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Gathering of the Vibes 2008 Chad Berndtson July 29, 2008 Having
Preview: Gathering of the Vibes 2008 Chad Berndtson July 29, 2008 Having recently finished an enterprise feature for another publication on the glut of national music festivals and what role that glut creates for regional festivals with a lot more personality, I’m more excited this year for the Gathering of the Vibes than I have been in quite some time. As the man said, “He’d have to be one charming motherfuckin pig”…er, sorry, “Personality goes a long way.” Compared to the Roo- and Coachella-sized behemoths, and a lot of the sexy new kids with names both playful and official-sounding—Rothbury might be a bit of both, and allegedly, it was quite the time—the Vibes is a creakier, more elegant dinosaur. A glorious, humble triceratops of a festival, yes, secure in its size, pleasant in its modest ambition and its abilities, not ostentatious, and kindly manageable. And damn isn’t it great to have it back in New England proper (it returned in 2007 after several years of renovation to Bridgeport’s Seaside Park and a few years at various upstate New York locales)? For this born/bred New Englander, it’s not only in a New England/Tri-State area happy medium, but it fills a still-felt void left by the big Phish festivals of yore and especially the can’t-believe-it’s-been-five-years-now departed Berkshire Mountain Music Festival (1997-2003). (For Berkfest alums from those heady days, monsoon conditions and all, have a scoop of nostalgia on the house) The Vibes doesn’t have the gaudy cache of some festivals, or some of the nationally dazzling headliners. -
Leader of the Learning Laboratory RETIRES
THE POSTest-, lyob September 6, 2011 THE STUDENT-RUN INDEPENDENT NEWSPAPER Issue 2, Volume $6 Leader of the Learning Laboratory RETIRES Scott Gore retires as UWM Union director after 30years By Steve Garrison assistant to the chancellor. the reservations department in 1972, In the early 1970s, the union was a The UAB, still in existence today, is a News Editor Gore said that the biennial budget a position referred to him by a friend. far cry from what it is today. Campus student organization that provides support [email protected] published last spring and the financial Originally a theater major, Gore said he programs and events were often for speakers, events and programs with the impact it may have was part of the reason had "highfalutin" ideas about what he organized by external groups and intent to have an impact on the university, Campus life would be almost he chose to leave, but he also felt that wanted to do after graduation, but was individuals independent of the university community and culture of Milwaukee, unrecognizable without the efforts of after 30 years, it maybe time for a change, intrigued by the possibility of beginning who received funding from the federal according to the UWM website. Scott Gore, who, after almost 30 years of both for him and for the organization. a career at UWM. government. As such, union activities While the UAB allowed service to the UW-Milwaukee campus, "It is kind of my time ... to retool in "My experiences here on campus and were mostly business-minded, serving students greater control over campus announced his retirement as Student some shape or form," he said. -
Bargain Blues
100% unofficial newsletter for P&O Blues Cruises Bargain Blues – book now! Those of you who keep a close eye on our ‘Blues@Sea’ Facebook Page will be aware that last month there was a sudden, unannounced, increase by P&O in the price of the November Blues Revue. This decision was reversed with the alert that the £99 price may well increase on Tuesday 19th September. DON’T DELAY!!!! Phone 0800 130 0030 (Currently there are almost 250 ‘cruisers’ signed up) 5-4-3-2-1 (Countdown for Kaz) For many years it’s been the ultimate accolade for UK blues artists to appear on the Paul Jones BBC Radio 2 Blues Show. In this edition (which focusses primarily on the great ‘Swamp Blues’ harpist Slim Harpo) a Kaz Hawkins track is featured. Kaz is at the start of her final tour with this fabulous multi-national band – ‘Cruisers’, of course, get two ‘bites at the cherry’ in November. This programme is well worth a listen - http://www.bbc.co.uk/programmes/b09039ny Ciao! Perhaps the least well known ‘Blues Revue’ act (to UK fans at least) is Veronica Sbergia & Max De Bernardi (Italy)…but that’s about to change. They swept to victory in the 2013 European Blues Challenge (as ‘The Red Wine Serenaders) and since then have performed across the Continent with their country blues and ragtime, hokum, jug band and rural music from the 20’s and 30’s. Veronica and Max who use strictly acoustic instruments such ukulele, washboard, kazoo and resophonic guitars, are terrific musicians and a lot-of-fun! Check-them-out on this video - https://www.youtube.com/watch?v=nj1rWJBuUJI Out of the studio into the Spinning Top! Norman Beaker and his band seem to be constantly on the road …particularly on Mainland Europe. -
Programma Si Possono, Infatti, Apprezzare Conferenze Tematiche Di Alto Livello E Concerti Che Vedono Gli Studenti Esibirsi Sui Palchi Più Prestigiosi Della Rassegna
19_27 GIU 2021 New Classic Jazz torinojazzfestival.it UN PROGETTO DI REALIZZATO DA Il TJF approda alla nona edizione con l’ambizione di accompagnare con la musica il desiderio di ripartenza che tutti proviamo. Nonostante i tempi complessi il Festival mantiene l’alto livello qualitativo che lo contraddistingue ospitando artisti internazionali ai quali si affiancano artisti e maestranze del panorama italiano della musica dal vivo, con l’intento di continuare l’azione di sostegno che la Città ha intrapreso sin dalla scorsa edizione. Ulteriore spazio è offerto dal TJF all’aspetto formativo e ai giovani musicisti che studiano il jazz e ne praticano le forme espressive; sfogliando il programma si possono, infatti, apprezzare conferenze tematiche di alto livello e concerti che vedono gli studenti esibirsi sui palchi più prestigiosi della rassegna. Il necessario rispetto delle misure di sicurezza e le difficoltà logistiche rendono questa edizione speciale: è evidente lo sforzo ideativo e organizzativo messo in campo per poter proporre il palinsesto ora sotto i nostri occhi. Un sentito ringraziamento va dunque a chi realizza materialmente il festival: i jazzisti sui palchi, i tecnici e la direzione artistica affidata a Diego Borotti e Giorgio Li Calzi. Questi mesi dominati dal Covid-19 hanno svelato quante siano le professionalità coinvolte nel mondo dell’arte e quale prezioso lavoro svolgano “dietro le quinte”. Un ultimo ringraziamento va all’attore più NON ABBIAMO UNA STORIA. importante, quello che si trova di fronte al palco: il pubblico, con il suo entusiasmo nel voler tornare a NE ABBIAMO TANTE. frequentare i concerti e gli incontri. ASCOLTALE SU INTESA SANPAOLO ON AIR Buon TJF 2021 a tutte/i. -
Early Blues Bibliography
EARLY BLUES BIBLIOGRAPHY In any selection of books the choice must inevitably be subjective as to what to include or exclude. This selection has ommitted some choices that other might have included. Also there are many articles, periodicals and magazines that provide information for the researcher that cannot be included here but are, perhaps, in Robert Ford's 'Blues Bibliography' or Edward Komara's '100 Books Every Blues Fan Should Have'. This selection is based very much on my own collection of books found in markets, second hand book shops but more recently through Amazon and the web site 'Abe Books' Many books are out of print, have reached the third, fourth or later edition but details are included here that will allow the collector to locate and purchase their own choice. I have not sought to comment on the accuracy, usefulness or expertise of each publication and care should be taken on choice of purchase as many are price inflated when a little more research will lead to better value for money. Where possible I have tended to provide details of hard cover books but many are also available in soft cover at a much reduced price. It should also be remembered that any list such as this is out of date the moment that it is produced. New books are regularly published. The University Presses of America provide a sound source of academic work under the general priciple of 'Publish or Perish' which reflects the wide range of books from the very simple history to the in depth difficult to read study of an aspect of my favourite genre of music - The Blues. -
Liebman Expansions
MAY 2016—ISSUE 169 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE LIEBMAN EXPANSIONS CHICO NIK HOD LARS FREEMAN BÄRTSCH O’BRIEN GULLIN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2016—ISSUE 169 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Chico Freeman 6 by terrell holmes [email protected] Andrey Henkin: [email protected] Artist Feature : Nik Bärtsch 7 by andrey henkin General Inquiries: [email protected] On The Cover : Dave Liebman 8 by ken dryden Advertising: [email protected] Encore : Hod O’Brien by thomas conrad Editorial: 10 [email protected] Calendar: Lest We Forget : Lars Gullin 10 by clifford allen [email protected] VOXNews: LAbel Spotlight : Rudi Records by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above CD Reviews or email [email protected] 14 Staff Writers Miscellany David R. Adler, Clifford Allen, 37 Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Ken Dryden, Donald Elfman, Event Calendar 38 Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Tracing the history of jazz is putting pins in a map of the world. -
Giving America Back the Blues
GIVING AMERICA BACK THE BLUES OVERVIEW ESSENTIAL QUESTION How did the early Rolling Stones help popularize the Blues? OVERVIEW The Rolling Stones ultimately made their mark as the nonconformist outlaws of Rock and Roll. But before they were bad boys, the Stones were missionaries of the Blues. The young Rolling Stones — Mick Jagger, Keith Richards, Brian Jones, Charlie Watts, and Bill Wyman — were white kids who hailed from working- and middle-class Britain and set out to play American music, primarily that of African Americans with roots in the South. In so doing, they helped bring this music to a new, largely white audience, both in Britain and the United States. The young men who formed the Rolling Stones emerged from the club scene fostered by British Blues pioneers Cyril Davies and Alexis Korner. These two men and their band, Blues Incorporated, helped popularize the American Blues, whose raw intensity resonated with a generation of Britons who had grown up in the shadow of war, death, the Blitz, postwar rationing, and the hardening of the Cold War standoff. Much of the Stones’ early work consisted of faithful covers of American Blues artists that Davies, Korner, and the Stones venerated: Muddy Waters, Howlin’ Wolf, Slim Harpo, Jimmy Reed. The early Stones in particular helped make the Blues wildly popular among young Britons. As the Stones’ fame grew and they became part of the mid-1960s British “invasion” of America, they also reintroduced the Blues to American listeners, most notably young, white audiences with limited exposure to the music. But almost from day one, the Stones were more than a Blues cover band. -
Tedeschi Rucks Band in Perfect Harmony
Download The 2016 International Blues Challenge Finalist CD Sampler - Page 64 Featuring: • Dion • Royal Southern Brotherhood • Nick Moss Band • The Nighthawks • Moreland & Arbuckle • Chris James & Patrick Rynn EDESCHI TRUCKS BAND IN PERFECT HARMONY JULY 2016 - #10 US $7.99 Canada $9.99 UK £ 6.99 Australia A $15.95 RUF RECORDS HONEY ISLAND SWAMP BAND ALBERT CASTIGLIA DEMOLITION DAY RUF 1230 BIG DOG RUF 1233 JANE LEE HOOKER ROYAL SOUTHERN BROTHERHOOD NO B! RUF 1229 THE ROYAL GOSPEL RUF 1232 BLUES 2016 CARAVAN RUF 1223 July 16 ROCKLAND, ME North Atlantic Blues Festival Aug 13 WAUKESHAU, WI Blues Festival RUF 1225 Aug 14 DULUTH, MN Bayfront Blues Festival Aug 17 KANSAS CITY, MO Knuckleheads BLUE SISTERS Aug 18 DENVER, CO Soiled Dove Aug 20 COLORADO SPRINGS, CO INA TASHA LAYLA Stargazers MORE DATES TO BE ANNOUNCED SOON! FORSMAN TAYLOR ZOE WWW.BLUESCARAVAN.COM RUF 1228 ARTWORK: QUEENS-DESIGN.DE ARTWORK: BLUESCARAVAN.COM SALES & MARKETING USA: IRA LESLIE | [email protected] PUBLICITIY USA: JILL KETTLES | [email protected] RUFRECORDS.DE FEATURES DEPARTMENTS CONTENTS 6 TEDESCHI TRUCKS BAND 5 RIFF & GROOVES JULY 2016 Perfect Harmony From The Editor-In-Chief by Brian M. Owens by Art Tipaldi 12 ROYAL SOUTHERN 26 DELTA JOURNEYS BROTHERHOOD 14 Years Of Cat Head Passing Of The Torch by Roger Stolle by Art Tipaldi 28 AROUND THE WORLD 16 THE NIGHTHAWKS The Last Waltzes 44 Years On The Road by Bob Margolin by Don Wilcock 30 BLUES MUSIC STORE 18 NICK MOSS BAND CD, DVD, and Box Sets Brothers In Blues by Blues Music Magazine by Matt MacDonald 38 REVIEWS 20 MORELAND & ARBUCKLE CDs and DVD Reviews Fire & Energy by M. -
Luther Johnson – Telarc.Com Luther “Guitar Junior” Johnson Is One of the Premier Blues Artists to Emerge from Chicago's
Luther Johnson – telarc.com Luther “Guitar Junior” Johnson is one of the premier blues artists to emerge from Chicago’s music scene. Hailing from Itta Bena, Mississippi, Johnson arrived in Chicago in the mid-fifties a young man. At around the same time, the West Side guitar style, a way of playing alternating stinging single-note leads with powerful distorted chords, was being created mostly by Magic Sam and Otis Rush. Originally developed because their small bands could not afford both lead and rhythm guitar players, this style grew into an important contribution to modern blues and rock, influencing such notables as Eric Clapton and Mark Knopfler. Johnson served a long sideman apprenticeship with both Magic Sam and Muddy Waters, while developing into a strong performer in his own right. Today, Luther is widely considered the foremost proponent of the West Side guitar style and the heir apparent to the late Magic Sam’s West Side throne. Luther Johnson first gained an international reputation as a guitarist and vocalist with Muddy Waters’ band, touring the U.S., Europe, Japan and Australia from 1973-79. Given the opportunity to front the band on his featured tunes in each show, Johnson’s super-charged performances consistently thrilled audiences in the world’s leading concert halls, including Carnegie Hall, Kennedy Center and Radio City Music Hall as well as at music festivals in Newport, Antibes, New Orleans and countless others. During his association with Muddy Waters, Johnson also shared the stage with The Rolling Stones, Eric Clapton, The Allman Brothers and Johnny Winter. -
Top 10 Acts to See at the Green River Music Festival
Top 10 Acts To See At The Green River Music Festival Celebrating 30 years of music, art and fun, The Green River Music Festival will take place this weekend from July 8 – 10 at Greenfield Community College in Greenfield, Massachusetts. It’s a stacked bill featuring a few rock ‘n’ roll legends, folk and soul upstarts and even a handful of local acts. There will be music happening on three stages and everywhere you look there will be something incredible taking place. There are also going to be after parties going on in the heart of the town. For you to know who to check out and when, here are my Top 10 Acts to see this weekend: 10 ) Winterpills (Sunday 1:10pm @ Four Rivers Stage) One of the locals on the list, Northampton, Massachusetts, folk rock act Winterpills have incredible harmonies that stick with you and never let go. When Philip Price and Flora Reed combine their voices beautifully, stunning things happen. The band possesses soothing acoustic-based rock music that has as much power and emphasis as an act that’s fully electrified. I’m excited to see how Winterpills are live, and I know a bunch of others are as well. Check them out to start the last day of the festival off right. 9.) Shakey Graves (Saturday 7:35pm @ Green River Stage) Shakey Graves is the moniker of Alejandro Rose-Garcia from Austin, Texas. He brings an authentic brand of rock ‘n’ roll to the forefront by melding folk and blues to create awesome Americana. Rose- Garcia has a one-man band set-up and he has an uncanny ability to captivate an audience in an instant. -
Tedeschi, Trucks Bring 'Wish List' of Stars to Boca Fest
January 2015 The COASTAL STAR ArtsPaper AT11 Must See www.palmbeachartspaper.com Cover Story PB Poetry Festival Dana Gioia and a presentation called Ballet’s Child are featured at this year’s festival. Page AT13 Theater Jason Alexander directs When You’re in Love, the Whole World Is Jewish in Boca Raton. Page AT15 Veteran West Coast rockers Los Lobos will play the Sunshine Music and Blues Festival on Jan. 18 at Mizner Park. Tedeschi, Trucks bring ‘wish list’ of stars to Boca fest By Bill Meredith ArtsPaper Music Writer IF YOU GO The Sunshine The lead vocalist in the Tedeschi Music and Blues Trucks Band is powerhouse namesake Festival begins at singer/guitarist Susan Tedeschi — yet its noon (gates open primary mouthpiece for press interviews at 11 a.m.) on Jan. is the group's other namesake guitarist, 18 at Mizner Park her husband, Derek Trucks. Both will be Ampitheatre, 590 front and center when their 11-piece act Plaza Real, Boca headlines the third annual installment of Raton. Tickets: their own creation, the Sunshine Music & $49.50, $99.50 Books Blues Festival, on Jan. 18 at Mizner Park and $179.50, plus Bryan Stevenson chronicles Ampitheatre in Boca Raton. service charges criminal injustice in Just Mercy: A Trucks doesn't sing, and takes on such through Ticketmas- Story of Justice and Redemption. speaking engagements to help Tedeschi ter, 800-745-3000. Page AT17 rest her voice in-between her soaring Derek Trucks, founder of the fest. Photo by Jason Koerner excursions with the expansive blues/ soul juggernaut, which also features keyboardist/flutist Kofi Burbridge, been a vital component of the Allman singer we’d been on the road with, Ryan saxophonist Kebbi Williams, trumpeter Brothers Band since 1999. -
Tedeschi Trucks Band Concludes Wheels of Soul 2019 Tour at the Fox Theatre, August 2-3
Media Contact: Haley Sheram BRAVE Public Relations 404.233.3993 [email protected] Tedeschi Trucks Band concludes Wheels of Soul 2019 tour at the Fox Theatre, August 2-3 Fifth annual summer tour includes special guests Blackberry Smoke and Shovels & Rope ATLANTA (December 11, 2018) – Tedeschi Trucks Band’s increasingly successful Wheels of Soul tour returns to the road in 2019, for one of the most anticipated concert events of the summer. The five- week slate of 24 shows concludes with two nights at the famed Fox Theatre on August 2 and 3 at 7:30 p.m. in Atlanta. Tickets go on-sale Friday, December 14 at 10 a.m. at FoxTheatre.org, the Fox Theatre Ticket Office, and 855-285-8499. Ticket prices range from $29 - $150 plus applicable fees. Single-event access to the Marquee Club presented by Lexus will be available for purchase on top of your show ticket. Marquee Club passes are $65 per person and includes early private entry with no lines, pre-show dinner, and access to private restrooms and bars throughout the performance as well as post-show. Unrivaled in their blend of American soul, blues, rock and country, the 12-member Tedeschi Trucks Band, led by the husband and wife team of guitarist Derek Trucks and vocalist/guitarist Susan Tedeschi, has curated and cultivated this family-friendly experience into a highlight of the summer concert season. Each year the band selects kindred artists to join their rolling caravan, turning each night into a unique collaborative event rather than simply a three-band bill.