Pdf
144 NAXOS CATALOGUE 2004 | ALPHORN – BAROQUE ○○○○ ■ COLLECTIONS INVITATION TO THE DANCE Adam: Giselle (Acts I & II) • Delibes: Lakmé (Airs de ✦ ✦ danse) • Gounod: Faust • Ponchielli: La Gioconda ALPHORN (Dance of the Hours) • Weber: Invitation to the Dance ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Slovak RSO / Ondrej Lenárd . 8.550081 ■ ALPHORN CONCERTOS Daetwyler: Concerto for Alphorn and Orchestra • ■ RUSSIAN BALLET FAVOURITES Dialogue avec la nature for Alphorn, Piccolo and Glazunov: Raymonda (Grande valse–Pizzicato–Reprise Orchestra • Farkas: Concertino Rustico • L. Mozart: de la valse / Prélude et La Romanesca / Scène mimique / Sinfonia Pastorella Grand adagio / Grand pas espagnol) • Glière: The Red Jozsef Molnar, Alphorn / Capella Istropolitana / Slovak PO / Poppy (Coolies’ Dance / Phoenix–Adagio / Dance of the Urs Schneider . 8.555978 Chinese Women / Russian Sailors’ Dance) Khachaturian: Gayne (Sabre Dance) • Masquerade ✦ AMERICAN CLASSICS ✦ (Waltz) • Spartacus (Adagio of Spartacus and Phrygia) Prokofiev: Romeo and Juliet (Morning Dance / Masks / # DREAMER Dance of the Knights / Gavotte / Balcony Scene / A Portrait of Langston Hughes Romeo’s Variation / Love Dance / Act II Finale) Berger: Four Songs of Langston Hughes: Carolina Cabin Shostakovich: Age of Gold (Polka) •␣ Bonds: The Negro Speaks of Rivers • Three Dream Various artists . 8.554063 Portraits: Minstrel Man •␣ Burleigh: Lovely, Dark and Lonely One •␣ Davison: Fields of Wonder: In Time of ✦ ✦ Silver Rain •␣ Gordon: Genius Child: My People • BAROQUE Hughes: Evil • Madam and the Census Taker • My ■ BAROQUE FAVOURITES People • Negro • Sunday Morning Prophecy • Still Here J.S. Bach: ‘In dulci jubilo’, BWV 729 • ‘Nun komm, der •␣ Sylvester's Dying Bed • The Weary Blues •␣ Musto: Heiden Heiland’, BWV 659 • ‘O Haupt voll Blut und Shadow of the Blues: Island & Litany •␣ Owens: Heart on Wunden’ • Pastorale, BWV 590 • ‘Wachet auf’ (Cantata, the Wall: Heart •␣ Price: Song to the Dark Virgin BWV 140, No. -
Merola Opera Program 2017 Summer Festival Continues Its 60Th
Contact: Ruben Pimentel Rachel Krasner Director of Marketing & Communications Marketing & Events Associate [email protected] [email protected] 415.936.2323 415.936.2320 Jean Shirk [email protected] 510.332.4195 FOR IMMEDIATE RELEASE / May 24, 2017 Merola Opera Program 2017 Summer Festival continues its 60th Anniversary Season with Schwabacher Summer Concerts July 6 at 7:30 pm at San Francisco Conservatory of Music and July 9 at 2:30 pm at Bing Concert Hall at Stanford University (l to r: Anne Manson, David Lefkowich) (San Francisco, CA – May 24, 2017) - The acclaimed Merola Opera Program, one of the most prestigious and selective opera training programs in the United States, celebrates its 60th Anniversary Season with the 2017 Summer Festival, presenting the popular Schwabacher Summer Concerts Thursday, July 6 at 7:30 pm at the San Francisco Conservatory of Music and Sunday, July 9 at 2:30 pm at the Bing Concert Hall at Stanford University. Conducted by Anne Manson and directed by David Lefkowich, the Schwabacher Summer Concert features this year’s Merola Opera artists performing extended scenes from operas including The Ballad of Baby Doe by Douglas Moore, Lucrezia Borgia by Gaetano Donizetti, Der Freischütz by Carl Maria von Weber, Thaïs by Jules Massenet, Cavalleria rusticana by Pietro Mascagni, and Street Scene by Kurt Weill. Tickets for the concert at the 1 San Francisco Conservatory of Music range from $25 to $45, with a limited number of $15 student tickets available. Tickets for the concert at Bing Concert Hall are $30 to $40. Conductor Anne Manson has served as Music Director of the Manitoba Chamber Orchestra since 2008 and recently renewed her contract through 2020. -
'Baby' Tabor - 'The Ballad of Baby Doe' - Includes Related Information
This cloud had a silver lining: the Washington Opera has revived the improbable story of Horace and 'Baby' Tabor - 'The Ballad of Baby Doe' - includes related information Insight on the News, Feb 10, 1997 by T.L. Ponick No matter how hard he tried, luck always seemed to elude Horace Tabor, the central figure in a celebrated mining-town rags-to-riches saga. From before the Civil War to the boom times of the 1870s, Tabor prospected for gold and silver in the craggy mountains of Western Colorado without much to show for it. When, suddenly, he hit pay dirt, he became the biggest man in Leadville and one of the richest in Colorado. Tabor built an opera house, cast off his dour-looking wife, hitched himself to a colorful woman of dubious virtue named "Baby" Doe and spent money as of he owned the Denver mint -- only to die penniless at century's end, a victim of the nation's abandonment of freely coined silver, leaving his flamboyant wife in rags. Authentic legends of the West, Horace and Baby Doe Tabor and their times were brought to the stage in July 1956 by composer Douglas Moore and librettist John Latouche for the Central City Opera of Denver. The Ballad of Baby Doe was revised for its New York City Opera premiere in 1958, with Beverly Sirs starring in the difficult coloratura role of Baby. In January, the Washington Opera unveiled its production featuring soprano Elisabeth Comeaux and baritone Richard Stilwell, a Metropolitan Opera veteran, as the Tabors, with mezzo Phyllis Pancella as the spurned wife Augusta. -
American Opera 20Th Century Style at USD November 16 and 17 Office of Publicnfor I Mation
University of San Diego Digital USD News Releases USD News 1973-10-31 American Opera 20th Century Style at USD November 16 and 17 Office of Publicnfor I mation Follow this and additional works at: http://digital.sandiego.edu/newsreleases Digital USD Citation Office of Public Information, "American Opera 20th Century Style at USD November 16 and 17" (1973). News Releases. 872. http://digital.sandiego.edu/newsreleases/872 This Press Release is brought to you for free and open access by the USD News at Digital USD. It has been accepted for inclusion in News Releases by an authorized administrator of Digital USD. For more information, please contact [email protected]. .NEWS RELEASE UNIVERSITY OF .SAN DIEGO OFFICE OF PUBLIC INFORMATION CONTACT: SARAS. FINN ill TELEPHONE : 714-291-6480 / EXT. 354 SD ADDRESS: RM. 266 DE SALES HALL, ALCALA PARK, SAN DIEGO, CA 92110 AMERICAN OPERA 20TH CENTURY STYLE AT USD NOVEMBER 16 AND 1 7 IMMEDIATE RELEASE San Diego, California "American Opera Twentieth Century Style", under the direction of pianist Ilana Mysior, will be presented on November 16 and 17 in the University of San Diego's Camino Theatre. The 8:15 p.m. per formances are open to the public. The West Coast premi ere of "Captain Lovelock", a contemporary work in one act by John Duke, will highlight the three-part program. Duke, a teacher at Smith College, has set his story of a middle aged widow and her daughters at the turn of the century. The romantic comedy weaves around a mother who has been reawakened in her desire to remarry only to be spoofed by her daughters . -
BRIAN DOWNEN Tenor, Voice Professor 616 Bristol Drive El Paso, TX 79912 (646) 591-6471 ● [email protected] ●
BRIAN DOWNEN tenor, voice professor 616 Bristol Drive El Paso, TX 79912 (646) 591-6471 ● [email protected] ● www.briandownen.com PROFESSIONAL MANAGEMENT Randsman Artists Management | (212) 244-5874 | [email protected] | www.randsman.com PROFESSIONAL DEVELOPMENT Israel Vocal Arts Institute (Tel Aviv) 2000 Lake George Opera Young Artist Program (Saratoga Springs, NY) 1998-2000 Ravinia Steans Music Institute (Highland Park, IL) 1998 Santa Fe Opera Apprentice Program for singers (Santa Fe, NM) 1997 Opera Theatre of Saint Louis Young Artist Program (St. Louis, MO) 1996 Opera Theatre of Saint Louis Young Artist Program 1995 Santa Fe Opera Apprentice Program for Singers 1994 EDUCATION Yale University 1994 – 1997 • Artist Diploma, Vocal Performance • Master of Music, Vocal Performance • Talent scholarship Eastern Illinois University 1990 – 1992 • 30 hours toward Master of Arts, Music Theory and Composition • Full talent scholarship • Graduate assistantship in choral conducting Eastern Illinois University 1985 – 1987 • Bachelor of Science, Music Education • Full talent scholarship Western Illinois University 1983 – 1985 • Bachelor of Science, Music Education (transferred to EIU) • Full talent scholarship TEACHING University of Texas at El Paso 2016 – Present • Assistant Professor of Voice – Applied voice lessons, graduate and undergraduate majors – German/French Lyric Diction – University Mixed Chorus University of Texas at El Paso 2014 – 2016 • Visiting Assistant Professor of Music – Applied voice lessons, undergraduate majors – Commercial Music -
Roger Parker: Curriculum Vitae
1 Roger Parker Publications I Books 1. Giacomo Puccini: La bohème (Cambridge, 1986). With Arthur Groos 2. Studies in Early Verdi (1832-1844) (New York, 1989) 3. Leonora’s Last Act: Essays in Verdian Discourse (Princeton, 1997) 4. “Arpa d’or”: The Verdian Patriotic Chorus (Parma, 1997) 5. Remaking the Song: Operatic Visions and Revisions from Handel to Berio (Berkeley, 2006) 6. New Grove Guide to Verdi and his Operas (Oxford, 2007); revised entries from The New Grove Dictionaries (see VIII/2 and VIII/5 below) 7. Opera’s Last Four Hundred Years (in preparation, to be published by Penguin Books/Norton). With Carolyn Abbate II Books (edited/translated) 1. Gabriele Baldini, The Story of Giuseppe Verdi (Cambridge, 1980); trans. and ed. 2. Reading Opera (Princeton, 1988); ed. with Arthur Groos 3. Analyzing Opera: Verdi and Wagner (Berkeley, 1989); ed. with Carolyn Abbate 4. Pierluigi Petrobelli, Music in the Theater: Essays on Verdi and Other Composers (Princeton, 1994); trans. 5. The Oxford Illustrated History of Opera (Oxford, 1994); translated into German (Stuttgart. 1998), Italian (Milan, 1998), Spanish (Barcelona, 1998), Japanese (Tokyo, 1999); repr. (slightly revised) as The Oxford History of Opera (1996); repr. paperback (2001); ed. 6. Reading Critics Reading: Opera and Ballet Criticism in France from the Revolution to 1848 (Oxford, 2001); ed. with Mary Ann Smart 7. Verdi in Performance (Oxford, 2001); ed. with Alison Latham 8. Pensieri per un maestro: Studi in onore di Pierluigi Petrobelli (Turin, 2002); ed. with Stefano La Via 9. Puccini: Manon Lescaut, special issue of The Opera Quarterly, 24/1-2 (2008); ed. -
Hansel and Gretel
LEON WILSON CLARK OPERA SERIES SHEPHERD SCHOOL OPERA and the SHEPHERD SCHOOL CHAMBER ORCHESTRA present HANSEL AND GRETEL An opera in three acts by Engelbert Humperdinck Libretto by Adelheid Wette Richard Bado, conductor Debra Dich son, stage director and choreographer October 26, 28, 30 and November 1 7:30 p.m. Wortham Opera Theatre Cel e b ratin . g1; 1975 -2005 1/7 Years THE SHEPHERD SCHOOL t ~ IC RICE UNIVERSITY CAST (in order of vocal appearance) Wednesday, October 26; Friday, October 28; Sunday, October 30 Gretel. Angela Mortellaro Hansel. Kira Austin-Young Mother . Valerie Rogotzke Father. Colm Estridge Sandman . Audrey Walstrom Dew Fairy Hannah Nelson Witch . James Hall Tuesday, November 1 Gretel. Hannah Nelson Hansel . Audrey Walstrom Mother . Valerie Rogotzke Father. Raines Taylor Sandman. Kelly Duerr Dew Fairy Amanda Conley Witch . James Hall Angels and Gingerbread children: Rebecca Henry, Andrea Leyton Mange, Catherine Ott-Holland, Quinn Shadko, Lauren Snouffer, Ryan Stickney, Meghan Tarkington, Emily Vacek Demons: Grace Field, Katina Mitchell, Keith Stonum, Dan Williamson Members of the SHEPHERD SCHOOL CHAMBER ORCHESTRA Larry Rachleff, music director Violin I Cello Trumpet Kristi Helberg, Madeleine Kabat John Williamson concertmaster Victoria Bass Jonathan Brandt Rachelle Hunt Cristian Macelaru Double Bass Trombone Kristiana Matthes Jordan Scapinello, Colin Wise principal Pei-Ju Wu Harp Edward Botsford Kaoru Suzuki Earecka Tregenza Violin II Flute Timpani Steven Zander, Leslie Richmond Evy Pinto principal Oboe 'v Jessica -
The Ballad of Baby Doe Will Be Heard This Week in a Cleveland Opera Production
Baby Doe Is An Opera Rich In Americana by Robert Finn, Music Critic The Cleveland Plain Dealer Sunday, March 29, 1992 A good many European musicians-most prominently Antonin Dvorak-have wondered publicly why American composers did not draw more inspiration from this country's rich store of legend and history. One composer who heeded that advice was former Clevelander Douglas Moore, whose popular opera The Ballad of Baby Doe will be heard this week in a Cleveland Opera production. In addition to making this opera out of the true story of Horace Tabor and young Elizabeth (Baby Doe) McCourt, Moore also composed operas about Daniel Webster and Carrie Nation. His most popular orchestra piece is called The Pageant of P.T. Barnum. Moore wrote Baby Doe on a commission from the Koussevitzky Music Foundation in the mid-l950s. It was premiered in 1956 in Central City, Colorado, and was taken up the next season by the New York City Opera in a celebrated production starring Beverly Sills. The story is a conventional love triangle in the distinctively American setting of 1880s Colorado. Horace Tabor, a venturesome Vermonter who struck it rich in the western gold fields, deserts his somewhat formidable wife for the charms of the young and flirtatious Baby Doe. Eventually the two are married, scandal ensues and Tabor is impoverished by the abandonment of silver as the standard for U.S. currency. The last scene is a flashback and flash-forward, showing Baby Doe, now a white-haired old woman, freezing to death years later at the entrance to the played-out silver mine.