The BG News April 5, 1996
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Tom Jennings
12 | VARIANT 30 | WINTER 2007 Rebel Poets Reloaded Tom Jennings On April 4th this year, nationally-syndicated Notes US radio shock-jock Don Imus had a good laugh 1. Despite the plague of reactionary cockroaches crawling trading misogynist racial slurs about the Rutgers from the woodwork in his support – see the detailed University women’s basketball team – par for the account of the affair given by Ishmael Reed, ‘Imus Said Publicly What Many Media Elites Say Privately: How course, perhaps, for such malicious specimens paid Imus’ Media Collaborators Almost Rescued Their Chief’, to foster ratings through prejudicial hatred at the CounterPunch, 24 April, 2007. expense of the powerless and anyone to the left of 2. Not quite explicitly ‘by any means necessary’, though Genghis Khan. This time, though, a massive outcry censorship was obviously a subtext; whereas dealing spearheaded by the lofty liberal guardians of with the material conditions of dispossessed groups public taste left him fired a week later by CBS.1 So whose cultures include such forms of expression was not – as in the regular UK correlations between youth far, so Jade Goody – except that Imus’ whinge that music and crime in misguided but ominous anti-sociality he only parroted the language and attitudes of bandwagons. Adisa Banjoko succinctly highlights the commercial rap music was taken up and validated perspectival chasm between the US civil rights and by all sides of the argument. In a twinkle of the hip-hop generations, dismissing the focus on the use of language in ‘NAACP: Is That All You Got?’ (www.daveyd. -
ENG 350 Summer12
ENG 350: THE HISTORY OF HIP-HOP With your host, Dr. Russell A. Potter, a.k.a. Professa RAp Monday - Thursday, 6:30-8:30, Craig-Lee 252 http://350hiphop.blogspot.com/ In its rise to the top of the American popular music scene, Hip-hop has taken on all comers, and issued beatdown after beatdown. Yet how many of its fans today know the origins of the music? Sure, people might have heard something of Afrika Bambaataa or Grandmaster Flash, but how about the Last Poets or Grandmaster CAZ? For this class, we’ve booked a ride on the wayback machine which will take us all the way back to Hip-hop’s precursors, including the Blues, Calypso, Ska, and West African griots. From there, we’ll trace its roots and routes through the ‘parties in the park’ in the late 1970’s, the emergence of political Hip-hop with Public Enemy and KRS-One, the turn towards “gangsta” style in the 1990’s, and on into the current pantheon of rappers. Along the way, we’ll take a closer look at the essential elements of Hip-hop culture, including Breaking (breakdancing), Writing (graffiti), and Rapping, with a special look at the past and future of turntablism and digital sampling. Our two required textbook are Bradley and DuBois’s Anthology of Rap (Yale University Press) and Neal and Forman’s That's the Joint: The Hip-Hop Studies Reader are both available at the RIC campus store. Films shown in part or in whole will include Bamboozled, Style Wars, The Freshest Kids: A History of the B-Boy, Wild Style, and Zebrahead; there will is also a course blog with a discussion board and a wide array of links to audio and text resources at http://350hiphop.blogspot.com/ WRITTEN WORK: An informal response to our readings and listenings is due each week on the blog. -
A Wild Time Week New Tax the Crty Council Discusses Creating a Utility Tax to Help Pay for the Cost of Expanding the Sewer System
Section B — THIS WEEK: ARTS & ENTERTAINIIENT GUIDE I Section € — QUTSID£s NATURE NEWS, RECREATION, SPORTS J BULK RATE U.S. POSTAGE PAID SANIBEL, FL PERMIT #33 POSTAL PATRON Vol. 36, No. 40 Friday, October 10,1997 Three Sections, 56 Pages 75 Cents A Wild Time Week New Tax The Crty Council discusses creating a utility tax to help pay for the cost of expanding the sewer system. ..' ...3A Island Scene Island Scene expands to two pages — so send us your photographs and announce- ments! c ...10-11A '. Heigh Ho! Arts Editor Frank Wagner sends us a fax from London. .15A CROW Goif This is the weekend for the "Swing fore an Eagle" golf tournament to benefit Care and Rehabilitation of Wildlife. 3C. Classifieds 15A Commentary 12-13A Crossword 19B Environment 9C Fishing/Shelling 4-5C Golf. 3C Health 11C Island Dining 2-4B Night Life... 5B Outside/Recreation 5C Police Beat 11A Service Directory 19A Show Biz 15B Travel ....IOC Weather 2A Tide chart .4C This is National Wildlife Refuge Week, so it's a good time to visit the J.N. "Ding " Darling National Wildlife Refuge. Undoubtedly, you 'II Have A Great Week! see an ibis or two. Photo/Carlene Brennen. (Brennen is also the photographer of last week's Night blooming cereus cover photograph.) 2A • Friday, October 10, 1997 - ISLANDER y&AAZi > ^JC:; ,0; -^acA'/?, von-1 * AS ISLANDER - Friday, October 10, 1997 - 3A The Front Page City Council considers utility tax to fund sewers Dave Charlie GG Tom $ Ken Frey Jack George Wendy Angie Wiieu • Carmel George Samler Elisabeth Margie Eaton rjorothy Sobzak Robideau ByJILLTYRER WIley Kohbrenner Humphrey Lapi If Council approves the ordinance, the City would pass the expense to its customers. -
Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration
FIU Law Review Volume 11 Number 1 Article 15 Fall 2015 Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation SpearIt, Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration, 11 FIU L. Rev. 201 (2015). DOI: https://dx.doi.org/10.25148/lawrev.11.1.15 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. 37792-fiu_11-1 Sheet No. 104 Side A 04/28/2016 10:11:02 12 - SPEARIT_FINAL_4.25.DOCX (DO NOT DELETE) 4/25/16 9:00 PM Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt* I. PROLOGUE Sidelines of chairs neatly divide the center field and a large stage stands erect. At its center, there is a stately podium flanked by disciplined men wearing the militaristic suits of the Fruit of Islam, a visible security squad. This is Ford Field, usually known for housing the Detroit Lions football team, but on this occasion it plays host to a different gathering and sentiment. The seats are mostly full, both on the floor and in the stands, but if you look closely, you’ll find that this audience isn’t the standard sporting fare: the men are in smart suits, the women dress equally so, in long white dresses, gloves, and headscarves. -
Grizzly Si Plifies Complex Obstacles Gets More Time to Gather Facts
_ II~ range: TA 250 instructors help them- Volume 9 Number 10 Published in the interest of the personnel at Fort Leonard Wood, Missouri Thursday, March 7, 1996 Home on the - ------------------ selves to a new shelter. See page 3A ----------------- -- BRAC on track Luncheon features Ann Crossley Q Maneuver Support struction facilities, NCO academy The Officers and Civilians Center transformation accommodations, range modifica- Women's Club luncheon fea- tions and housing conversions. turing Ann Crossley, author of proceeding smoothly "We're adequately funded for the 'Army Wives Handbook," the design of all projects and have is on March 21, 11:30 a.m., By Jacqueline Guthrie been approved for construction," not March 12 as previously pub- ESSAYONS Staff he added. Contractors will start lished. See complete story on breaking ground early next year. page lB. Fort Leonard Wood is well on "We also have a very solid start- its way to becoming the Maneuver up on the environmental impact Joint Endeavor troops Support Center as the Base Re- statement," Johnson said. This get tax extension alignment and Closure statement is part of the legal re- The Internal Revenue Ser- Commission transition office here quirements of the National vice has granted an automatic celebrate its one-year anniversary. Environmental Policy Act of 1969 extension to Dec. 15 to file The BRAC team has the job of that requires all federal agencies 1995 Federal Income Tax Re- moving of the Military Police and to complete one for activities that turns to soldiers serving in Chemical Schools from Fort could affect the environment. Operation Joint Endeavor on McClellan, Ala., to Fort Leonard Officials began preparing the in- or after March 15. -
Margarethe Ulvik Brings Her Rich Dreams to Life 2—The Record—TOWNSHIPS WEEK— June 7-14, 1996 THEATRE Centaur: Friedman Family Fortune Flounders by Eyal Dattel Though
D *hg Arts and Entertainment Magazine fiecord June 7-14, 1996 ' g . tV’l ............... ' MB SBips»l* ..Jfâ*® , *: jri 53&K t i*-, || BEATON PERRY PHOTO: RECORD Margarethe Ulvik brings her rich dreams to life 2—The Record—TOWNSHIPS WEEK— June 7-14, 1996 THEATRE Centaur: Friedman Family Fortune flounders By Eyal Dattel though. Fortune, which starts designer Barbra Matis and a Fiddler-inspired episode. Special to the Record For the Record off as a weak situation drama, lighting designer Howard Men Joan Orenstein (The Stone soon develops itself into an Angel) is only able to offer limi MONTREAL — It has been delsohn, whose warm lights this account of a tightly knit interesting study of parent- contrast the cold conflicts on ted support as the ironically quite a remarkable 27th sea Jewish family crumbling from child conflicts and strains. stage. cold but doting mother who, in son for Montreal’s Centaur atop their Westmount home. fact, singlehandedly runs her Theatre. Many meaty words are The set itself is a richly Centaur’s artistic director exchanged and Gow’s play has textured Westmount home in household. Her Annabelle does The Stone Angel kicked it off Maurice Podbrey probably a lively sense of humor. Alas, schemes of browns. It shows a not even hint at the range and with a bang before the compa thought he was on the road to the words and humor are offset classical, highly sophisticated talent which Orenstein ny received glowing notices for discovery when he chose this by the play’s inconsistencies. milieu surrounded by artwork possesses. -
Austrian Rap Music and Sonic Reproducibility by Edward
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ETD - Electronic Theses & Dissertations The Poetic Loop: Austrian Rap Music and Sonic Reproducibility By Edward C. Dawson Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in German May 11, 2018 Nashville, Tennessee Approved: Christoph M. Zeller, Ph.D. Lutz P. Koepnick, Ph.D. Philip J. McFarland, Ph.D. Joy H. Calico, Ph.D. Copyright © 2018 by Edward Clark Dawson All Rights Reserved ii For Abby, who has loved “the old boom bap” from birth, and whose favorite song is discussed on pages 109-121, and For Margaret, who will surely express a similar appreciation once she learns to speak. iii ACKNOWLEDGEMENTS This work would not have been possible without an Ernst Mach Fellowship from the Austrian Exchange Service (OeAD), which allowed me to spend the 2015-16 year conducting research in Vienna. I would like to thank Annagret Pelz for her support, as well as all the participants in the 2015-2016 Franz Werfel Seminar, whose feedback and suggestions were invaluable, especially Caroline Kita and organizers Michael Rohrwasser and Constanze Fliedl. During my time in Vienna, I had the opportunity to learn about Austrian rap from a number of artists and practitioners, and would like to thank Flip and Huckey of Texta, Millionen Keys, and DJ Taekwondo. A special thank you to Tibor Valyi-Nagy for attending shows with me and drawing my attention to connections I otherwise would have missed. -
Hip-Hop, Black Islamic Nationalism and the Quest of Afro-American Empowerment
HIP-HOP, BLACK ISLAMIC NATIONALISM AND THE QUEST OF AFRO-AMERICAN EMPOWERMENT Presented at the 1st World Conference on Music and Censorship, Copenhagen 20-22 November, 1998 By Mr. Mattias Gardell, Ph.D., Theology, University of Uppsala, Sweden Black Islam is a racial nationalist recasting of Islam, used as a creed of black empowerment in a quest for African American independence. Originating in the industrial inner-cities during the Depression, its leading organization, the Nation of Islam (NOI), was long at the margins of black aspiration despite renowned spokespersons like Elijah Muhammad, Malcolm X and Louis Farrakhan. With the 1995 Million Man March it made an historic breakthrough, a development that can be related to the conditions of present-day black America. The Presidency of Ronald Reagan was part of a white backlash that reversed the trend towards bridging the gap between black and white America that had commenced with the Civil Rights Era. Reaganomics was in short a massive redistribution of wealth from the poorer to the richer, as shown by the fact that the top upper class of less than one percent of the population increased its share of Americas' total assets, from 24 to almost 50 percent. The Reagan Revolution made the United States the most unequal country in the industrial world, with grim consequences for African America. Fifty percent of all black children are raised in poverty. Single mothers, many of them teenagers, head a majority of black families. Dubbed "welfare queens" they were targeted by the Reagan/Bush administrations' cutback policies. The average black family has less than one tenth in assets compared with the average white family. -
The United Eras of Hip-Hop (1984-2008)
qwertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfgh jklzxcvbnmqwertyuiopasdfghjklzxcvb nmqwertyuiopasdfghjklzxcvbnmqwer The United Eras of Hip-Hop tyuiopasdfghjklzxcvbnmqwertyuiopas Examining the perception of hip-hop over the last quarter century dfghjklzxcvbnmqwertyuiopasdfghjklzx 5/1/2009 cvbnmqwertyuiopasdfghjklzxcvbnmqLawrence Murray wertyuiopasdfghjklzxc vbnmqwertyuio pasdfghjklzxcvbnmqwertyuiopasdfghj klzxcvbnmqwertyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmrty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmqw The United Eras of Hip-Hop ACKNOWLEDGMENTS There are so many people I need to acknowledge. Dr. Kelton Edmonds was my advisor for this project and I appreciate him helping me to study hip- hop. Dr. Susan Jasko was my advisor at California University of Pennsylvania since 2005 and encouraged me to stay in the Honors Program. Dr. Drew McGukin had the initiative to bring me to the Honors Program in the first place. I wanted to acknowledge everybody in the Honors Department (Dr. Ed Chute, Dr. Erin Mountz, Mrs. Kim Orslene, and Dr. Don Lawson). Doing a Red Hot Chili Peppers project in 2008 for Mr. Max Gonano was also very important. I would be remiss if I left out the encouragement of my family and my friends, who kept assuring me things would work out when I was never certain. Hip-Hop: 2009 Page 1 The United Eras of Hip-Hop TABLE OF CONTENTS ACKNOWLEDGMENTS -
The Hip in Hip Hop: Toward a Discipline of Hip Hop Studies JOURNAL of HIP HOP STUDIES
Miller et al.: The Hip in Hip Hop: Toward a Discipline of Hip Hop Studies JOURNAL OF HIP HOP STUDIES . The Hip in Hip Hop: Toward a Discipline of Hip Hop Studies Monica Miller, Daniel White Hodge, Jeffrey Coleman, and Cassandra D. Chaney For nearly four decades now, Hip Hop culture, something that was expected to only last a few years as a “fad,” has developed into a trans-global phenomenon in almost every industrialized nation in the Western world. By securing its position through the five cultural modes of rap music (oral), turntablism or "DJing" (aural), breaking (physical), graffiti art (visual) and knowledge (mental),1 Hip Hop has become an astute public teacher to those who cared to listen to its weighty messages and learn from its many lessons. That is, Hip Hop necessitates anything but ‘easy’ listening and passive consumption. Moreover, its messages of resistance, social awareness, personal consciousness, activism, pleasure and power, and community engagement have transcended its early days of locality in the Bronx and West Coast cities against the turmoil of post-industrialism. In 2013, Hip Hop remains a sustained voice for many and a space and place to express oneself in a manner that is both contextualized and legitimate. Furthermore, Hip Hop culture has seemingly transcended its initial “fad” trope and developed into more than just a musical genre; it is a voice; it is an identity; it is a movement; it is a force; it is a community of people seeking justice and higher learning; it is an environment for those seeking spiritual solace and cathartic release; it is performance art; it is, as KRS-One has argued, a place where both marginal and mainstream voices can be heard and flourish. -
REPORTER Lisaiiil Sanibel Brew Pub Brings Home Gold at the 16Th Annual Great American Beer Festival by Mark S
Peppers act out Refuge party Ragtime beat page 3A page 1B page 2C r. r, 1 3 OCTOBER 10, 1997 VOLUME 24 D'J'iLl"" NUMBER 48 ?<i»i 3 SECTIONS, 36 PAGES REPORTER lisaiiil Sanibel Brew Pub brings home gold at the 16th Annual Great American Beer Festival By Mark S. Krzos News Editor Sanibel Brew Pub Brewmaster Jonathan Reeves struck gold at the 16th Annual Great American Beer Festival in Denver, Colo., last week by taking home top prize in the Sweet Stout cate- gory. Reeves, riding high from that vic- tory, also snagged a bronze medal in the Specialty Ale or Lagers category. Monday afternoon the 32-year-old Jonathan Reeves of the Sanibel Brew Reeves was sitting at the end of the bar, Pub displays his drinking a Tarpon Ale and smiling as medals and his person after person congratulated him award-winning with high-fives, handshakes, hugs and brews, the Palmetto pats on the back. Pale Ale and "I'm pretty happy that I've been rec- Hammerhead Stout. ognized," Reeves said of winning his profession's Pulitzer Prize. "I'm not used to getting this much attention." Showcasing the best in American brewing, the festival's panel of judges — in a blind taste test of approximately 1,700 beers from over 400 different breweries — awarded Reeves and the Sanibel Brew Pub a gold medal for its Hammerhead Stout — Florida's only gold medal winner. The pub's Palmetto Pale Ale took home a bronze medal. Reeves is getting used to the acco- lades among fellow beer enthusiasts. -
The A+ List Positive Former Child Actors
The A+ List Positive Former Child Actors NAME Age of Known as a Child For... As an Adult... first job Adlon, Pamela (Segall) 8 Grease 2, Little Darlings, Kelly of Facts of Life Actor / Writer / Producer, Voiceover artist including an Emmy for King of the Hill (Emmy). Ashley on Recess, Californication, Louie, Better Things. Nominated for multiple primetime Emmys, WGA and PGA awards. Allen, Aleisha 4 Model at 4, Blues Clues at 6, Are We There Yet, Columbia University, Pace University, Speech Pathologist, and School of Rock clinical instructor at Teachers College, Columbia University. Ali, Tatyana 6 Sesame Street, Star Search, Fresh Prince of Bel Harvard Grad (BS African-American Studies and Government), Air spokesperson for Barack Obama campaign, actor / singer with several albums and continued guest stars and film roles. Married, son. Ambrose, Lauren 14 Law and Order Actor Six Feet Under, London Theatre 2004-“Buried Child”, Can't Hardly Wait Appleby, Shiri 4 Commercials, Santa Barbara (soap) Actor Roswell, Swimfan USC Applegate, Christina 5 First job: Playtex commercial. Beatlemania, Actor: Married with Children, Samantha Who (Emmy nom), mo. Days of Our Lives, Married with Children, Grace Jessie (series), Don't Tell Mom the Babysitter's Dead, Mars Kelly, New Leave it to Beaver, Charles in Attacks, Friends (Emmy nom). Mom to be, breast cancer Charge, Heart of the City survivor and research advocate. Astin, Sean 9 Goonies (son of John Astin and Patty Duke) Director, Actor Lord of the Rings UCLA grad (1997) Atchison, Nancy 7 First job: Fried Green Tomatoes, The Long Walk Non-profit Professional: Director of Development at Home, Wild Hearts Can’t Be Broken, The Prince Birmingham Museum of Art.