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Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
Viu Announces New Korean Viu Original Drama Series River Where the Moon Rises the Period Romance Stars Acclaimed K-Drama Talent Kim So Hyun and Ji Soo
Viu announces new Korean Viu Original drama series River Where the Moon Rises The period romance stars acclaimed K-drama talent Kim So Hyun and Ji Soo PCCW (SEHK:0008) – HONG KONG / SINGAPORE, January 27, 2021 – Viu, a leading pan-regional OTT video streaming service operated by Viu International Limited, has revealed its latest Viu Original, a highly anticipated Korean period romance drama series titled River Where the Moon Rises. Set to premiere exclusively on Viu on February 15, 2021, River Where the Moon Rises is adapted from a Korean folktale recorded in The History of the Three Kingdoms and based on Princess Pyeonggang (Kim So Hyun) and her General, On Dal (Ji Soo). Born as a princess but raised as a soldier, young Pyeonggang sets out on a tour of the kingdom with her mother, the Empress, during which they arrive at a village where they meet General On Hyeop and his son, On Dal. Sharing with him her goal of becoming Goguryeo’s first queen with her intellect and confidence, the straightforward On Dal laughs at her lofty dreams as women do not engage in state affairs, though he means no harm. Meanwhile, the Empress is seeking help from General On Hyeop due to the schemes and conspiracies ongoing in the kingdom, but the two are assassinated in the process. The story follows Pyeonggang’s quest to uncover dark and dangerous conspiracies in the kingdom. cont’d… - 2 - The series features Kim So Hyun, who is well-known among K-drama fans for her varied roles in everything from historical dramas to rom-coms. -
The Senses As Strategy in the South Korean Family Bonnie R. Tilland A
Hateful and Heartwarming Bonds: The Senses as Strategy in the South Korean Family Bonnie R. Tilland A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2015 Reading Committee: Ann Anagnost, Chair Clark Sorensen Sasha Welland Program Authorized to Offer Degree: Anthropology © Copyright 2015 Bonnie R. Tilland University of Washington Abstract Hateful and Heartwarming Bonds: The Senses as Strategy in the South Korean Family Bonnie R. Tilland Chair of the Supervisory Committee: Professor Ann Anagnost Department of Anthropology This dissertation investigates women’s strategizing around the senses in South Korea, tracing the ways that women move between sensory experience as an ideal and as an object to put into motion. I argue that the language of the sensory is invoked to stand up to state or societal pressures regarding family-making, child-rearing, and maternal subjectivity. The senses, affect, and emotions are employed to carve out space for individual and family well-being within neoliberal logics of productivity, but these new areas of sensory possibility are too often colonized by the same neoliberal logics. Utilizing multi-sited ethnography, media analysis, and an interdisciplinary feminist perspective, I followed the language of sensory development and sensory experience in practice through participant-observation at community spaces, and through ethnographic interviews. The main issues of this dissertation include: first, the ways that the extended family in South Korea is structured through visual culture and watching/being seen, resulting in ambivalence, particularly in the mother-in-law and daughter-in-law relationship. Second, how touch and other senses are conceived of as avenues for emotional and psychological fortification for young children, and how this cultivation of sensory education is extended not just to the mother-child bond, but also to national healing. -
Unabridged AFM Product Guide + Stills
AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.com/AFM2012ProductGuide/AFMProductGuide.pdfGUIDEGUIDE Hillridge (Parker Posey), the head of the high school soccer team’s two week trip Director: Alex de la Iglesia 108 MEDIA hospital’s charity foundation, reluctantly to Italy. Dynamic friendships, rivalries Writer: Alex de la Iglesia decides to take Adan into her home for a and personal secrets compete in this tale Key Cast: José Mota, Salma Hayek CORPORATION few days. Through his ongoing and of one boy’s stirring coming of age in a Delivery Status: Screening 108 Media Corporation, 225 sometimes inappropriate slogans, Adan foreign land. Year of Production: 2011 Country of Commissioners St., Suite 204,, Toronto, slowly begins to affect Karen and the Origin: Spain Ontario Canada, Tel: 1.637.837.3312, MYN BALA: WARRIORS OF THE dysfunctional relationship she has with In this hilarious comedy, Alex de la http://www.108mediacorp.com, STEPPE her daughter Meghan. Epic Adventure (125 min) Iglesia makes fun of lack of today's [email protected] Director: Akan Satayev morals in media and depiction of Sales Agent, Producer BUFFALO GIRLS Documentary (66min) Kazakhstan, 1729: A ferocious Mongol financial crisis through the eyes of an At AFM: Abhi Rastogi (CEO) Buffalo Girls tells the story of two 8- tribe sweeps across the steppes, and unemployed advertising executive who Office: Loews Hotel Suite 601 year-old-girls, Stam and Pet, both Kazakh sultans leave their people to fend decides to take advantage of an accident AUTUMN BLOOD Director: Reed Morano (Frozen River) professional Muay Thai prizefighters. Set for themselves. Young Sartai and other he has after yet another humiliating work Writer: Stephen Barton and Markus in small villages throughout rural survivors flee to the mountains. -
South Korea's Information Revolution 1997-2007 A
THE MAKING OF A CYBORG SOCIETY: SOUTH KOREA'S INFORMATION REVOLUTION 1997-2007 A THESIS SUBMITIED TO THE GRADUATE DMSION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN mSTORY MAY 2008 By Jonathan Clemens Thesis Committee: Theodore Y00, Chairperson Mark McNally ShanaBrown We certify that we have read this thesis and that, in om opinion, it is satisfactory in scope and quality as a thesis for the degree of Master of Arts in History. THESIS COMMITTEE ~~)fI1O ii Table of Contents Timeline .........................................................................................................iv Entering into a digital age... ........................................................................ .1 Introduction .............................•..................................................................... .3 Methodology ............................................................................................ 6 Historiography ......................................................................................... 9 Source Base ............................................................................................. 11 Summary .................................................................................................. 12 Chapter One: The Information Revolution .................................................... 15 Conceptualizing the Information Age ...................................................... 15 Chapter Two: Crisis and Reformation ...........................................................30 -
New Direction of South Korean Cultural Content Export Post-THAAD’S Ban
Look South: New Direction of South Korean Cultural Content Export post-THAAD’s Ban Annisa Pratamasari, Sasha Syaifani and Emanuella Toreh Department of International Relations. Universitas Airlangga Keywords: Political Economy of Business, Cultural Content Export, Cultural Policy, Marketing Strategy. Abstract: State-led development and synergy with chaebols have been the most prominent features of South Korean government since the dictatorship of Park Chung-Hee. Even after the new wave of democracy engulfed the country, this feature remained, albeit much less restrictive. These characteristics are also reflected in Korean cultural policy, which was also used as one of the main export engines since the 90s. Cultural content export, despite newly-established, has been tremendously profitable for both states and corporations in South Korea. It has consistently increased in export rate and sales in the last decade. However, in 2016, Chinese government announced ban for cultural content export from South Korea, making both government and corporations of South Korea were scrambling to look for a new market for its export. Hence, they started to enhance their export to Southeast Asian countries as the new lucrative market they can aim at. This paper aims to highlight the political-economy of Hallyu and underline the synergy between state’s cultural policy and corporations’ marketing strategy in Southeast Asian countries post-THAAD ban by China. In order to limit the research, it focuses on the expansion of Hallyu in Thailand and Indonesia post-THAAD ban. It employs a descriptive method to explain and validate the link between state policy and corporation’s marketing strategy. The findings show the correlation between THAAD ban and the increase of Hallyu expansion in Southeast Asia, as indicated by growing list of events in both Indonesia and Thailand.