DOCSLIB.ORG

Jack L'éventreur Jack the Ripper

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Les Romans de Jack l’Éventreur Jack the Ripper in Fiction MARGINALIA HORS-SÉRIE : BIBLIOGRAPHIE THÉMATIQUE NORBERT SPEHNER 565, rue de Provence, Longueuil, J4H 3R3 (Québec/Canada) [email protected] 1 PRÉSENTATION AGNEW, A. Denise (États-Unis) Midnight Rose, Sienna Vista (AZ), Treble On trouvera ici une liste des romans (et Heart Books, 2002. quelques recueils de nouvelles) qui ont été Les Américains Alexandra Watson et Ross Havenwood enquêtent sur une série de inspirés par les crimes de Jack meurtres de prostituées dans l’East End de l'Éventreur. Certains de ces récits, à caractère plus historique, s'inspirent Londres. directement des événements de l'époque et AKOUNINE, Boris (Géorgie, 1956 - . proposent une identité du tueur. D'autres Pseudo. de Grigori Chalvovitch se passent à diverses époques avec passage obligé dans le Londres de 1888, d'autres Tchakhartichvili) enfin mettent en scène le personnage de Le Décorateur, dans Missions spéciales (Une aventure d'Eraste Fandorine), Paris, Jack à différentes époques (science- Presses de la Cité, 2003, pp. 215-473. fiction, fantasy, fantastique) ou font largement allusion aux faits historiques. Même les romanciers russes ont la prétention Un petit nombre de ces récits proposent de connaître l'identité de Jack l'Éventreur. Il est vrai aussi qu'il y avait des Russes parmi des intrigues modernes dans lesquelles l'affaire est mentionnée ou encore qui sont les nombreux suspects. des répliques, des répétitions des meurtres ALEXANDER, Jim & Mark de l'époque victorienne. Nombre de BLOODWORTH romans de serial killers galvaudent le terme "Ripper". Nous ne les avons pas The Ripper Legacy : A Raven Chronicles tous systématiquement retenus ici. Thriller, Transfuzion Publishing, 2008, 90 pages. L'édition française, quand disponible, est Un groupe d’enquêteurs du paranormal toujours mentionnée en premier. On ne trouvera pas ici les innombrables dirigé par Edgar Allan Raven (sic) est aux livres numériques (sauf s’il existe une prises avec Jack l’Éventreur.[roman graphique] version impirmée), de plus en plus envahissants, souvent médiocres. ALEXANDER, Karl (Etats-Unis) C'était demain, Paris, Seghers, 1980. Réédité en Livre de Poche (Poche Thriller, FOREWORD 7461), 1982, 477 pages .Ed. or.: Time After The following (partially international) Time, New York, Delacorte Press, 1979. bibliography is a list of novels and Roman de science-fiction: Jack l'Éventreur s'échappe dans la machine à voyager dans le anthologies inspired by the crimes of Jack temps de H. G. Wells et arrive à San the Ripper : historical mysteries, which follow the events of that bloody autumn of Francisco, au 20e siècle. Il est pourchassé 1888 (some propose an identity for the par Wells. Ce roman, qui combine à merveille le suspense et la science-fiction a killer), modern thrillers or serial killer novels with Ripper thematic inspired by inspiré le film de Nicolas Meyer, Time after the killer, speculative fiction, steampunk , Time, 1979. fantasy, etc. In alll cases there is a strong Jaclyn the Ripper, New York, Forge Boks, link to the Jack the Ripper events of 1888. EBooks are not considered. 2009, 336 pages. Suite de Time after Time : libéré de sa 2 prison par accident, et transformé en femme, Jack l’Éventreur est bien décidé à se venger de H. G. Wells et de sa bien-aimée Amy Catherine Robbins. ANDREWS, Mark (Etats-Unis) The Return of Jack The Ripper, New York, Leisure Books, 1977, 191 pages. A New York, des acteurs britanniques répétent une pièce sur la vie de Jack. Soudain, des prostituées sont assassinées et John Donnely doit enquêter. ANONYME Jack l'Eventreur, Paris, La Nouvelle fiction. Découvert (déterré) par Andy Aliffe. populaire (Les dossiers secrets du roi des Info: Casebook: Newsletter 11/24. (publié détectives), publiés par Fernand Laven, par Stephen P. Ryder, responsable d'un site 1908. Reproduit intégralement dans internet remarquable consacré à Jack Stéphane Bourgoin [opus cité à la fin de l'Éventreur [adresse ci-dessous] sous toutes cette liste], pp. 171-221. ces coutures (si je puis me permettre…ce Premier pastiche en français à opposer gag ripperien !). Sherlock Holmes et Jack l'Éventreur dont, by Jove, il va révéler la véritable identité ! Sherlock Holmes versus Jack the Ripper, CreateSpace Independent Publishing Die Blutbrüder von Whitechapel, Leipzig- Platform, 2014, 138 pages. R.: Ostra Verlag, 1921, 48 pages. Traduction (James A. Lovece) d’un pulp [Série Frank Allan, der Rächer der espagnol publié en 1930 dans lequel Enterbeten, band 29]. Sherlock Holmes s’attaque à l’Éventreur qui a fait 37 victimes ! Avec la couverture originale. Sar Dubnotal vs Jack the Ripper, Encino (CA), Black Coat Press, (French Horror ANSELL, Derek Books, no 23), 2012, 355 pages. Fascicules The Whitechapel Murders, Londres, Citron originaux publiés entre 1909 et 1910, Press, 1998, 230 pages. adaptés et traduits par Brian Stableford. Le Roman écrit à la première personne, qui fascicule no 10 a pour titre « Jack base son intrigue sur la culpabilité de James l’Éeventreur ». Sar Dubnotal est un des Maybrick, de Liverpool, auteur présumé du premiers détectives de l’étrange. "vrai/faux" journal de Jack l'Éventreur qui a d(efrayé) les manchettes à la fin des années The Whitechapel Murders: or, The 90. Mysteries of the East End , Londres,, Purkess, 1888, 48 pages. [publication sous APONE, Claudio (Italie, 1961-) forme de magazine, nos 1-5] Mio nonno Jack lo squartatore, Milan, Publié avant le meurtre de Mary Kelly (la Tascabili La Spiga. Paru aux Etats-Unis sous dernière victime), ce récit, qui met en scène le titre My Grandfather Jack the Ripper, un détective privé nommé Dick Ryder, New York, Herodias, 2001, 200 pages . mélange la réalité historique des faits et la 3 Roman fantastique: un jeune clairvoyant, BAILEY, Hillary (Angleterre, 1936 - ) doté de facultés psychiques exceptionnelles, The Cry from Street to Street, Londres, voyage dans le temps pour tenter de résoudre Constable, 1992, 192 pages. les meurtres de Jack l'Éventreur. [Roman L'histoire de Jack l'Eventreur racontée du pour jeunes] point de vue de Mary Kelly qui fut, du moins en apparence, la dernière victime (L'état APPLEGATE, Norm (né en Écosse, vit horrible dans lequel on retrouva son cadavre, aux États-Unis) littéralement mis en pièces, rendit toute Blood Bar : A Vampire Tale, Antelope identification formelle impossible) (CA), Black Bed Sheets Books, 2009, 324 pages. BAKER, Virginia (États-Unis) A New York, une détective de l’étrange est Jack Knife, New York, Jove Books, 2007, sur les traces d’une société secrète de 352 pages. vampires qui cherchent à se procurer le Roman de science-fiction. Deux voyageurs Testament Noir, un document sacré écrit par du temps américains, partis de l’an 2007 à la Jack l’Éventreur. recherche d’un compatriote, se retrouvent à Londres en 1888. Ils aident l’inspecteur ARLEN, Michael (Angleterre, 1895-1956) Jonas Robb à traquer Jack l’Éventreur. Pseudo. de Dikran Kuyumjian Hell! Said the Duchess (A Bedtime Story), BARING-GOULD, William Stuart Londres, Heineman, 1934 & New (Angleterre, 1913 -) York, Doubleday/Doran, 1934, 181 pages. Moi, Sherlock Holmes, Amiens, Encrage, Parodie dans laquelle le colonel (coll. Travaux, La Bibliothèque Holmé- Wineglas(sic…ou hic) mène l'enquête sur les sienne, 1), 1992, 222 pages. Réédition de activités de Jane the Ripper. Paris, Buchet-Chastel, 1965. Ed. or. : Sherlock Holmes: a Biography of the ASPRIN, Robert & Linda EVANS (États- World's First Consulting Detective, Unis) Londres, R. Hart-Davis, 1962, 284 pages. Ripping Time, New York, Baen Books, Au chapitre XV de cette biographie fictive, il 2000, 458 pages. est raconté comment Sherlock Holmes fut Troisième roman de science-fiction dans la agressé par l'Éventreur et sauvé in extremis série "Time Scout". Skeeter Jackson est à la par le fidèle Watson. recherche de la fille d'un sénateur qui a disparu à Londres à l'époque de Jack BARRY, John Brooks (Angleterre) L'Éventreur. The Michaelmas Girls, Londres, Andre Deutsch, 1975, 262 pages. AYCLIFFE, Jonathan (Irlande, 1949 - ) Christopher Keele, un travailleur social Pseudo. de Dennis MacEoin, alias Daniel oeuvrant dans le quartier de Whitechapel fait Easterman sa petite enquête. Il interroge les flic du La Chambre de Naomi, Paris, J'ai Lu, (coll. quartier, les journalistes, les gens du Fantastique, 5633), 2001, 222 pages. Ed. or.: quartier, les proches des victimes. Il tient un Naomi's Room, New York, HarperCollins, journal (fictif) qui est en fait le roman que 1991. nous lisons t qui colle aux faits connus. Le fantôme de Jack L'Eventreur est-il responsable des crimes commis dans une maison de Cambridge ? 4 BECKER, Benoît (France) Pseudo. de José-André Lacour & et Jean- Claude Carrière Le Chien des ténèbres, Paris, Fleuve Noir (Angoisse, 6) 1955, 225 pages. Ce roman, dont l'action se passe en partie dans les brouillards londoniens, est un hommage à Jack. BEDDOW, John Keith MS. Jack the Ripper, Santa Barbara, American University Science & Techno- logies Press, 2004. BELLEHUMEUR, Chantal, Canada Pulphouse, 1991. Just. Another. Common. Killer, Pittsburgh Edition en “paperback” de la nouvelle (PA), Rosedog Press, 2010, 168 pages. célèbre parue en 1943, dans les pages de Sous hypnose, Jack Huntington, âgé de six Weird Tales. Quelques mois après sa ans, raconte les crimes de l’Éventreur. parution, ce récit fut adapté et présenté dans une émission de radio très populaire. Puis BELLOCQ-POULONIS, Sophie (France) elle fut incluse dans l’anthologie The L’Affaire des vierges de glace, Paris, Mystery Companion. Elle fut présentée dans Éditions de l’Oeil du Sphinx, (les manuscrits d’autres émissions de radio et réimprimée d’Edward Derby), 2007. dans de nombreuses anthologies.Elle a été Pour résoudre l’épineuse affaire de Jack adaptée pour la télévision et publiée dans de l’Éventreur, L’inspecteur Lestrade fait appel nombreux pays dans le monde.
Recommended publications
  • The Wsfa Journal Tb , ;,;T He W S F a J 0 U R N a L

    The Wsfa Journal Tb , ;,;T He W S F a J 0 U R N a L

    THE WSFA JOURNAL TB , ;,;T HE W S F A J 0 U R N A L (The Official Organ of the Washington S. F. Association) Issue Number 76: April-May '71 1971 DISCLAVE SPECIAL n X Copyright \,c) 1971 by Donald-L. Miller. All rights reserved for contributors. The JOURNAL Staff Managing Editor & Publisher — Don Miller, 12315 Judson Rd., Wheaton, MD, USA, 20 906. Associate Editors — Art Editor: Alexis Gilliland, 2126 Penna. Ave., N.W., Washington, DC, 20037. Fiction Editors: Doll St Alexis Gilliland (address above). SOTWJ Editor: OPEN (Acting Editor: Don Miller). Overseas Agents — Australia: Michael O'Brien, 15>8 Liverpool St., Hobart, Tasmania, Australia, 7000 Benelux: Michel Feron, Grand-Place 7, B—I4.28O HANNUT, Belgium. Japan:. Takumi Shibano, I-II4-IO, 0-0kayama, Meguro-ku, Tokyo, Japan. Scandinavia: Per Insulander, Midsommarv.. 33> 126 35 HMgersten, Sweden. South Africa: A.B. Ackerman, POBox 25U5> Pretoria, Transvaal, Rep. of So.Africa. United Kingdom: Peter Singleton, 60W4, Broadmoor Hospital, Block I4, Crowthorne, Berks. RG11 7EG, England. Still needed for France, Germany, Italy, South Timerica, and Soain. Contributing Editors — Bibliographer: Mark Owings. Film Reviewer: Richard Delap. Book Reviewers: Al Gechter, Alexis Music Columnist: Harry Warner, Jr. Gilliland, Dave Halterman, James News Reporters: ALL OPEN (Club, Con­ R. Newton, Fred Patten, Ted Pauls, vention, Fan, Pro, Publishing). Mike Shoemaker. (More welcome.) Pollster: Mike Shoemaker. Book Review Indexer: Hal Hall. Prozine Reviewers: Richard Delap, Comics Reviewer: Kim Weston. Mike Shoemaker (serials only). Fanzine Reviewers: Doll Gilliland, Pulps: Bob Jones. Mike Shoemaker. Special mention to Jay Kay Klein and Feature Writer: Alexis Gilliland.
  • The Tarzan Series of Edgar Rice Burroughs

    The Tarzan Series of Edgar Rice Burroughs

    I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture.
  • Farmerfan Volume 1 | Issue 1 |July 2018

    Farmerfan Volume 1 | Issue 1 |July 2018

    FarmerFan Volume 1 | Issue 1 |July 2018 FarmerCon 100 / PulpFest 2018 Debut Issue Parables in Parabolas: The Role of Mainstream Fiction in the Wold Newton Mythos by Sean Lee Levin The Wold Newton Family is best known for its crimefighters, detectives, and explorers, but less attention has been given to the characters from mainstream fiction Farmer included in his groundbreaking genealogical research. The Swordsmen of Khokarsa by Jason Scott Aiken An in-depth examination of the numatenu from Farmer’s Ancient Opar series, including speculations on their origins. The Dark Heart of Tiznak by William H. Emmons The extraterrestrial origin of Philip José Farmer's Magic Filing Cabinet revealed. Philip José Farmer Bingo Card by William H. Emmons Philip José Farmer Pulp Magazine Bibliography by Jason Scott Aiken About the Fans/Writers Visit us online at FarmerFan.com FarmerFan is a fanzine only All articles and material are copyright 2018 their respective authors. Cover photo by Zacharias L.A. Nuninga (October 8, 2002) (Source: Wikimedia Commons) Parables in Parabolas The Role of Mainstream Fiction in the Wold Newton Mythos By Sean Lee Levin The covers to the 2006 edition of Tarzan: Alive and the 2013 edition of Doc Savage: His Apocalyptic Life Parables travel in parabolas. And thus present us with our theme, which is that science fiction and fantasy not only may be as valuable as the so-called mainstream of literature but may even do things that are forbidden to it. –Philip José Farmer, “White Whales, Raintrees, Flying Saucers” Of all the magnificent concepts put to paper by Philip José Farmer, few are as ambitious as his writings about the Wold Newton Family.
  • Historical Essays Excerpts

    Historical Essays Excerpts

    Excerpts from: Historical Essays By Deborah O'Toole Copyright ©Deborah O'Toole All rights reserved. No part of this document may be used or reproduced in any manner whatsoever without written permission from the author. HISTORICAL ESSAYS *EXCERPTS ONLY* By Deborah O'Toole ABOUT Deborah O'Toole is the author of several historical essays, which are now available in e-book format. The articles first appeared in Ambermont Magazine when Deborah was a staff writer for the publication. The essays include topics ranging from Billy the Kid, Anne Boleyn, Lizzie Borden, Michael Collins, Loch Ness Monster, U.S. Political Parties and Jack the Ripper. The essays are now available at Class Notes, or can be obtained from Amazon (Kindle), Barnes & Noble (Nook) and Kobo Books (multiple formats). For more, go to: https://deborahotoole.com/essays.htm 2 HISTORICAL ESSAYS *EXCERPTS ONLY* By Deborah O'Toole BILLY THE KID (excerpt only) William Henry McCarty (aka Billy the Kid) was born in New York in 1859. The actual day of his birth is still in question. Some claim it was November 23, 1859 while others (such as writer Ash Upson who helped Pat Garrett pen his memoirs), insist the date was November 21, 1859 (which also happened to be Upson's birthday). Whatever the case, it is generally agreed that William McCarty was born in late 1859. Several historians claim young William's real father was named Bonney, which may account for his use of the name as an alias in later years. Young William's mother, Catherine, later married a man by the name of Henry McCarty, who became the father of William’s younger brother, Joseph.
  • 1 a DOUBLE-EDGED SWORD: CULTURAL ENTREPRENEURSHIP and the MOBILIZATION of MORALLY TAINTED CULTURAL RESOURCES Elena Dalpiaz Imper

    1 a DOUBLE-EDGED SWORD: CULTURAL ENTREPRENEURSHIP and the MOBILIZATION of MORALLY TAINTED CULTURAL RESOURCES Elena Dalpiaz Imper

    A DOUBLE-EDGED SWORD: CULTURAL ENTREPRENEURSHIP AND THE MOBILIZATION OF MORALLY TAINTED CULTURAL RESOURCES Elena Dalpiaz Imperial College Business School Imperial College London South Kensington Campus London SW7 2AZ Tel: +44 (0)20 7594 1969 Email: [email protected] Valeria Cavotta Free University of Bolzano School of Economics and Management Piazza Università 1 39100 - Bozen-Bolzano Tel: +39.0471.013522 Email: [email protected] This is an Accepted Manuscript of an article forthcoming in "Innovation: Organization & Management”. 1 Abstract We aim to highlight a type of cultural entrepreneurship, which has received scant attention by prior scholarship, and consists in deploying morally tainted cultural resources, i.e., resources that some audiences assess as going against accepted principles of morality. We argue that this type of cultural entrepreneurship is a double-edged sword and explain how it may ignite active opposition of offended audiences, as well as attract supportive audiences. We delineate a research agenda to shed light on whether, how, and with what consequences cultural entrepreneurs navigate such a tension — in particular how they 1) mobilize morally tainted cultural resources and with what effect on offended audiences; 2) deal with the consequent legitimacy challenges; 3) transform moral taint into “coolness” to enhance their venture’s distinctiveness. Keywords: cultural entrepreneurship, morality, legitimacy, distinctiveness, cultural resources 2 Introduction Cultural entrepreneurship consists in the deployment of cultural resources to start up new ventures or pursue new market opportunities in established ventures (see Gehman & Soubliere, 2017 for a recent review). Cultural resources are meaning systems such as “stories, frames, categories, rituals, practices” and symbols that constitute the culture of a given societal group (Giorgi, Lockwood, & Glynn, 2015, 13).
  • May 12 #1 Scuttlebutt from the Spermaceti Press

    May 12 #1 Scuttlebutt from the Spermaceti Press

    Jan 12 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 158th birthday during the long weekend from Jan. 11 to Jan. 15. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at O'Casey's and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morning, followed by the usual lunch at McSorley's). The Baker Street Irregulars' Distinguished Speaker at the Midtown Executive Club on Thursday evening was Dr. Lisa Sanders, author of a "Diagnosis" col- umn for the N.Y. Times and the technical advisor for the television series "House, M.D."; the title of her talk was "Is Holmes Crazy As a Fox, or Just Plain Crazy?", and you will be able to read her paper in the next issue of The Baker Street Journal. The William Gillette Luncheon at Moran's was well attended, as always, and featured Donny Zaldin and Hartley Nathan in a Sherlockian "Carnac the Mag- nificent" skit and the Friends of Bogie's at Baker Street (Paul Singleton, Sarah Montague, and Andrew Joffe) in a Sherlockian tribute to the centenary of the sinking of the Titanic. The luncheon also was the occasion for Al Gregory's presentation of the annual Jan Whimsey award (named in memory of his wife Jan Stauber) for the most whimsical piece in The Serpentine Muse last year; the winner (Karen Murdock, author of "Do You Write Like Arthur Conan Doyle?") received a certificate and a check for the Canonical sum of $221.17.
  • „Yours Truly, Jack the Ripper”

    „Yours Truly, Jack the Ripper”

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Duisburg-Essen Publications Online „Yours truly, Jack the Ripper” Die interdiskursive Faszinationsfigur eines Serienmörders in Spannungsliteratur und Film Dissertation zur Erlangung des akademischen Grades Dr. phil. im Fach Germanistik am Institut für Geisteswissenschaften der Universität Duisburg-Essen Vorgelegt von Iris Müller (geboren in Dortmund) Erstgutachter: Prof. Dr. Jochen Vogt Zweitgutachter: Prof. Dr. Rolf Parr Tag der Disputation: 26. Mai 2014 Inhalt 1. Vorbemerkungen ..................................................................................... 4 1.1 Erkenntnisinteresse .............................................................................. 7 1.2 ‚Jack the Ripper‘ als interdiskursive Faszinationsfigur .......................... 9 1.3 Methodik und Aufbau der Arbeit ......................................................... 11 2. Die kriminalhistorischen Fakten ........................................................... 13 2.1 Quellengrundlage: Wer war ‚Jack the Ripper‘? ................................... 13 2.2 Whitechapel 1888: Der Tatort ............................................................. 14 2.3 Die Morde .......................................................................................... 16 2.3.1 Mary Ann Nichols ................................................................................................ 16 2.3.2 Annie Chapman ..................................................................................................
  • Uncle Hugo's Science Fiction Bookstore Uncle Edgar's Mystery Bookstore 2864 Chicago Avenue, Minneapolis, MN 55407

    Uncle Hugo's Science Fiction Bookstore Uncle Edgar's Mystery Bookstore 2864 Chicago Avenue, Minneapolis, MN 55407

    Uncle Hugo's Science Fiction Bookstore Uncle Edgar's Mystery Bookstore 2864 Chicago Avenue, Minneapolis, MN 55407 Newsletter #99 September-November 2012 Hours: M-F 10 am to 8 pm Sat. 10 am to 6 pm Sun. Noon to 5 pm Uncle Hugo's 612-824-6347 Uncle Edgar's 612-824-9984 Fax 612-827-6394 E-mail: [email protected] Website: www.UncleHugo.com Used Book Sale Every year our supply (oversupply) of used books gets larger. We're having a used book sale to try to reduce our supply. All used books will be 20% off, whether you have a discount card or not. The sale includes used paperbacks, used hardcovers, used magazines, used gaming books, and bagged books. Because we have so many used audiobooks, we will be selling all used audiobooks at $5.00 each, whether cassette or CD. The sale runs from Friday, September 7, through Sunday, September 16. That gives you two weekends to take advantage of the sale. This sale will be for customers shopping in the store–it does not apply to mail orders. If you're thinking about bringing in lots of used books to sell to us during the sale, expect a longer than normal wait. Author Events (at Uncle Edgar's) Monday, August 27, 5-6pm: William Kent Krueger - Trickster's Point Author Events (at Uncle Hugo's) Tuesday, September 18, 5-6pm: Larry Correia - Monster Hunter Legion Saturday, November 3, 1-2pm: Lois McMaster Bujold - Captain Vorpatril's Alliance Holiday Schedule Monday, September 3: Closed Thursday, November 22: Closed How's Business? By Don Blyly Around August 1 a customer on the way out of the store thanked me for managing to keep the store open in spite of all the problems.
  • WSFA Journal 68

    WSFA Journal 68

    • T' H' E 1 ’ W S F A ’ J 0 £’ K 14 A’ L (The* Official Organ of the Washington Science Fiction Assoc*) Issue Number 68? Aug./Sep., 1969 The JOURNAL Staff — : ' Editor &•Publisher: Don Miller, 12315 Judson Rd., Wheaton, ............ ;................ Maryland, U.S.A., 20906. ' Associate Editors: Alexis & Doll Gilliland, 2126 Pennsyl- ..................................vania Ave., N;W., Wash., D.C., 20037. Contributing Editors: . Art Editor,—s Alexis Gilliland. • . Bibliographer — Mark Owings. • Book Reviews — Al Gechter, Alexis Gilliland, David Halterman, Ted Pauls. - • Convention Reporter — J.K. Klein Fanzines — Doll Gilliland. Film Reviewer — Richard Delap. Pro zines — Banks Mebane. Pulps -- Bob Jones. •’ Other Media — Ivor Rogers. 1((NOTE: Send material'for ■■■ v those1 persons for whom Consultants: ‘ ; addresses are not listed Archaeology — Phyllis Berg. • $Don Miller (address Astronomy — Joe Haldeman. , above). Addresses will Biology — Jay Haldeman. be published in revised Chemistry — Alexis Gilliland. INFORMATION SHEET. — ed.)) Computer Science — Nick Sizemore. Electronics — Beresford Smith. Mathematics — Ron Bounds, Steve Lewis. Medicine — Bob Rozman. ;\ ... Mythology — Thomas. Burnett Swann, David Halterman. • Physics — Bob Vardeman. • > Psychology — Kim Weston. \ . - • ■ : Translators: ................ French — Steve Lewis, Gay Haldeman. German’— Nick Sizemore, Steve Lewis.. Italian. — OPEN. Japanese -- OPEN. Russian — Nick Sizemore. Spanish — Gay Haldeman, Joe Oliver Swedish — OPEN. Overseas Agents: Australia — Michael O’Brien, 158 Liverpool St., Hobart, Tasmania, Australia, 7000. South Africa — A.B. Ackerman, PiO. Box 6, Daggafontein, Transvaal, South Africa. " United Kingdom — Peter Singleton, 60hh, Block h, Broadmoor Hosp., Crowthorne, Berks. RG11 7EG, U.K. Needed for France, Germany, Italy, Scandihavia, Spain, and South America. ? . ”• / • ; ' ' ' ■ Bi-monthly. This issue f?O0 (hs) * Sub. rates: U.S.t 3/&1.10, 6/$2, 10/$3» UK: 3/10s, 7/20s.
  • Jack the Ripper in Film and Culture

    Jack the Ripper in Film and Culture

    Jack the Ripper in Film and Culture Top Hat, Gladstone Bag and Fog Clare Smith General Editor: Clive Bloom Crime Files Series Editor Clive Bloom Emeritus Professor of English and American Studies Middlesex University London Since its invention in the nineteenth century, detective fi ction has never been more popular. In novels, short stories, fi lms, radio, television and now in computer games, private detectives and psychopaths, poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fi ction. Every aspect of crime writing, detective fi ction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. More information about this series at http://www.springer.com/series/[14927] Clare Smith Jack the Ripper in Film and Culture Top Hat, Gladstone Bag and Fog Clare Smith University of Wales: Trinity St. David United Kingdom Crime Files ISBN 978-1-137-59998-8 ISBN 978-1-137-59999-5 (eBook) DOI 10.1057/978-1-137-59999-5 Library of Congress Control Number: 2016938047 © The Editor(s) (if applicable) and The Author(s) 2016 The author has/have asserted their right to be identifi ed as the author of this work in accor- dance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright.
  • Music & Entertainment

    Music & Entertainment

    Hugo Marsh Neil Thomas Forrester Director Shuttleworth Director Director Music & Entertainment Tuesday 18th & Wednesday 19th May 2021 at 10:00 Viewing by strict appointment from 6th May For enquires relating to the Special Auction Services auction, please contact: Plenty Close Off Hambridge Road NEWBURY RG14 5RL Telephone: 01635 580595 Email: [email protected] www.specialauctionservices.com David Martin Dave Howe Music & Music & Entertainment Entertainment Due to the nature of the items in this auction, buyers must satisfy themselves concerning their authenticity prior to bidding and returns will not be accepted, subject to our Terms and Conditions. Additional images are available on request. Buyers Premium with SAS & SAS LIVE: 20% plus Value Added Tax making a total of 24% of the Hammer Price the-saleroom.com Premium: 25% plus Value Added Tax making a total of 30% of the Hammer Price 10. Iron Maiden Box Set, The First Start of Day One Ten Years Box Set - twenty 12” singles in ten Double Packs released 1990 on EMI (no cat number) - Box was only available The Iron Maiden sections in this auction by mail order with tokens collected from comprise the first part of Peter Boden’s buying the records - some wear to edges Iron Maiden collection (the second part and corners of the Box, Sleeves and vinyl will be auctioned in July) mainly Excellent to EX+ Peter was an Iron Maiden Superfan and £100-150 avid memorabilia collector and the items 4. Iron Maiden LP, The X Factor coming up in this and the July auction 11. Iron Maiden Picture Disc, were his pride and joy, carefully collected Double Album - UK Clear Vinyl release 1995 on EMI (EMD 1087) - Gatefold Sleeve Seventh Son of a Seventh Son - UK Picture over 30 years.
  • Download the Digital Booklet

    Download the Digital Booklet

    ammer was the first film production company to exploit the ‘adults only’ X certificate for the purpose of horror entertainment. Not that everybody in late H1950s Britain saw the company’s innovative brand of Grand Guignol as entertainment. Detached eyeballs, severed limbs and splashes of Eastmancolor gore were eminently censorable, leaving some films so compromised that modern audiences struggle to see what all the fuss was about. The film’s scores, however, usually escaped the attention of those who struggled to keep up with the pace of cultural change. Hammer’s production design was noted for its elegance, and the actors the company employed were commendably understated, but composers and conductors usually appreciated that there was little call for subtlety in Hammer’s underlying approach. The posters proclaimed that these films were designed to shock, and as soon as the house lights dimmed it was the job of the theme music to heighten that anticipation. In the early years of Hammer horror the scores commissioned by John Hollingsworth and written by the prolific James Bernard were bombastic, doom- laden affairs, establishing Bernard’s trademark of echoing the syllables of the film’s title in the musical phrasing of the theme. The most famous example of this approach can be heard in the score for Dracula (1958), elements of which would be reprised numerous times up to and including The Legend of the 7 Golden Vampires (1974). Bernard’s association with Hammer typecast him in the eyes of the snobbish film establishment, but under the baton of Hollingsworth’s successor, Philip Martell, he would prove his versatility with more lyrical themes for She (1965) and Taste the Blood of Dracula (1970).