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Netflix and Changes in the Hollywood Film Industry 넷플릭스와 할리우드
ISSN 2635-8875 / e-ISSN 2672-0124 산업융합연구 제18권 제5호 pp. 36-41, 2020 DOI : https://doi.org/10.22678/JIC.2020.18.5.036 Netflix and Changes in the Hollywood Film Industry Jeong-Suk Joo Associate Professor, Dept. of International Trade, Jungwon University 넷플릭스와 할리우드 영화산업의 변화 주정숙 중원대학교 국제통상학과 부교수 Abstract This paper aims to explore and shed light on how the rise of streaming services has been affecting the media landscape in the recent years by looking at the conflicts between the Hollywood film industry and Netflix. It especially examines Netflix’s disregard for the theatrical release, as it is the most portentous issue that could reshape the film industry, and Hollywood’s opposition to it as revealed through the 2019 Academy Awards where the issue was brought into sharp relief. At the same time, this paper also questions whether theatrical distribution makes a film any more cinematic by examining how Hollywood film production has been largely concentrated on tentpoles and franchises, while Netflix has been producing diverse films often shunned by the studios. In this light, it concludes the changes wrought by Netflix, including its bypassing of the theatrical release, are not likely to be reversed. Key Words : Netflix, Streaming service, Hollywood, Film industry, Netflix films 요 약 본 논문은 할리우드 영화산업과 넷플릭스 간 갈등의 고찰을 통해 스트리밍 서비스의 부상이 미디어 지형에 어떠한 영향을 미쳐왔는지 밝히고자 한다. 특히 영화산업의 재편을 가져올 수 있는 가장 중요한 문제로써 극장을 거치지 않고 자사 플랫폼에 영화를 공개하는 넷플릭스의 개봉방식을 살펴보고 이에 대한 반발이 크게 불거진 2019 년 아카데미 영화제를 중심으로 할리우드의 반대를 살펴본다. -
Hollywood, Urban Primitivism, and St. Louis Blues, 1929-1937
An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues, 1929-1937 Peter Stanfield Cinema Journal, 41, Number 2, Winter 2002, pp. 84-108 (Article) Published by University of Texas Press DOI: 10.1353/cj.2002.0004 For additional information about this article http://muse.jhu.edu/journals/cj/summary/v041/41.2stanfield.html Access Provided by Amherst College at 09/03/11 7:59PM GMT An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues, 1929–1937 by Peter Stanfield This essay considers how Hollywood presented the song St. Louis Blues in a num- ber of movies during the early to mid-1930s. It argues that the tune’s history and accumulated use in films enabled Hollywood to employ it in an increasingly com- plex manner to evoke essential questions about female sexuality, class, and race. Recent critical writing on American cinema has focused attention on the struc- tures of racial coding of gender and on the ways in which moral transgressions are routinely characterized as “black.” As Eric Lott points out in his analysis of race and film noir: “Raced metaphors in popular life are as indispensable and invisible as the colored bodies who give rise to and move in the shadows of those usages.” Lott aims to “enlarge the frame” of work conducted by Toni Morrison and Ken- neth Warren on how “racial tropes and the presence of African Americans have shaped the sense and structure of American cultural products that seem to have nothing to do with race.”1 Specifically, Lott builds on Manthia D iawara’s argument that “film is noir if it puts into play light and dark in order to exhibit a people who become ‘black’ because of their ‘shady’ moral behaviour.2 E. -
Colonial Concert Series Featuring Broadway Favorites
Amy Moorby Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For Immediate Release, Please: Berkshire Theatre Group Presents Colonial Concert Series: Featuring Broadway Favorites Kelli O’Hara In-Person in the Berkshires Tony Award-Winner for The King and I Norm Lewis: In Concert Tony Award Nominee for The Gershwins’ Porgy & Bess Carolee Carmello: My Outside Voice Three-Time Tony Award Nominee for Scandalous, Lestat, Parade Krysta Rodriguez: In Concert Broadway Actor and Star of Netflix’s Halston Stephanie J. Block: Returning Home Tony Award-Winner for The Cher Show Kate Baldwin & Graham Rowat: Dressed Up Again Two-Time Tony Award Nominee for Finian’s Rainbow, Hello, Dolly! & Broadway and Television Actor An Evening With Rachel Bay Jones Tony, Grammy and Emmy Award-Winner for Dear Evan Hansen Click Here To Download Press Photos Pittsfield, MA - The Colonial Concert Series: Featuring Broadway Favorites will captivate audiences throughout the summer with evenings of unforgettable performances by a blockbuster lineup of Broadway talent. Concerts by Tony Award-winner Kelli O’Hara; Tony Award nominee Norm Lewis; three-time Tony Award nominee Carolee Carmello; stage and screen actor Krysta Rodriguez; Tony Award-winner Stephanie J. Block; two-time Tony Award nominee Kate Baldwin and Broadway and television actor Graham Rowat; and Tony Award-winner Rachel Bay Jones will be presented under The Big Tent outside at The Colonial Theatre in Pittsfield, MA. Kate Maguire says, “These intimate evenings of song will be enchanting under the Big Tent at the Colonial in Pittsfield. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Attacco Al Potere 3 – Angel Has Fallen
LUCKY RED e UNIVERSAL PICTURES presentano GERARD BUTLER in ATTACCO AL POTERE 3 (ANGEL HAS FALLEN) un film di RIC ROMAN WAUGH con MORGAN FREEMAN NICK NOLTE Tutti i materiali stampa del film sono disponibili nella sezione press del sito www.luckyred.it DAL 28 AGOSTO AL CINEMA durata 114 minuti distribuito da UNIVERSAL PICTURES e LUCKY RED in associazione con 3 MARYS UFFICIO STAMPA FILM UFFICIO STAMPA LUCKY RED DIGITAL PR 404 MANZOPICCIRILLO Alessandra Tieri Chiara Bravo (+39) 347.0133173 (+39) 393.9328580 +39 335.8480787 [email protected] [email protected] [email protected] - Georgette Ranucci www.manzopiccirillo.com +39 335.5943393 [email protected] Federica Perri +39 3280590564 [email protected] CAST ARTISTICO Mike Banning GERARD BUTLER Presidente Allan Trumbull MORGAN FREEMAN Clay Banning NICK NOLTE Wade Jennings DANNY HUSTON Agente FBI Helen Thompson JADA PINKETT SMITH David Gentry LANCE REDDICK Vicepresidente Kirby TIM BLAKE NELSON Leah Banning PIPER PERABO CAST TECNICO Regia RIC ROMAN WAUGH Sceneggiatura ROBERT MARK KAMEN E MATT COOK & RIC ROMAN WAUGH Soggetto CREIGHTON ROTHENBERGER & KATRIN BENEDIKT Direttore della fotografia JULES O’LOUGHLIN Scenografia RUSSELL DE ROZARIO Colonna sonora DAVID BUCKLEY Produttori GERARD BUTLER ALAN SIEGEL MATT O’TOOLE JOHN THOMPSON LES WELDON YARIV LERNER SINOSSI Dopo una vorticosa fuga, l’agente dei Servizi segreti Mike Banning (Gerard Butler) è ricercato dalla sua stessa agenzia e dall'FBI, mentre cerca di trovare i responsabili che minacciano la vita del Presidente degli Stati Uniti (Morgan Freeman). Nel disperato tentativo di scoprire la verità, Banning si rivolgerà a improbabili alleati per dimostrare la propria innocenza e per tenere la sua famiglia e l’intero Paese e fuori pericolo. -
Unbelievable Free
FREE UNBELIEVABLE PDF Sara Shepard | 335 pages | 16 Oct 2009 | HarperCollins Publishers Inc | 9780060887414 | English | New York, NY, United States Unbelievable | Definition of Unbelievable by Merriam-Webster It is about a series Unbelievable rapes in Washington State Unbelievable Colorado. Unbelievable was released on September Unbelievable,on Netflix. The series received critical acclaim. A dramatization of the — Washington and Colorado serial rape casesUnbelievable follows "Marie, a teenager who was charged with lying about having been raped, and the two detectives who followed a twisting path to arrive at the truth". The website's critical consensus reads, "Heartbreaking and powerful, Unbelievable transcends familiar true-crime Unbelievable by shifting its gaze to survivors of abuse, telling their stories with grace and gravity. On October 17,Netflix announced that the miniseries had been viewed by over 32 million viewers after its release on their platform. From Wikipedia, the free encyclopedia. This article is about the American miniseries. For the Japanese series of the Unbelievable name, see Unbelievable TV series. American drama television miniseries. True crime Drama. John Vohlers T. Jeffrey M. Werner Keith Henderson. Harper's Bazaar. Archived from the original on December 27, Unbelievable October 13, Adler is simply credited as "Marie" in the credits. Christian September 5, Archived from the original on October 13, Archived from Unbelievable original on December 8, Retrieved July 18, The A. Archived from the original on January 3, Unbelievable Hollywood. Archived from the original on January 23, Retrieved January 23, Archived from the original on July 20, Retrieved July 20, Retrieved September Unbelievable, The Everett Herald. Archived from the original on September 13, Retrieved September 13, Christian; Armstrong, Ken December 16, Archived from the original on July 18, Dark Horizons. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
The Making of Hollywood Production: Televising and Visualizing Global Filmmaking in 1960S Promotional Featurettes
The Making of Hollywood Production: Televising and Visualizing Global Filmmaking in 1960s Promotional Featurettes by DANIEL STEINHART Abstract: Before making-of documentaries became a regular part of home-video special features, 1960s promotional featurettes brought the public a behind-the-scenes look at Hollywood’s production process. Based on historical evidence, this article explores the changes in Hollywood promotions when studios broadcasted these featurettes on television to market theatrical films and contracted out promotional campaigns to boutique advertising agencies. The making-of form matured in the 1960s as featurettes helped solidify some enduring conventions about the portrayal of filmmaking. Ultimately, featurettes serve as important paratexts for understanding how Hollywood’s global production work was promoted during a time of industry transition. aking-of documentaries have long made Hollywood’s flm production pro- cess visible to the public. Before becoming a staple of DVD and Blu-ray spe- M cial features, early forms of making-ofs gave audiences a view of the inner workings of Hollywood flmmaking and movie companies. Shortly after its formation, 20th Century-Fox produced in 1936 a flmed studio tour that exhibited the company’s diferent departments on the studio lot, a key feature of Hollywood’s detailed division of labor. Even as studio-tour short subjects became less common because of the restructuring of studio operations after the 1948 antitrust Paramount Case, long-form trailers still conveyed behind-the-scenes information. In a trailer for The Ten Commandments (1956), director Cecil B. DeMille speaks from a library set and discusses the importance of foreign location shooting, recounting how he shot the flm in the actual Egyptian locales where Moses once walked (see Figure 1). -
British TV Streaming Guide
NETFLIX Website: http://netflix.com Description: One of the biggest and oldest streaming services, Netflix offers a wide variety of content from all over the world - along with quite a bit of their own original content. Available On: Roku, Fire TV, Apple TV, Apple iPhone & iPad, Chromecast, Fire tablets, select Smart TVs, Android phones and tablets, and computer (via web browser). Cost: $8.99/month (1 screen), $12.99 HD (2 screens same time), $15.99 UHD (4 screens same time) Now Streaming Mysteries & Crime Dramas The A List - 2018 - This series blends The Five – 2016 - Years after a young boy romance, drama, suspense, and mystery disappears, his DNA turns up at a crime when a group of young women go to a scene. Based on the novel by Harlen remote camp with a supernatural Coben. presence. The Frankenstein Chronicles – 2015 to Broadchurch – 2013 to 2017 - When an 11- 2017 - In 1827 London, a detective hunts a year-old boy is murdered in a quiet coastal killer with an appetite for dismemberment. community, town secrets are exposed. Giri/Haji - 2019 - Japanese detective Kenzo David Tennant (Deadwater Fell) and Olivia Mori travels to London to figure out Colman (Rev) star. whether his brother Yuto, presumed dead, Collateral – 2018 - When a pizza delivery is actually dead. Yuto is believed to have man is gunned down in London, DI Kip killed the nephew of a Yakuza member, Glaspie refuses to accept that it's just a and the search draws Kenzo into the dark random act of violence. Her investigation and dangerous criminal underworld of drags her into a dark underworld she never London. -
The Toledo Journal • March 24, 2021 - March 30, 2021 • Page 3 Question of the Week
NORTHWEST OHIO’S OLDEST AFRICAN AMERICAN-OWNED WEEKLY NEWSPAPER TJ THE TOLEDO JOURNAL www.thetoledojournal.com WEDNESDAY, MARCH 24, 2021 - MARCH 30, 2021 VOL: 44 NO: 35 INSIDE SECTIONQUESTION TITLE Charles Veley bicycles across CanQuem, the damage no. Od to peopleCatiam of colorcomni can- U.S. for social justice urbembe repaired? quo ut, By Jurry Taalib-Deen what’s his objective. Journal Staff Writer During the video in- Charles Veley has terview, Mr. Veley said come face to face with he was biking to Las members of the Ku Klux Vegas, Nevada and Klan, who threatened was staying with some- to kill him. He has been one who believed in robbed. He has been hit his cause and wanted in the back of the head to house and feed him with a bottle, causing for as long as possible. him to fall off his bicycle, During his past rides, which resulted in being he would sleep on the rushed to the hospi- side of the road, or SECTIONMONEY TALKS TITLE tal by a stranger. Time pitch a tent. His cause ReminiscentQuem, no. Od of and time again, Mr. Ve- goes unnoticed by Catiam comni- ley has faced unimag- mainstream media, be- those old inable odds, but yet, cause if it was known, urbemCliffhangers quo ut, has not let any of those he would have financial supporters; currently, PHOTO CREDIT / TOLEDO JOURNAL Charles Veley holding a sign that reads, “Convicted Felons Lives Mat- ter,” while on one of his many journeys. California. He was rid- Florida. The ride took I can change the way ing to end gun violence him 63 days and along someone sees others and he was riding for the way he encountered negatively, then I was the family of a young the Ku Klux Klan. -
La UNIVERSAL PICTURES Presenta in Associazione Con PERFECT
! La UNIVERSAL PICTURES Presenta In associazione con PERFECT WORLD PICTURES Una produzione WORKING TITLE e AMBLIN ENTERTAINMENT In associazione con MONUMENTAL PICTURES e THE REALLY USEFUL GROUP Un film di TOM HOOPER ! JAMES CORDEN JUDI DENCH JASON DERULO IDRIS ELBA JENNIFER HUDSON IAN MCKELLEN TAYLOR SWIFT REBEL WILSON e al suo deutto cinematografico FRANCESCA HAYWARD Produttori esecutivi ANDREW LLOYD WEBBER ANGELA MORRISON LIZA CHASIN JO BURN Basato sul musical di ANDREW LLOYD WEBBER “Cats” e sulle poesie de “Il liro dei gatti tuttofare” di T.S. ELIOT Inizialmente Prodotto per il teatro Inglese by CAMERON MACKINTOSH e THE REALLY USEFUL GROUP COREOGRAFIE DI ANDY BLANKENBUEHLER Sceneggiatura di LEE HALL e TOM HOOPER Prodotto da DEBRA HAYWARD TIM BEVAN ERIC FELLNER TOM HOOPER Diretto da TOM HOOPER NOT FINAL-Cats Production Information-FOR REFERENCE ONLY LA PRODUZIONE Il regista premio Oscar TOM HOOPER (Il discorso del Re, Les Misérables) trasforma il musical teatrale dagli incassi da record di ANDREW LLOYD WEBBER in un evento cinematografico rivoluzionario - un film spettacolare, divertente, buffo, commovente, adatto alle famiglie e al pubblico di tutte le età. Cats è interpretato da JAMES CORDEN nel ruolo di Bustopher Jones, JUDI DENCH nel ruolo della anziana Deuteronomy, JASON DERULO in quello di Rum Tum Tugger, IDRIS ELBA nel ruolo di Macavity, JENNIFER HUDSON nel ruolo di Grizabella, IAN MCKELLEN nel ruolo di Gus The Theatre Cat, TAYLOR SWIFT in quello di Bombalurina, REBEL WILSON nel ruolo di Jennyanydots e la prima ballerina del Royal Ballet FRANCESCA HAYWARD, al suo debutto cinematografico, nel ruolo di Victoria. Con le musiche iconiche di Lloyd Webber e un gruppo di ballerini di altissimo livello coreografati da premio Tony ANDY BLANKENBUEHLER (Hamilton, In the Heights), il film reinventa il famosissimo musical per una nuova generazione di spettatori, con scenografie ed effetti speciali da capogiro e all'avanguardia e coreografie che spaziano dal balletto classico a quello contemporaneo, dall'hip-hop al jazz, dalla street dance al tip-tap. -
Netflix Is the Future of Film the Film Industry Could Learn a Thing Or Two from the Streaming Service
FUTURE SOCIETY Hollywood is Wrong: Netflix is the Future of Film The film industry could learn a thing or two from the streaming service. Kristin HouserApril 20th 2018 https://futurism.com/epidiolex-fda-committee-marijuana-drug The film industry has sent a clear message to Netflix: You can’t sit with us. Industry insiders clearly think Netflix’s films are somehow “less than” those released in theaters. Steven Spielberg told ITV News the streaming service’s releases shouldn’t be eligible for Oscars. Christopher Nolan told IndieWire he would never work with the company. Cannes banned Netflix’s films from competition, prompting Netflix’s chief content officer Ted Sarandos to pull allof the service’s films from the festival, even the ones that weren’t eligible to win anything. “We want our films to be on fair ground with every other filmmaker,” Sarandos told Variety. And why shouldn’t they be? They star A-list actors (Will Smith, Adam Sandler). They’re helmed by respected directors (Martin Scorsese, Noah Baumbach). And they truly do compete with movie-theater films, scoring Oscar nominations and winning other prestigious awards. Film industry haters should really reconsider. Even the snobbiest film buffs can’t deny that Netflix is bringing something positive to the world of cinema. Instead of lashing out against Netflix, the industry could benefit by embracing some of what Netflix is doing right. First, the film industry might want to take more risks. “Studios are lagging behind for the very simple reason that they are relying on retreads and reboots, and most of those aren’t being well received,” Jeff Bock, an expert on film industry trends at Exhibitor Relations, told Business Insider.