BLACK EASTER Screenplay by Robert Hawks Based On The Novel By James Blish 27 September 2014 Robert Hawks @occasionalities
[email protected] 847-343-8705 FADE IN: For the experimentally minded, be forewarned: Although the quotations, diagrams, and rituals presented are authentic, they are in no case complete. What follows is not vade mecum, but a cursus infamam. ------------------------------------------ JAMES BLISH OPENING CREDIT SEQUENCE, FOLLOWED BY: Preparation of the Operator INT. THE MAGICIAN’S OFFICE - MORNING An elite, discreet, PROFESSIONAL’S OFFICE - within a large Italian Estate, some time in the fall. A briefcase concealing a recording device rests at the feet of two men who sit comfortably before a magnificent desk. They are: BAINES - early 50’s, billionaire, born captain. Wanted more. Seized and became bored by more’s limitations. JACK GINSBERG, early 40’s, Baines’s Chief-of-Staff. No lap dog, Jack’s a biter with no scars. It’s his briefcase. At his ease behind the desk: THERON WARE mid-30’s. Shaved head, diamond ear stud, expensive suit and accessories: rings, watch, cuff-links in the shape of a chess piece - the rook. Successful practitioner. Ware is mid-explanation: WARE --No, I can not help you ‘persuade’ a woman. (Beat.) Should you desire her raped, I can arrange that. Should you desire to rape her yourself, that is also manageable. With difficulty - more possibly than if one simply accepted one’s notions and with obvious discretion acted accordingly. (Beat.) Is that your purpose here today? To hide your nature? You contemplate a dangerous cloak. CLOSE UP: 2.