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Convocation Hall, University of Alberta
STUDENT COMPOSER RECITAL 560 & 660 levels Monday, April 10, 8:00 PM Convocation Hall, University of Alberta Fugue in g minor jon Jette Jon Jette - piano / Rick Vanderwoude - organ The Flowers of Time lanKnopke Silvia Yee, Jennifer McAllister - flutes / Suzanne Yuch - clarinet / Darryl Hartshome - bassoon / John Calverley - violin / Heidi Klann - viola / Greg Ferguson - vibraphone This is based on a siiort story by J.G. Ballard called The Garden of Time and is very grooxry to dance to. I.K. Reinvention jEiCockeU" Jim Cockell - piano / Ken Myers - alto saxophone I Hide No Hate Laura Hamilton Sarah Chaput - soprano / Jim Cockell - violin Paul Radosh - cello "For A Poet" by Countee Cullen in 1925,"Madness Is" by Laura Hamilton in 1989 Rain Delay Chris McLean Betsy Steed, Lyndi Lou Pollock - violins / Jenny-Lynn Steed -viola Bonnie Pollock - cello / Anneke Smit - piano macroHvne (forstuff) Scott Godin Jim Cockell, Moni Mathew - violins / Miriam Lewis - viola / Paul Radosh - cello / Ken Myers - saxophone Winter Songs Jim Cockell Ardelle Ries - soprano / Jim Cockell - violin / Laszlo Names - piano i) Prelude ii) There's a certain slant of light Emily Dickinson (1830 - 1886) iii) To Waken an Old Lady William Carlos WiUiams (1883 - 1963) iv) The Snow Man Wallace Stevens (1879 - 1955) brief intermission * * * 'longing..." Scott Godin Corey Hamm organ "ukuTusa" Allan Gilliland Wind Ensemble " The Lamp of Poor Souls Gordon Fitzell tenor - Tom McCleay / baritone - Kevin Gagnon / recorder, ocarina BiU Damur / trumpet - Steve Williams / harpsichord - Roger Admiral / viola - Miriam Lewis / double bass - Hassisen Saied / musical glass - Silvia Yee / percussion - John McCormick, Greg Ferguson, Scott Martin, Lisa Hrabec, Helene Jurkat, Nicole Arendt, Erin Zier / candlelighter - Andriy Talpash Based on the poem of the same name bxj Canadian poet Marjorie Pickthall, this piece attempts to expose the hypocrisies of the church during the period before the Reformation. -
Highlights, Summer, 2015
HighLights Presenting the Best of Canada's Classical Composers Summer, 2015 Counterpoint Music Library Services - Jean-Marie Barker, Music Publisher & Owner 42 Frater Avenue, Toronto, Ontario M4C 2H6 phone (416) 696-5377; fax (416) 696-8625 www.cpmusiclibrary.ca [email protected] Celebration 2017 Malcolm Forsyth 2017 in Canada will be a big Trickster Coyote - Lightening Elk party as we celebrate the 150th Symphony New Brunswick birthday of our country. recently performed Malcolm Are you looking for programming Forsyth's evocative violin concerto, material for this celebration? We have Trickster Coyote - Lightening Elk, the show for you! with the soloist who commissioned For our international friends and the work, Tara-Louise Montour, and colleagues, you too should consider Michael Newnham conductor. The programing a Canadian repertoire audience and performers loved it. concert to celebrate Canada's birthday. I was very moved by the visceral Marc Fortier, conductor, composer, strength of the work, it's orchestration arranger and long-time Artistic and the ideas that it contained. Director of the Montreal Pops Malcolm Forsyth composed a Orchestra and conductor of the work, which is a kaleidoscopic Montreal Summer Concert Series, representation in music of our Tara-Louise Montour, soloist & Michael Newnham, Conductor Marc Fortier has come up with a wonderful way shared Amerindian heritage in North to celebrate Canada's composers with a new project meant to America. The humanity and the brilliance of the piece are what bring back to life many instrumental works from the "light- moves the musicians and the audience. Michael Newnham orchestra" repertoire which have been unjustly neglected. -
The Canadian Clarinet Works Written for James Campbell
THE CANADIAN CLARINET WORKS WRITTEN FOR JAMES CAMPBELL by Laura Chalmers Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University December 2020 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree, Doctor of Music Doctoral Committee __________________________________________ Eli Eban, Research Director and Chair __________________________________________ James Campbell __________________________________________ Kathleen McLean __________________________________________ Peter Miksza September 29, 2020 ii Acknowledgements I would like to express my gratitude to the following people, without whom this document would not have been completed: To Prof. Campbell, Allan Gilliland, Phil Nimmons, Timothy Corlis, and Jodi Baker Contin, who gave their time and shared their recollections with me. To my wonderful friends, Emory Rosenow, Laura Kellogg, Mark Wallace, and Lilly Haley- Corbin, who not only read through this entire document to correct mistakes, but who also encouraged me and bolstered me as I wrote this paper. To my family, Mom, Marcus, and Leisha, who have always supported me and continue to do so through my Doctorate. Finally, to my husband, Jacob Darrow. This is as much his success as it is mine. iii Table of Contents Acknowledgements .................................................................................................................................... -
The Winnipeg Arts Council Awards
W I N N I P E G ARTS COUNCIL ANNUAL REPORT 2007 Below: Main St-Union BLDG Montage, David Wityk. Photo: David Wityk. Cover image and pages 3, 4 ,23: Main St-Union BLDG Montage, Details, David Wityk. Photo: David Wityk. CONTENTS 2 INTRODUCTION 4 GraNTS PrOgraMMING 8 MAJOR NEW WORKS - NEW CrEATIONS FUND 10 INTRODUCING THE WINNIPEG ARTS COUNCIL AWarDS & MaYOR’S LUNCHEON FOR THE ARTS 14 THE CarOL SHIELDS WINNIPEG BOOK AWarD 16 PUBLIC ART PrOgraM 20 IN THE HEarT OF THE EXCHANGE 21 APPRECIATION 22 MESSagE frOM THE CHAIR 23 2007 GraNTS AWarDED 35 AUDITOR’S REPORT AND STATEMENT OF FINANCIAL POSITION 41 BOarD OF DIRECTORS, STaff AND ASSESSORS 42 MaNDATE, MISSION, VISION & VALUES WINNIPEG ARTS COUNCIL © 2008 Winnipeg Arts Council 103-110 Princess Street, Winnipeg, MB R3B 1K7 Design by Mike Carroll T 204.943.7668 F 204.942.8669 Printed in Canada by Kromar Printing E [email protected] W www.winnipegarts.ca 1 INTRODUCTION The funding programs of the Winnipeg Arts Council are notably creative and have been confirmed as such by other agencies and the arts community. he City of Winnipeg has demonstrated The Arts Council provides funding to individual innovation in support for artists and arts artists for creative projects and professional devel- Torganizations through the establishment of opment, and to arts organizations for operating the Winnipeg Arts Council Inc., entrusting the gov- needs, for projects and through a new program for ernance and management of municipal arts grants marketing and audience development. Another and awards to the community itself. The successor program, the Youth Arts Initiatives Collaborative to the Winnipeg Arts Advisory Council, the Win- Grant, is intended for arts organizations who wish nipeg Arts Council (one of only four municipal arts to partner with community organizations to under- councils in Canada) was approved by City Council take an innovative approach to the development of in 2002, with a mandate to manage the City’s con- opportunities for youth involvement in the arts. -
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: a QUESTION of NATIONALISM a Thesis Submitted in Partial Satis
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: A QUESTION OF NATIONALISM A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Music by Ronald Frederick Erin August, 1983 J:lhe Thesis of Ronald Frederick Erin is approved: California StD. te Universi tJr, Northridge ii PREFACE This thesis represents a survey of Canadian music since 1940 within the conceptual framework of 'nationalism'. By this selec- tive approach, it does not represent a conclusive view of Canadian music nor does this paper wish to ascribe national priorities more importance than is due. However, Canada has a unique relationship to the question of nationalism. All the arts, including music, have shared in the convolutions of national identity. The rela- tionship between music and nationalism takes on great significance in a country that has claimed cultural independence only in the last 40 years. Therefore, witnessed by Canadian critical res- ponse, the question of national identity in music has become an important factor. \ In utilizing a national focus, I have attempted to give a progressive, accumulative direction to the six chapters covered in this discussion. At the same time, I have attempted to make each chapter self-contained, in order to increase the paper's effective- ness as a reference tool. If the reader wishes to refer back to information on the CBC's CRI-SM record label or the Canadian League of Composers, this informati6n will be found in Chapter IV. Simi- larly, work employing Indian texts will be found in Chapter V. Therefore, a certain amount of redundancy is unavoidable when interconnecting various components. -
Guest Artist Recital: the New Zealand String Quartet
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 11-16-2010 Guest Artist Recital: The ewN Zealand String Quartet New Zealand String Quartet James Campbell Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation New Zealand String Quartet and Campbell, James, "Guest Artist Recital: The eN w Zealand String Quartet" (2010). All Concert & Recital Programs. 4238. https://digitalcommons.ithaca.edu/music_programs/4238 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Ithaca College Concerts: The New Zealand String Quartet James Campbell, clarinet Ford Hall November 16, 2010 8:15 p.m. Program String Quartet No. 13 in B flat minor, Dmitri Shostakovich Op. 138 (1906-1975) Adagio, Doppio movimento, Tempo primo Quintet for Clarinet & Strings, Wolfgang Amadeus Mozart K. 581 (1756-1791) Allegro Larghetto Menuetto Allegretto con Variazioni Intermission String Quartet Opus 18, No. 2 in Ludwig van Beethoven G Major (1770-1827) Allegro Adagio cantabile, Allegro, Tempo I Scherzo: Allegro Allegro molto, quasi presto Suite from the Sound Allan Gilliland for string quartet & clarinet (b. 1965) (commissioned by James Campbell) Parry's Ground Waltz for Mr. Evans Sketches Management for James Campbell: GAMI/SIMONDS, LLC www.gamisim.com Management for New Zealand Quartet: Jonathan Wentworth Associates, Ltd. www.jwentworth.com Biographies The New Zealand String Quartet With its dynamic performing style, eloquent communication and beautiful sound, the New Zealand String Quartet has forged a major career in the busy international chamber music field, earning the acclaim of critics and the delighted response of audiences. -
Faculty Students from the Department of Music
Upcoming Events; 28 Monday, 12:00 pm 4 Monday, 12:10 pm Noon-Hour Organ Recital Music at Noon, Convocation Hall The recital presents a variety of organ Student Recital Series featuring repertoire played by students, faculty students from the Department of Music. and guests of the University of Alberta Free admission FACULTY Free admission 5 Tuesday, 3:30 pm 28 Monday, 8:00 pm Piano Masterclass Master of Music Recital Milton Schlosser (Adjunct Professor of David Wilson, Choral Conducting Piano). Free admission Special Guests: Ariane Maisonnenve, piano 7 Thursday, 12:00 pm Robert Zylstra, organ Jazz Masterclass with The Haydn Festival Orchestra Visiting Artist Dean McNeill Franz Program will include works by Studio 27, Fine Arts Building 2-7 Haydn, Cardoso, Heinrich Schiitz and Free admission Brahms. Free admission 8 Friday, 8:00 pm Scott Whetham,tuba 29 Tuesday Visiting Artist Recital University Symphony Orchestra Dean McNeil, trumpet Gerald Onciul, horn Concerto Competition Program will include works by Arnold, Judy Loewen, piano Pre-Competition Martini, Saint-Saens, Gregson, Bozza, 3:15 pm Piano Gershwin and others 4:45 pm Strings 7:00 pm Winds and Percussion 15 Friday, 2:30 pm Free admission The Centre for Ethnomusicology presents World Music Sampler 2002 November Partners in Music Research Friday, October 25, 2002 1 Friday, 6:00 pm featuring live music and dance from University Symphony Orchestra Japan, Africa, the Andes, India, at 8:00 p.m. Concerto Competition Latin America, and Canada Final Competition with special guest Tom Phillips from Free admission Calgary. Admission is free .For more information, contact The Centre for Ethnomusicology, Fine Arts Building 2-11, Telephone: 492-8211 Convocation Building Hall University of Alberta Please donate to Campus Food Bank Unless otherwise Indicated Admission: $12/adult, $5/student/senior Convocation Hall, Arts Building Please note: All concerts and events are subject to change without notice. -
Combo & Piano/Violin Option
CROSSOVER VOCALIST SYMPHONY POPS Ingrid Mapson is widely admired for her soulful and soothing interpretations of popular adult contemporary favorites as well as her dynamic and playful renditions of show tunes and light jazz classics. Her sound has the warmth of Diana Krall, the purity of Eva Cassidy and tenderness of Sarah McLachlan. Ingrid's Rhythms of Your Heart (2015) album was produced by Grammy-nominated producer Daryl Bennett and features the outstanding talents of Eli Bennett, Vince Mai, Dave Martone, Roy Tan, Adam Thomas and the glamorous Rosemary Siemens. Combined, these artists have won several accolades and have performed and recorded with artists such as Sarah McLachlan, Michael Bublé, Natalie Cole, Nickelback, and The Temptations. Ingrid has recently enchanted audiencess in Symphony Pops engagements with Lions Gate Sinfonia (North Vancouver BC several seasons) and the Thompson Valley Orchestra BC. Ingrid has sung for various orchestras including Kamloops Symphony Orchestra, Prince George Symphony Orchestra, Lions Gate Sinfonia, New Westminster Symphony Orchestra, Pacific Spirit Choir and Orchestra, Calvin Dyck Orchestra, Brandenburg Orchestra, The Handel Society orchestra, Company of Instruments Orchestra, Thompson Valley Orchestra and others. Custom orchestrations available for her Rhythms of Your Heart show by Roy Tan (Winnipeg Symphony Orchestra, Vatican, Beijing Olympics). Promo Video - “Rhythms of Your Heart” WWW.INGRIDMAPSON.COM Ingrid.Mapson @IngridMapson PLEASE CONTACT AGENT FOR ALL ENQUIRIES: Margot Holmes | Caline Artists International | Toll free: 1-800-539-8558 | www.caline.com CROSSOVER VOCALIST QUOTATIONS “She has an instrument with rich, round, warm, honeyed colour, and is very much at home in a variety of styles.” — CLYDE MITCHELL, Conductor/Musical Director (Lions Gate Sinfonia) (Michael Bublé, David Foster, Mel Torme, Every Major Canadian Orchestra, past resident conductor Vancouver Symphony Orchestra) “The tunes are timeless and she’s bringing her own personality to it. -
MUSC 2013.10.12 Campbellprog.Pdf (4.508Mb)
Upcoming Events Virtuoso Series Recital Special Guests: James Campbell, clarinet Virtuoso Series Concert, Special Guest Kimberly Cole Luevano, Clarinet 10/13 Griffin Concert Hall 12:30 p.m. Willis Delony, piano Virtuoso Series Concert, Special Guests Miroslava Mintcheva, Piano; David McArthur, Piano; & Veronica Patterson, Readings 10/14 Organ Recital Hall 7:30 p.m. With Virtuoso Series Concert, Special Guests Tom Myer, Saxophone & Hsiao- Wesley Ferreira, clarinet Ling Lin, Piano 10/15 Organ Recital Hall 7:30 p.m. Leslie Stewart, violin Voice Area Recital 10/16 Organ Recital Hall 7:30 p.m. Barbara Thiem Aries Music Festival: Percussion Ensemble 10/20 Griffin Concert Hall 2 p.m. October 12, 2013 Aries Music Festival: Chamber Choir & Concert Choir 10/20 Griffin Concert Hall 7:30 p.m. 7:30 P.M. Organ Recital Hall Aries Music Festival: Faculty Chamber Concert 10/21 Organ Recital Hall 7:30 p.m. Konzertstück in F minor op.113 Felix Mendelssohn Aries Music Festival: Wind Ensemble & Symphonic Band 10/22 Griffin Concert Hall 7:30 p.m. (1809-1847) with Wesley Ferreira Theatre & Dance Halloween Special 10/26 University Dance Theatre 7:30 p.m. & 10:30 p.m. Virtuoso Series Concert, CSU Faculty Peter Sommer 10/28 Organ Recital Hall 7:30 p.m. Sonata No. 2 in E- flat major op. 120, No.2 Johannes Brahms Allegro amabile (1833-1897) Allegro appassionato Andante con moto - Allegro Intermission event calendar • e-newsletter registration www.uca.colostate.edu Works to be announced from the stage General information: (970) 491-5529 Tickets: (970) 491-ARTS (2787) Time Revisited Phil Nimmons www.CSUArtsTickets.com Meet Me at the UCA (b. -
Inside Christmas Unsanitized 4 the Positive Impact of Fellowship 19 Fanfare of Canadian Hymns 28 2 Canadian Mennonite December 21, 2009
December 21, 2009 Volume 13 Number 24 Blessed are they that mourn pg. 16-17 inside Christmas unsanitized 4 The positive IMPaCT of fellowship 19 Fanfare of Canadian Hymns 28 2 Canadian Mennonite December 21, 2009 Editorial “All peaceful solutions have failed and the cycle of failure continues,” he said. “Negotiations have always ended in no Bethlehem lies results.” As with the Berlin Wall, he pleaded with his audience that this wall must come down. In its place should be a peacefully? bridge—a bridge that can transcend the Dick Benner centuries-old enmity that has held two Editor/Publisher suffering peoples hostage, a bridge that can span the hostility and fears of people little town of Bethlehem, College, recently told an overflow crowd who both claim the ancient patriarch how still we see thee lie,” at Rockway Mennonite Collegiate, Abraham as their spiritual father. “Odidn’t—and doesn’t— Kitchener, Ont., that before the State The hymn writer Brooks had one of his square with reality, despite of Israel was created in 1948, scores right: “the hopes and fears of all the peaceful sentiments hymn “[Palestine] was fully populated by the years, are met in thee tonight.” writer Phillip Brooks wanted to Arabs, Muslims and Christians. In May it be so in the year of our Lord, bring to his Anglican parish in order to create a Jewish homeland 2010. Philadelphia, Pa., during Advent in for the Jews fleeing persecution in the mid-19th century. Europe, large portions of the in- Meet your board member His was the tourist’s view, hav- digenous people had to be forceful- Doris Daley of Turner ing just returned from a short visit to the ly replaced and never allowed to return.” Valley, Alta., is place that gets our special attention during Very little has changed since 6 AD. -
O Music: the Music of Allan Gilliland. Performers: New Edmonton Wind Sinfonia, Raymond Baril, Conductor
O Music: The Music of Allan Gilliland. Performers: New Edmonton Wind Sinfonia, Raymond Baril, conductor. With: James Campbell, clarinet; Dean McNeill, trumpet. Toronto: Centrediscs, CMCCD 17111, 2011. 1 compact disc (59:50). Contents: O Music (9:14) – Kalla (8:43) – Love’s red rose (5:27) – Fantasia on themes from West Side Story (13:03) – Loch na beiste (9:09) – Dreaming of the masters I (14:14). $13.98 The New Edmonton Wind Sinfonia has devoted its latest CD, O Music, to works by the Scottish- born, Edmonton-based composer, Allan Gilliland. The ensemble, led by Raymond Baril for the past thirteen years, concertizes in Alberta and has toured in Europe. Gilliland has composed for choir, orchestra, and wind, jazz, and chamber ensembles. He has also written film, television, and theatre music. His works have been performed by the Canadian Brass, the St. Lawrence String Quartet, the Boston Pops, and the Scottish Chamber Orchestra, among other ensembles. He was the composer-in-residence with the Edmonton Symphony Orchestra (ESO) for five years, during which the orchestra premiered eleven of his compositions. The title work, O Music, juxtaposes two radically different sections. After a march-like opening tune whose contours and treatment, with prominent percussion, derive from the world of Bill Conti film soundtracks (e.g., Rocky), there follows a transition involving crystal glasses and humming instrumentalists before the Edmonton Youth Choir sings a fine a cappella setting of the Khalil Gibran poem that gives this work its title. Though the playing and singing are well executed, one wonders why the composer did not create a more cohesive choral-instrumental setting of the Gibran text, saving the “film music” for another work. -
An Annotated Bibliography of Canadian Oboe Concertos
An Annotated Bibliography of Canadian Oboe Concertos Document Presented in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Oboe in the Performance Studies Division of the University of Cincinnati College-Conservatory of Music January 11, 2016 by Elizabeth E. Eccleston M02515809 B.M., Wilfrid Laurier University, 2004 M.M., University of Cincinnati, 2007 D.M.A. Candidacy: April 5, 2012 256 Major Street Toronto, Ontario M5S 2L6 Canada [email protected] ____________________________ Dr. Mark Ostoich, Advisor ____________________________ Dr. Glenn Price, Reader ____________________________ Professor Lee Fiser, Reader Copyright by Elizabeth E. Eccleston 2016 i Abstract: Post-World War II in Canada was a time during which major organizations were born to foster the need for a sense of Canadian cultural identity. The Canada Council for the Arts, the Canadian Broadcasting Corporation and the Canadian Music Centre led the initiative for commissioning, producing, and disseminating this Canadian musical legacy. Yet despite the wealth of repertoire created since then, the contemporary music of Canada is largely unknown both within and outside its borders. This annotated bibliography serves as a concise summary and evaluative resource into the breadth of concertos and solo works written for oboe, oboe d’amore, and English horn, accompanied by an ensemble. The document examines selected pieces of significance from the mid-twentieth century to present day. Entries discuss style and difficulty using the modified rating system developed by oboist Dr. Sarah J. Hamilton. In addition, details of duration, instrumentation, premiere/performance history, including dedications, commissions, program notes, reviews, publisher information and recordings are included wherever possible.