Reading with Your Children, Sheila Jones, Douglas Baker Books, 1985, 0950997404, 9780950997407, . .

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Shirley Mae Jones (born March 31, 1934) is an American singer and actress of stage, film and television. In her six decades of show business, she has starred as wholesome characters in a number of well-known musical films, such as Oklahoma! (1955), Carousel (1956), and The Music Man (1962). She won the Academy Award for Best Supporting Actress for playing a vengeful prostitute in Elmer Gantry (1960). She played Shirley Partridge, the widowed mother of five children in the situation-comedy television series (1970–74), which co-starred her real-life stepson , son of .

Jones was born in Charleroi, Pennsylvania, to Methodist parents Marjorie (née Williams), a homemaker, and Paul Jones, owners of the Jones Brewing Company.[1] An only child, she was named after Shirley Temple. The family later moved to the small nearby town of Smithton, Pennsylvania. Her family arranged for her to study singing twice a week in Pittsburgh with Ralph Lawando. Afterwards, she frequently joined her father for a show at the Pittsburgh Playhouse.[citation needed]

In , her voice teacher convinced her to audition for a Broadway agent, Gus Sherman. Sherman was pleased to put Jones under contract, and with her parents' approval, she resettled in New York City and gave herself one year to become a Broadway performer. She only had $100 in her pocket. If she did not succeed, she would move back to Smithton and study to be a veterinarian.

Her first audition was for an open bi-weekly casting call held by John Fearnley, casting director for Rodgers and Hammerstein and their various musicals.[3] At the time, Jones had never heard of Rodgers and Hammerstein.[4] Fearnley was so impressed that he ran across the street to fetch Richard Rodgers, who was rehearsing with an orchestra for an upcoming musical. Rodgers then called Oscar Hammerstein at home.[4] The two saw great potential in Jones. She became the first and only singer to be put under personal contract with the songwriters. They first cast her in a minor role in South Pacific. For her second Broadway show, Me and Juliet, she started as a chorus girl, and then an understudy for the lead role, earning rave reviews in Chicago, Illinois.[3]

Jones impressed Rodgers and Hammerstein with her musically trained voice and she was cast as the female lead in the film adaptation of their hit musical Oklahoma! in 1955. Other film musicals quickly followed, including Carousel, April Love (1957) and The Music Man, in which she was often typecast as a wholesome, kind character. However, she won a 1960 Academy Award for her performance in Elmer Gantry portraying a woman corrupted by the title character played by Burt Lancaster. Her character becomes a prostitute who encounters her seducer years later and takes her revenge. The director, Richard Brooks, had originally fought against her being in the movie, but after seeing her first scene told her she would win an Oscar for her performance.[5] She was reunited with Ron Howard (who had played her brother in The Music Man) in The Courtship of Eddie's Father (1963). Jones landed the role of a lady who fell in love with the professor in Fluffy (1965). She also has an impressive stage résumé, including playing the title character in the Broadway musical Maggie Flynn in 1968.

In 1970, after her film roles dwindled, and after turning down the role of Carol Brady on The Brady Bunch, a role that ultimately went to her best friend, Florence Henderson, Jones was more than happy to be the producers' first choice to audition for the lead role of Shirley Partridge in The Partridge Family, an ABC sitcom based loosely on the real-life musical family . The series focused on a young widowed mother whose five children form a pop rock group after the entire family painted its signature bus to travel. She was convinced that the combination of music and comedy would be a surefire hit. Jones realized, however, that:

The problem with Partridge—though it was great for me and gave me an opportunity to stay home and raise my kids—when my agents came to me and presented it to me, they said if you do a series and it becomes a hit show, you will be that character for the rest of your life and your film career will go into the toilet, which is what happened. But I have no regrets.[6]

During its first season, it became a hit and was screened in over 70 countries. Within months, Jones and her co-stars were pop culture television icons. Her real-life twenty-year-old stepson David Cassidy, who was an unknown actor at the time, played Shirley Partridge's eldest son, Keith, and became the hottest in the country. The show itself also spawned a number of records and songs performed by David and Shirley. That same year, "" reached number one on the Billboard Hot 100 music chart, making Jones the second person, after Frank Sinatra, and the first woman to win an acting Oscar and also have a No. 1 hit on that chart.

By 1974, the ratings had declined and the series was dropped from the prime-time lineup after four seasons and 96 episodes. Though Jones was outraged about the series' cancellation,[citation needed] she held the show together. It was one of six series to be canceled that year (along with Room 222, The F.B.I., The Brady Bunch, Owen Marshall: Counselor at Law, and Here's Lucy) to make room for new shows.

Shirley Jones' friendship with David Cassidy's family began in the mid-to-late 1950s, when David was just six, after he learned about his father's divorce from his mother Evelyn Ward. Upon David's first meeting with Shirley before co-starring with her on The Partridge Family, he said, "The day he tells me that they're divorced, he tells me, 'We're remarried, and let me introduce you to my new wife.' He was thrilled when her first film, Oklahoma! (1955), had come out; and my dad took me to see it—I just see her, and I go, uh-oh, it doesn't really quite register with me, 'cause I'm in total shock, because I wanted to hate her, but the instant that I met her, I got the essence of her. She's a very warm open, sweet, good human being. She couldn't have thawed it for me – the coldness and the ice—any more than she did."[7] Shirley was shocked to hear her real-life stepson was going to audition for the role of Keith Partridge. David said, "At the auditions, they introduced me to the lead actress () 'cause they had no idea, they had no idea. So I said, 'What are you doing here?' She looked at me and said, 'What are you doing here?' And I said, 'Well, I'm reading for the lead guy.' I said, 'What are you doing here?' She said, 'I'm the mother!'" Cassidy discussed his relationship with his stepmother on the show: "She wasn't my mother, and I can be very open, and we can speak, and we became very close friends. She was a very good role model for me, watching the way, you know, she dealt with people on the set, and watching people revere her."[citation needed] After the show's cancellation, Cassidy remained very close to his half-brothers and the rest of his cast mates, especially Shirley.[citation needed]

Cassidy appeared on many shows alongside his stepmother, including A&E Biography, TV Land Confidential, and The Today Show, and he was one of the presenters of his stepmother's Intimate Portrait on Lifetime Television, and the reality show pilot In Search of the Partridge Family, where he served as co-executive producer. The rest of the cast also celebrated the 25th, 30th, and the 35th anniversaries of The Partridge Family (although Cassidy was unavailable to attend the 25th anniversary in 1995 owing to other commitments). In addition, Jack Cassidy's death in 1976 drew Jones and Cassidy closer as Shirley's three children and stepson mourned their father.[citation needed]

In 1979, Jones tried her hand at television for the second time, starring in Shirley, which, like The Partridge Family, featured a family headed by a widowed mother; but the show failed to win ratings and was canceled toward the middle of the season. Jones also played the "older woman" girlfriend of Drew Carey's character in several episodes of The Drew Carey Show.

Jones had a stellar turn in a rare revival of Noël Coward's operetta Bitter Sweet at the Long Beach Civic Light Opera in 1983. In 2004, Shirley returned to Broadway in a revival of 42nd Street, portraying diva "Dorothy Brock" opposite her son Patrick Cassidy—the first time a mother and son were known to star together on Broadway. In July 2005, Jones revisited the musical Carousel onstage in Massachusetts, portraying "Cousin Nettie". She continues to appear in venues nationwide, in concerts and in speaking engagements.

In July 2006, Jones received another Emmy Award nomination for her supporting performance in the television film Hidden Places. Shirley was nominated for a Screen Actors Guild award for the same film but lost to Helen Mirren for Elizabeth I. She also appeared in Grandma's Boy (2006), produced by Adam Sandler, as a nymphomaniac senior citizen.

In 2008, U.K. label Stage Door Records released the retrospective collection Then & Now featuring twenty-four songs from Jones's musical career, including songs from the films Oklahoma!, Carousel and April Love. The album also features new recordings of songs including "Beauty and the Beast", "Memory" and a sentimental tribute to The Music Man.

On August 5, 1956, Jones married actor Jack Cassidy, with whom she had three sons, Shaun, Patrick, and Ryan. David Cassidy, Jack's only child from his first marriage to actress Evelyn Ward, became her stepson. Divorcing Cassidy in 1974, she later married comic/actor Marty Ingels on November 13, 1977. Despite drastically different personalities and several separations (she filed, then withdrew, a divorce petition in 2002), they remain married. Jones and Ingels wrote an autobiography based on their quirky relationship/marriage, Shirley & Marty: An Unlikely Love Story (William Morrow and Company, in 1990, co-written with Mickey Herskowitz, ISBN 0-688-08457-5).

Jones was friends with her late co-star Gordon MacRae and his ex-wife Sheila, and he was named godfather to her first son, Shaun Cassidy. She also admitted that she had a crush on MacRae and was starstruck when she worked opposite him on Oklahoma! and states she is the one who convinced MacRae to take the part as Billy Bigelow in Carousel. Frank Sinatra, who had originally been cast, suddenly dropped out during the first days of filming because each scene had to be shot twice. Once in CinemaScope 55 (a wider-than-usual, 55 millimeter, 6-track stereo system) and once in 35mm CinemaScope. Sinatra felt that he should have been paid twice because technically he was shooting two films. Three weeks after he left, they found a way to film the scene once on 55mm, then transfer it onto 35mm.

On the evening of December 11, 1976, after Jones had refused an offer of reconciliation from Jack Cassidy, she received news that her ex-husband's penthouse apartment was on fire. Apparently, the fire started from his lit cigarette when he fell asleep on the couch; the following morning, firefighters found Cassidy's body inside the gutted apartment.[9] Jack "wanted to come back (to me) right up to the day he died", Jones said in a 1983 newspaper interview. "And as I realized later, I wanted him. That's the terrible part. Much as I love Marty and have a wonderful relationship – I'd say this with Marty sitting here – I'm not sure if Jack were alive I'd be married to Marty." Jones was 20 years old when she met Cassidy, who was eight years her senior, and she refers to him as the most influential person in her life.[10]

The pensioner, who was registered blind and had a heart condition, had four visits a day from professional carers, but Jones helped to look after her at her home in Brownhills, West Midlands. Prosecutor Gareth Walters said Jones was entrusted with access to Mrs Myring’s building society account.

The bags had been left on open ground, but Jones, from Norton Canes, Staffordshire, had gone to retrieve them after becoming ‘frightened’ by reports police were due to search the area. Sentencing, Judge Phillip Parker QC told Jones: ‘You killed the person you were entrusted with looking after.

Look what the desire for money can drive you to. Everyone needs a bit of money for necessities but our perceptions have been warped to believe the be all and end all is to have "luxuries" which are beyond the means of most ordinary folk. You are a fool if your life revolves around getting money. RIP Daisy.

22 year sentence. Out in 10 or fewer. In America she'd get whole of life without parole. Which is what she deserves. - mara, auckland, 21/11/2011 22:33------I wish people would read the article,the sentence was 22 years minimum,and most people are complimenting the judge for giving a proper sentence for once.

Reading Discovery: This is an early intervention reading tutorial program. This program identifies students in the first grade with potential reading difficulties. Individualized reading programs are designed to assist these children into becoming successful readers before they are overcome with reading problems.

The first step in qualifying for the Reading Discovery program is to be tested. Each student is subjected to five tests measuring the child's abilities in reading. The first test is called the "Letter Identification Test". It is designed to determine how much the child knows about the English alphabet. In this test, the child is shown a list of upper and lower case letters (not in alphabetical order) and asked to identify them. The second test is the Ohio Word Test. This test contains a list of words that the child is required to say, if they are able. The third test is called the Concept of Print test. This test lets the teacher know just what a child understands about books. This is a lengthy assessment that tests for concepts including parts of books, directionality when reading, knowledge of punctuation, where words begin and end, as well as other important concepts in the area of reading.

The next two portions of the testing require students to write. The first test is the Writing Vocabulary Test. In this test, a student is required to write all the words they know in ten minutes time. If they experience trouble with this task, then the teacher may prompt them using various topics. The final written portion of the examination is the Dictation Task. During this test, a sentence is read to the student and he/she must write down each word that is dictated to them. The teacher carefully records what the child writes down for each word. The final portion of the examination requires students to read some small booklets at increasing levels of difficulty. Careful records are made as to what the child says compared to what is written in the text. Each reading is then scored by the teacher. If a passing score is made, then the child will then be required to read a booklet at the next level of difficulty. This will go on until an unsatisfactory reading score occurs.

Each of the tests from the first two sections are scored. The raw score for each test is then converted to a standard nine number. The child's scores are then placed on a selection chart and compared with other student's scores from the same grade. Students who score the lowest on these examinations are then placed into the Reading Discovery program. Once there, an individualized reading program is designed for each student. This program will last for twenty weeks. At the end of twenty weeks, the child will once again be tested with the same tests that were administered at the beginning of the school year. If the child demonstrates the reading strategies that have been taught and has satisfactorily progressed through the increasing difficulty of texts, then he/she will have successfully completed the course and will receive a certificate of accomplishment.

Each child in the Reading Discovery program is issued a colored plastic envelope to bring home each night of the school week. This folder contains a book or two to read, a sentence to be assembled and a form for the parent to sign. The child is required to read the book(s) and assemble the sentence under the supervision of their parent or guardian.

This is vitally important to the success of the child in the Reading Discovery program and in the overall education of the child. It shows the child just how important reading is. If reading is done only in school, then the child will think that it is not important and not practice it. Then their reading skills will not be what they should be. This will, in time, affect the entire life of the child. http://edufb.net/477.pdf http://edufb.net/439.pdf http://edufb.net/257.pdf http://edufb.net/619.pdf http://edufb.net/41.pdf http://edufb.net/673.pdf http://edufb.net/519.pdf http://edufb.net/749.pdf