PDF Download George Michael: the Biography Kindle

Total Page:16

File Type:pdf, Size:1020Kb

PDF Download George Michael: the Biography Kindle GEORGE MICHAEL: THE BIOGRAPHY PDF, EPUB, EBOOK Rob Jovanovic | 240 pages | 01 Apr 2009 | Little, Brown Book Group | 9780749909802 | English | London, United Kingdom George Michael - Simple English Wikipedia, the free encyclopedia Verified purchase: Yes Condition: New. I liked how it was written. Skip to main content. About this product. Stock photo. Brand new: Lowest price The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Author: Jovanovic, Rob. Like New - An apparently unread copy in perfect condition. Dust cover is intact with no nicks of tears. Spine has no signs of creasing. Pages are clean. See all 2 brand new listings. Buy It Now. Add to cart. About this product Product Information George Michael is an enigma. While he is one of the most open and vocal pop superstars on the planet, he also fiercely protective of his privacy. From an early age George Michael wanted to be a star and worked hard to achieve his goals. Born to a Greek Cypriot father and English mother, and called Georgios Panayiotou, he was a geeky teenager with seemingly little going for him. In he met the more handsome and stylish Andrew Ridgeley at Bushey Meads Comprehensive and subsequently they formed the teen duo Wham! This was after Michael had gone on a diet, changed his name, and worked on improving his looks. By Michael and Ridgeley were achieving hit after hit with songs that embraced a wide range of musical styles. Their pop videos captured the spirit of the time by purveying stylish images of boys having a good time. As the songwriter and lead singer of Wham! His first album, Faith, was an international success that sold more than 10 million copies and spawned several hit singles. The album was clearly targeted toward an American public in the stylistic thrusts of powerful tracks such as "Faith," "Father Figure," and "Hard Day. Faith proved more popular than his next album, Listen Without Prejudice, which was released in Although the album sold quite well, it was a commercial disappointment for Michael, and the follow-up album, Volume 2, was shelved. Michael's career in the s was characterized by struggles of many kinds. His legal battle with Sony ended in his defeat; Michael said that he would refuse to release any more records if he lost the case. Following this incident Michael signed with the music division of Dream-Works, having bought himself out of the Columbia contract. His much- awaited third album, Older, was released in but struggled to reach the same heights of commercial success that his first album had achieved. Nevertheless, this album is highly polished and slick in its production and consists of eleven well-crafted songs. In contrast to the style of songwriting found on his previous albums, Older emphasizes more laid-back and peaceful ballads. In all the tracks there is a sense of confidence in the performance, which is both stylish and reflective. In tracks such as the elegiac "Jesus to a Child," Michael allows his emotions on love and death to flow forth with great clarity. In the title track, there is a sense of retrospection in the lyrics as Michael yearns for his lost youth. Throughout the song, the reverbed vocal line is cushioned by lush strings, gentle piano comping, trumpet interjections, and a slow rock beat that transports the feelings with the greatest ease. In the most upbeat track of the album, "Fastlove," there is an ironic slant on the sentiments of commodified love. The camp humor of the musical style is enhanced by the more than blatant use of the disco hit, "Forget Me Not," with its jerky high-pitched chorus line and irresistible rhythmic pull. The promo video to this song, which was aired countless times on MTV, offers an interpretation of the song that is playful, insolent, and autoerotic. In no uncertain terms this album documents Michael's career since his break up with Wham! On the first disc there is a collection of slower ballads; on the second there are more flashy, dance-pop numbers. In , the album Songs from the Last Century was released by Virgin. The diverse instrumentation includes big band, orchestra, and a rock band. In Michael was arrested in a public toilet near his home in Beverly Hills for so- called lewd conduct. In a clever move, the singer appeared on CNN and publicly declared his homosexuality with a great deal of self-parody. Paradoxically, this incident only served to increase his popularity. In he released two hit singles, "Freek! In "Freek! The political satire of this song is drawn out through the funky music. The song is in a line of strong political statements that Michael has expressed through his music. Hawkins, Stan " Michael, George. Hawkins, Stan "Michael, George. Michael, George gale. Learn more about citation styles Citation styles Encyclopedia. George Michael Singer, songwriter Although he began his musical career in as half of what some consider the lightweight pop outfit of Wham! Selected discography Solo albums Faith , Columbia, Listen Without Prejudice, Vol. I , Columbia, Older , DreamWorks, Songs from the Last Century , Virgin, Patience , Sony, With Wham! Fantastic , Innervision, Make It Big , Columbia, Music From the Edge of Heaven , Columbia, Sources Books Crocker, Chris, Wham! Periodicals Boston Globe , April 6, , p. Chicago Tribune , September 4, Detroit Free Press , August 21, Entertainment Weekly , February 14, ; November 27, ; December 11, Musician , February New York Times Magazine , June 22, People , September 23, ; March 10, ; November 30, More From encyclopedia. Education: Attend…. About this article George Michael All Sources -. Updated About encyclopedia. Related Topics George Michael Cohan. Pressburger, Emeric. Bajus, Michael. Blake Watkins, Michael. Choniates, Michael. If I can just live further from the spotlight I think that'll be better for all really. Women seem to ignore the fact that I'm gay. I think that women really get the feeling that I understand them. I grew up with two sisters, I went out with women when I was younger. I do understand them, unfortunately. Elton John said he thought I was miserable for some reason and I have been trying to prove that I'm not ever since. The subtext to it is always, 'He was all right before he came out and now he lives this depraved gay life and is miserable and fat' and from that point on I have suffered this kind of wishful thinking from the Press. My ego is sated. A man who will not stare his ego down is every bit as dangerous as an altruist as he is a Hitler. He will not be happy until I bang on his door in the middle of the night saying: 'Please, please, help me, Elton. Take me to rehab. Elton just needs to shut his mouth and get on with his own life. Look, if people choose to believe that I'm sitting here in my ivory tower, 'Howard Hughes'ing myself with long fingernails and loads of drugs, then I can't do anything about that, can I? Boy George is great company and a man I have always wanted to like. He acts in a homophobic way to other gay men by being such a bitch. It's an aggression that he can't get rid of. I know I'm basically a good person whose two crimes appear to be that I'm gay and I've got a big mouth to go with it. I'm basically a control freak. It's not because I want to be. I'm not at all into the power play that's involved in it. I'm a perfectionist. There are very few things in my life that I can't have if I want them. So when I see something that I think I can't have, immediately I'm obsessed by it. I just hope that I'll stay around musically for as long as I can. I'd love to think that I will still be satisfying myself and other people as a musician until the day I die. I promise to repay their kindness with new music as soon as I possibly can. It's not really frightening. There's always the possibility that someone's going to take a potshot at you; you take that risk when you perform in front of thousands of people. I do love Christmas. I always have loved it, ever since I was a child. When I was young both my parents used to work so hard and they always seemed quite stressed to me. But at Christmas everyone would calm down and be nice to each other for a few days, and that used to make me feel very safe. It's Frank Sinatra who reminds me of Christmas. During the school holidays, when I was a kid, I used to work behind the bar of my dad's restaurant in Edgware [North London], and he'd always play Sinatra records for the customers. So that association is very strong for me. Why doesn't it snow at the right time anymore, like it did in the '60s? If it could snow on Christmas Eve or something that would be perfect. As an artist I'm not interested in repeating former successes. I have a serious problem with the fact that every time I made a mistake and every time I let myself down that I was letting young gay kids down. It is such an amazing feeling to watch the effect I have on my audience. There is no question that is the most valuable thing I can ever do in terms of contribution and it seems that God wanted me to and gave me the voice to do it and the stamina to do it.
Recommended publications
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • WEB KARAOKE EN-NL.Xlsx
    ARTIEST TITEL 10CC DREADLOCK HOLIDAY 2 LIVE CREW DOO WAH DIDDY 2 UNLIMITED NO LIMIT 3 DOORS DOWN KRYPTONITE 4 NON BLONDES WHAT´S UP A HA TAKE ON ME ABBA DANCING QUEEN ABBA DOES YOUR MOTHER KNOW ABBA GIMMIE GIMMIE GIMMIE ABBA MAMMA MIA ACE OF BASE DON´T TURN AROUND ADAM & THE ANTS STAND AND DELIVER ADAM FAITH WHAT DO YOU WANT ADELE CHASING PAVEMENTS ADELE ROLLING IN THE DEEP AEROSMITH LOVE IN AN ELEVATOR AEROSMITH WALK THIS WAY ALANAH MILES BLACK VELVET ALANIS MORISSETTE HAND IN MY POCKET ALANIS MORISSETTE IRONIC ALANIS MORISSETTE YOU OUGHTA KNOW ALBERT HAMMOND FREE ELECTRIC BAND ALEXIS JORDAN HAPPINESS ALICIA BRIDGES I LOVE THE NIGHTLIFE (DISCO ROUND) ALIEN ANT FARM SMOOTH CRIMINAL ALL NIGHT LONG LIONEL RICHIE ALL RIGHT NOW FREE ALVIN STARDUST PRETEND AMERICAN PIE DON MCLEAN AMY MCDONALD MR ROCK & ROLL AMY MCDONALD THIS IS THE LIFE AMY STEWART KNOCK ON WOOD AMY WINEHOUSE VALERIE AMY WINEHOUSE YOU KNOW I´M NO GOOD ANASTACIA LEFT OUTSIDE ALONE ANIMALS DON´T LET ME BE MISUNDERSTOOD ANIMALS WE GOTTA GET OUT OF THIS PLACE ANITA WARD RING MY BELL ANOUK GIRL ANOUK GOOD GOD ANOUK NOBODY´S WIFE ANOUK ONE WORD AQUA BARBIE GIRL ARETHA FRANKLIN R-E-S-P-E-C-T ARETHA FRANKLIN THINK ARTHUR CONLEY SWEET SOUL MUSIC ASWAD DON´T TURN AROUND ATC AROUND THE WORLD (LA LA LA LA LA) ATOMIC KITTEN THE TIDE IS HIGH ARTIEST TITEL ATOMIC KITTEN WHOLE AGAIN AVRIL LAVIGNE COMPLICATED AVRIL LAVIGNE SK8TER BOY B B KING & ERIC CLAPTON RIDING WITH THE KING B-52´S LOVE SHACK BACCARA YES SIR I CAN BOOGIE BACHMAN TURNER OVERDRIVE YOU AIN´T SEEN NOTHING YET BACKSTREET BOYS
    [Show full text]
  • “World Hunger Day Is a Hard Day” 1 John 3:16-18
    “World Hunger Day is a Hard Day” 1 John 3:16-18 Brett Younger Senior Minister October 11, 2020 World Hunger Day We know love by this, that Christ laid down his life for us—and we ought to lay down our lives for one another. How does God’s love abide in anyone who has the world’s goods and sees a brother or sister in need and yet refuses to help? Little children, let us love, not in word or speech, but in truth and action. Ivan has a great voice, and I like trying to remember my high school espanol. Erica knows how to lead a prayer. Julia’s children’s sermon would make anyone of any age want to share. We have read ten passages of scripture, which is a lot, though there are, by one count, 3,000 verses on hunger in the Bible. I still wish it was not World Hunger Day. Some of you do, too. World Hunger Day is hard. We would rather not think about hungry children. When the images of starving preschoolers appear on the screen we watch only long enough to avoid seeming heartless. World Hunger Day costs money. Our finances are confusing right now. Some of us have spouses who want to give more than we want to give. World Hunger Day does not make the church popular. People have been giving to a variety of causes. We worry about criticism that the church is always asking for money. Feeding hungry children does not increase church attendance. World Hunger Day does not make the preacher popular.
    [Show full text]
  • Nielsen Music Year-End Report Canada 2016
    NIELSEN MUSIC YEAR-END REPORT CANADA 2016 NIELSEN MUSIC YEAR-END REPORT CANADA 2016 Copyright © 2017 The Nielsen Company 1 Welcome to the annual Nielsen Music Year End Report for Canada, providing the definitive 2016 figures and charts for the music industry. And what a year it was! The year had barely begun when we were already saying goodbye to musical heroes gone far too soon. David Bowie, Leonard Cohen, Glenn Frey, Leon Russell, Maurice White, Prince, George Michael ... the list goes on. And yet, despite the sadness of these losses, there is much for the industry to celebrate. Music consumption is at an all-time high. Overall consumption of album sales, song sales and audio on-demand streaming volume is up 5% over 2015, fueled by an incredible 203% increase in on-demand audio streams, enough to offset declines in sales and return a positive year for the business. 2016 also marked the highest vinyl sales total to date. It was an incredible year for Canadian artists, at home and abroad. Eight different Canadian artists had #1 albums in 2016, led by Drake whose album Views was the biggest album of the year in Canada as well as the U.S. The Tragically Hip had two albums reach the top of the chart as well, their latest release and their 2005 best of album, and their emotional farewell concert in August was something we’ll remember for a long time. Justin Bieber, Billy Talent, Céline Dion, Shawn Mendes, Leonard Cohen and The Weeknd also spent time at #1. Break out artist Alessia Cara as well as accomplished superstar Michael Buble also enjoyed successes this year.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Yesterday (Beatles Song)
    Yesterday (Beatles song) "Yesterday" is a song by English rock band the Bea- whether they had ever heard it before. Eventually it be- tles written by Paul McCartney (credited to Lennon– came like handing something in to the police. I thought McCartney) first released on the album Help! in the if no one claimed it after a few weeks then I could have United Kingdom in August 1965. it.”[5] “Yesterday”, with the B-side "Act Naturally", was re- Upon being convinced that he had not robbed anyone leased as a single in the United States in September 1965. of their melody, McCartney began writing lyrics to suit While it topped the American chart in October the song it. As Lennon and McCartney were known to do at the also hit the British top 10 in a cover version by Matt time, a substitute working lyric, titled “Scrambled Eggs” Monro. The song also appeared on the UK EP “Yester- (the working opening verse was “Scrambled eggs/Oh my day” in March 1966 and the Beatles’ US album Yesterday baby how I love your legs/Not as much as I love scram- and Today released in June 1966. bled eggs”), was used for the song until something more McCartney’s vocal and acoustic guitar, together with a suitable was written. In his biography, Paul McCartney: string quartet, essentially made for the first solo perfor- Many Years from Now, McCartney recalled: “So first of mance of the band. It remains popular today with more all I checked this melody out, and people said to me, 'No, than 2,200 cover versions[2] and is one of the most cov- it’s lovely, and I'm sure it’s all yours.' It took me a little ered songs in the history of recorded music.[note 1] “Yes- while to allow myself to claim it, but then like a prospec- terday” was voted the best song of the 20th century in a tor I finally staked my claim; stuck a little sign on it and said, 'Okay, it’s mine!' It had no words.
    [Show full text]
  • Love Ain't Got No Color?
    Sayaka Osanami Törngren LOVE AIN'T GOT NO COLOR? – Attitude toward interracial marriage in Sweden Föreliggande doktorsavhandling har producerats inom ramen för forskning och forskarutbildning vid REMESO, Institutionen för Samhälls- och Välfärdsstudier, Linköpings universitet. Samtidigt är den en produkt av forskningen vid IMER/MIM, Malmö högskola och det nära samarbetet mellan REMESO och IMER/MIM. Den publiceras i Linköping Studies in Arts and Science. Vid filosofiska fakulteten vid Linköpings universitet bedrivs forskning och ges forskarutbildning med utgångspunkt från breda problemområden. Forskningen är organiserad i mångvetenskapliga forskningsmiljöer och forskarutbildningen huvudsakligen i forskarskolor. Denna doktorsavhand- ling kommer från REMESO vid Institutionen för Samhälls- och Välfärdsstudier, Linköping Studies in Arts and Science No. 533, 2011. Vid IMER, Internationell Migration och Etniska Relationer, vid Malmö högskola bedrivs flervetenskaplig forskning utifrån ett antal breda huvudtema inom äm- nesområdet. IMER ger tillsammans med MIM, Malmö Institute for Studies of Migration, Diversity and Welfare, ut avhandlingsserien Malmö Studies in International Migration and Ethnic Relations. Denna avhandling är No 10 i avhandlingsserien. Distribueras av: REMESO, Institutionen för Samhälls- och Välfärsstudier, ISV Linköpings universitet, Norrköping SE-60174 Norrköping Sweden Internationell Migration och Etniska Relationer, IMER och Malmö Studies of Migration, Diversity and Welfare, MIM Malmö Högskola SE-205 06 Malmö, Sweden ISSN
    [Show full text]
  • MUSIC LIST Email: Info@Partytimetow Nsville.Com.Au
    Party Time Page: 1 of 73 Issue: 1 Date: Dec 2019 JUKEBOX Phone: 07 4728 5500 COMPLETE MUSIC LIST Email: info@partytimetow nsville.com.au 1 THING by Amerie {Karaoke} 100 PERCENT PURE LOVE by Crystal Waters 1000 STARS by Natalie Bassingthwaighte {Karaoke} 11 MINUTES by Yungblud - Halsey 1979 by Good Charlotte {Karaoke} 1999 by Prince {Karaoke} 19TH NERVIOUS BREAKDOWN by The Rolling Stones 2 4 6 8 MOTORWAY by The Tom Robinson Band 2 TIMES by Ann Lee 20 GOOD REASONS by Thirsty Merc {Karaoke} 21 - GUNS by Greenday {Karaoke} 21 QUESTIONS by 50 Cent 22 by Lilly Allen {Karaoke} 24K MAGIC by Bruno Mars 3 by Britney Spears {Karaoke} 3 WORDS by Cheryl Cole {Karaoke} 3AM by Matchbox 20 {Karaoke} 4 EVER by The Veronicas {Karaoke} 4 IN THE MORNING by Gwen Stefani {Karaoke} 4 MINUTES by Madonna And Justin 40 MILES OF ROAD by Duane Eddy 409 by The Beach Boys 48 CRASH by Suzi Quatro 5 6 7 8 by Steps {Karaoke} 500 MILES by The Proclaimers {Karaoke} 60 MILES AN HOURS by New Order 65 ROSES by Wolverines 7 DAYS by Craig David {Karaoke} 7 MINUTES by Dean Lewis {Karaoke} 7 RINGS by Ariana Grande {Karaoke} 7 THINGS by Miley Cyrus {Karaoke} 7 YEARS by Lukas Graham {Karaoke} 8 MILE by Eminem 867-5309 JENNY by Tommy Tutone {Karaoke} 99 LUFTBALLOONS by Nena 9PM ( TILL I COME ) by A T B A B C by Jackson 5 A B C BOOGIE by Bill Haley And The Comets A BEAT FOR YOU by Pseudo Echo A BETTER WOMAN by Beccy Cole A BIG HUNK O'LOVE by Elvis A BUSHMAN CAN'T SURVIVE by Tania Kernaghan A DAY IN THE LIFE by The Beatles A FOOL SUCH AS I by Elvis A GOOD MAN by Emerson Drive A HANDFUL
    [Show full text]
  • Dan Blaze's Karaoke Song List
    Dan Blaze's Karaoke Song List - By Artist 112 Peaches And Cream 411 Dumb 411 On My Knees 411 Teardrops 911 A Little Bit More 911 All I Want Is You 911 How Do You Want Me To Love You 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 911 The Journey 10 cc Donna 10 cc I'm Mandy 10 cc I'm Not In Love 10 cc The Things We Do For Love 10 cc Wall St Shuffle 10 cc Dreadlock Holiday 10000 Maniacs These Are The Days 1910 Fruitgum Co Simon Says 1999 Man United Squad Lift It High 2 Evisa Oh La La La 2 Pac California Love 2 Pac & Elton John Ghetto Gospel 2 Unlimited No Limits 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Kryptonite 3 Oh 3 feat Katy Perry Starstrukk 3 Oh 3 Feat Kesha My First Kiss 3 S L Take It Easy 30 Seconds To Mars The Kill 38 Special Hold On Loosely 3t Anything 3t With Michael Jackson Why 4 Non Blondes What's Up 4 Non Blondes What's Up 5 Seconds Of Summer Don't Stop 5 Seconds Of Summer Good Girls 5 Seconds Of Summer She Looks So Perfect 5 Star Rain Or Shine Updated 08.04.2015 www.blazediscos.com - www.facebook.com/djdanblaze Dan Blaze's Karaoke Song List - By Artist 50 Cent 21 Questions 50 Cent Candy Shop 50 Cent In Da Club 50 Cent Just A Lil Bit 50 Cent Feat Neyo Baby By Me 50 Cent Featt Justin Timberlake & Timbaland Ayo Technology 5ive & Queen We Will Rock You 5th Dimension Aquarius Let The Sunshine 5th Dimension Stoned Soul Picnic 5th Dimension Up Up and Away 5th Dimension Wedding Bell Blues 98 Degrees Because Of You 98 Degrees I Do 98 Degrees The Hardest
    [Show full text]
  • Copyright by Berna Gueneli 2011
    Copyright by Berna Gueneli 2011 The Dissertation Committee for Berna Gueneli Certifies that this is the approved version of the following dissertation: CHALLENGING EUROPEAN BORDERS: FATIH AKIN’S FILMIC VISIONS OF EUROPE Committee: Sabine Hake, Supervisor Katherine Arens Philip Broadbent Hans-Bernhard Moeller Pascale Bos Jennifer Fuller CHALLENGING EUROPEAN BORDERS: FATIH AKIN’S FILMIC VISIONS OF EUROPE by Berna Gueneli, B.A., M.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2011 Dedication For my parents Mustafa and Günay Güneli and my siblings Ali and Nur. Acknowledgements Scholarly work in general and the writing of a dissertation in particular can be an extremely solitary endeavor, yet, this dissertation could not have been written without the endless support of the many wonderful people I was fortunate to have in my surroundings. First and foremost, I would like to thank my dissertation advisor Sabine Hake. This project could not have been realized without the wisdom, patience, support, and encouragement I received from her, or without the intellectual exchanges we have had throughout my graduate student life in general and during the dissertation writing process in particular. Furthermore, I would like to thank Philip Broadbent for discussing ideas for this project with me. I am grateful to him and to all my committee members for their thorough comments and helpful feedback. I would also like to extend my thanks to my many academic mentors here at the University of Texas who have continuously guided me throughout my intellectual journey in graduate school through inspiring scholarly questions, discussing ideas, and encouraging my intellectual quest within the field of Germanic and Media Studies.
    [Show full text]
  • Uction of Ordinance to Force Clearing of Lots Is Approved
    -......... ---~- . ~' UCTION OF ORDINANCE TO FORCE CLEARING OF LOTS IS APPROVED 0>-------- upport Your Favorite Baby THENE KPOST In Cont.e t ~ -------------~ School R egi s tration The Newark Board of Edu­ SWIMMING Active On "Dollar Days" Committee cotion has issued a second no­ MERCHANTS NEW LOCAL tice to paren ts and guardians relative to the registration of COSTS ARE I children for entrance in local SATISFIED LAW HOLDS public schools in September. Early regist.ration is being PONDERED urged. WITH SALE $10 FINE It is particularly important, states the notice, that children Pool Committee entering the first grade be reg­ PilDick Holds AS THREAT istered without delay so that Faces Deficit; school officials can complete "Returns Good" arrangements for handling Donations Down Packing Plant new students. Following Event It is necessary for all pupils . T~e problem of finances, embrac- Following a survey of Main Street To Cooperate; who have not attended pubUc mg mcome and operating expenses, business houses that participated in schools in Newark to register was the principal item discussed at the Tuesday and Wednesday "Dollar Council Meets before entering. This rule ap- a special meeting of the Newark Days" sales event, Meyer Pilnick, plies in particular to children Swimming Pool Committee Tuesday chairman of the mercantile section In "Darkness" who have just become of evening. The session was held at of the Chamber of Commerce, which The Council of Newark at the Au- school age and to children the residence of Dr. J. S. Gould, sponsored the affair, expressed satis- gust session Monday night voiced who have I' e c e n t I y been president of the Newark P arent- faction this morning on the part of unanimous approval to the first and brought to Newark, but have Teacher Association and chairman participants and buyers in kind.
    [Show full text]
  • THE BIRTH of HARD ROCK 1964-9 Charles Shaar Murray Hard Rock
    THE BIRTH OF HARD ROCK 1964-9 Charles Shaar Murray Hard rock was born in spaces too small to contain it, birthed and midwifed by youths simultaneously exhilarated by the prospect of emergent new freedoms and frustrated by the slow pace of their development, and delivered with equipment which had never been designed for the tasks to which it was now applied. Hard rock was the sound of systems under stress, of energies raging against confnement and constriction, of forces which could not be contained, merely harnessed. It was defned only in retrospect, because at the time of its inception it did not even recognise itself. The musicians who played the frst ‘hard rock’ and the audiences who crowded into the small clubs and ballrooms of early 1960s Britain to hear them, thought they were playing something else entirely. In other words, hard rock was – like rock and roll itself – a historical accident. It began as an earnest attempt by British kids in the 1960s, most of whom were born in the 1940s and raised and acculturated in the 1950s, to play American music, drawing on blues, soul, R&B, jazz and frst-generation rock, but forced to reinvent both the music, and its world, in their own image, resulting in something entirely new. However, hard rock was neither an only child, nor born fully formed. It shared its playpen, and many of its toys, with siblings (some named at the time and others only in retrospect) like R&B, psychedelia, progressive rock, art-rock and folk-rock, and it emerged only gradually from the intoxicating stew of myriad infuences that formed the musical equivalent of primordial soup in the uniquely turbulent years of the second (technicolour!) half of the 1960s.
    [Show full text]