DOCSLIB.ORG

Clive Carter

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Clive Carter www.hamiltonhodell.co.uk Clive Carter Talent Representation Telephone Elizabeth Fieldhouse +44 (0) 20 7636 1221 [email protected] Address Hamilton Hodell, 20 Golden Square London, W1F 9JL, United Kingdom Theatre Title Role Director Theatre/Producer Phoenix Theatre/Abbey COME FROM AWAY Claude Christopher Ashley Theatre CAMELOT Pellinore/Merlin Shaun Kerrison London Palladium KING: THE MUSICAL J Edgar Hoover Susie McKenna Hackney Empire OKLAHOMA! Andrew Carnes Rachel Kavanaugh Royal Albert Hall/BBC Proms CHARLIE AND THE CHOCOLATE FACTORY Mr Salt Sam Mendes Theatre Royal Drury Lane WICKED The Wizard - Apollo Theatre PRISCILLA, QUEEN OF THE DESERT Bob Simon Phillips Palace Theatre CROOKED WOOD Murrey Lester Gene David Kirk Jermyn Street Theatre MY FAIR LADY Henry Higgins Gary Brown International Tour TAKE FLIGHT Otto Lillenthal Sam Buntrock Menier Chocolate Factory MY FAIR LADY Henry Higgins Nikolai Foster Larnaca Festival MAN FOR ALL SEASONS Cromwell Michael Rudman Haymarket Theatre, London WE WILL ROCK YOU Kashoggi - Dominion Theatre CAT ON A HOT TIN ROOF Gooper Anthony Page Lyric Theatre ALMOST LIKE BEING IN LOVE Actor Hugh Woolridge National Theatre THE RAT PACK Dean Martin Mitch Sebastian UK Tour THE SHAKESPEARE REVIEW Various Christopher Luscombe US Tour I LOVE YOU, YOU'RE PERFECT, NOW CHANGE! Various Joel Bishoff London Comedy Theatre DICK BARTON Dick Barton Ted Childs Croydon Warehouse THE NERD Axle Andrew O'Connor UK Tour DEMON HEADMASTER Lloyd Matthew White National Theatre ALWAYS Edward Frank Hauser Victoria Palace, London MY FAIR LADY Henry Higgins David Salkin Sheffield Crucible Theatre Television Title Role Director Production Company OKLAHOMA! - BBC PROMS Andrew Carnes Rachel Kavanaugh BBC BEYOND REASONABLE DOUBT (aka GUILTOLOGY) Bob Edwards Harry Hewland Nutopia/HLN HOLBY CITY Lennie Dick Jennie Darnell BBC MURDER MAPS Detective Wensley Daniel Kontur Netflix CASUALTY Sydney Cage Simon Massey BBC DALZIEL & PASCOE Peter Mayhew Alan Grint BBC JOHNNY SHAKESPEARE Robert Jim Carpenter BBC ROMAN MYSTERIES Dialulus Paul Marcus BBC DOCTORS Dr Peter Andrews Martin Sharp BBC EASTENDERS Mac John Greening BBC LEARNING TO LOVE THE GREY Edward Marsh Nigel Levy Maverick Films/BBC THE BILL John Chandler Declan O'Dwyer/Julian Holmes Thames Television/ITV Film Title Role Director Production Company MAMMA MIA! HERE WE GO AGAIN Priest Ol Parker Universal Pictures Chief Inspector Biggin THE DA VINCI CODE Ron Howard Columbia Pictures Hill Rotholz Pictures/Quinta CHROMOPHOBIA Peter Soan Martha Fiennes Communications Radio Title Role Director Production Company CAT ON A HOT TIN ROOF Gooper Andy Jordan BBC Radio GUYS & DOLLS Big Jule Julia McKenzie BBC Radio Directing Title Role Production Company MY NAME IS ALICE (Theatre) Adaptor/Director The Bridewell Theatre, London RESOUNDING TINKLE (Theatre) Director Jermyn Street Theatre Skills Skills ACCENTS & DIALECTS: London (Native), Cockney (Native), American (Southern States), Australian, English (Standard), French, German, Irish (Northern), Italian, Liverpool, Scottish (Standard), Welsh (Standard) MUSIC: Guitar, Piano SPORTS: Archery, Fencing, Horse-riding, Scuba Diving, Stage Combat, Swimming OTHER: Juggling, Car Driving Licence, Motorcycle Licence Characteristics Characteristic Info Height 6' Hair Salt & Pepper Eyes Blue Training LAMDA [email protected] +44 (0) 20 7636 1221.
Load more

Recommended publications
  • A PSILLAS Biog Audiocraft
    Sound Designer: Mr Avgoustos Psillas Avgoustos established AudioCarft Scandinavia in 2020 after 12 years at Autograph Sound in London, where he worked as a sound designer. Autograph Sound is a leading British sound design and equipment hire company, responsible for numerous theatre productions in the UK and abroad, including: Hamilton, Les Misérables, Wicked!, Mamma Mia!, Book of Mormon, Marry Poppins, Matilda, Harry Potter and the cursed child and many others. Avgoustos’ designer credits for musical theatre and theatre: The Sound of Music Stockholm Stadsteater Circus Days and Night Malmö Opera & Circus Cirkör Matilda The Musical Royal Danish Theatre Funny Girl Malmö Opera Sweeney Todd Royal Danish Opera BIG The Musical Dominion Theatre, London Blues in the Night The Kiln Theatre Matilda The Musical Malmö Opera The Ferryman St James Theatre, on Broadway, NY Kiss Me Kate Opera North, London Coliseum Pippin Malmö Opera Elf The Musical The Lowry, Manchester BIG The Musical Theatre Royal Plymouth & Bord Gais, Dublin Oliver! The Curve, Leicester AGES The Old Vic, London Pygmalion Garrick Theatre, London Strangers on a Train Gielgud Theatre, London Spamalot The Harold Pinter Theatre, London Spamalot (Remount) London Playhouse EPIDEMIC The Musical The Old Vic, London Henry V Open Air Theatre Regent’s Park Hobson’s Choice Open Air Theatre Regent’s Park Winter’s Tale Open Air Theatre Regent’s Park AudioCraft Scandinavia AB | Svanvägen 59, 611 62, Nyköping, Sweden e: [email protected] | t: +44 79 50292095 | Organisation no: 559281-2035 | VAT
    [Show full text]
  • LABAN THEATRELABAN Trinity Laban Conservatoire of Music & Dance
    LABAN TRINITY Laban CONSERVatOIRE OF MUSIC & DANCE THEATRE MUSICAL THEATRE STUDENTS PRESENT: FRI 2 & SAT 3 DEC 14.30h & 19.30h THE CLOCKMAKer’S DAUGHTER An original faerytale musical by Michael Webborn and Daniel Finn PROGRAMME £3 THE CLOCKMAKER’S DAUGHTER Presented by Trinity Laban final year Musical Theatre students. This production is presented by special arrangement with Webborn and Finn. Director Michael Howcroft Musical Director Tony Castro Choreographer Jenny Arnold Set and Costume Designer Amy Yardley Lighting Designer Chloe Kenward The Clockmaker’s Daughter was originally produced by Theatrica Limited at the Landor Theatre. Directed by Robert McWhir Choreographed by Robbie O’Reilly Designed by David Shields Lighting by Richard Lambert Executive Producer Clive Chenery SYNOPSIS Spindlewood, like most towns of age, has its traditions. But no practice, custom, or Old Wives Warning is so firmly adhered to as ‘The Turning of the Key’. Every year, on the last night of winter, as the first day of spring unfolds, the townsfolk gather to take part in a strange ritual. They meet in the centre of the town square, where a statue bearing the likeness of a young girl stands, poised and still, one hand raised as if to toast the sky. Constance has stood in the square for as long as any can remember. And she is never more lifelike than tonight. CREATIVE TEAM BAND Director Lighting Designer Piano/Musical Director Michael Howcroft Chloe Kenward Tony Castro Musical Director Costume Supervisor Violin Tony Castro Cristiano Casimiro Rosie Judge Choreographer
    [Show full text]
  • Now We Are 126! Highlights of Our 3 125Th Anniversary
    Issue 5 School logo Sept 2006 Inside this issue: Recent Visits 2 Now We Are 126! Highlights of our 3 125th Anniversary Alumni profiles 4 School News 6 Recent News of 8 Former Students Messages from 9 Alumni Noticeboard 10 Fundraising 11 A lot can happen in 12 just one year In Memoriam 14 Forthcoming 16 Performances Kim Begley, Deborah Hawksley, Robert Hayward, Gweneth-Ann Jeffers, Ian Kennedy, Celeste Lazarenko, Louise Mott, Anne-Marie Owens, Rudolf Piernay, Sarah Redgwick, Tim Robinson, Victoria Simmons, Mark Stone, David Stout, Adrian Thompson and Julie Unwin (in alphabetical order) performing Serenade to Music by Ralph Vaughan Williams at the Guildhall on Founders’ Day, 27 September 2005 Since its founding in 1880, the Guildhall School has stood as a vibrant showcase for the City of London's commitment to education and the arts. To celebrate the School's 125th anniversary, an ambitious programme spanning 18 months of activity began in January 2005. British premières, international tours, special exhibits, key conferences, unique events and new publications have all played a part in the celebrations. The anniversary year has also seen a range of new and exciting partnerships, lectures and masterclasses, and several gala events have been hosted, featuring some of the Guildhall School's illustrious alumni. For details of the other highlights of the year, turn to page 3 Priority booking for members of the Guildhall Circle Members of the Guildhall Circle are able to book tickets, by post, prior to their going on sale to the public. Below are the priority booking dates for the Autumn productions (see back cover for further show information).
    [Show full text]
  • Latest News and Opera Glass Top 10 Winter 2015/16
    Latest News and Opera Glass Top 10 Winter 2015/16 London Opera Glass Top 10 Theatres For the last quarter of 2015, we decided to double the number of hampers to 10! Transformation at the Apollo Victoria Opened in 1930 as the New Victoria Cinema, the auditorium was designed to represent a ‘fairy cavern under the sea, or a mermaid’s dream of heaven’. This theme was reflected in the original seating and carpet design which created a wave effect in greens, blues and silvers. The 10 winning theatres, Now, fast-forward to last year and the start of the major project, replacement seating, in alphabetical order, are: carpet and new green opera glasses, will be completed in time for Wicked’s 10th Anniversary in September 2016. Apollo Victoria Theatre The first phase in the Stalls, finished over recent weeks, is creating another ripple in Cambridge Theatre terms of great positive feedback from theatre staff and many patrons regarding the Dominion Theatre comfort of the new seats. Duke of York’s Theatre Her Majesty’s Theatre Lyceum Theatre Manchester, Opera House Nottingham, Theatre Royal Savoy Theatre Shaftesbury Theatre Our winning theatres are based on Front of House teams, who on a regular basis, replaced lost or You Have Been Spotted! missing opera glasses between Following a request from the film makers,we supplied blue binoculars which guests can our frequent service visits. be seen using during an episode of Don’t Tell the Bride filmed late last year in Cornwall. A big thank you must also go to all Musical Week was the 2015 Strictly Quarter Final when the dancing couples can be the other venues offering our opera seen eyeing up their opposition! glass service to their theatregoers who love using our service to enhance their theatre experience.
    [Show full text]
  • U.S. National Tour of the West End Smash Hit Musical To
    Tweet it! You will always love this musical! @TheBodyguardUS comes to @KimmelCenter 2/21–26, based on the Oscar-nominated film & starring @Deborah_Cox Press Contacts: Amanda Conte [email protected] (215) 790-5847 Carole Morganti, CJM Public Relations [email protected] (609) 953-0570 U.S. NATIONAL TOUR OF THE WEST END SMASH HIT MUSICAL TO PLAY PHILADELPHIA’S ACADEMY OF MUSIC FEBRUARY 21–26, 2017 STARRING GRAMMY® AWARD NOMINEE AND R&B SUPERSTAR DEBORAH COX FOR IMMEDIATE RELEASE (Philadelphia, PA, December 22, 2016) –– The Kimmel Center for the Performing Arts and The Shubert Organization proudly announce the Broadway Philadelphia run of the hit musical The Bodyguard as part of the show’s first U.S. National tour. The Bodyguard will play the Kimmel Center’s Academy of Music from February 21–26, 2017 starring Grammy® Award-nominated and multi-platinum R&B/pop recording artist and film/TV actress Deborah Cox as Rachel Marron. In the role of bodyguard Frank Farmer is television star Judson Mills. “We are thrilled to welcome this new production to Philadelphia, especially for fans of the iconic film and soundtrack,” said Anne Ewers, President & CEO of the Kimmel Center for the Performing Arts. “This award-winning stage adaption and the incomparable Deborah Cox will truly bring this beloved story to life on the Academy of Music stage.” Based on Lawrence Kasdan’s 1992 Oscar-nominated Warner Bros. film, and adapted by Academy Award- winner (Birdman) Alexander Dinelaris, The Bodyguard had its world premiere on December 5, 2012 at London’s Adelphi Theatre. The Bodyguard was nominated for four Laurence Olivier Awards including Best New Musical and Best Set Design and won Best New Musical at the WhatsOnStage Awards.
    [Show full text]
  • Matthew Bardsley Writer
    Matthew Bardsley Writer Matthew sold his first screenplay shortly before leaving Bristol University and has since worked extensively on assignments and original work. He was born in Toronto, Canada and retains dual British/Canadian citizenship. Agents St John Donald Associate Agent Jonny Jones [email protected] +44 (0) 20 3214 0928 Credits In Development Production Company Notes ALL'S FAIR Monkey Kingdom 90' FILM MEMBER STATES Greenlit 3 x 60' Television Production Company Notes STRAWBERRY JOE BBC 60' Film LANDER'S WORLD BBC Original 60' Pilot FAMILY MAN BBC Original 60' Pilot THE GATECRASHER Carlton Adaptation: 1 x 60' DALZIEL & PASCOE BBC 1x 90' Treatment THE TROUBLE WITH MEN Sally Head Productions Original 6 x 60' Treatment LLANALLAN FM Sally Head Productions Original 60' Pilot United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes CAPITAL OFFENCE Touchpaper 90' Treatement SEASON TICKET Sally Head Productions Original 60' Pilot THE MOTTLEY CREW World Original 60' Pilot Producer: Ted Childs DEADLY ALLIANCE Tailormade Films/BBC Original 2 x 120' HOLBY CITY BBC PUSHING VINYL Zenith Original 60' Pilot THE BILL Talkback Thames 8 x 60' MAKING WAVES Carlton 4 x 60' FISH BBC/ Principle Pictures 4 x 60' MIT Thames 1 x 60' SWEET MEDICINE Carlton 2 x 60' PEAK PRACTICE Central 1 x 60' DANGERFIELD BBC 2 x 60' SPACE ISLAND ONE Bard/ SKY 5 x 60' EYE CONTACT North South/C4 30' Film CAPITAL CITY Euston Films 5 x 60' STYLE MONSTERS Island Visual
    [Show full text]
  • Download Cast and Crew Here
    I - !!! I* CAST T WHOgS-, WHO IN THN SItrlIS (Errse*rl:le' u/S Bill ALEJAI{DRA }IATOS tEnsexzble} From Caracas, JAQUEZ ANDBf Broadway: ri{otow'n {Swing)' Venezuela. She is thrilled to be part of this ireau- Devuuey, Irtn-r' SciJ:elli) (Rudolpho). Broadrvayl titul east. Starting her training in her country Natianal Tour l\atilda OfY I (Trip Allen), Apollo Ct*h Hulent $ and continuing herJance career in LA aad NY' NYC: Spanrle,r I ''?he (Featnred Beats By TY credlts inelude "Americas Got Talent-" Dancer). Nationai Commelcial: T playing LeBron Best Time Ever" (F{BCi- Theater cledils include Dre l'eaturing Pharrell. Lasl seen , Chicago flative and Crtrmen An Afro-Cubart Musical. Special James in Le\roil: The Mltsittrl- '{ati and Moill tharks to my lamily. merto.rs and the Universe' Tisch graduate. Much iove to CTC. Brick @alekitty @justiaquez DEQUINA fr'IOOBE (Backup Vocolisr, College FIICOLE SPENCER (Eizseatble) AfBr traiilhg at in Dance Gitl, Ensemble, ulS Nicki Mnrron, Rachel Marrot) Tampa Ballet Center, she earned her BFA f cretiits include: Broadrvay: Legallr* Btoncle (Pilar). Ii*/e Shop of frcm Florida Stati Unive$it)'. Far-orite g Tour Capair/Swing). fJorrors {Chiffon), Two Gentlemen o! Ve rona, flapp -t Ditl' Dancittg National {Dance $ Inaugural Royal kincess, g Da1's {Joyce}" ffnir. Nat'l Touts: Fluslatlarlce (Kiiri)' The Potal Off-Broadrvay, 4 i$adea's Big Hoppy F**riJ-r" (Rose)' Film: Jo;'f,rl Andrea Bocelii. ard SNL. Nicole sends all her love to ; ldoi.re (Devonne), Mcdea's Big llappy Family. Ghast Mom, Dad, andChris! Tov,* Rachet Gettiag Married, Cttnp- TY: "Lz'N & Order: SVU" {guest star), "Racirtg For Time" LAU*EN TANNER (.luj*s) is delighted to be patt {: {Tsnya}, "Third Watch" iTania Manroe), "Al1 Falls ol The Bodlgu* tll Lauren is a graduale of Oklahoma Down" (Nycole).
    [Show full text]
  • Women in Theatre 2006 Survey
    WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female).
    [Show full text]
  • There's a Little Theatre in Us All!
    THERE’S A LITTLE THEATRE IN US ALL! Theatre Tokens - Participating Venues Details correct as of Friday, 07 July 2017 * Plus your telephone company's network charge Aberdare Coliseum 0800 014 7111 Dumfries Theatre Royal 01387 254209 Aberdeen Aberdeen Box Office 01224 641122 Dumfries (for His Majesty's Dundee Dundee Repertory 01382 223530 Theatre & Music Hall) Theatre Aberdeen His Majesty's Theatre 01224 641122 East Grinstead Chequer Mead 01342 302000 Aberdeen Music Hall 01224 641122 Theatre Aberystwyth Arts Centre 01970 623232 Eastleigh The Point Theatre 02380 652333 Aylesbury Aylesbury Waterside 0844 871 7667 Calls cost 7p/pm* Edinburgh Festival City Theatres 0131 529 6000 Theatre Edinburgh Kings Theatre 0131 529 6000 Bath Theatre Royal 01225 448844 Edinburgh Playhouse Edinburgh 0844 871 7667 Calls cost 7p/pm* Bedworth Civic Hall 02476 376707 Edinburgh Royal Lyceum Theatre 0131 248 4848 Birmingham Alexandra Theatre 0844 871 7667 Calls cost 7p/pm* Edinburgh Traverse Theatre 0131 228 1404 Birmingham Repertory Theatre 0121 236 4455 Epsom Epsom Playhouse 01372 742555 Blackburn King George's Hall 0844 847 1664 Calls cost 7p/pm* Exeter The Exeter Northcott 01392 726363 Blackpool Grand Theatre 01253 290190 Theatre Bognor Regis Alexandra Theatre 01243 861010 Eastbourne Congress Theatre 01323 412000 Bolton Octagon Theatre 01204 520661 Eastbourne Devonshire Park 01323 412000 Bradford Alhambra Theatre 01274 432000 Theatre Bradford St George's Concert 01274 432000 Eastbourne Royal Hippodrome 01323 802020 Hall Theatre Bristol Bristol Hippodrome 0844
    [Show full text]
  • MITCH SEBASTIAN Director/Choreographer
    MITCH SEBASTIAN Director/Choreographer EVG LAKE SHOW EVG Ocean Park Concept / Creative Director PETER PAN Bogota, Colombia Book / Director / Choreo POR SIEMPRE NAVIDAD Bogota, Colombia Book / Director / Choreo LEGALLY BLONDE Kilworth House Theatre Director / Choreo EVOLUTION OCT Shenzhen, china Concept / Director / Choreo SINGING IN THE RAIN Kilworth House Theatre Director / Choreo THE SOUND OF MUSIC Bogota, Colombia Director / Choreo POR SIEMPRE NAVIDAD Bogota, Colombia Book / Director / Choreo VICTOR WANDA Group, China Concept / Creative Director SISTER ACT Kilworth House Theatre Director / Choreo THE WEST END MEN Vaudeville Theatre Concept / Director / Choreo SOUTH PACIFIC Kilworth House Theatre Director / Choreo POR SIEMPRE NAVIDAD Bogota, Colombia Book / Director / Choreo THE WEST END MEN UK National Tour Concept / Director/ Choreo ANYTHING GOES Kilworth House Theatre Director / Choreo MY FAIR LADY Kilworth House Theatre Director / Choreo CHRISTMAS RATPACK UK National Tour Director / Choreo / Writer CHRISTMAS RATPACK USA No1 National Tour Director / Choreo / Writer THE SOUND OF MUSIC Kilworth House Theatre Director / Choreo ME AND MY GIRL Kilworth House Theatre Director / Choreo PIPPIN Menier Chocolate Director/ Choreo RATPACK Factory Wyndhams Director / Choreo / Writer CHRISTMAS RATPACK Theatre Director / Choreo / Writer LITTLE SHOP OF HORRORS USA No.1 National Tour Director / Choreo PIRATES OF PENZANCE Kilworth House Theatre Director / Choreo THE OPERA SHOW Kilworth House Theatre Concept / Director/ Choreo GUYS AND DOLLS World
    [Show full text]
  • The Corner Shop PR Current Projects 2017
    The Corner Shop PR Current Projects 2017 Contents The Book of Mormon ................................................................................................................. 3 Disney’s The Lion King .............................................................................................................. 3 Matilda The Musical .................................................................................................................. 4 Aladdin ....................................................................................................................................... 5 Dreamgirls ................................................................................................................................. 7 An American in Paris ................................................................................................................. 8 The Ferryman .......................................................................................................................... 10 Hull UK City of Culture 2017 ................................................................................................... 10 The Birthday Party ................................................................................................................... 13 Long Day’s Journey Into Night ................................................................................................ 14 Venus in Fur ............................................................................................................................
    [Show full text]
  • Labor Relations, 16Mm Film and Euston Films
    Scope: An Online Journal of Film and Television Studies Issue 26 February 2014 Labor Relations, 16mm Film and Euston Films Max Sexton, Birkbeck College, University of London Film as a technology has been used, adapted and implemented in particular ways within television. This article provides examples of this process along with its complexities and demonstrates how a system of regulated labor on British television during the 1970s shaped the aesthetic form that 16mm film was used to develop. The questions of how far the production process was guided by institutionalized conventions, however, is one that the article seeks to answer in its analysis of the function and form of the filmed television series produced by Euston Films, a subsidiary of Thames Television. Charles Barr (1996) has discussed the legacy of live television that seeks to develop analyses of the developing formal systems of early television. For example, the telerecordings of most of the Quatermass serials were only “television films” because they were recorded on film, but were not constructed or edited as film, although they may have used some film inserts. According to Barr, television drama may have been shot on film, but it was different from film. It was only later in the 1960s and 1970s that shooting on film meant that the studio drama was replaced by shooting on location on 16mm. Barr notes that in Britain, unlike in the US, if a growing proportion of drama was shot on film, dramas were still referred to as “plays.” Consequently, the TV plays-on-film were distinct from “films.” However, as this article demonstrates, the development of the 16mm film from the 1970s complicates some of the notions that television drama was either live or continued to be planned, shot and edited as a live play.
    [Show full text]